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8/14/2019 HE Overdrive Manual-Long
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Vienna Symphonic Library
Horizon SeriesOverdrive
Performance Distortion Guitar
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Contents
© 2003 Vienna Symphonic Library GmbH p 2/44
Contents
Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Getting started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3TASCAM GigaStudio/GigaSampler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Emagic EXS24 mk II. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4The Mapping List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Category and instrument names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Controllers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Abbreviations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Overdrive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 700 EG_BASIC-SET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
01 EG_SHORT-NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
02 EG_LONG-NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
03 EG_LONG-NOTES_looped . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
04 EG_FLAGEOLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2305 EG_FX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
06 EG_PHRASES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
07 EG_PERF-LEGATO. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
08 EG_PERF-LEGATO_marcato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
09 EG_PERF-LEGATO_ha-pu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
10 EG_PERF-BEND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
11 EG_PERF_SUB-REP_8-100. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
12 EG_PERF_REP_8-100 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
13 EG_PERF_REP_16-100 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
14 EG_PERF_REP_16-140 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
15 EG_PERF_REP_power-chord_8-100 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
16 EG_PERF_REP_mute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4217 EG_REPETITION_fast. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
18 EG_REPETITION_fast-fx . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
19 EG_RUNS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
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Introduction
© 2003 Vienna Symphonic Library GmbH p 3/44
IntroductionWe congratulate you on your decision to purchase the first amplified instrument of the Vienna Symphonic Library. You now own part of the
most comprehensive sample library that has ever been created. But, while the size and scope of this library are formidable, we made
effort to keep the structure as intuitive as possible.
We’ve also taken great care to record these samples. After a full two years of recording nothing but“symphonic” instruments, that (of
course) are not amplified, we applied the knowledge and experience gained during this period to create a Total Distortion Guitar that gives
you all the flexibility and sound that are trademarks of the Vienna Symphonic Library.
All of the samples were recorded in stereo, and as you can surmise from our setup, the mixture of handpicked equipment and a modern
7-string guitar helps to create a powerful sound throughout the whole range of the guitar. You will find al l of the playing styles necessary
for solo-parts and rhythm-guitars, the missing links between mere sampling and real rock performance.
RegistrationIf you want to download the Performance Tool and receive other benefits from www.vsl.co.at, please register at our website!
To do so, go to www.vsl.co.at/user. If you are a registered user already, just enter your user name and password. If you purchased your
product in a music shop or from one of our international distributors, enter your e-mail address and the password of your choice to
register.
Once you’re logged in, you can register your product(s) by selecting the Product Registration menu. Enter the serial number which is
printed on the back sleeve of the DVD case. Then click on the Register button.
Support for further platforms in the form of sidegrades (currently, Tascam GigaStudio or Emagic EXS24 mk II are available) can be
acquired in our online shop and will be registered on purchase.
Getting started
TASCAM GigaStudio/GigaSampler
Installation
The files on the DVD are packed as self-extracting files. To extract a file’s contents, simply double-click on it and specify a target folder on
your hard disk where the extracted files should be copied to. To extract single files from a packed file, use WinRar (included on DVD) to
open the archives. Some of the files are larger than 1 GB, so make sure there is enough space on your disk. For a better overview,
keeping the default directory structure of the DVD is recommended. The disk or folder where the .gig fi les are placed must be selected in
Giga’s “Quicksound – Advanced” settings.
Loading .gig files
GigaStudio/GigaSampler has its own display of active drives and directories. Here, you can access the fi les of the library. Clicking on the
“+” sign next to a filename will display the instruments it contains. You can make your selection by double-clicking on the instrument name
(loads into the next free channel) or dragging it to the channel you want. Due to the size of most of the .gig files you might run into
computer memory trouble if some instruments are already loaded and you try to load an entire file.
Description instruments
In every .gig file, there are a number of description instruments. These are written in capitals and do not contain any samples. They only
serve to identify the contents of a given .gig fi le more clearly. If you load an entire file that contains BASIC INSTRUMENTS, for example,
this description instrument will be loaded into the channel, and you will not hear anything until you select a real instrument from Giga’s
“Loaded Instruments” display. The description instruments are further explained below.
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Category and instrument names
© 2003 Vienna Symphonic Library GmbH p 4/44
Emagic EXS24 mk II
Installation
The files on the DVD are packed as self-extracting files for PC. To extract them on PC, simply double-click on a file and specify the target
folder; or use WinRar (included on every DVD) to extract single files. To extract them on the Mac, use StuffIt Expander v6.0 or higher.
Drag the files onto the StuffIt Expander icon and specify the target folder.
Extract the content of the “Sampler Instruments” folder on the DVD to the “Sampler Instruments” folder in the Logic Audio directory. The
instruments will appear automatically in the EXS24 instrument display the next time you launch Logic Audio.
Important for Mac users: Do NOT create any further subdirectories. Mac OS/EXS24 allows a maximum of 5 directory levels, which are
already taken up by the file structure of this sample library. The creation of further subdirectories will result in their instruments not
appearing in the EXS24 display.
The “VSL Samples” folder, which contains the .wav files, can be extracted to one or more sufficiently fast hard drives.
The more hard drives that are attached to the system, the longer the loading time for single instruments will become. Therefore, we
recommend unmounting any hard drive that is not in use. Note for Mac users: PC-Exchange formatted hard drives will multiply the loading
time by a factor of 10 to 15.
Basic folder structure
The sample library is structured hierarchically throughout. This means that within the “VSL Samples” there is a main folder for the
Performance Distortion Guitar data. This directory contains subdirectories for playing techniques, e.g. “01 EG_SHORT-NOTES”. The
playing techniques directories are then subdivided into patch category directories which will be described under Category and
instrument names below.
The Mapping List
The mapping list gives descriptions of the contents of your library. In the abridged manual, every instrument’s bank number, program
number (for GigaStudio), and mapping range are listed. The full manual (.pdf file on DVD) also contains information concerning Giga RAM
usage, sample counts, and brief descriptions of every patch.
Similar instruments that, e.g., differ only in speed and have consecutive program numbers will be comprised in one description with the
name changes in brackets; e.g., “EG_feed-fx_soft (hard/bow)” for feedback samples played soft, hard, and with a bow. If the instrument
mapping differs from that of a normal chromatic instrument, the keyboard layout will be shown in an illustration. Combinations alsocontain key switch and modwheel information.
Differences between GigaStudio/GigaSampler and EXS24 mk II
Due to the differences between TASCAM GigaStudio and Emagic EXS24 mk II, some instruments may not be available in one or the other.
EXS24 does not support release control, but allows more dimensions, so that “_all” instruments for EXS24 will sometimes contain more
patches. Where such instruments dedicated to only one of the platforms appear, the entries will be marked separately with either “Giga”
or “EXS”.
Bank and Program numbers do not apply to EXS instruments because of the different structure of the EXS database.
The mapping range of EXS instruments generally is an octave lower than indicated, due to EXS’ Middle C assignment. The mapping list
gives the ranges for GigaStudio/GigaSampler; for EXS, one simply has to transpose these down by one octave.
RAM requirements for EXS instruments cannot be determined as easily as in GigaStudio; but basically, one can assume that an EXSinstrument will not require more RAM than its Giga counterpart does.
Category and instrument names
TASCAM GigaStudio/GigaSampler
The instruments contained in the files are named and sorted according to the following criteria:
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Controllers
© 2003 Vienna Symphonic Library GmbH p 5/44
For every main group, there are description instruments. These are written in capital letters and do not contain any samples. They should
only help you to quickly find the proper section.
Generally, one should only load sounds from the quicksound database, as one will hardly ever need the full number of instruments
contained in a file, and some of the files really are quite large.
Emagic EXS24 mk II
The instrument folders contain descriptive subdirectories according to the type of patches they contain. These are intended to help you
get your bearings within the structure of the library, so that you can easily find what you need.
The description instruments / folders are:
BASIC INSTRUMENTS
These contain all basic instruments without combinations – no key switches, modwheels, release triggers, etc. All combinations and
variations in the following categories are based on the BASIC INSTRUMENTS.
BASIC COMBINATIONS
In Performance sets, this heading replaces “basic instruments” since the instruments contained are already combined. Combinations and
variations in the following categories are based on BASIC COMBINATIONS.
RELEASE TRIGGER
Instruments marked with the extension “+RS” have release samples added which are triggered upon releasing the key, thus providing a
natural release instead of the quick fade typical of an envelope release.
RELEASE CONTROLL
These allow control of the instrument’s release with the modwheel. Please note: release control instruments are only available in
GigaStudio/GigaSampler.
COMBINATIONS
Combinations of different BASIC INSTRUMENTS selected via key switch and/or modulation switch.
Two-instrument combinations are marked with a “+” sign between the instrument names. Combinations of more than two instruments are
marked with “_all“ or a designation for the range, e.g., “stac--sus” for a combination of all the basic instruments from staccato tosustained. Combined instruments with release triggers can also be found under this heading.
EXS24 mk II: in some sets, you will find combinations with “ts” suffixed to the patch name. This means that these patches are equipped
with preconfigured Alternation settings.
COMBI + 2nd TRACK SUSTAINS
2nd track sustains are a unique to the Performance Distortion Guitar’s performance legatos. These instruments work with two identical
MIDI tracks on different channels. To use this feature, put a performance legato instrument on one MIDI track, and one of the
corresponding sustained instruments on the other. Set the Performance Tool to Legato Mode and enter the settings for the legato
instrument. If you route your keyboard’s output to both MIDI channels (or copy the first track to the second later), the normal sustained
note will start where the performance legato sample ends. The advantage is that you can play longer sustained notes than with a normal
performance legato without sacrificing the fluid phrasing that the Legato Mode provides.
