Top Banner
Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history, dating back to the Roman Empire. They made political statements and satirize current events. Modern graffiti achieves many of the same
29

Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Dec 25, 2015

Download

Documents

Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history, dating back to the Roman Empire. They made political statements and satirize current events.

Modern graffiti achieves many of the same things – to state a message that doesn’t necessarily fit into the norms of society.

Page 2: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,
Page 3: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Graffiti also known as Street-Art or Urban-Art has come a long way from the simple cave-paintings of our ancient past, to the amazing diversity of today’s graffiti.

Page 4: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

A BRIEF HISTORYThe American History of Graffiti:

From subway to gallery

http://video.pbs.org/video/1864784580

Page 5: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Keith Haring

Keith Haring was an artist and social activist whose work responded to the New York City street culture of the 1980s.

Haring achieved his first public attention with chalk drawings in the subways of New York (see public art). These were his first recognized pieces of pop art. His bold lines, vivid colors, and active figures carry strong messages of life and unity.

Page 6: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Keith Haring

drawing in subway

ca. 1981

Page 7: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Graffiti: a work of art or vandalism?

Page 8: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Keith Haring

Harlem, NY

1986

Page 9: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

JEAN-MICHEL BASQUIATJean-Michel Basquiat was an American artist. His career in art

began as a graffiti artist in New York City in the late 1970s, and in the 1980s produced Neo-expressionist painting.

In 1976, Basquiat and friends Al Diaz and Shannon Dawson began

spray-painting graffiti on buildings in Lower Manhattan, working under the pseudonym SAMO.

In June 1980, Basquiat took is art from the street to the gallery by participating in The Times Square Show, a multi-artist exhibition. From that moment on he became a widely known Urban Artist.

Page 10: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Jean-Michel Basquiat

Hollywood Africans

1983

Page 11: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Jean-Michel Basquiat

Grillo

1984

Page 12: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

BANKSY

Banksy is a pseudonymous England-based graffiti artist, political activist, film director, and painter.

Stencils are traditionally hand drawn or printed onto

sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.

Page 13: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Banksy

c. 2003

Page 14: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Banksy

c. 2007

New Orleans

Page 15: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,
Page 16: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,
Page 17: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

JOSE PARLA

Jose Parla was born to Cuban parents in exile in Miami, Florida. He started painting in 1983 at age 10. In 1988 he began painting on city walls using the name "Ease," following the tradition of New York subway art.

His paintings incorporate calligraphy into pictures

that resemble distressed city walls.

Page 18: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Jose Parla

Page 19: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Jose Parla

Page 20: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Jose Parla

Page 21: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Jose Parla

Los Angeles, CA

Page 22: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Not only are there different types of graffiti; there are also plenty of different lettering styles used by graffiti writers. Many of them were designed by graffiti writers in the beginning years of urban graffiti, in the 1970s and 1980s. They’ve been imitated, expanded on, adapted and changed by graffiti artists all over the world.

LETTERING TECHNIQUES

Page 23: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Bubble Letters A lot of graffiti lettering is done with bubble letters. Bubble letters can take many different forms, but basically they are fat rounded letters, with or without a differently-colored outline, usually overlapping each other. They’re normally easy to read and don’t have too many stylistic flourishes.

Page 24: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Block LettersBlock letters are basically the same as bubble, but without the fat rounded appearance. Shadow letters are commonly found on throw-ups and in more complicated pieces. They use either block letters or bubble letters and feature a shadow behind each letter, making the lettering appear slightly 3D.

Page 25: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Wildstyle It’s hard to classify most types of graffiti lettering. The styles develop organically, with only loose foundations. Lettering styles can sometimes be traced back to the person who originally developed them. Such is the case with Wildstyle, which was first thought up and practiced by Tracy 168 and Stay High 149 in New York.

Wildstyle graffiti is complex and often difficult to read for people who aren’t familiar with graffiti lettering. The style has taken off all over the world and has evolved as it’s been passed from continent to continent.

Page 26: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Calligraffiti Calligraffiti is a combination of calligraphy and graffiti invented by Amsterdam graffiti artist Shoe. It’s a somewhat stylized but still easy-to-read lettering style. It brings together the best parts of calligraphy and graffiti by putting beautiful and artful letters into an urban setting.

Page 28: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

www.build-it-yourself.com

Make thick characters so you have lots of space for coloring.

Overlap your characters and outline them.

A shadow can make your graffiti pop right off the page.

Graffiti Evolution

Two colors are almost always better than one color. This is a key to cool graffiti.

Page 29: Graffiti represents an art form that is unrestricted, one that rebels against conventional forms of artwork. Graffiti is intertwined into human history,

Graffiti ProjectMedia: 9x12 or 12x18 paper, pencil, colored pencils and/or markers.• Think back to when we discussed how graffiti can tell a story. • Choose a word (school appropriate) that illustrates the story you

want to tell.• Think how font can reflect mood just like shape, line and color.

Consider these things when creating your composition. – Create intensity with color– Create value with color.