Top Banner
Omeka and Digital Archives Jim McGrath February 20 th , 2015 HASTAC Scholars Digital Collections Webinar
43
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: HASTAC Scholars: Omeka and Digital Archives

Omeka

and

Digital Archives

Jim McGrathFebruary 20th, 2015

HASTAC ScholarsDigital Collections Webinar

Page 2: HASTAC Scholars: Omeka and Digital Archives

Introductions

• Hi!• Doctoral candidate in English at Northeastern• Digital Scholarship Group Coordinator at NU• Project Director of Our Marathon (created with Omeka)

1. Slides are here: http://slidesha.re/1vlQSsj2. My Omeka Sandbox is here: http://jimmcgrath.us/omeka_sandbox/Official Omeka Sandbox: http://omeka.org/codex/Try_Omeka_Before_InstallingTwitter: @JimMc_Grath

Page 3: HASTAC Scholars: Omeka and Digital Archives

Webinar Objectives

• Provide an introduction to Omeka• Show examples of Omeka in action• Look at an Omeka installation• Q&A / Brainstorming (last 15 minutes)

Page 5: HASTAC Scholars: Omeka and Digital Archives

Dan Cohen on OmekaOmeka introduced in February 2008

by the Center for History and New Media (GMU)

“Projects such as the September 11 Digital Archive and associated work with institutions such as the Smithsonian and the Library of Congress made us realize how much work – and how much money –it takes for institutions (and individuals) to mount high-quality and flexible exhibits online, and to manage the underlying collections.”

“Omeka aims to simplify this entire process, save valuable resources, and create a free and open platform that the museum and librarycommunity, and anyone else, can enrich by developing themes andplugins.”

Page 6: HASTAC Scholars: Omeka and Digital Archives

What is Omeka?

• “WordPress for museums”• web publishing platform for items, exhibits

and collections• designed with scholars, librarians,

educators and archivists in mind• aims to be easy to use & implement• emphasizes curation and metadata’s role

in archiving and curation• ability to contextualize items & bring them

in conversation with one another

Page 7: HASTAC Scholars: Omeka and Digital Archives

Potential Uses of Omeka

• Classroom Instruction: collaborative or individualexhibit building work; intro to metadata / archive• Public humanities work: make content accessible• Collaborations between GLAM (Galleries LibrariesArchivists and Museum) communities• Can be used for short-term; ideal for longer projects• Can host content on your own server space• Can use Omeka.net versions (Omeka-hosted)

Page 8: HASTAC Scholars: Omeka and Digital Archives

Advantages of Omeka

• Easy to create and update metadatausing Dublin Core standards

• Long-term aspirations: digital projects can have afterlives• Exhibit templates are useful in classrooms• Easy to geotag / use geotagging (creation of maps)• Flexible (can create new pages / code via “Simple Pages”)• Open Source• Lots of documentation of work (Omeka Forums)• Cheap (or free!)

Page 9: HASTAC Scholars: Omeka and Digital Archives

Omeka.net

• No server or FTP required (hosted by Omeka)

• Basic (free) plan includes 500MB of storage, 1 site, 5 themes, and 13 plugins—including Exhibit Builder, CSV import, and Simple Pages

Page 10: HASTAC Scholars: Omeka and Digital Archives

Omeka.org

• LAMP server required, FTP required, Hosted by you or institution

• Customize themes and plugins by editing server files• Unlimited number of plugins and themes (download

to server)

Page 11: HASTAC Scholars: Omeka and Digital Archives

Omeka and Metadata

(Dublin Core)dublincore.org

• set of metadata standards• rejects “siloed cultural memory”• enables “radically open cultural heritage data”• interdisciplinary work• collaborative in nature and scope

Page 12: HASTAC Scholars: Omeka and Digital Archives

Omeka is NOT just for Exhibit-building

• Simple Dublin Core fields are a key part of Omeka’s value• idea of creating “a love letter to the future” via metadata• Learn more about Dublin Core / metadata standards!• Essential that students have a sense of metadata’s value• Stylistic conventions also important• Documentation is online• Collaborate with local / institutional metadata specialists!

Page 13: HASTAC Scholars: Omeka and Digital Archives

Exhibits are Cool, Though

• Exhibit Plugin: design templates for students-students / teachers don’t have to be web design gurus

• Neatline Plugin: Geospatial / temporal maps-more of a learning curve, but worth it!

• Simple Pages: HTML and PHP, embedded content-create your own pages / layouts / content

Page 14: HASTAC Scholars: Omeka and Digital Archives

Exhibit Templates

Page 15: HASTAC Scholars: Omeka and Digital Archives

Talking about Metadata with Students

• Important component of Omeka and its mission!• Metadata as adding to historical record• Metadata’s uses in surveillance / war• Metadata’s role in students’ daily lives• Metadata’s relationship to your particular class• Stylistic conventions: decision or discussion• Metadata can be more than just “data entry”

Page 16: HASTAC Scholars: Omeka and Digital Archives

Neatline

Page 17: HASTAC Scholars: Omeka and Digital Archives

Advantages of Neatline

• Narratives that attend to space and temporality• Demonstrate value of geotagged metadata• Dynamic and interactive• Map templates built in to plugin• Ability to georectify maps (historical projects)• Ability to “map” images• Learning curve, but documentation online

Page 18: HASTAC Scholars: Omeka and Digital Archives

Questions to Consider

• What are students getting out of this work?• What are you getting out of this work?• What are your collaborators getting out of this work?• What happens to this work after the course?• What is the scope of the project / assignment?• Is Omeka the digital tool you need for this course?

