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how did you use media technologies in the construction, research, and planning and evaluation stages?

Jun 03, 2018

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  • 8/12/2019 how did you use media technologies in the construction, research, and planning and evaluation stages?

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    Question Four: how did you use media technologies in the construction, research, and planning and evaluation

    stages?

    Research and planning for our documentary was extensive, it built up our general knowledge and documentaries

    and helped us be more precise and create a documentary specifically tailored to the chosen topic. Technologies

    played a big part in the research phaseof the process.

    We managed our research by planning what members of the

    group would tackle what tasks, the plan was fairly simple. We

    created it using word, instead of emailing I opted to print out

    copies for each member. A mixture of both computer and

    paper based planning. These proved to be effective as it

    helped each member of team when not together to manage

    time and be reminded of what tasks should be completed to

    contribute to the overall blog.

    Ensuring our knowledge of the chosen topic area was

    important; it contributed to the overall contribution of

    ideas such as structuring our information at the

    construction stages, as we all had similar vision of what we wanted our

    documentary to look like. As our topic was Violent Crime, searches tended to be:

    Violent Crime statistics in Britain / BBC News Violent Crime / UK Violent Crime

    documentaries / Important UK Violent Crime facts / UK Crime 2013 helping us

    research relevant information that would restrict us from straying to farm from the topic

    of Violent Crime. We used news sites and paid attention to the date of which certain

    articles may have been published. Our general browser was Safari, using Google Chrome

    and gathering information from News Sites such as BBC News and The Telegraph. If information was

    interesting and we felt it could be used in the documentary, each of us made a note of this in Microsoft Word.

    Research was carried out in the early stages of focusing on Documentaries,

    this was to not only help us make sure that the broadcast channel was right

    for us, but also to analyse conventions and make note of popular trails that

    come up. The internet and programmes available such as YouTube, Vimeo,

    BBC IPlayer proved helpful when research specific types of documentaries or

    documentaries we were already family with.

    As shown, Blogger holds all our research and each individual member have

    uploaded their own contributions to research as a whole. The blog was veryuseful; it enables us to reflect on previous work completed. For example

    using data from the previously uploaded questionnaires.

    Action Plan for filming.

    What the blog dashboard looks like. Here is an

    archive of previously published work, the site

    allowing us to import work from embedding,

    the work then becomes interactive on the blog.

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    Out of focus shot, using the

    still feature on the camera.

    The planning stage for filming was essential for our production running smoothly. Our research up to this stage

    allowed us to have a set idea of where we wanted our documentary to go and the type of shots we needed to use.

    One thing I knew we would have to record was the interviews, but ensuring that one interview was of high quality

    and would have to be organised beforehand.

    For this, I used our colleges internal website

    called Tyber. This allowed me to message a

    teacher for one of our interviews.

    To record our footage, a Canon HD camerawas used. This piece of media technology really helped us get the shots we planned on taking. The camera was

    lightweight and very mobile, on the camera it had features that allowed us to adjust to the type of environment we

    were in, in order to get the best quality shot. For example the white balance adjustment; this function allows us to

    compensate for difference colours of light being emitted by difference light sources. The Canon also had different

    functions; prior to filming we had a short introduction learning how to effectively use the camera. We learnt how to

    adjust the focus; this allowed us to get professional level shots.

    All of collected footage was uploaded onto the Mac computers,

    where it was stored into a project specific folder ready for us at

    the construction stage of editing.

    Whilst filming we ensured we carried a tripod with us on almost

    every day of filming. As our documentary

    consisted of limited hand held shots, we

    needed to make good use of the tripod in

    order to record professional footage. Needed

    a tripod was easily justified, a well set up tripod will enhance the sharpness of our shot, improving the picture quality

    much more than a hand held shot would. In our interviews the use of the tripod enabled us to have great precision

    when framing someone. We could pan in order to follow the rule of thirds rule appropriately and the tripods height

    could be adjusted to ensure the interviewee was

    positioned correctly in the frame, many of our

    framed shots link in with the storyboard plans

    drafted our before production.

    Without a Tripod at hand it would have been

    difficult to record lengthy interviews with the

    stability achieved on the Tripod.

    The Canon camera itself allowed for external

    inputs. That enabled us to insert our cords to

    record sound. The equipment used to record our

    sound was similar to the Boommicrophone. Most sound recording in this case was single system

    which consists of both visuals and sound being recorded from the same camera. However it had great

    range and could be held in hand or rested on a surface. We had to ensure we controlled the distance

    After he confirmed that he was available for an

    interview, I sent him beforehand the questions I

    would like to ask, in order for him to have an

    idea of what would be asked and prepare a

    better quality response.

    http://auditorydimensions.wordpress.com/2010/03/14/types-of-microphones-in-film/http://auditorydimensions.wordpress.com/2010/03/14/types-of-microphones-in-film/http://auditorydimensions.wordpress.com/2010/03/14/types-of-microphones-in-film/http://auditorydimensions.wordpress.com/2010/03/14/types-of-microphones-in-film/
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    Log and transfer

    Log and transfer window

    Footage yet to be edited.