LAYER SWITCH
Combinations where two or more instruments are layered and can be crossfaded with the modwheel.
ControllersIn the programming of the Vienna Symphonic Library, we consciously avoided controller functions that cannot be handled via keyboard.
This means that we used only key switch and modwheel as controllers for instrument changes or dynamic layers. Our MIDI tools will
perform a lot of the functions you would otherwise have to implement by hand.
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Abbreviations
© 2003 Vienna Symphonic Library GmbH p 6/44
The Vienna Symphonic Library website’s User Area will offer the complete articulation file structure for download. Not only will the factory
settings continuously improve; we also want to offer alternatives like artfiles optimized for breath controllers, for live play, and so on.
For complete information on the structure of single instruments, please view the PDF manual on DVD.
Key switches
Key switches are used in instrument combinations to switch from one instrument to another. Actually, this is the simplest kind of
controlling as you don’t even need a modulation wheel on your keyboard. The switching keys are mapped outside the playing range of the
instrument so that they won’t interfere with the music you play. To switch to the desired instrument, simply press the corresponding key
on the keyboard.
Modwheel
The modwheel can be used for a variety of purposes. It is a continuous controller, able to send values from 0 to 127, and thus can be
used for switching as well as for gradual blending between two instruments. Below, you can find some examples.
Use type lo (0) hi (127)
Crescendo/diminuendo switch cresc dim
Normal/vibrato switch norm vib
Dynamic layers blend p f
In combinations, key switches and modwheel are often employed simultaneously, e.g. for crescendo/diminuendo with various tone
lengths, where the dynamics are controlled by the modwheel and the tone length by key switch.
Abbreviations
1+2 key switch combination of two variations
8-100, 16-90, … note value and speed, e.g., 8ths at 100
BPM, 16ths at 90 BPM, …
all combination of all the instruments of a group
bow played with a bow
cre crescendo
dim diminuendo
do down
dyn combination crescendo/diminuendoEG electric guitar
feed-fx feedback effect
fing finger
FL flageolet (harmonics)
fx effect
GS whole tone
ha-pu hammer/pull combination
HS half tone
leg legato
MA-3 major 3rd
marc marcato
MI-3 minor 3rd
mute muted or damped
mV with vibrato
oV without vibrato
perf performance element
po-chord power chord
Qa 4th interval
Qi 5th interval
RC release controllerrep repetition
RS release samples
s seconds, e.g., 0’3s for 0.3 seconds
stac staccato
sub, subsus samples from a tuned-down low B string
sus sustained
tr trill
trem tremolo
tr-HS half tone trill
ts toolset (EXS)
wb whammy bar
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Overdrive
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Overdrive
The “wild side”
With the OVERDRIVE Performance Distortion Guitar Michael Hula, artistic director of the Vienna Symphonic
Library, gives tribute to his “wild side”. It was his heart’s desire to produce a total distortion guitar sample library
that could reach a professional guitarist’s level in terms of technical perfection and sound quality.
The Vienna Symphonic Library’s Performance Tool, allowing to play real legato and repetitions without the
dreaded “machine gun effect” for the first time ever in the history of sampling, makes this breakthrough in real
and authentic performance possible.
The musicians
The samples of the Performance Distortion Guitar Library were played by:
Konrad Schrenk: Guitarist, composer, arranger. Studied concert guitar and jazz guitar in Vienna. Numerous
concert tours, CD productions and international seminars.
Martin Pauser: Various live CD productions and band projects; since 2002: Degree course in electrical
engineering and sound engineering.
Thomas Meitz: Studied guitar and sound recording at the University for Music and the Performing Arts in
Vienna. Various national and international guitar seminars, pop bands.
Michael Hula.
The equipment
• Steve Vai signature, 7 strings, more than 5 octaves
• Brunetti XL II R-EVO
• Marshall 1960 TV monitors, 4x12
• Ernie Ball 9 – 52 strings
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Overdrive
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00 EG_BASIC-SET
BASIC INSTRUMENTS
Short and normal staccato (piano and medium), sustained tones without vibrato and with whammy bar action, and power
chords with 4ths and 5ths. EXS: feedback and special fx.
EG_stac-sh_piano
Bank/Prog: 0/1 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB
Short staccato, piano.
EG_stac-sh_medium
Bank/Prog: 0/2 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB
Short staccato, medium.
EG_stac_piano
Bank/Prog: 0/3 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB
Staccato, piano.
EG_stac_medium
Bank/Prog: 0/4 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB
Staccato, medium.
EG-L_oV_sus+RS-hard
Bank/Prog: 0/5 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 32MB
Sustained, without vibrato, with hard release samples.
EG-L_sus_wb2+RS-hard
Bank/Prog: 0/6 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 32MB
Sustained, with whammy bar action var. 2, with hard release samples.
EG_po-chord_quart+RS
Bank/Prog: 0/7 Mapping range: B1–D5 Release: 0.07sec. Giga RAM: 32MB
Power chords, 4ths, with release samples.
EG_po-chord_quint+RS
Bank/Prog: 0/8 Mapping range: B1–A4 Release: 0.07sec. Giga RAM: 32MB
Power chords, 5ths, with release samples.
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Overdrive
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EG_stac-sh_hard (EXS)
Mapping range: B1–F6 Release: 1sec.
Short staccato, hard.
EG_stac_hard (EXS)
Mapping range: B1–F6 Release: 1sec.
Normal staccato, hard.
EG_feed-fx_hard (EXS)
Mapping range: B1–F6 Release: 1sec.
Feedback tones, hard.
EG_scratch_B-string (EXS)
Mapping range: B1–G5 Release: 1sec.
Scratching on the low B string, with different lengths and sounds.
COMBINATIONS (Giga)
EG_basic_all
Bank/Prog: 1/1 Mapping range: B1–F6 Giga RAM: 128MB
Short and normal staccato, piano and medium, sustained without vibrato and with whammy bar action, and power chords
with 4ths and 5ths. Please note that the power chords do not have the same tone range as the other patches. Use key
switches to change technique.
Key switches:
C7 – short staccato, piano
C#7 – short staccato, medium
D7 – staccato, piano
D#7 – staccato, mediumE7 – sustained, without vibrato
F7 – sustained, with whammy bar
F#7 – power chords, 4ths
G7 – power chords, 5ths
COMBINATIONS (EXS)
"+ts" instruments are equipped with a preconfigured Alternation toolset.
EG_basic_all-vel
Mapping range: B1–F6
Short and normal staccato (piano/medium/hard), sustained without vibrato and with whammy bar action, power chords with4ths and 5ths, feedback tones, and scratching on the B string. Please note that the power chords do not have the same
tone range as the other patches. Use key switches to change technique.
Key switches:
C7 – short staccato
C#7 – normal staccato
D7 – sustained, without vibrato
D#7 – sustained, whammy bar
E7 – power chords, 4ths
F7 – power chords, 5ths
F#7 – sustained, feedback
G7 – scratching, B string
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EG_basic_all-vel+ts
The patch is equipped with a preconfigured Alternation toolset.
EG_basic_all
Mapping range: B1–F6
Short and normal staccato, piano, medium, and hard, sustained without vibrato and with whammy bar action, power chords
with 4ths and 5ths, feedback tones, and scratching on the B string. Please note that the power chords do not have the
same tone range as the other patches. Use key switches to change technique.
Key switches:
C7 – short staccato, piano
C#7 – short staccato, medium
D7 – short staccato, hard
D#7 – staccato, piano
E7 – staccato, medium
F7 – staccato, hard
F#7 – sustained, without vibrato
G7 – sustained, with whammy bar
G#7 – power chords, 4ths
A7 – power chords, 5ths
A#7 – sustained, feedback
B7 – scratching, B string
EG_basic_all+ts
The patch is equipped with a preconfigured Alternation toolset.
01 EG_SHORT-NOTES
BASIC INSTRUMENTS
Piano, medium, and hard short and normal staccato, portato with 0.3 sec., each in two variations, and 1 sec. tones without
and with vibrato.
EG_stac-sh_piano-1
Bank/Prog: 0/1 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB Samples: 52
Short staccato, piano, var. 1.
EG_stac-sh_piano-2
Bank/Prog: 0/2 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB Samples: 52
Short staccato, piano, var. 2.
EG_stac-sh_medium-1
Bank/Prog: 0/3 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB Samples: 52
Short staccato, medium, var. 1.
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Overdrive
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EG_stac-sh_medium-2
Bank/Prog: 0/4 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB Samples: 52
Short staccato, medium, var. 2.
EG_stac-sh_hard-1
Bank/Prog: 0/5 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB Samples: 52
Short staccato, hard, var. 1.
EG_stac-sh_hard-2
Bank/Prog: 0/6 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB Samples: 52
Short staccato, hard, var. 2.
EG_stac-sh_velocity-1
Bank/Prog: 0/7 Mapping range: B1–F6 Release: 1sec. Giga RAM: 64MB
Short staccato, piano/medium/hard in velocity layers, var. 1.
EG_stac-sh_velocity-2Bank/Prog: 0/8 Mapping range: B1–F6 Release: 1sec. Giga RAM: 64MB
Short staccato, piano/medium/hard in velocity layers, var. 2.
EG_stac_piano-1
Bank/Prog: 0/9 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB Samples: 52
Staccato, piano, var. 1.
EG_stac_piano-2
Bank/Prog: 0/10 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB Samples: 52
Staccato, piano, var. 2.
