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“HANS CHRISTIAN ANDERSEN AND THE DISCOURSE OF THE DOMINATED” JACK ZIPES Jessica Brumley, Alliah Davis, & Alexandra Wolfe
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“HANS CHRISTIAN ANDERSEN AND THE DISCOURSE OF THE DOMINATED” JACK ZIPES Jessica Brumley, Alliah Davis, & Alexandra Wolfe.

Jan 19, 2016

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Page 1: “HANS CHRISTIAN ANDERSEN AND THE DISCOURSE OF THE DOMINATED” JACK ZIPES Jessica Brumley, Alliah Davis, & Alexandra Wolfe.

“HANS CHRISTIAN ANDERSEN AND THE DISCOURSE OF THE DOMINATED”

JACK ZIPES

Jessica Brumley, Alliah Davis, & Alexandra Wolfe

Page 2: “HANS CHRISTIAN ANDERSEN AND THE DISCOURSE OF THE DOMINATED” JACK ZIPES Jessica Brumley, Alliah Davis, & Alexandra Wolfe.

THESIS

Jack Zipes discusses how Hans

Christian Andersen’s desire and

struggle to ascend his social position in

19th century Europe significantly

influenced the synthesis of his

literature.

Page 3: “HANS CHRISTIAN ANDERSEN AND THE DISCOURSE OF THE DOMINATED” JACK ZIPES Jessica Brumley, Alliah Davis, & Alexandra Wolfe.

HANS CHRISTIAN ANDERSON STRUGGLED WITH HIS

INTEGRATION INTO THE UPPER CLASS

Hans Christian Anderson strongly desired to be completely accepted by

upper class nobility

Despite Hans Christian Anderson’s great success as a writer, his proletarian

family background restrained his efforts to rise from the dominated class and

into the dominating circle. This inspired his belief in natural nobility.

“…he devoutly believed that certain biologically determined people were

chosen by divine providence to rise above others.” Zipes, 248.

Andersen rationalized his need for recognition by the upper classes by

asserting his own artistry as God given gifts that merited his progression in

social hierarchy

Page 4: “HANS CHRISTIAN ANDERSEN AND THE DISCOURSE OF THE DOMINATED” JACK ZIPES Jessica Brumley, Alliah Davis, & Alexandra Wolfe.

HANS CHRISTIAN ANDERSEN INFUSED HIS OWN DOMINATED L IFE INTO HIS

TALES BY DEMONSTRATING A COMMON THREAD

Andersen was born in a ‘Lumpenproletariat” society

“In almost all of Andersen’s early tales, he focuses on

lower-class or disenfranchised protagonists, who work their

way up and into society.” Zipes, 279

His tales are essential because they exposed similar motifs

such as ““significance of providence, the essence of

geniality, the role of the artist, the treatment of women, and

the system of patronage.” Zipes, 271

Page 5: “HANS CHRISTIAN ANDERSEN AND THE DISCOURSE OF THE DOMINATED” JACK ZIPES Jessica Brumley, Alliah Davis, & Alexandra Wolfe.

HANS CHRISTIAN ANDERSON APPEALED TO THE LOWER CLASS BECAUSE HE SPOKE FROM HIS OWN EXPERIENCE

AND STRUGGLES

“Everything In It’s Right Place” Zipes, 293.

“The Gardener and His Master” Zipes, 298.

“Andersen’s genius, despite his servility,

rested in his inability to prevent himself from

loathing all that he admired.” Zipes, 303.

Page 6: “HANS CHRISTIAN ANDERSEN AND THE DISCOURSE OF THE DOMINATED” JACK ZIPES Jessica Brumley, Alliah Davis, & Alexandra Wolfe.

EVALUATIONJack Zipes makes an excellent argument establishing Hans Christian

Andersen’s conflict with social order and how it translated into his literary

tales. The evidence he uses, including excerpts from the works of Noëlle

Bisseret, Finn Hauberg Mortensen, and Hans Christian Andersen himself

enhance his argument by giving the reader a stronger insight into 19th century

Europe and motive behind Andersen’s work. In addition, Zipes’ use of

Andersen’s actual literary fairy tales into his argument to connect his

assertions could probably convince the most skeptical readers. Jack Zipes'

argument relates to other scholarship's such as "Hansel and Gretel" and

"Molly Whoopie" because hidden within these other fairy tales is a symbolic

struggle with being lower class.