    Dissolve and Cross Dissolve present.

    between the mic and subject as the difference in sound was noticeable and fluctuations in audio levels could be

    heard if poor awareness was shown to distance. To ensure at all time

    that sound levels were correct we input headphones which gave us an

    accurate indication of what our sound would sound like.

    On the other hand regarding the voiceover it was important that we

    paid a lot of attention to this. Our voiceover was a double system in

    which a devices main purpose is just to record sound where it can beadded to visuals during post production (Editing). My voice was the

    voiceover and in order to ensure I had the best quality an empty room

    Was found, this reduced the likely hood of ambience being picked up in the background.

    Before recording the voiceover, a script was drafted out that matched our storyboard draft in

    order to help us gage what would have to be said, adjustments

    could be made to the script if need be, it was fairly simple to import audio for use

    on the apple macs.

    Editing

    Once sound had been imported to the Macs, it was time to

    edit all of our work together. The media technology available to us was Final Cut Express,

    an editing programme.

    Before any of our research and planning could take effect, we had to log and transfer any

    collected work both audio and visuals. In the log window the option was available to

    separate wanted and unwanted clips, you could select the clips you wish to import, and

    this would then transfer into the transfer window and be ready for use. The

    clips then appeared in a window that

    consisted of unedited footage, which were now

    available for edit.

    Unawareto our teachers, we were around 2 weeks

    into editing; however it appeared to me that the

    documentary did not follow conventions of our style

    of documentary. In research we knew that it had to be edited chronologically, however

    the flow of footage did not follow this convention. So I asked the group if they

    were happy to restart the editing process and they were happy to do so.

    This editing programme really allowed us to be creative with any potential ideas we

    thought may work, research and planning continued throughout the editing process. Often if I found us stuck for

    ideas I would use YouTube or Google to find clips from documentaries.

    Much of our editing consisted of simple cuts and fades from shot to shot. Transitions such as cross dissolve

    seemed appropriate. It wasnt too extreme, but it indicated to the viewer that a smooth transition was present. The

    transition could simply be dragged onto the timeline between separate clips and would automatically complete the

    transition for you.

    A prominent convention we followed throughout was theoverlapping of clips, this allowed for one clip to

    continue playing and you can play relevant footage

    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    Razor Blade Tool

    Screenshot of Timeline

    The solution you can see the transition

    and where the grey box takes control.

    Title intro

    Interview Names

    Presenting Statistics

    on top of that. I.e. our interview (2.40 minutes)

    With the razor blade tool this was made much easier. This tool allowed us to clip scenes much more closely

    with the help of being able to zoom into the timeline. If there were any sound levels or clips we were

    unhappy with, we could simply clip each side of the clip and delete. This proved effective at the latter

    stages of post-production, ensuring that the documentary flowed and limited any pauses in voiceovers or

    faults in sound.

    On a particular clip we had problems with audio that we were unaware of to begin with, it was only

    once the file was imported to the mac that and the audio was played back that I realised the issue.

    Where one song fades out there was

    a noise, therefore I had to use a

    cross fade overlapped with the

    pen tool fadein order to get the

    clips audio to fade and crossover,

    but gradually and controlled.

    If you look closely, you will notice how I have already began the crossover using the pen tool (pink line) however

    once the fade enters the grey box, the Final Cut feature will then control the fade for

    me, ensuring the transition in sound is smoother than what could have been achieved

    with the pen tool.

    Overall sound levels were relatively simple to control, a

    playback of a section allowed you to listen back to any

    adjustments you may have made to clips. If a clip was too

    quiet, the pink line could be increased which increased the decibels increasing the sound of that clip and

    vice versa.

    Text was added throughout our documentary, examples of this can be found where we added interviews

    names, presenting statistics to the viewer using a simple white text on black background and the introduction

    of our documentary, where we edited the title of the documentary to zoom towards the viewer.

    No text effects were used as such, however I chose to manipulate the path the text would take. This was made

    achievable through editing. The use of white text on a black background meant that the text stood out and there

    was nothing to distract the viewer from what was on the screen. The on screen text was synced to come onto the

    Pen Tool

    http://www.youtube.com/watch?v=oPmSg-9MeyUhttp://www.youtube.com/watch?v=oPmSg-9MeyUhttp://www.youtube.com/watch?v=oPmSg-9MeyUhttp://www.youtube.com/watch?v=oPmSg-9MeyU
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    Unedited audio files.