EG_stac_medium-1
Bank/Prog: 0/11 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB Samples: 52
Staccato, medium, var. 1.
EG_stac_medium-2
Bank/Prog: 0/12 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB Samples: 52
Staccato, medium, var. 2.
EG_stac_hard-1
Bank/Prog: 0/13 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB Samples: 52
Staccato, hard, var. 1.
EG_stac_hard-2
Bank/Prog: 0/14 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB Samples: 52
Staccato, hard, var. 2.
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EG_stac_velocity-1
Bank/Prog: 0/15 Mapping range: B1–F6 Release: 1sec. Giga RAM: 64MB
Staccato, piano/medium/hard in velocity layers, var. 1.
EG_stac_velocity-2
Bank/Prog: 0/16 Mapping range: B1–F6 Release: 1sec. Giga RAM: 64MB
Staccato, piano/medium/hard in velocity layers, var. 2.
EG_0'3s-1
Bank/Prog: 0/17 Mapping range: B1–F6 Release: 0.3sec. Giga RAM: 32MB Samples: 52
Portato, 0.3 sec., var. 1.
EG_0'3s-2
Bank/Prog: 0/18 Mapping range: B1–F6 Release: 0.3sec. Giga RAM: 32MB Samples: 52
Portato, 0.3 sec., var. 2.
EG_oV_1sBank/Prog: 0/19 Mapping range: B1–F6 Release: 0.3sec. Giga RAM: 32MB Samples: 52
Tone length: 1 sec., without vibrato.
EG_mV_1s
Bank/Prog: 0/20 Mapping range: B1–F6 Release: 0.3sec. Giga RAM: 32MB Samples: 51
Tone length: 1 sec., with vibrato.
RELEASE TRIGGER
EG_oV_1s+RS-soft (hard/fx1/fx2)Bank/Prog: 1/1 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 32MB
Prog. 1–4: 1 sec. tone length, without vibrato, with soft/hard/effect #1/effect #2 release samples.
EG_mV_1s+RS-soft (hard/fx1/fx2)
Bank/Prog: 1/5 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 32MB
Prog. 5–8: 1 sec. tone length, with vibrato, with soft/hard/effect #1/effect #2 release samples.
EG_oV_1s+RS-all (EXS)
Mapping range: B1–F6 Release: 0.03sec.1 sec. tone length, without vibrato, with soft, hard, effect #1, effect #2 release samples. Use key switches to change
release type.
Key switches:
C7 – soft RS
C#7 – hard RS
D7 – fx #1 RS
D#7 – fx #2 RS
EG_mV_1s+RS-all (EXS)
Mapping range: B1–F6 Release: 0.03sec.
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1 sec. tone length, with vibrato, with soft, hard, effect #1, effect #2 release samples. Use key switches to change release
type.
Key switches:
C7 – soft RS
C#7 – hard RS
D7 – fx #1 RS
D#7 – fx #2 RS
EG_RS_sus-soft (hard/fx1/fx2)
Bank/Prog: 1/23 Mapping range: B1–F6 Release: 0.3sec. Giga RAM: 32MB Samples: 208
Release samples, sustained, soft/hard/effect #1/effect #2.
COMBINATIONS
EXS24: "1+2" instruments are equipped with preconfigured Alternation toolsets.
EG_stac-sh_piano-1+2
Bank/Prog: 2/1 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB
Short staccato, piano, var. 1 and 2. Use key switches to change variation.
Key switches:
C7 – var. 1
C#7 – var. 2
EG_stac-sh_medium-1+2
Bank/Prog: 2/2 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB
Short staccato, medium, var. 1 and 2. Use key switches to change variation.
Key switches:
C7 – var. 1
C#7 – var. 2
EG_stac-sh_hard-1+2
Bank/Prog: 2/3 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB
Short staccato, hard, var. 1 and 2. Use key switches to change variation.
Key switches:
C7 – var. 1
C#7 – var. 2
EG_stac-sh_velocity-1+2
Bank/Prog: 2/4 Mapping range: B1–F6 Release: 1sec. Giga RAM: 128MB
Short staccato, piano/medium/hard in velocity layers, var. 1 and 2. Use key switches to change variation.Key switches:
C7 – var. 1
C#7 – var. 2
EG_stac_piano-1+2
Bank/Prog: 2/5 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB
Staccato, piano, var. 1 and 2. Use key switches to change variation.
Key switches:
C7 – var. 1
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C#7 – var. 2
EG_stac_medium-1+2
Bank/Prog: 2/6 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB
Staccato, medium, var. 1 and 2. Use key switches to change variation.
Key switches:
C7 – var. 1
C#7 – var. 2
EG_stac_hard-1+2
Bank/Prog: 2/7 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB
Staccato, hard, var. 1 and 2. Use key switches to change variation.
Key switches:
C7 – var. 1
C#7 – var. 2
EG_stac_velocity-1+2
Bank/Prog: 2/8 Mapping range: B1–F6 Release: 1sec. Giga RAM: 128MB
Staccato, piano/medium/hard in velocity layers, var. 1 and 2. Use key switches to change variation.
Key switches:
C7 – var. 1
C#7 – var. 2
EG_0'3s-1+2
Bank/Prog: 2/9 Mapping range: B1–F6 Release: 0.3sec. Giga RAM: 32MB
Portato, 0.3 sec., var. 1 and 2. Use key switches to change variation.
Key switches:
C7 – var. 1
C#7 – var. 2
EG_1s-oV+mV
Bank/Prog: 2/10 Mapping range: B1–F6 Release: 0.3sec. Giga RAM: 32MB
Tone length: 1 sec., without and with vibrato. Use key switches to change variation.
Key switches:
C7 – no vibrato
C#7 – vibrato
EG_short_all-1
Bank/Prog: 2/11 Mapping range: B1–F6 Giga RAM: 128MB
Piano, medium, and hard short and normal staccato, portato 0.3 sec., and 1 sec. with vibrato. Use key switches to change
instrument.
Key switches:
C7 – short staccato, piano
C#7 – short staccato, medium
D7 – short staccato, hard
D#7 – staccato, piano
E7 – staccato, medium
F7 – staccato, hard
F#7 – portato 0.3 sec.
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G7 – 1 sec., vibrato
EG_stac-all_1+2
Bank/Prog: 2/12 Mapping range: B1–F6 Giga RAM: 128MB
Piano, medium, and hard short and normal staccato, 1st and 2nd variations. Use key switches to change
instrument/variation.
Key switches:
C7 – short staccato, piano, var. 1C#7 – short staccato, piano, var. 2
D7 – short staccato, medium, var.1
D#7 – short staccato, medium, var.2
E7 – short staccato, hard, var. 1
F7 – short staccato, hard, var. 2
F#7 – staccato, piano, var. 1
G7 – staccato, piano, var. 2
G#7 – staccato, medium, var.1
A7 – staccato, medium, var.2
A#7 – staccato, hard, var. 1
B7 – staccato, hard, var. 2
02 EG_LONG-NOTES
BASIC INSTRUMENTS
Sustained tones without and with vibrato, with whammy bar action (2 variations), and tuned-down low B.
EG_oV_susBank/Prog: 0/1 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB Samples: 52
Sustained, without vibrato.
EG_mV_sus
Bank/Prog: 0/2 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB Samples: 52
Sustained, with vibrato.
EG_sus_wb1
Bank/Prog: 0/3 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB Samples: 52
Sustained, with whammy bar action, var. 1.
EG_sus_wb2
Bank/Prog: 0/4 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB Samples: 52
Sustained, with whammy bar action, var. 2.
EG_subsus
Bank/Prog: 0/5 Mapping range: C1–D2 Release: 0.2sec. Giga RAM: 32MB Samples: 13
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Sustained, on a tuned-down low B string.
EG_oV_sus+subsus
Bank/Prog: 0/6 Mapping range: C1–F6 Release: 0.2sec. Giga RAM: 32MB
Sustained, without vibrato, and on a tuned-down low B string.
RELEASE TRIGGER
EG_oV_sus+RS-soft (hard/fx1/fx2)
Bank/Prog: 1/1 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 32MB
Prog. 1–4: Sustained, without vibrato, with soft/hard/effect #1/effect #2 release samples.
EG_oV_sus+RS-all
Bank/Prog: 1/5 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 64MB
Sustained, without vibrato, with soft, hard, effect #1 and #2 release samples. Use key switches to change release type.
Key switches:
C7 – soft RS
C#7 – hard RSD7 – fx #1 RS
D#7 – fx #2 RS
EG_mV_sus+RS-soft (hard/fx1/fx2)
Bank/Prog: 1/6 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 32MB
Prog. 6–9: Sustained, with vibrato, with soft/hard/effect #1/effect #2 release samples.
EG_mV_sus+RS-all
Bank/Prog: 1/10 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 64MB
Sustained, with vibrato, with soft, hard, effect #1 and #2 release samples. Use key switches to change release sampletype.
Key switches:
C7 – soft RS
C#7 – hard RS
D7 – fx #1 RS
D#7 – fx #2 RS
EG_sus_wb1+RS-soft (hard/fx1/fx2)
Bank/Prog: 1/11 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 32MB
Prog. 11–14: Sustained, with whammy bar action, var. 1, with soft/hard/effect #1/effect #2 release samples.
EG_sus_wb1+RS-all
Bank/Prog: 1/15 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 64MB
Sustained, with whammy bar action, var. 1, with soft, hard, effect #1 and #2 release samples. Use key switches to change
release sample type.
