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HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

Feb 27, 2018

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Page 1: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist
Page 2: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

HAROLD B LEE LIBRARYBRiGHAM YOUNG I . ;TY

PROVO, UTAH

Page 3: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

Digitized by the Internet Archive

in 2012 with funding from

Brigham Young University

http://archive.org/details/schoolofmechanis120duve

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^V^W^>>^>^>^>^VY^^^

1IVV7Vyyvyyyv

vyyyvyyyy

s

AAAAAAA

t

I

y

vVyvyvvv

yyyvyyv

?AAAA

AA

X

iA

IA

R

Page 6: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist
Page 7: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

/V\T

'of-H°

Schirmer's Library of Musical

Classics

Vols. 316, 1292-1294

J. B. DUVERNOYThe School of Mechanism

FIFTEEN STUDIESFOR THE

PIANOFORTEOp. 120

Complete in One Volume, or in Three Books

WRITTEN EXPRESSLY TO PRECEDE

CZERNY'S SCHOOL OF VELOCITY

EDITED AND FINGERED BY

KARL KLAUSER

NEW YORK : G. SCHIRMER

Copyright, 1895, by G. Schirmer, Inc.

Printed in the U. S. A.

Page 8: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

School of Mechanism.

Allegro vivace. (J =144.J. B. DUVERNOY. Op. 120.

1.

pm̂ ^^mpoco a poco cresc. _

**.*

j \

'

\iiU U4T i

1834 a Copyright, t874, by G. SchirmerPrinted in the XT. S. A.

no!^LD B*LEE LIBRARY

8RIGHAM YOUNG UMiVERSiTYPROVO, UTAH

Page 9: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

a

^5*

UjjHfi [ffh^ui

P6^V

f p fe r-r-r fffffrff

E2

^

Page 10: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

4 thAllegro. (J = i3a.)

1 a

1 j J ;J}

J f -V-tl^j)

7J' ^

^^r^

1834 a

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Page 12: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

yMAllegro. (J = 132

V^ &7L+ 1

'

3.

I i } *> j> i iIy }>

i * \y 1} i t

1834 a

P \ J 5 j =gj /

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Page 14: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

* J-1

y *at

P 7 * y *

</zVw.

It ^ y *

tfrEBTttfl ^agm'

1834 a

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Allegro. (J = 132

foflift^4 ^Z 4 vr « s

V I y J y r 7 g | 5 h T n ^^

4 5

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'fft

•> 1 * P * ^^ P > I »

Iffrurr^f^r^ivwu^Ua

cresc.

mk iti' * i 1

*p

7j) ^

*/ j 5 J1

) ! j) i , *

¥- 1834 a

/

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11

w^ pp*=£% V i*

ritenuto. a tempo.

a ^^ e/

r^o^j

§> t: o

jj L1iTT .gT

1

uuJ

*#-

ujriLdW^y i ) y n y I ) y

/

JW P 7P

V p) y n i

1834 a

Page 18: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

12

i,

t*~

* 4' J *»I

Allegro moderato. (J = 126. A^^fciU.*

^,fjumrqii •

I

cjjr r ILU& r L£

J9 leg^afo.

s 1 / a

jgiWi&W ^to^cr^eresc. poco a poco.

m ¥

^2>

cresc. poco a poco

£E=a ^cor^ caijjU

crcffl'etf

rcffl jJip^jy^ l

I

1 J^^J^LEff1834 a

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ihfH n iv

13

f

m

i m r&r&tfrtfdim.

P

91 S 9 Fine.

rtffffifri

Jfeafi

creso. poco a poco.

0Vf-0M0 y<^9>[ffit&tfftltl

lf

cjgrm-^i* $m&

1834 a n.s.j^

Page 20: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

;,'

'=L

'> < H fi T E T ft ,

f>tt Allegro. (J = 13a.) ^' "' yT^f

m mm SB

r 4 k

i^ im

^m ks$t=t±d±±:ti

^afctrf^ff

f » p » fty r y

famfF,

i^hi ' t

^m I i h ffczfcfcirf

/ flft/ra.

5 4

4 3

#*4 5 4 5

M'Lffllffl'B£=^=£

i>

*t ra mjqi^g J) 7 ft 7 J) 7 ^ pT^P Tp

7P

-

4 3

1834 bCopyright, /S74, by G. Schirmer

Page 21: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

15

eresc.

m i p y V \ p y P

sempre ereso.

1 Ifc= ; 7 « y ^p^*^f y r g ± y r v

5 5riten.

<> * ])<,f

* })if

<, g 7ft

7 J) 7 p3

Tempo I.

^? leg'g'iero.

