News Ticker K Home » Art » Hanging Offence : Kristen Hjellegjerde Hanging Offence : Kristen Hjellegjerde Showing cutting edge international artists in an intimate setting, Kristin Hjellegjerde talks to Trebuchet By Trebuchet, published on 02/06/2015 in Art eeping a sharp eye on emerging art talents in both London and New York, Kristin Hjellegjerde takes a personal approach to curation which acknowledges gut feeling and instinct. Because the spreadsheets can look after themselves…. What first drew you to art? Growing up among the fjords, mountains and lakes of Norway, I had more exposure to nature than art, and my escape was literature. It was therefore quite a revelation to view Anselm Kiefer’s bookshelf work The High Priestess / Zweistromland at the Astrup Fearnley Museum in Oslo when I was around 19 years old. It was like something clicked within me. It still took me Galleries Hanging Offence : Ronchini Gallery For me, a controversial work is unconventional, contradicts traditional methods of interpretation and provokes a reaction. [...] Hanging Offence : NOW Gallery Automatic Art : Human & Machine Processes Make Art Tolkien, Art & Metal: Paul R. Gregory Interview Contemporary Sculpture, Zabludowicz Collection To search, type and hit enter Newsletter Email Add. First Name Last Name 28/05/2015 in Politics: Death in the Afternoon : Political Slaughter in Spain TREBUCHET Art. Music. Politics. Culture NEWS ART POLITICS MUSIC CULTURE EVENTS Contact About ! " # $ % & ’ (
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Home » Art » Hanging Offence : Kristen Hjellegjerde
Hanging Offence : KristenHjellegjerdeShowing cutting edge international artists in an intimate setting, KristinHjellegjerde talks to Trebuchet
By Trebuchet, published on 02/06/2015 in Art
eeping a sharp eye on emerging art talentsin both London and New York, KristinHjellegjerde takes a personal approach tocuration which acknowledges gut feeling
and instinct.
Because the spreadsheets can look after themselves….
What first drew you to art?
Growing up among the fjords, mountains and lakes of Norway, I had more exposure to nature
than art, and my escape was literature. It was therefore quite a revelation to view Anselm
Kiefer’s bookshelf work The High Priestess / Zweistromland at the Astrup Fearnley Museum in
Oslo when I was around 19 years old. It was like something clicked within me. It still took me
Galleries
Hanging Offence : RonchiniGallery
For me, a controversial work is
unconventional, contradicts traditional
methods of interpretation and provokes a
reaction. [...]
Hanging Offence : NOW Gallery
Automatic Art : Human & MachineProcesses Make Art
Tolkien, Art & Metal: Paul R. GregoryInterview
Contemporary Sculpture, ZabludowiczCollection
To search, type and hit enter
Newsletter
Email Add.
First Name
Last Name
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