Key switches:
C7 – soft RS
C#7 – hard RS
D7 – fx #1 RS
D#7 – fx #2 RS
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EG_sus_wb2+RS-soft (hard/fx1/fx2)
Bank/Prog: 1/16 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 32MB
Prog. 16–19: Sustained, with whammy bar action, var. 2, with soft/hard/effect #1/effect #2 release samples.
EG_sus_wb2+RS-all
Bank/Prog: 1/20 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 64MB
Sustained, with whammy bar action, var. 2, with soft, hard, effect #1 and #2 release samples. Use key switches to change
release sample type.
Key switches:
C7 – soft RS
C#7 – hard RS
D7 – fx #1 RS
D#7 – fx #2 RS
EG_subsus+RS
Bank/Prog: 1/21 Mapping range: C1–D2 Release: 0.03sec. Giga RAM: 32MB
Sustained, tuned-down low B, with release samples.
EG_oV_sus+subsus+RS
Bank/Prog: 1/22 Mapping range: C1–F6 Release: 0.03sec. Giga RAM: 32MB
Sustained, without vibrato, and tuned down, with release samples.
EG_RS_soft (hard/fx1/fx2)
Bank/Prog: 1/23 Mapping range: B1–F6 Release: 0.3sec. Giga RAM: 32MB
Prog. 23–26: release samples, sustained, soft/hard/effect #1/effect #2.
EG_RS_subsus
Bank/Prog: 1/27 Mapping range: C1–D2 Release: 0.3sec. Giga RAM: 32MB Samples: 13
Release samples, tuned-down low B string.
COMBINATIONS
EG_sus_all
Bank/Prog: 2/1 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 64MB
Sustained, without and with vibrato, and with whammy bar action #1 and #2. Use key switches to change instrument.
Key switches:
C7 – no vibrato
C#7 – vibratoD7 – whammy bar #1
D#7 – whammy bar #2
EG_sus_all+RS-soft (hard/fx1/fx2)
Bank/Prog: 2/2 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 64MB
Prog. 2–5: Sustained, without and with vibrato, and with whammy bar action #1 and #2; with soft/hard/effect #1/effect #2
release samples. Use key switches to change instrument.
Key switches:
C7 – no vibrato
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C#7 – vibrato
D7 – whammy bar #1
D#7 – whammy bar #2
LAYER SWITCH
Use the modwheel to switch between the parts of layered instruments. The switches have an overlapping area where the
tones of two layers blend.
EG_sus_oV+mV_LayerBank/Prog: 3/1 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB
Sustained, without and with vibrato.
Modwheel:
0–65: no vibrato
55–127: vibrato
EG_sus_oV+wb1_Layer
Bank/Prog: 3/2 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB
Sustained, without vibrato, and with whammy bar action #1.
Modwheel:
0–65: no vibrato
55–127: whammy bar
EG_sus_oV+wb2_Layer
Bank/Prog: 3/3 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB
Sustained, without vibrato, and with whammy bar action #2.
Modwheel:
0–65: no vibrato
55–127: whammy bar
EG_sus_mV+wb1_Layer
Bank/Prog: 3/4 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB
Sustained, with vibrato, and with whammy bar action #1.
Modwheel:
0–65: vibrato
55–127: whammy bar
EG_sus_mV+wb2_Layer
Bank/Prog: 3/5 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB
Sustained, with vibrato, and with whammy bar action #2.Modwheel:
0–65: vibrato
55–127: whammy bar
EG_sus_wb1+wb2_Layer
Bank/Prog: 3/6 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB
Sustained, with whammy bar action #1 and #2.
Modwheel:
0–65: whammy bar #1
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55–127: whammy bar #2
EG_sus_all_Layer
Bank/Prog: 3/7 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 64MB
Sustained, without and with vibrato, and with whammy bar action #1 and #2.
Modwheel:
0–40: no vibrato
32–71: vibrato
65–103: whammy bar #1
96–127: whammy bar #2
EG_sus_all_Layer+RS-soft (hard/fx1/fx2)
Bank/Prog: 3/8 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 64MB
Prog. 8–11: Sustained, without and with vibrato, and with whammy bar action #1 and #2; with soft/hard/effect #1/effect
#2 release samples.
Modwheel:
0–40: no vibrato
32–71: vibrato
65–103: whammy bar #1
96–127: whammy bar #2
03 EG_LONG-NOTES_looped
BASIC INSTRUMENTS
Looped sustained tones without and with vibrato, with whammy bar action (2 variations), and tuned-down low B.
EG-L_oV_sus
Bank/Prog: 0/1 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB Samples: 52
Sustained, without vibrato.
EG-L_mV_sus
Bank/Prog: 0/2 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB Samples: 52
Sustained, with vibrato.
EG-L_sus_wb1
Bank/Prog: 0/3 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB Samples: 52
Sustained, with whammy bar action, var. 1.
EG-L_sus_wb2
Bank/Prog: 0/4 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB Samples: 52
Sustained, with whammy bar action, var. 2.
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EG-L_subsus
Bank/Prog: 0/5 Mapping range: C1–D2 Release: 0.2sec. Giga RAM: 32MB Samples: 13
Sustained, tuned-down low B string.
EG-L_oV_sus+subsus
Bank/Prog: 0/6 Mapping range: C1–F6 Release: 0.2sec. Giga RAM: 32MB
Sustained, without vibrato, and tuned-down low B.
RELEASE TRIGGER
EG-L_oV_sus+RS-soft (hard/fx1/fx2)
Bank/Prog: 1/1 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 32MB
Prog. 1–4: Sustained, without vibrato, with soft/hard/effect #1/effect #2 release samples.
EG-L_oV_sus+RS-all
Bank/Prog: 1/5 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 64MB
Sustained, without vibrato, with soft, hard, effect #1 and #2 release samples. Use key switches to change release sampletype.
Key switches:
C7 – soft RS
C#7 – hard RS
D7 – fx #1 RS
D#7 – fx #2 RS
EG-L_mV_sus+RS-soft (hard/fx1/fx2)
Bank/Prog: 1/6 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 32MB
Prog. 6–9: Sustained, with vibrato, with soft/hard/effect #1/effect #2 release samples.
EG-L_mV_sus+RS-all
Bank/Prog: 1/10 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 64MB
Sustained, with vibrato, with soft, hard, effect #1 and #2 release samples. Use key switches to change release sample
type.
Key switches:
C7 – soft RS
C#7 – hard RS
D7 – fx #1 RS
D#7 – fx #2 RS
EG-L_sus_wb1+RS-soft (hard/fx1/fx2)Bank/Prog: 1/11 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 32MB
Prog. 11–14: Sustained, with whammy bar action, var. 1, with soft/hard/effect #1/effect #2 release samples.
EG-L_sus_wb1+RS-all
Bank/Prog: 1/15 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 64MB
Sustained, with whammy bar action, var. 1, with soft, hard, effect #1 and #2 release samples. Use key switches to change
release sample type.
Key switches:
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C7 – soft RS
C#7 – hard RS
D7 – fx #1 RS
D#7 – fx #2 RS
EG-L_sus_wb2+RS-soft (hard/fx1/fx2)
Bank/Prog: 1/16 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 32MB
Prog. 16–19: Sustained, with whammy bar action, var. 2, with soft/hard/effect #1/effect #2 release samples.
EG-L_sus_wb2+RS-all
Bank/Prog: 1/20 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 64MB
Sustained, with whammy bar action, var. 2, with soft, hard, effect #1 and #2 release samples. Use key switches to change
release sample type.
Key switches:
C7 – soft RS
C#7 – hard RS
D7 – fx #1 RS
D#7 – fx #2 RS
EG-L_subsus+RS
Bank/Prog: 1/21 Mapping range: C1–D2 Release: 0.03sec. Giga RAM: 32MB
Sustained, tuned-down low B string, with release samples.
EG-L_oV_sus+subsus+RS
Bank/Prog: 1/22 Mapping range: C1–F6 Release: 0.03sec. Giga RAM: 32MB
Sustained, without vibrato, and tuned-down low B, with release samples.
EG_RS_sus-soft (hard/fx1/fx2)
Bank/Prog: 1/23 Mapping range: B1–F6 Release: 0.3sec. Giga RAM: 32MB
Prog. 23–26: Release samples, sustained, soft/hard/effect #1/effect#2.
EG_RS_subsus
Bank/Prog: 1/27 Mapping range: C1–D2 Release: 0.3sec. Giga RAM: 32MB
Release samples, tuned-down low B.
COMBINATIONS
EG-L_sus_all
Bank/Prog: 2/1 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 64MB
Sustained, without and with vibrato, and with whammy bar action #1 and #2. Use key switches to change instrument.
Key switches:
C7 – no vibrato
C#7 – vibrato
D7 – whammy bar #1
D#7 – whammy bar #2
EG-L_sus_all+RS-soft (hard/fx1/fx2)
Bank/Prog: 2/2 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 64MB
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Prog. 2–5: Sustained, without and with vibrato, and with whammy bar action #1 and #2; with soft/hard/effect #1/effect #2
release samples. Use key switches to change instrument.
Key switches:
C7 – no vibrato
C#7 – vibrato
D7 – whammy bar #1
D#7 – whammy bar #2
LAYER SWITCH
Use the modwheel to switch between the parts of layered instruments. The switches have an overlapping area where the
tones of two layers blend.
EG-L_sus_oV+mV_Layer
Bank/Prog: 3/1 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB
Sustained, without and with vibrato.
Modwheel:
0–65: no vibrato
55–127: vibrato
EG-L_sus_oV+wb1_Layer
Bank/Prog: 3/2 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB
Sustained, without vibrato, and with whammy bar action #1.