^m te^4 £

1 7 p 7 p E=p7— i 7 r y a 7

P2=2:

4 5

fn-rr'rrrir^a^

£eresc.

5

Igg p 7 p 7 p 7 j 7-

1834 b

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/&^>-_& I

\l^$%\

ffi&$% \\^5pcresc.

& iL

<4 §<5=*

i>

'^LUj' ^J^ I

Jjj" Clu ajjjbj^

4 5

?

a 4 X 3

ECH^U;^ ^lp^1834 b

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17

^mi J^i^ . ^TOj I cjJT^j e^^jT^j

i

F fj

3 S 4^^uw_V i

cresc. f

l- JjJ^ &J Ujj I ^^J U^ J

1834 b

I

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18

Allegro moderato. (J= 126.)

8.

i ., jtT llL-^ I jfgLirfi^Pm 1f

f\ /i 2 f F f - ^,1/ .prrirrrr ^=i

^^-

¥ m 3 -^.

r r f iLr f r r

\ eresc. poco a poco. _ - -

l'-

jJ

j= 1 m

'jj

ji

iN

i

> j^n ^ ^7ip T 4 4

.IjjnirfrTnl

#ereso. poco . _

" 4 4

"r rf rf

"1834 b

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19

m m j * j

:2j

g 1 »

igUj a,] J J J -u^

*.#•

* tX^^S^ I '^jJiff^Mmi^ Lf r p J" 1 1

I t-F-f

4 5^- —-

4

ffi

^a^LT t J J J ^J^bs Lag^Lj' . Jj j ejskJ

-**—

J

j7 fr-

1 marcato. T-

I Cfoflfl r^J ££/TJT&S

1834 b

Page 26: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

ao

Allegro moderate). (J= 126.)

9.

# . tr ykV- • 0- ^i iF^I

F?=S f

'^-jjlJ^E^j.«?r^^. _

i^ff^

5£ wg

1834 b

Page 27: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

/

»r~ X^ *j^ 5j^^ 5j^ sk-^if

cresc. -

4

4

r*$&*tf*m

ff=f^r^ =j

f^ jtfJJ^cS £j£

^11834 b

Page 28: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

22

Allegro. (J z 138.)

10.

4 1, 3

I j | 7

1S34 b

Page 29: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

dim

.

PfP^g§SeiIg B 7 i * J

"7 j < :^^ £

1834 bZ>. & «/ /Yw*.

Page 30: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

24 Allegro moderate (J z lie.)

S #^m rrr 1 *!=f ggg#ia

*> )jrrr^fto^ Hteclffl^^gten.

i iW ' JK

1834 cCopyright, JX74, by G. Schirmer

Printed in the U. S. A.

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J 834 c

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36

12

* £jj y r^sempre stacc.

1834

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27

fflcjrJFffl

eresc.

i m • c—

f

c^_T 7 lJ

^^

^cresc. poco a poco.

*^mrf

1834 c

Page 34: HAROLD BRiGHAM YOUNG PROVO, - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/d8/IMSLP453661-PMLP201896... · KINSCELLA,HAZELGERTRUDE,First StepsfortheYoungPianist SecondStepsfortheYoungPianist

28

Allegro. (J = 132.)

13.

msiufwi JTO BB ffe

j jwJV^JP ^ijitf gajjpa^y? £ jtw^Y? cres'c.

^m/

I p^ ^

1834 c

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29

a Wr^Wi/fT? 5s Bipip gSi* mil*^

dim

>> TO IPT? |ggi>

sSB Pf r t

PPfPllPP -»-4r

^3 t\

"

i t7?

Tp FTf3 m^

e7"pjTp rrji

1834 c

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30

Allegro. (J = 138.)

14.

Isidfi&sW^W^ l S^S^o;^^^?^f i—

£

d - :_*.-c> ^ -E-

jjFgs ^^elt^uj^ ¥ffl**^ ffl^^

l> j I j =r= r y" iJ 7 J 7 j y

#^T ^SJEEgi « S I

ffi^ffi5

ij y n Eg *-^-—*- ±=^1834 c

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31

-V^=T

? dr * iicLr * c Eftr \

ri r \ r

7 a 5 J 5 q

J7

J i J

i^g> ^s> dfei

i?SS *r i r sg i r

cresc. _

ifo pJ 5 J

*p« - - 2>

# ¥¥

fe J \ J T J 7 J 7 5& 7« 7 3*

Q, ^ f-

f

lL^l^lL:<•—

T 7 J

b* p

m i, ii ±^

^w^^i^Xjm m l

CLT CU*

g +^=^»i j s 3fi=i

P *tjj^p ^S> ^q#>

1s ¥ e ^^ 7 C^J' 7Z 1 #

UJ 7^ti

crexc.

ap<//»?.