Page 19: HASTAC Scholars: Omeka and Digital Archives

Questions for Classroom Use

• How much can you do on your own?• How much time have you spent with Omeka (Sandbox)?• What work needs to happen before the class starts?• What are your short and long-term goals w/ Omeka?• Who might be useful collaborators on campus?• Who will have access to the site?• Who is doing the work? (you, undergrads, grad students,librarians, IT, etc.)

Page 20: HASTAC Scholars: Omeka and Digital Archives

Questions to Answer (Classroom Use)

• Anyone already working with Omeka at your school?• Library / EdTech Resources?• Metadata specialists?• Do you need server access? How will you get it?• Do you want this hosted by your institution?• Questions related to intellectual property• Long-term preservation options (if relevant)

Page 21: HASTAC Scholars: Omeka and Digital Archives

Lesson Plans with Omeka

• How much of a role will Omeka play in a particular class?• How does the use of Omeka help you achieve your courselearning goals?• How might assignments that are not tech-heavy / explicitly using Omeka benefit later work withOmeka?• Is this an “Omeka” unit, or a unit about a particular topic?• How much time will you spend introducing Omeka?• How are you grading work done in Omeka?• How might an assignment using Omeka lead to a largerresearch project / future collaborations?

Page 22: HASTAC Scholars: Omeka and Digital Archives

Omeka and Our Marathon

• Why did we use Omeka?• How did we use Omeka?• What modifications did we make to Omeka?• How did we use Neatline?• Lessons from Using Omeka

Page 23: HASTAC Scholars: Omeka and Digital Archives

Our Marathon

northeastern.edu/marathon

Page 24: HASTAC Scholars: Omeka and Digital Archives

Why did we use Omeka?

• Our Marathon is a crowdsourced digital archiveof content related to the 2013 Boston Marathon bombings• We wanted robust metadata records for content• We wanted content to be accessible / live ASAP• We wanted a space for exhibits• We wanted to encourage educational uses of materials• We didn’t have lots of $$ for web design• We wanted the archive to go live shortly after the events

Page 25: HASTAC Scholars: Omeka and Digital Archives

Our Marathon home page

Page 26: HASTAC Scholars: Omeka and Digital Archives

sample crowdsourced content

Page 27: HASTAC Scholars: Omeka and Digital Archives

How did we use Omeka?

• As a platform for crowdsourcing (“Share Your Story”)• As a space to feature special collections of material

(Boston City Archives, WBUR Oral History Project)• As a space for student collaborations• As a space for exhibits (created with Neatline)

Page 28: HASTAC Scholars: Omeka and Digital Archives

“Share Your Story” contribution plugin

Page 29: HASTAC Scholars: Omeka and Digital Archives

Sample Collection Page (Boston City Archives Collection

Page 30: HASTAC Scholars: Omeka and Digital Archives

Sample Classroom Exhibit

Page 31: HASTAC Scholars: Omeka and Digital Archives

Lessons from

Classroom Collaboration

• Value of occasions for student work that circulatesbeyond the classroom• Exhibits as way of documenting what was learnedabout technology AND content of course• Challenges of collaborative writing and design• “Failure” should be discussed / accepted• Setting clear goals for semester AND goals tied to momentum of larger project important• Discuss how you’re using tools and WHY you’reusing Omeka with your students

Page 32: HASTAC Scholars: Omeka and Digital Archives

Modifications to Omeka

• Modified the Contribution Plugin-a need to make the contribution space engaging-a need to contextualize metadata requests• Cleaned up web design-improved layout of site sections-need to appease media / institutional partners

Page 33: HASTAC Scholars: Omeka and Digital Archives

Our Marathon and Neatline

• Neatline is designed as a mapping tool• We became interested in “mapping” images• Desire to highlight various aspects of certainimages in our archive (Copley Square memorial)• Instead of a map layer, we layered photos• Undergraduates and volunteers created exhibits

Page 34: HASTAC Scholars: Omeka and Digital Archives

“One Boston” Neatline Exhibit (created by Haverford College undergrad Nate Rehm-Daly)

Page 35: HASTAC Scholars: Omeka and Digital Archives

Sample Neatline Exhibit(created by Claudia Faith Willett)

Page 36: HASTAC Scholars: Omeka and Digital Archives

Other Examples of Omeka

http://omeka.org/showcase/http://neatline.org/demos/

Page 37: HASTAC Scholars: Omeka and Digital Archives

Uses of OmekaIsaiah Thomas Broadside Ballads Project (AAS)

Page 38: HASTAC Scholars: Omeka and Digital Archives

Uses of OmekaDigital Dos Passos (Amanda Visconti)

Page 39: HASTAC Scholars: Omeka and Digital Archives

Uses of OmekaGulag: Many Days, Many Lives

Page 40: HASTAC Scholars: Omeka and Digital Archives

Uses of NeatlineJeddah: Gateway to the Hajj (University of Virginia)

Page 41: HASTAC Scholars: Omeka and Digital Archives

Uses of NeatlineBlack Liberation 1969 Archive (Swarthmore)

Page 42: HASTAC Scholars: Omeka and Digital Archives

Let’s Look At Omeka!

• My personal sandbox with sample files can be foundhere: http://jimmcgrath.us/omeka_sandbox/To log in:Username: HASTACScholarPW: HASTACtest• This is a basic Omeka install via Reclaim Hosting• Neatline is not installed / other plugins not• More a chance to see back-end of a basic instance

Page 43: HASTAC Scholars: Omeka and Digital Archives

Thanks!