Modwheel:
0–65: no vibrato
55–127: whammy bar
EG-L_sus_oV+wb2_Layer
Bank/Prog: 3/3 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB
Sustained, without vibrato, and with whammy bar action #2.
Modwheel:
0–65: no vibrato
55–127: whammy bar
EG-L_sus_mV+wb1_Layer
Bank/Prog: 3/4 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB
Sustained, with vibrato, and with whammy bar action #1.
Modwheel:
0–65: vibrato
55–127: whammy bar
EG-L_sus_mV+wb2_Layer
Bank/Prog: 3/5 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB
Sustained, with vibrato, and with whammy bar action #2.
Modwheel:
0–65: vibrato
55–127: whammy bar
EG-L_sus_wb1+wb2_Layer
Bank/Prog: 3/6 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB
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Sustained, with whammy bar action #1 and #2.
Modwheel:
0–65: whammy bar #1
55–127: whammy bar #2
EG-L_sus_all_Layer
Bank/Prog: 3/7 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 64MB
Sustained, without and with vibrato, and with whammy bar action #1 and #2.Modwheel:
0–40: no vibrato
32–71: vibrato
65–103: whammy bar #1
96–127: whammy bar #2
EG-L_sus_all_Layer+RS-soft (hard/fx1/fx2)
Bank/Prog: 3/8 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 64MB
Prog. 8–11: Sustained, without and with vibrato, and with whammy bar action #1 and #2; with soft/hard/effect #1/effect
#2 release samples.
Modwheel:0–40: no vibrato
32–71: vibrato
65–103: whammy bar #1
96–127: whammy bar #2
04 EG_FLAGEOLET
BASIC INSTRUMENTS
Piano and forte natural flageolet, and 5th and 8va finger flageolet tones.
EG_natural-FL_p (f/velocity)
Bank/Prog: 0/1 Mapping range: C1–A#7 Release: 0.3sec. Giga RAM: 32MB Samples: 112
Prog. 1–3: Natural flageolet, piano/forte/p and f, on every string.
Mapping:
C1–A#1: low B string
C2–A2: low E stringC3–A3: A string
C4–A4: D string
C5–A5: G string
C6–A6: high B string
C7–A7: high E string
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EG_fing_FL_quint
Bank/Prog: 0/4 Mapping range: G3–D6 Release: 0.3sec. Giga RAM: 32MB Samples: 29
Finger flageolet, fifths.
EG_fing_FL_octav
Bank/Prog: 0/5 Mapping range: C4–D6 Release: 0.3sec. Giga RAM: 32MB Samples: 30
Finger flageolet, octaves.
05 EG_FX
BASIC INSTRUMENTS
Feedback effects, soft, hard, and bowed, and scratches on the E and B strings, with the whammy bar, and effect scratches.
EG_feed-fx_soft (hard/bow)
Bank/Prog: 0/1 Mapping range: B1–F6 Release: 0.3sec. Giga RAM: 32MB Samples: 78
Prog. 1–3: feedback, soft/hard/bowed.
EG-L_feed-fx_soft (hard/bow)
Bank/Prog: 0/4 Mapping range: B1–F6 Release: 0.3sec. Giga RAM: 32MB Samples: 78
Prog. 4–6: feedback, soft/hard/bowed, with looped samples.
EG_scratch_E-string
Bank/Prog: 0/7 Mapping range: B4–A#7 Release: 0.3sec. Giga RAM: 32MB Samples: 35
Scratching on the low E string, with different lengths and sounds.
EG_scratch_B-string
Bank/Prog: 0/8 Mapping range: B1–G5 Release: 0.3sec. Giga RAM: 32MB Samples: 35
Scratching on the low B string, with different lengths and sounds.
EG_scratch_wb
Bank/Prog: 0/9 Mapping range: B1–A#2 Release: 0.3sec. Giga RAM: 32MB Samples: 11
Scratching with whammy bar action.
EG_scratch_fx
Bank/Prog: 0/10 Mapping range: B2–F3 Release: 0.3sec. Giga RAM: 32MB Samples: 5
Scratching with effect. Tone range: B1–F2.
RELEASE TRIGGER
EG_feed-fx_soft+RS1 (hard/bow)
Bank/Prog: 1/1 Mapping range: B1–F6 Release: 0.07sec. Giga RAM: 32MB
Prog. 1–3: feedback, soft/hard/bowed, with effect #1 release samples.
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EG-L_feed-fx_soft+RS1 (hard/bow)
Bank/Prog: 1/4 Mapping range: B1–F6 Release: 0.07sec. Giga RAM: 32MB
Prog. 4–6: feedback, soft/hard/bowed, looped, with effect #1 release samples.
EG_feed-fx_soft+RS2 (hard/bow)
Bank/Prog: 1/7 Mapping range: B1–F6 Release: 0.07sec. Giga RAM: 32MB
Prog. 7–9: feedback, soft/hard/bowed, with effect #2 release samples.
EG-L_feed-fx_soft+RS2 (hard/bow)
Bank/Prog: 1/10 Mapping range: B1–F6 Release: 0.07sec. Giga RAM: 32MB
Prog. 10–12: feedback, soft/hard/bowed, looped, with effect #2 release samples.
EG_RS_fx1 (fx2)
Bank/Prog: 1/13 Mapping range: B1–F6 Release: 0.3sec. Giga RAM: 32MB
Prog. 13–14: release samples, effect #1/#2.
06 EG_PHRASES
BASIC INSTRUMENTS
Tremolo, trills from minor 2nd to major 3rd, power chords (4ts, 5ths, major and minor), grace noise with and without
whammy bar, on the same note and to the octave, and whammy bar down action.
EG_tremolo
Bank/Prog: 0/1 Mapping range: B1–F6 Release: 0.15sec. Giga RAM: 32MB Samples: 52
Tremolo, fortissimo.
EG_trill_HS (GS/MI-3/MA-3)
Bank/Prog: 0/2 Mapping range: B1–D5 Release: 0.2sec. Giga RAM: 32MB Samples: 80
Prog. 2–5: half tone/whole tone/minor 3rd/major 3rd trills.
EG_po-chord_quart
Bank/Prog: 0/6 Mapping range: B1–C5 Release: 0.3sec. Giga RAM: 32MB Samples: 37
Power chords, 4ths.
EG_po-chord_quint
Bank/Prog: 0/7 Mapping range: B1–G4 Release: 0.3sec. Giga RAM: 32MB Samples: 31
Power chords, 5ths.
EG_po-chord_major (minor)
Bank/Prog: 0/8 Mapping range: B1–F3 Release: 0.3sec. Giga RAM: 32MB Samples: 34
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Prog. 8–9: major/minor 6-string power chords.
EG_grace-noise
Bank/Prog: 0/10 Mapping range: C2–F6 Release: 0.3sec. Giga RAM: 32MB Samples: 26
Grace noise on the same note.
EG_grace-noise_okt
Bank/Prog: 0/11 Mapping range: F3–G6 Release: 0.3sec. Giga RAM: 32MB Samples: 37
Grace noise to the octave.
EG_grace-noise_wb
Bank/Prog: 0/12 Mapping range: C2–F6 Release: 0.3sec. Giga RAM: 32MB Samples: 26
Grace noise on the same note, with whammy bar.
EG_grace-noise_wb-okt
Bank/Prog: 0/13 Mapping range: E3–D6 Release: 0.3sec. Giga RAM: 32MB Samples: 29
Grace noise to the octave, with whammy bar.
EG_wb_down
Bank/Prog: 0/14 Mapping range: B1–F6 Release: 0.3sec. Giga RAM: 32MB Samples: 52
Whammy bar action, downward.
RELEASE TRIGGER
EG_tremolo+RS
Bank/Prog: 1/1 Mapping range: B1–F6 Release: 0.05sec. Giga RAM: 32MB
Tremolo, fortissimo, with release samples.
EG_trill_HS+RS (GS/MI-3/MA-3)
Bank/Prog: 1/2 Mapping range: B1–D5 Release: 0.1sec. Giga RAM: 32MB
Prog. 2–5: half tone/whole tone/minor 3rd/major 3rd trills, with release samples.
EG_po-chord_quart+RS (quint/major/minor)
Bank/Prog: 1/6 Mapping range: B1–C5 Release: 0.1sec. Giga RAM: 32MB
Prog. 6–9: power chords, 4ths/5ths/major/minor, with release samples.
EG_RS
Bank/Prog: 1/10 Mapping range: B1–D5 Release: 0.3sec. Giga RAM: 32MB
Release samples, hard.
COMBINATIONS
EG_trill_all
Bank/Prog: 2/1 Mapping range: B1–D5 Release: 0.2sec. Giga RAM: 32MB
Half tone, whole tone, minor and major 3rd trills. Use key switches to change trill interval.
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Key switches:
C7 – min. 2nd
C#7 – maj. 2nd
D7 – min. 3rd
D#7 – maj. 3rd
EG_trill_all+RS
Bank/Prog: 2/2 Mapping range: B1–D5 Release: 0.1sec. Giga RAM: 32MB
Half tone, whole tone, minor and major 3rd trills, with release samples. Use key switches to change trill interval.Key switches:
C7 – min. 2nd
C#7 – maj. 2nd
D7 – min. 3rd
D#7 – maj. 3rd
EG_po-chord_all
Bank/Prog: 2/3 Mapping range: B1–C5 Release: 0.3sec. Giga RAM: 32MB
4th, 5th, major and minor power chords. Use key switches to change type. Please note that the instruments do not have the
same tone range.
