Handbook FromPianoToStrings Notations

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P r o f e ssi o nal O r c h e s t r a t i o nT M : A P r a c t i c al H a nd b ook – F r o m P ia no t o S t r i n gs

Copyright ©2009 by Peter Lawrence Alexander

Alexander Publishing

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Acknowledgements: A Word of Thanks

Preface: A Simple Idea

Introduction: Getting the Most Out of “From Piano to Strings”

Something to Avoid

Where and How to Start

The Audio Examples

How Labeled

Support Materials

How to Approach Formal MIDI Mockups

How Maurice Ravel Approached Transcription Work Why You Should Start With Strings First

Give It Time

Working With the Reference Chart of Keyboard Idioms

Conclusion

Chapter 1: Broken Intervals1. Broken Octaves

2. Broken Octaves With Embellishments

3. Broken Octaves Combined With Thirds

4. Broken Sixths

5. Broken Thirds

6. Broken Sixths and Thirds Combined

Chapter 2: Broken Chords1. Left-Hand Broken Chords in Close Position

2. Left-Hand Broken Chords in Open Position

3. Broken Chords Spaced for Two Hands

4. Broken Chords in Right-Hand With Implied Melodic Line

5. Broken Chords With Blocked Melodic and Rhythmic Patterns

6. Arpeggiated Chords

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Chapter 3: Melodic Lines & Figurations1. Large Melodic Skips

2. Outlining a Melodic Line

3. Dividing a Melodic Line

4. Melodic Lines Combined With Repeated Note Patterns

5. Melodic Settings: Contrasts, Comparative Strengths, and Repeated Phrases

Chapter 4: Implied Bass Parts

Chapter 5: Single–Note, Interval & Chord Repetitions1. Repeated Notes—Without Rests

2. Repeated Notes—With Rests

3. Repeated Intervals as Afterbeats

Chapter 6: Two– & Three–Part Music1. Homophonic

2. Polyphonic

3. Style Mixtures

Chapter 7: Spacing Problems in the Middle Register1. Large Harmonic Gaps

2. Sustained Notes, Intervals and Chords

Chapter 8: Contrast Problems Conditioned by Dynamics

Chapter 9: Voice Leading

Chapter 10: Obbligato or Added Secondary PartsArranged from Harmonic Progressions

Chapter 11: Antiphonal Effects

Chapter 12: Tremolo Types

Chapter 13: Dance Forms

APPENDIX I: Chart of String Unisons

APPENDIX II: String Ensemble Templates

Holberg Suite: For Piano Solo

Holberg Suite: For String Ensemble

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4. Broken Chords in Right-Hand With Implied Melodic Line

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5. Broken Chords With Blocked Melodic and Rhythmic Patterns

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29

1. Large Melodic Skips!"#$% '%()*+, -.+/- +0 "(( 1)#'- "0* -+2%- "#% 0"34#"( ,5"#",3%#+-3+,- )1 '4-+, 1)# .%67)"#*+0-3#4'%03- 85%#% 0) +03)0"3+)0 *+1!,4(3+%- %9+-3: ;01)#340"3%(6< -3#+0$ /("6%#- '4-3

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Chapter 3

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PROFESSIONAL ORCHESTRATIONTM . VOLUME I

The First Key: Solo Instruments & Instrumentation Notes

Peter Lawrence Alexander

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Handbook FromPianoToStrings Notations

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