Home Work 5

Introduction The region-Chikatsu Asuka was the scene of the events that have marked the

earliest period of Japanese history. They were discovered more than two hundred burial mounds including four imperial tombs.

The museum stands in the middle of the tombs dating from the centuries II to VII, and is dedicated to culture Kofun as evidence of major historical events.

Situation The museum is located in the archaeological park Fusoki-no-Oka, region-Chikatsu

Asuka in the southern part of Osaka. The building is in the middle of the park, digging area, housing the remains were discovered in the same place.

Chikatsu Asuka Historical Museum

Minimalism

Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is set out to expose the essence or identity of a subject through eliminating all non-

essential forms, features or concepts. Minimalism is any design or style in which the simplest and fewest elements are used to create the maximum effect.

As a specific movement in the arts it is identified with developments in post–World War II Western Art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with this movement include Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Anne Truitt, and Frank Stella. It is rooted in the reductive aspects of Modernism, and is often interpreted as a

reaction against Abstract expressionism and a bridge to Postminimal art practices. The terms have expanded to encompass a movement in music which features repetition and iteration, as

in the compositions of La Monte Young, Terry Riley, Steve Reich, Philip Glass, and John Adams. Minimalist compositions are sometimes known as systems music.The term "minimalist" is often applied

colloquially to designate anything which is spare or stripped to its essentials. It has also been used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the stories of Raymond Carver, and even the automobile designs of Colin Chapman. The word was first used in English in the

early 20th century to describe the Mensheviks.[1][vague]

The Parc de la Villette is one of the largest parks in Paris, located at the northeastern edge of the 19th

arrondissement. The park houses one of the largest concentration of cultural venues in Paris, including the Cité des Sciences et de l'Industrie (City of Science and Industry), Europe's largest science museum, three

major concert venues and the prestigious Conservatoire de Paris. Parc de la Villette is served by Paris Métro stations Corentin Cariou on Line 7 and Porte de Pantin on Line

5.

History The park was designed by Bernard Tschumi, a French architect of Swiss origin, who built it from 1984 to 1987 on the site of the huge Parisian abattoirs (slaughterhouses) and the national wholesale meat market, as part of

an urban redevelopment project. The slaughterhouses, built in 1867 on the instructions of Napoléon III, had been cleared away and relocated in 1974. Tschumi won a major design competition in 1982–83 for the park,

and he sought the opinions of the deconstructionist philosopher Jacques Derrida in the preparation of his design proposal.

Since the creation of the park, museums, concert halls, and theatres have been designed by several noted contemporary architects, including Christian de Portzamparc, Adrien Fainsilber, Philippe Chaix, Jean-Paul

Morel, Méziane Azaïche, and Jean Nouvel, in addition to Mr. Tschumi.

Parc de la Villette

Bernard Tschumi

Bibliothèque nationale de France

On 14 July 1988, President François Mitterrand announced the construction and the expansion

of one of the largest and most modern libraries in the world, intended to cover all fields of

knowledge, and designed to be accessible to all, using the most modern data transfer

technologies, which could be consulted from a distance, and which would collaborate with other

European libraries. Surprisingly, the library does not maintain a wireless network. In July 1989,

the services of the architectural firm of Dominique Perrault were retained. The construction was

carried out by Bouygues.[7] Construction of the library ran into huge cost overruns and technical

difficulties related to its high-rise design, so much so that it was referred to as the "TGB" or "Très

Grande Bibliothèque" (i.e. "Very Large Library," a sarcastic allusion to France's successful high-

speed rail system, the TGV).[8] After the move of the major collections from the rue de Richelieu,

the National Library of France was inaugurated on 15 December 1996.[9] It contains more than

ten million volumes.[citation needed]

The library retains the use of the rue de Richelieu complex for some of its collections.

المراجع

http://www.wikipedia.org/ http://www.google.com.sa/