7 k f 7J

7frJ 7 J^J *

1834 c

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32

1834 c

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33

Moderate (J = 120.)

il canto espressivo.

I SSW ^^£

15.

auMuiu ^duWiu^pafew sostenuto.

$jl= 4^4

ItZLrtiLrltilr r r Lg-K I r f r I

r S

iJMdJJilM^tJJJ OJJ ^Lu=^

liLr GiLr flff

^Jd-LUdL^dg1 o

*i> 1 i» i> (p

"i> i |p j

HfN rrn/ff?'

r f r T r rr l r¥fTrrrI

* ^

3

1834 c

H

H-™ =1

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34

3

J~,n3--.P m NM> szm; -p % p~

,

# # ,-p -p c-p -p

&±j ijjj tjj&m

^LcJ^rtttf I

5j^, 5j-

[!xLr L^ir iCH ?7? r p7?r552HH255 S3SC3

oresc

1834 r

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i f^-H? m ?—

Oriten.

»f*

—-r- li

35

_£X/'U1U'LCX/LCX/ LxI/Lilrm^iF

gjP^a tempo.

3;

B S3

^»~^ Z3

||g pi ^LL^Li imautujaj^

fed! HBHn. j rs: sz

ffl?

W^g=CIT

in ijjj LmiP ^j=~^i ^> feix

UL-'LL:^to1

rm

r fp 3—

*

h~f f P P P P mim ^^

1834 C

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Schirmers ScholasticSeries^k "Material for vocal and instrumental Study—from the very easiest to the most difficult.'

THIS great Series of Books, devoted as the name implies to works of an educational char-

acter, is being magnificently received by the musical people all over the country.

The Series embraces only copyrighted works, and contains material covering practically

the entire range of instrumental and vocal study.

Many of these works are, and will be, thoroughly original in subject and presentation;

while those not strictly novel will always be found superior in point of scope and construction

to any existent writing on the same or similar subjects.

New and important works will appear regularly ; and in the not distant future Schirmer'sScholastic Series will be as well known as the world-famous Schirmer's Library.

Several important works previously issued in a different series or character also have been

incorporated in this Series.

When ordering ask for Schirmer's Scholastic Series (or S. S. S.) , and give only the number.

Vol.

74.

14.

83.

89.

39.

51.

72.

105.

13.

12.

41.

30.

63.

84.

110.

100.

PIANO SOLO

BECKER, REN£ L., Five Staccato Etudes10 Melodious Studies. Op. 51

BILBRO, MATHILDE, Melodies in minorsTwo Friends (Right and left hand)

COERNE, LOUIS ADOLPHE, Eight Stud-ies for the Development of Style

DILLER, ANGELA, and QUAILE, ELIZA-BETH, First Solo BookSecond Solo BookThird Solo Book

DOENHOFF, ALBERT VON, 6 AdvancedSpecial Studies Adapted to Small Hands3 Modern Piano Etudes

FALCKE, HENRI, School of Arpeggios

HUSS, GEORGE J., and HENRY H. f

Condensed Piano Technics

KINSCELLA, HAZEL GERTRUDE, First

Steps for the Young Pianist

Second Steps for the Young Pianist

Third Steps for the Young Pianist

Essentials of Piano Technic

9

10

1. KRONKE, EMIL, Advanced Studies in

Rhythm. Op. 12912 Melodic Studies. Medium Grade,

Op. 128

LEVEY, HENRY, The Chopin Technic

LIEBLING, EMIL, The Complete Scales

with Explanatory Notes. Op. 13

80. MORA, FLORA, Metodo moderno de pianopara principiantes

PHILIPP, I., Exercises for Independence of

the Fingers:49. Part I

50. Part II

68. School of Octave Playing for Pianos

Book I

69. The same, Book II

70. The same, Book III

A548

Vol.

REINHARDT, JACOB, Eight Etudes forthe Development of the 4th and 5th fingers

ROGERS, JAMES H., Development ofVelocity. Op. 40. 2 books:Book I. ScalesBook II. Arpeggios10 Etudes15 Exercises and fitudes on Broken

Chords10 Octave Studies

SMITH, HANNAH,Studies

20 Progressive Pedal

31. SPENCER, VERNON, 6 Poetic Study Piecesfor Children

65. Poetic Studies in Tone Production,Part I

66. The same, Part II

67. The same, Part III

Concentration and48 STILLMAN, LOUIS,Key-board Facility

38. STERNBERG, CONSTANTIN, Studies inRepetition Technique

WHITING, ARTHUR, Pianoforte PedalStudies. 2 parts:

19. Part I

20. Part II

43. WILLIAMS, FREDERICK A., Octave andChord Studies

42. -Wrist and Forearm Studies in third,sixths and octaves

16. WRIGHT, N. LOUISE, 12 Etudes15. 12 Preludes

PIANO FOUR-HANDS52. DILLER, ANGELA, and QUAILE, ELIZA-

BETH, First Duet Book73. Second Duet Book

106. Third Duet Book

ii"'»" i"i""n '»"""" iiiiiiimiiiiiiiiiiiiiiiiiiii ii iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiHnir3

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SCHIRMER\S LIBEMUSICAL CLASSICS

LARY

EXERCISES AND STUDIES FOR PIANO

VOL. NO. VOL. NO. VOL. NO.

ARMAND, J. O. 226 Op. 37. 14 Brilliant Preludes forSmall Hands (Oesterle)

25 30 Selected Studies (Oesterle)

DORN, A.900 Op. 10. 40 Pieces for Beginners 901/902 Op. 100. 24 Studies In all major

1030 Op. 44. 15 Studies in Expression(Von Doenhoff)

and minor keys. 2 vols.

BERENS, H.259/262 Op. 61. Newest School of Velocity.

40 Studies. 4 vols.The same. Complete

DREYSCHOCK, A.The School of Scales Complete1070

CRAMER, J. B. 531

504 Op. 70. 50 Pieces without Octaves(Beginners)

142/145 84 Celebrated Studies. 4 vols.

827 50 Selected Studies (Bulow)532/533 The same, in 2 vols. *

505/507 The same, in 3 vols. 1178 The same (Spanish Edition)508 Op. 79. 20 Children-Studies with-

out Octaves828/831 The same (English text), in 4 vols. DUVERNOY, J. B.

509/510526

The same, in 2 vols.Op. 88. The School of S<-ales,Chords and Embellishments. 28Studies progressively arranged CZERNY, C.

153 Op. 139. 100 Progressive Studies

316 Op. 120. The School of Mech-anism. 15 studies, preparatoryto Czerny's "School of Velocity(Klauser)

527/5291031

The same, in 3 vols.Op. 89. Training of the Left Hand 60 Op. 176. Ecole primaire. 25 studies

without Octaves (Vogrich)378 Op. 261. Exercises in Passage-

BERTINI, H. playing. 125 elementary studies(Buonamlci)

161 tOp. 299. The School of Velocity.

EGGELING, E.137 Op. 29. 24 Studies (Vogrich- 854 Studies for Advanced Mechanical

138Buonamlci)Op. 32. 24 Studies (Vogrich-Buonamlci)Op. 100. 25 Easy Studies (Vogrich-Buonamici)Op. 101. 24 Melodious PiecesOp. 166. 25 Primary Etudes(Oesterle)

12 Little Pieces and Preludes

40 Studies (Vogrich) Complete162165 The same, in 4 vols.

Development

136

758691

i50 Op. 335. School of Legato andStaccato. 50 exercises, sequel toOp. 299 (Buonamici)

151/152 The same, in 2 vols. 70J-

GURLITT, C.Op. 50. 24 Easy, Melodious Studies

149 Op. 337. 40 Daily Exercises (Buon- 799/800 The same, in 2 vols.

135 amici) 801 Op. 51. 24 Melodious Studies (me-(Vogrich) 383 Op. 365. School of the Virtuoso. dium difficulty)

866 Scales and Chords 60 Studies in bravura and style 802/803 The same, in 2 vols.795 50 Selected Studies, from Op. 29, (Buonamici) 804 Op. 52. 20 Studies in Rhythm and

32, 100 (Germer) 749 Op. 453. 110 Easy and ProgressiveExercises (Buonamici)

Expression805/806 The same, in 2 vols.

BIEHL, A.402 Op. 553. 6 Octave Studies in Pro-

gressive Difficulty (Schultze)1100

1101/02Op. 53. 20 Velocity StudiesThe same, in 2 vols.

530 Op. 30. The Elements of Piano-146 Op. 599. Practical Method for Be-

ginners (Buonamici)148 Op. 636. Preliminary School of

Finger Dexterity (Buonamici)60 Op. 718. 24 Studies fox the Left

Hand (Scharfenberg)

422/423 Op. 54. 6 Sonatinas. 2 vols.playing 908 Op. 80. Rhythmical Studies

497/499 Op. 44. 25 Easy and ProgressiveStudies. 3 vols. ,

534/535

536

Op. 82. The First Steps of theYoung Pianist. 2 vols.

