Harambee: An Exploration of Kenyan Culture By: Julia Dunn
Harambee: An Exploration of Kenyan CultureBy: Julia Dunn
Introduction
Activity
Activity Rules
Listen– To the instrument & participants!
Do not be afraid to switch instruments!
“Hands up”
Geography
Foreign Presence
• The Bantu Migration
Three phases:Brought major groups(ex: Kikuyu)Culturally shaped area
Foreign Presence:The Swahili City States
Foreign Presence:The Swahili City States
TRADE BASED:RECIPRICOL
*Little cultural leveling
*Coastal culture
The 19th Century:British Presence
Berlin Conference of 1884-5
Colonization: Complications
The Mau Mau Rebellion
Jomo KenyattaFirst Kenyan President• Kikuyu origin• New problems
General:
• Common problem
• Long term effect
• Prevented cohesion
Cultural Divisions of “New” Kenya:
Groups did not “share” land(Kikuyu and Luo)
Living together
Introduction of “nationalism”
The Maasai
Call-and-Refrain
Artwork
The Maasai• Most advertised group
• “Noble Savage” critique
• Ultimately effected by attention
Maasai Men Playing Cricket
The Kikuyu
Facts: • Came with Bantu
migration
• Major Political influence
Traditional Kikuyu Dress
Music
• Close contact with Europeans
• Polyrhythmic
Major ceremonial importance
Art rooted in music
An Example
Swahili Coastal Culture
• Highly publicized
• Integrated influence
• Trade area
Taarab
• Sultan Seyyid Barghash bin Said
• Chakacha Rhythm
21st Century
Harambee: Let us all pull together
21st Century Kenyan “Identity” vs. “Tribal Identity”* Melding of groups (esp. in urban areas)
Music
• “Western” African Music
* Afro-Pop, Ragga, Rap
• Cont. : Traditional rhythms used
Social Meaning
• Reflects political problems
• Provide a cohesive medium
Art
• European Influence–Continuation of African Motifs– Revival after independence
Kuona Trust
• Encouragement of youth• Progress
The Young Professionals
• Minority with influence• “Africanness” Subculture
Youth Culture
Youth CultureEmergence of street art
-More independent art
Youth CultureEmergence of street art
-More independent art
Proliferation of Contemporary Music-Ragga and Rap
Bigger Implications
Conclusions