Key switches:
C7 – 4th
C#7 – 5th
D7 – major
D#7 – minor
EG_grace-noise_all
Bank/Prog: 2/4 Mapping range: C2–G6 Release: 0.3sec. Giga RAM: 32MB
Grace noise, on the same tone and to the octave, without and with whammy bar action. Use key switches to change type.
Please note that the instruments do not have the same tone range.
Key switches:
C7 – same tone
C#7 – octave
D7 – whammy bar, same tone
D#7 – whammy bar, octave
07 EG_PERF-LEGATO
Performance Tool: Legato Mode
BASIC COMBINATIONS
Performance legatos, normal and sliding.
EG_perf-leg
Bank/Prog: 0/1 PlayZone: B1–D6 Release: 0.07sec. Giga RAM: 128MB Samples: 695
Performance legato, forte.
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Legato Mode settings:
PlayZone: B1–D6
Octave Offset: 1
EG_perf-leg_slide
Bank/Prog: 0/2 PlayZone: B1–D6 Release: 0.07sec. Giga RAM: 128MB Samples: 671
Performance legato, forte, sliding.
Legato Mode settings:
PlayZone: B1–D6
Octave Offset: 1
COMBI + 2nd TRACK SUSTAINS (Giga)
EG_perf-leg_sus+
Bank/Prog: 1/1 PlayZone: B1–D6 Release: 0.05sec. Giga RAM: 128MB
Performance legato.
Legato Mode settings:
PlayZone: B1–D6
Octave Offset: 1
EG_oV_sus+ (mV/wb1/wb2)
Bank/Prog: 1/2 Mapping range: B1–D6 Release: 0.05sec. Giga RAM: 32MB Samples: 208
Prog. 2–5: Sustained tones, without/with vibrato, and with whammy bar action #1 and #2.
EG_sus_all+
Bank/Prog: 1/6 Mapping range: B1–D6 Release: 0.05sec. Giga RAM: 64MB
Sustained tones, without and with vibrato, and with whammy bar action #1 and #2. Use key switches to change instrument.
Key switches:
C7 – no vibratoC#7 – vibrato
D7 – whammy bar #1
D#7 – whammy bar #2
COMBI + 2nd TRACK SUSTAIN-slide (Giga)
Bank/Prog: 1/7 Giga RAM: 32MB
EG_perf-leg_slide_sus++
Bank/Prog: 1/8 PlayZone: B1–D6 Release: 0.07sec. Giga RAM: 128MB
Performance legato, forte, sliding.
Legato Mode settings:
PlayZone: B1–D6
Octave Offset: 1
EG_oV_sus++ (mV/wb1/wb2)
Bank/Prog: 1/9 Mapping range: B1–D6 Release: 0.05sec. Giga RAM: 32MB Samples: 208
Prog. 9–12: Sustained tones, without/with vibrato, and with whammy bar action #1 and #2.
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EG_sus_all++
Bank/Prog: 1/13 Mapping range: B1–D6 Release: 0.05sec. Giga RAM: 64MB
Sustained tones, without and with vibrato, and with whammy bar action #1 and #2. Use key switches to change instrument.
Key switches:
C7 – no vibrato
C#7 – vibrato
D7 – whammy bar #1
D#7 – whammy bar #2
LEGATO COMBINATIONS (EXS)
EG_perf-leg+slide
PlayZone: B1–D6 Release: 0.05sec.
Performance legato, normal and sliding. Use the modwheel to change technique.
Legato Mode settings:
PlayZone: B1–D6
Octave Offset: 1
Modwheel:
0 – normal127 – sliding
EG_perf-leg+oV_marc (mV)
PlayZone: B1–D6 Release: 0.05sec.
Performance legato, normal and marcato without/with vibrato. Use the modwheel to change technique.
Legato Mode settings:
PlayZone: B1–D6
Octave Offset: 1
Modwheel:
0 – normal
127 – marcato
EG_perf-leg+ha-pu
PlayZone: B1–D6 Release: 0.05sec.
Performance legato, normal and with hammer-ons and pull-offs. Use the modwheel to change technique.
Legato Mode settings:
PlayZone: B1–D6
Octave Offset: 1
Modwheel:
0 – normal
127 – hammer-pull
EG_perf-leg+bend
PlayZone: B1–D6 Release: 0.05sec.
Performance legato, normal and with bends. Use the modwheel to change technique.
Legato Mode settings:
PlayZone: B1–D6
Octave Offset: 1
Modwheel:
0 – normal
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127 – bends
EG_PERF-LEGATO_LONG (EXS)
BASIC COMBINATIONS
EG_perf-leg_oV_long (mV/wb1/wb2)
PlayZone: B1–D6 Release: 0.05sec.
Performance legato, with/without vibrato/whammy bar #1/whammy bar #2 sustained tones.
Legato Mode settings:
PlayZone: B1–D6
Octave Offset: 1
EG_perf-leg_slide_oV_long (mV/wb1/wb2)
PlayZone: B1–D6 Release: 0.05sec.
Performance legato, with/without vibrato/whammy bar #1/whammy bar #2 sustained tones.
Legato Mode settings:
PlayZone: B1–D6
Octave Offset: 1
EXTENDED COMBINATIONS
EG_perf-leg+slide_oV_long (mV/wb1/wb2)
PlayZone: B1–D6 Release: 0.05sec.
Performance legato, normal and sliding, with/without vibrato/whammy bar #1/whammy bar #2 sustained tones. Use the
modwheel to switch between normal and sliding legato.
Legato Mode settings:
PlayZone: B1–D6
Octave Offset: 1
Modwheel:0 – normal
127 – sliding
EG_perf-leg_sus-all_long
PlayZone: B1–D6 Release: 0.05sec.
Performance legato, with and without vibrato, and with whammy bar action #1 and #2. Use the modwheel to switch
between techniques.
Legato Mode settings:
PlayZone: B1–D6
Octave Offset: 1
Modwheel:0 – without vibrato
33 – with vibrato
65 – whammy bar #1
98 – whammy bar #2
EG_perf-leg_sl_sus-all_long
PlayZone: B1–D6 Release: 0.05sec.
Performance legato, with and without vibrato, and with whammy bar action #1 and #2. Use the modwheel to switch
between techniques.
Legato Mode settings:
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PlayZone: B1–D6
Octave Offset: 1
Modwheel:
0 – without vibrato
33 – with vibrato
65 – whammy bar #1
98 – whammy bar #2
08 EG_PERF-LEGATO_marcato
Performance Tool: Legato Mode
BASIC COMBINATIONS
Performance legatos, marcato, without and with vibrato.
EG_oV_perf-leg_marc
Bank/Prog: 0/1 PlayZone: B1–D6 Release: 0.05sec. Giga RAM: 128MB Samples: 695
Performance legato, marcato, without vibrato.
Legato Mode settings:
PlayZone: B1–D6
Octave Offset: 1
EG_mV_perf-leg_marc
Bank/Prog: 0/2 PlayZone: B1–D6 Release: 0.05sec. Giga RAM: 128MB Samples: 694
Performance legato, marcato, with vibrato.
Legato Mode settings:
PlayZone: B1–D6
Octave Offset: 1
LEGATO COMBINATIONS (EXS)
EG_oV+mV_perf-leg_marc
PlayZone: B1–D6 Release: 0.05sec.
Performance legato, marcato without and with vibrato. Use the modwheel to change technique.
Legato Mode settings:PlayZone: B1–D6
Octave Offset: 1
Modwheel:
0 – without vibrato
127 – with vibrato
EG_oV_perf-leg_marc+ha-pu (mV)
PlayZone: B1–D6 Release: 0.05sec.
Performance legato, marcato without/with vibrato, and with hammer-ons and pull-offs. Use the modwheel to change
technique.
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Legato Mode settings:
PlayZone: B1–D6
Octave Offset: 1
Modwheel:
0 – normal
127 – hammer-pull
09 EG_PERF-LEGATO_ha-pu
Performance Tool: Legato Mode
BASIC COMBINATIONS
Performance legato with hammer-ons and pull-offs.
EG_perf-leg_ha-pu
Bank/Prog: 0/1 PlayZone: B1–D6 Release: 0.07sec. Giga RAM: 128MB Samples: 642
Performance legato, hammer-ons (up) and pull-offs (down).
Legato Mode settings:
PlayZone: B1–D6
Octave Offset: 1
LEGATO COMBINATIONS (EXS)
EG_perf-leg_ha-pu+bend
PlayZone: B1–D6 Release: 0.05sec.
Performance legato, hammer-ons and pull-offs, and bends. Use the modwheel to change technique.
Legato Mode settings:
PlayZone: B1–D6
Octave Offset: 1
Modwheel:
0 – hammer/pull
127 – bends
10 EG_PERF-BEND
BASIC COMBINATIONS
Half and whole tone bends, up and down.
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EG_bend_up-1 (up-2/do-1/do-2)
Bank/Prog: 0/1 Mapping range: C2–E6 Release: 0.05sec. Giga RAM: 32MB Samples: 104
Bends, half/whole tone up/half/whole tone down.
COMBINATIONS
Half and whole tone bends, up and down.
EG_bend_all
Bank/Prog: 1/1 Mapping range: C2–E6 Release: 0.05sec. Giga RAM: 32MB
Bends, half and whole tone up and down. Use key switches to change interval, the modwheel to switch between up and
down.
Key switches:
C1 – half tone
C#1 – whole tone
Modwheel:
0 – up
127 – down
PERF-LEGATO mode
Half and whole tone bends, up and down.
EG_perf-bend
Bank/Prog: 2/1 PlayZone: C2–D6 Release: 0.05sec. Giga RAM: 64MB
Half and whole tone performance bends, with sustained target notes.