    Different song choices selected for different sections of our documentary.

    screen at a similar point the voiceover mentioned a relevant fact. This lead to a much cleaner sounding and visual

    documentary.

    Our biggest demonstration of creativity and constructing something that would hold the viewers attention stemmed

    from an external programme called PowToon. This programme allowed me to select specific fonts and animations

    that could be used in a creative animated way to present information, often referred to as info graphics.

    Again I ensured that both audio and visuals were synced together in order to produce a clean section of our 5

    minutes, I was pleased with this animation this piece of media technology, although it was not in the initial

    storyboard plan, the constant research through the construction phase gave me this idea and I feel it contributed

    positively, more than the initial idea in our storyboard.

    Final cut overall was perfect for the main task we had to complete; our documentaries were not that of a film so we

    didnt need software such as Sony Vegas Pro, which is industry standard. But Final Cut didnt restrict what was

    possible to achieve, any idea we thought of there was a way of realistically putting it into practise with

    the shots we had collected.

    Once we felt the general structure of our documentary was in place, we then focused on

    ensuring voiceover and music was as smooth as possible. As referred to above, our

    voiceover was recorded on a device, the process of transferring this to Final cut was

    simple, and we could simply drag and drop the audio file from our storage folder, a

    shorter step than the log and transfer. Once the file was available, it was placed on the

    timeline in relation to what was going on onscreen.

    The final thing we added to our documentary was the sound, as this was not created

    in garage band but found and downloaded from Vimeo (creative commons, music for non-

    commercial use) the process for us whilst made simpler. However creative commons proved

    to be very effective and saved us much time. This external media technology didnt require us to construct beats for

    our documentary, from our research and planning we knew what type of music we needed at different sections of

    the documentary, we learnt this from watching documentaries of similar styles such as Reggie Yates Teen

    Gangs; it was a case of locating a similar sound that would fit into our documentary.

    Vimeo (creative commons)

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    Radio Trailer

    Our whole radio trailer was constructed in Final Cut express. The procedure was fairly simply; we knew that from

    research prior to the editing that we wanted noticeable music used in our documentary to carry across into our

    Radio Trail. Therefore we simply opened a new sequence and dragged and dropped our audio file (background

    music) onto the timeline. We then used the razor tool referred to above to snip the music to around 50 seconds,

    ensuring we use the most noticeable part of the track. The music was upbeat and the use of Vimeo again proved

    beneficial.

    Our voiceover script was planned and drafted and

    constructed before; we used Microsoft word for this and

    printed out the script for me read out. For our research

    we focused on relative examples of what we felt was

    achievable to replicate, examples of this research can be

    found onBlogger. The file was exported to Sound Cloud,

    an external programme that allows you to upload audio

    files in order for playback.

    As our background music contained no lyrics, we

    had no problem in dealing with the overlapping

    sounds. The audio from the background music

    could be controlled again using the pen tool; here

    we could simply move the pink line higher up to

    increase volume or lower down to decrease

    volume. However we found that the audio tended

    to be left on one level for the whole 47 seconds.

    Once this was complete and uploaded to

    Sound cloud, we could click the share

    option, then copy the embedtext and paste

    this onto our blog.

    Embed code on Blogger, pasted from SoundCloud.

    Music volume set to one level.

    Sound Cloud website, the upload option can be seen.

    http://a2colc3.blogspot.co.uk/2013/10/radio-trail-analysis-radio-comedy-show.htmlhttp://a2colc3.blogspot.co.uk/2013/10/radio-trail-analysis-radio-comedy-show.htmlhttp://a2colc3.blogspot.co.uk/2013/10/radio-trail-analysis-radio-comedy-show.htmlhttp://a2colc3.blogspot.co.uk/2013/10/radio-trail-analysis-radio-comedy-show.html
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    Drop cap tool,here you can see how the arrow allows you

    to set how many lines down you want the letter to be.

    Currently set to zero, we planned and set ours to 4,

    something that was popular amongst Radio Times published

    Four lines down.

    The drop cap could be found under

    the FX tool.

    wrap tool brought up guideline in which the image could be stretched/reduced in size.

    Many conventions of Radio Times and other publishers I was aware of during the construction process. I knew that

    they used conventions such as the Drop capat the start of paragraphs (usually the opening) this was something I

    chose to replicate as it has almost became iconic for print based magazines. The drop cap found across many

    different types of magazines. We were able to manipulate the first letter of a word using the drop cap tool available

    to us using Adobe Indesign.

    For the masthead a drop effect was added, this helped lift the text

    from the page in order to attract the viewer. I felt this choice

    worked well, a popular convention found during research.