Op. 83. Easiest Studies In Velocity

BRAUER, F.154 tOi>. 740. The Art of Finger Dex-

terity. 50 Studies in brilliant style

537/538807

The same. In 2 vols.

Op. 85. 24 Studies on Scales andArpeggios494 Op. 1 5. 12 Studies for Development

of Velocity

(Vogrich) Complete155/160 The same, in 6 vols. 808/809 The same, In 2 vols.

495/496 The same, in 2 vols. 1158 tOp. 755. Perfection in Style (Her-zog) Complete

834 Op. 90. 50 Daily Exercises In CanonForm

BURGMULLER, F.1159/62 • The same, in 4 vols. 539 Op. 100. 24 Octave Studies

192 Op. 802. Practical Fingering Exer-cises (Rolle)

193/195 The same, in 3 vols.

309 Op. 101. Album-leaves for theYoung

Op. 104. Fleurs de Champs. 12500 Op. 100. 25 Easy and ProgressiveStudies (Oesterle)The same, in 2 vols.Op. 105. 12 Brilliant and Melo-dious Studies (Oesterle)

874

977/978755

147 Op. 821. 160 Eight-Measure Exer-cises (Buonamici) 323

little salon pieces in dance formOp. 107. Buds and Blossoms

54 Op. 823. The Little Pianist. 73 963 Op. 112. Feuilles volantes

756/757 The same, in 2 vols. easy and progress) -i i:u -rcises,

beginning with tho first rudi-601 Op. 113. Mimosen. 12 characteris-

752 Op. 109. 18 Characteristic Studies tic pieces (Klauser)(Oesterle) ments 324 Op. 117. The First Lessons

753/754 The same, In 2 vols. 55/56 The same, in 2 vols. •

916 Op. 824. Practical Method forPlaying in Correct Time (See"Piano Four Hands")

272 Op. 849. 30 New Studies in Tech-nics (preparatory to Op.' 299)(Buonamici)

339 Op. 130. 35 Easy Studies (withoutoctaves)

1177

CHRISANDER, N.323 Technical Studies, as a pre-paratory method for the Tausig-Ehrlich Daily Studies

CLEMENTI, M.

206325

326

Op. 131. 24 Melodious StudiesOp. 140. Album for the Young. 20melodious piecesOp. 141. School of Velocity forBeginnersOp. 148. Novelletten. 12 littlesalon pieces. . 2 vols.

445 First Instruction in Piano-Playing100 recreations (Ruthardt)

994 Selected Studies, vol. I. 170studies in the upper elementary

877/878

780 GradusadParnassum. 29 SelectedStudies (Tausig)

and middle grades995 The same, vol. II. 92 studies In HABERBIER, E.

Op. 53, Op. 59. Etudes-poesies.1112166

The same (Spanish ^ditiorf)tGradus ad Parnassum. 100 Exer-

the middle grade996 The same, vol. III. 73 studies in 191

cises (Vogrich) the upper middle and upper 24 pieces (Ruthardt)167/169 The same, in 3 vols. grades

376 Preludes and Exercises (School of 997 The same, vol. IV. 58 studies InScales), in all the major andminor keys (Vogrich)

the upper and advanced uppergrades HANDROCK, J.

385/386 fl2 Celebrated Sonatas (Buona-mlci). 2 vols.

6 Sonatinas, Op. 36 (Kohler)tl2 Sonatinas, Op. 36, 37, 38(Kohler)

299 Mechanical Studies

81140 DORING, C. H.

879/881 Op. 8. 25 Easy and ProgressiveStudies. 3 vols. •

HANON, C. L.925 The Virtuoso Pianist In 60 Exer-

CONCONE, G.651 Op. 24. Exercises and Studies in

Staccato Octave-playingcises CompleteThe same. In 3 vols.:

139 Op. 24. 25 Melodic Studies (easy 652/653 The same, in 2 vols. (Vol. I, 1071 Part I (Nos. 1-20)

and progressive) (Oesterle) exercises; Vol. II, studies) 1072 Part II (Nos. 21-43)141 Op. 25. 15 Studies in Style and

Expression (Oesterle)1035 Op. 25. 8 Octave Studies 1073 Part III (Nos. 44-60)1098 Op. 86. 16 Easy and Melodious 1081 El pianista exlmio, en sesenta ejef -

140 Op. 30. 20 Studies on the SingingTouch (Oesterle)

Studies (beginning of middle• grade)

ciclos (Spanish edition)

Volumes marked t) may be obtained in Cloth Binding. Prices will be

log of Schirmer's Library of Musical Classics will be

auoted on request.

A Complete Cola mailed if desired.

A 583 Published by G. SCHIRMER New York

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