Legato Mode settings:
PlayZone: C2–D6
Octave Offset: 1
11 EG_PERF_SUB-REP_8-100
Performance Tool: Repetition Mode
BASIC COMBINATIONS
Performance repetitions on a down-tuned low B string, 8ths at 95 BPM, piano, forte, crescendo and diminuendo.
EG_perf_sub-rep9_8-95_p (f)
Bank/Prog: 0/1 PlayZone: C1–D2 Release: 0.07sec. Giga RAM: 32MB Samples: 234
Prog. 1–2: 8ths at 95 BPM, 9 repetition layers, piano/forte.
Repetition Mode settings:
PlayZone: C1–D2
Keyswitch StartKey: C7
First Keyswitch Delay: 10ms
Repetitions: 9
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EG_perf_sub-rep5_8-95_cre (dim)
Bank/Prog: 0/3 PlayZone: C1–D2 Release: 0.07sec. Giga RAM: 32MB Samples: 130
Prog. 3–4: 8ths at 95 BPM, 5 repetition layers, crescendo/diminuendo.
Repetition Mode settings:
PlayZone: C1–D2
Keyswitch StartKey: C7
First Keyswitch Delay: 10ms
Repetitions: 5
DYNAMIC COMBINATIONS (EXS)
EG_perf_sub-rep9_8-95
PlayZone: C1–D2 Release: 0.07sec.
8ths at 95 BPM, 9 repetition layers, piano and forte.
Repetition Mode settings:
PlayZone: C1–D2
Keyswitch StartKey: C7
First Keyswitch Delay: 10ms
Repetitions: 9
EG_perf_sub-rep5_8-95_dyn
PlayZone: C1–D2 Release: 0.07sec.
8ths at 95 BPM, 5 repetition layers, crescendo and diminuendo. Use the modwheel to switch between crescendo and
diminuendo.
Repetition Mode settings:
PlayZone: C1–D2
Keyswitch StartKey: C7
First Keyswitch Delay: 10ms
Repetitions: 5
Modwheel:0 – crescendo
127 – diminuendo
EG_perf_sub-rep9_8-95_2Lay
PlayZone: C1–D2 Release: 0.07sec.
8ths at 95 BPM, 9 repetition layers, piano and forte. Use the modwheel to blend between dynamic layers.
Repetition Mode settings:
PlayZone: C1–D2
Keyswitch StartKey: C7
First Keyswitch Delay: 10ms
Repetitions: 9
Modwheel:
0 – p
127 – f
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12 EG_PERF_REP_8-100
Performance Tool: Repetition Mode
BASIC COMBINATIONS
Performance repetitions, 8ths at 93 BPM, piano, mezzoforte, forte, and diminuendo; and 97 BPM, crescendo.
EG_perf-rep9_8-93_p (mf/f)
Bank/Prog: 0/1 PlayZone: B1–F6 Release: 0.07sec. Giga RAM: 64MB Samples: 702
Prog. 1–3: piano/mezzoforte/forte repetitions, 8ths at 93 BPM, 9 repetition layers.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
First Keyswitch Delay: 10ms
Repetitions: 9
EG_perf-rep5_8-97_cre (93_dim)
Bank/Prog: 0/4 PlayZone: B1–F6 Release: 0.07sec. Giga RAM: 32MB Samples: 263
Prog. 4–5: crescendo/diminuendo repetitions, 8ths at 97/93 BPM, 5 repetition layers.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
First Keyswitch Delay: 10ms
Repetitions: 5
DYNAMIC COMBINATIONS (EXS)
EG_perf-rep9_8-93
PlayZone: B1–F6 Release: 0.07sec.
8ths at 93 BPM, 9 repetition layers, piano, mezzoforte, and forte.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
First Keyswitch Delay: 10ms
Repetitions: 9
EG_perf-rep5_8-93_dyn
PlayZone: B1–F6 Release: 0.07sec.
8ths at 97/93 BPM, 5 repetition layers, crescendo and diminuendo. Use the modwheel to switch between crescendo and
diminuendo.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
First Keyswitch Delay: 10ms
Repetitions: 5
Modwheel:
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0 – crescendo
127 – diminuendo
EG_perf-rep9_8-93_3Lay
PlayZone: B1–F6 Release: 0.07sec.
8ths at 95 BPM, 9 repetition layers, piano, mezzoforte, and forte. Use the modwheel to blend between dynamic layers.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
First Keyswitch Delay: 10ms
Repetitions: 9
Modwheel:
0 – p
64 – mf
127 – f
13 EG_PERF_REP_16-100
Performance Tool: Repetition Mode
BASIC COMBINATIONS
Performance repetitions, 16ths at 90 BPM, piano; 95 BPM, mezzoforte; 100 BPM, fortissimo; 90 BPM, crescendo; and 95
BPM, diminuendo.
EG_perf-rep9_16-90_p (95_mf/100_ff)
Bank/Prog: 0/1 PlayZone: B1–F6 Release: 0.07sec. Giga RAM: 64MB Samples: 702
Prog. 1–3: piano/mezzoforte/fortissimo repetitions, 16ths at 90/95/100 BPM, 9 repetition layers.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
First Keyswitch Delay: 10ms
Repetitions: 9
EG_perf-rep9_16-90_cre (95_dim)
Bank/Prog: 0/4 PlayZone: B1–F6 Release: 0.07sec. Giga RAM: 64MB Samples: 468
Prog. 4–5: crescendo/diminuendo repetitions, 16ths at 90/95 BPM, 9 repetition layers.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
First Keyswitch Delay: 10ms
Repetitions: 9
DYNAMIC COMBINATIONS (EXS)
EG_perf-rep9_16-100
PlayZone: B1–F6 Release: 0.07sec.
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Overdrive
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16ths at 90/95/100 BPM, 9 repetition layers, piano, mezzoforte, and fortissimo.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
First Keyswitch Delay: 10ms
Repetitions: 9
EG_perf-rep9_16-100_dyn
PlayZone: B1–F6 Release: 0.07sec.
16ths at 90/95 BPM, 9 repetition layers, crescendo and diminuendo. Use the modwheel to switch between crescendo and
diminuendo.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
First Keyswitch Delay: 10ms
Repetitions: 9
Modwheel:
0 – crescendo
127 – diminuendo
EG_perf-rep9_16-100_3Lay
PlayZone: B1–F6 Release: 0.07sec.
16ths at 90/95/100 BPM, 9 repetition layers, piano, mezzoforte, and fortissimo. Use the modwheel to blend between
dynamic layers.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
First Keyswitch Delay: 10ms
Repetitions: 9
Modwheel:
0 – p64 – mf
127 – f
14 EG_PERF_REP_16-140
Performance Tool: Repetition Mode
BASIC COMBINATIONS
Performance repetitions, 16ths at 135 BPM, piano, mezzoforte, fortissimo, crescendo and diminuendo.
EG_perf-rep9_16-135_p (135_mf/135_ff)
Bank/Prog: 0/1 PlayZone: B1–F6 Release: 0.05sec. Giga RAM: 64MB Samples: 702
Prog. 1–3: piano/mezzoforte/fortissimo repetitions, 16ths at 135 BPM, 9 repetition layers.
Repetition Mode settings:
PlayZone: B1–F6
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Overdrive
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Keyswitch StartKey: C7
Repetitions: 9
EG_perf-rep9_16-135_cre (dim)
Bank/Prog: 0/4 PlayZone: B1–F6 Release: 0.05sec. Giga RAM: 64MB Samples: 468
Prog. 4–5: crescendo/diminuendo repetitions, 16ths at 135 BPM, 9 repetition layers.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
Repetitions: 9
DYNAMIC COMBINATIONS (EXS)
EG_perf-rep9_16-135
PlayZone: B1–F6 Release: 0.07sec.
16ths at 135 BPM, 9 repetition layers, piano, mezzoforte, and fortissimo.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7Repetitions: 9
EG_perf-rep9_16-135_dyn
PlayZone: B1–F6 Release: 0.07sec.
16ths at 135 BPM, 9 repetition layers, crescendo and diminuendo. Use the modwheel to switch between crescendo and
diminuendo.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
Repetitions: 9
Modwheel:0 – crescendo
127 – diminuendo
EG_perf-rep9_16-135_3Lay
PlayZone: B1–F6 Release: 0.07sec.
16ths at 135 BPM, 9 repetition layers, piano, mezzoforte, and fortissimo. Use the modwheel to blend between dynamic
layers.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
Repetitions: 9
Modwheel:
0 – p
64 – mf
127 – ff
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Overdrive
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15 EG_PERF_REP_power-chord_8-100
Performance Tool: Repetition Mode
BASIC COMBINATIONS
Power chord performance repetitions, 4th and 5th intervals, 8ths at 94 BPM, piano, mezzoforte, fortissimo, crescendo and
diminuendo.
EG_PC-Qa_perf-rep5_8-94_p (mf/ff)
Bank/Prog: 0/1 PlayZone: B1–F6 Release: 0.07sec. Giga RAM: 32MB Samples: 285
Prog. 1–3: 4th power chords, piano/mezzoforte/forte repetitions, 8ths at 94 BPM, 5 repetition layers.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
Repetitions: 5
EG_PC-Qa_perf-rep5_8-94_cre (dim)
Bank/Prog: 0/4 PlayZone: B1–F6 Release: 0.07sec. Giga RAM: 32MB Samples: 190
Prog. 4–5: 4th power chords, crescendo/diminuendo repetitions, 8ths at 94 BPM, 5 repetition layers.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
Repetitions: 5
EG_PC-Qi_perf-rep5_8-94_p (mf/ff)Bank/Prog: 0/6 PlayZone: B1–F6 Release: 0.07sec. Giga RAM: 32MB Samples: 285
Prog. 6–8: 5th power chords, piano/mezzoforte/forte repetitions, 8ths at 94 BPM, 5 repetition layers.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
First Keyswitch Delay: 20ms
Repetitions: 5
EG_PC-Qi_perf-rep5_8-94_cre (dim)
Bank/Prog: 0/9 PlayZone: B1–F6 Release: 0.07sec. Giga RAM: 32MB Samples: 190
Prog. 9–10: 5th power chords, crescendo/diminuendo repetitions, 8ths at 94 BPM, 5 repetition layers.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
First Keyswitch Delay: 20ms
Repetitions: 5
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Overdrive
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COMBINATIONS
EG_PC-all_perf-rep5_8-94_p (mf/ff)
Bank/Prog: 1/1 PlayZone: B1–F6 Release: 0.07sec. Giga RAM: 32MB
Prog. 1–3: 4th and 5th power chords, 5 repetition layers, piano/mezzoforte/forte repetitions, 8ths at 94 BPM. Use the
modhweel to change power chord interval.
Repetition Mode settings:
PlayZone: B1–F6Keyswitch StartKey: C7
Repetitions: 5
Modwheel:
0 – 4th
127 – 5th
EG_PC-all_perf-rep5_8-94_cre (dim)
Bank/Prog: 1/4 PlayZone: B1–F6 Release: 0.07sec. Giga RAM: 32MB
Prog. 4–5: 4th and 5th power chords, 5 repetition layers, crescendo/diminuendo repetitions, 8ths at 94 BPM. Use the
modhweel to change power chord interval.
Repetition Mode settings:PlayZone: B1–F6
Keyswitch StartKey: C7
Repetitions: 5
Modwheel:
0 – 4th
127 – 5th
DYNAMIC COMBINATIONS (EXS)
EG_PC-Qa_perf-rep5_8-94
PlayZone: B1–F6 Release: 0.07sec.
4th power chords, piano, mezzoforte, and forte.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
Repetitions: 5
EG_PC-Qa_perf-rep5_8-94_dyn
PlayZone: B1–F6 Release: 0.07sec.
4th power chords, crescendo and diminuendo. Use the modhweel to switch between crescendo and diminuendo.
Repetition Mode settings:PlayZone: B1–F6
Keyswitch StartKey: C7
Repetitions: 5
Modwheel:
0 – crescendo
127 – diminuendo
EG_PC-Qa_perf-rep5_8-94_3Lay
PlayZone: B1–F6 Release: 0.07sec.
4th power chords, piano, mezzoforte, and forte. Use the modwheel to blend between dynamic layers.
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Overdrive
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Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
Repetitions: 5
Modwheel:
0 – p
64 – mf
127 – f
EG_PC-Qi_perf-rep5_8-94
PlayZone: B1–F6 Release: 0.07sec.
5th power chords, piano, mezzoforte, and forte.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
Repetitions: 5
EG_PC-Qi_perf-rep5_8-94_dyn
PlayZone: B1–F6 Release: 0.07sec.
5th power chords, crescendo and diminuendo. Use the modhweel to switch between crescendo and diminuendo.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
Repetitions: 5
Modwheel:
0 – crescendo
127 – diminuendo
EG_PC-Qi_perf-rep5_8-94_3Lay
PlayZone: B1–F6 Release: 0.07sec.
5th power chords, piano, mezzoforte, and forte. Use the modwheel to blend between dynamic layers.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
Repetitions: 5
Modwheel:
0 – p
64 – mf
127 – f
EG_PC-all_perf-rep5_8-94
PlayZone: B1–F6 Release: 0.07sec.
4th and 5th power chords, piano, mezzoforte, and forte. Use the modhweel to change power chord interval.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
Repetitions: 5
Modwheel:
0 – 4th
127 – 5th
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Overdrive
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16 EG_PERF_REP_mute
Performance Tool: Repetition Mode
BASIC COMBINATIONS
Muted performance repetitions, 16ths at 95 and 125 BPM.
EG_perf-alt9_mute
Bank/Prog: 0/1 PlayZone: B1–F6 Release: 1sec. Giga RAM: 64MB Samples: 234
Performance repetitions for Alternation mode, 9 repetition layers. Each repetition is equipped with a fadeout so that it is
possible to play slower parts than the original recording tempo.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
Repetitions: 9
EG_perf-rep9_mute_16-95 (125)
Bank/Prog: 0/2 PlayZone: B1–F6 Release: 0.07sec. Giga RAM: 64MB Samples: 468
Prog. 2–3: performance repetitions, 9 layers, 16ths at 95/125 BPM.
Repetition Mode settings:
PlayZone: B1–F6
Keyswitch StartKey: C7
Repetitions: 9
17 EG_REPETITION_fast
BASIC INSTRUMENTS
Fast repetitions, with constant dynamics and crescendo/diminuendo, 16ths at 140 to 200, and 220 BPM.
EG_fast-rep9_140 (150/160/170/180/190/200/220)Bank/Prog: 0/1 Mapping range: B1–F6 Release: 0.15sec. Giga RAM: 32MB Samples: 624
Prog. 1–8: 9 repetitions, 16ths at 140/150/160/170/180/190/200/220 BPM.
BASIC COMBINATIONS
EG_fast-rep9_dyn_140 (150/160/170/180/190/200/220)
Bank/Prog: 1/1 Mapping range: B1–F6 Release: 0.15sec. Giga RAM: 32MB Samples: 416
Prog. 1–8: 9 repetitions, crescendo and diminuendo, 16ths at 140/150/160/170/180/190/200/220 BPM. Use the
modwheel to switch between crescendo and diminuendo.
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Overdrive
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Modwheel:
0 – crescendo
127 – diminuendo
RELEASE TRIGGER
EG_fast-rep9_140+RS (150/160/170/180/190/200/220)
Bank/Prog: 2/1 Mapping range: B1–F6 Release: 0.15sec. Giga RAM: 64MB
Prog. 1–8: 9 repetitions, 16ths at 140/150/160/170/180/190/200/220 BPM, with release samples.
EG_fast-rep9_dyn_140+RS (150/160/170/180/190/200/220)
Bank/Prog: 2/9 Mapping range: B1–F6 Release: 0.15sec. Giga RAM: 32MB
Prog. 9–16: 9 repetitions, crescendo and diminuendo, 16ths at 140/150/160/170/180/190/200/220 BPM, with release
samples. Use the modwheel to switch between crescendo and diminuendo.
Modwheel:
0 – crescendo
127 – diminuendo
EG_RS_fast-repBank/Prog: 2/17 Mapping range: B1–F6 Release: 0.15sec. Giga RAM: 32MB Samples: 78
Release samples for constant dynamics repetitions.
EG_RS_fast_dyn
Bank/Prog: 2/18 Mapping range: B1–F6 Release: 0.3sec. Giga RAM: 32MB Samples: 52
Release samples for crescendo/diminuendo repetitions. Use the modwheel to switch between f and p samples.
Modwheel:
0 – f (crescendo)
127 – p (diminuendo)
18 EG_REPETITION_fast-fx
BASIC INSTRUMENTS
Fast repetitions with effect, 16ths at 140 to 210 BPM.
EG_fast-rep9_fx_140 (150/160/170/180/190/200/210)
Bank/Prog: 0/1 Mapping range: C2–F5 Release: 0.1sec. Giga RAM: 32MB Samples: 128
Prog. 1–8: 9 repetitions, 16ths at 140/150/160/170/180/190/200/210 BPM; tuned down, low, middle, and high in
piano, mezzoforte, forte and fff.
Mapping:
C – tuned down; D – low; E – middle; F – high
C2–F2: piano
C3–F3: mezzoforte
C4–F4: forte
C5–F5: fff
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Overdrive
RELEASE TRIGGER
EG_fast-rep9_fx_140+RS (150/160/170/180/190/200/210)
Bank/Prog: 1/1 Mapping range: C2–F5 Release: 0.1sec. Giga RAM: 32MB
Prog. 1–8: 9 repetitions, 16ths at 140/150/160/170/180/190/200/210 BPM; tuned down, low, middle, and high in
piano, mezzoforte, forte and fff, with release samples.
EG_RS_fast-rep_fx_140
Bank/Prog: 1/9 Mapping range: C2–F5 Release: 0.1sec. Giga RAM: 32MB Samples: 16
Release samples for the +RS instruments.
19 EG_RUNS
MAJOR RUNS - MOD_up-do
Major and minor scale octave runs, up and down, for every key note on the chromatic scale, beginning with C. Please note
that the runs' last playable note is an octave below the highest mapped note for upward runs, and an octave above thelowest mapped note for downward runs.
EG_run_C-ma_200 (through to B-ma)
Bank/Prog: 0/1 Mapping range: C2–D#6 Release: 0.1sec. Giga RAM: 32MB Samples: 268
Prog. 1–12: Octave runs from C major to B major, at 200 BPM, up and down from every note of the scale played. Use the
modwheel to switch between upward and downward runs..
Modwheel:
0 – up
127 – down
MINOR RUNS - MOD_up-do
EG_run_C-mi_200 (through to B-mi)
Bank/Prog: 1/1 Mapping range: C2–D#6 Release: 0.1sec. Giga RAM: 32MB Samples: 270
Prog. 1–12: Octave runs from C minor to B minor (harmonic), at 200 BPM, up and down from every note of the scale