Graffiti] Daim - Daring to Push the Boundaries

5/12/2018 Graffiti] Daim - Daring to Push the Boundaries

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To br ing his name Into har mony,G erma ny s 3 0- vl rt uo so OAIM p refers to take gra ff It i In the unusual

I t s eems as I f hI S f ou r l et

ISBN10: 3-939566-02-0ISBN13: 978-3-939566-02-1

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D A R IN G T O P U S H T H E B O U ND A R IE S


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O A IM - OA R IN G T O P U S H T H E B O U NO A RI ES

I N TR O ~ ~W A LL S ~

P R O J EC T S ~ ~O O C K 1 0 ~ ~ ~~

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D AIM - D AR IN G T O P US H T HE B OU ND AR IE ST o br n g h s n am e i nt o h ar mo ny , S er rn an q s 3 0-vrtuoso O A I M pr efe rs to tak e gr aff it i i n t he unusua d r ec t on . I t s ee ms a s if h s f ou r l et -t er s j um p o ff t he w a s , e xp o de o nt o c an va se s,e xp or e n atur a e nv ro nme nts, and com e t o l f eas scuptures.

In th s p rnte d ga e ry, DAIM s v ersa t e techn -q ue s a nd r an ge o f a rt s t c m ot f s b ec om e c le ar :the strange g ances of exot c f shes, a gasm ask v ewed Fro m d ffer ent ang es, com pexa bstr act on s of h s na me, a cryl cs he re, dr aw ng s the re, a e xecut ed w th a mast er s con -t ro o f c o or , l g ht a nd s ha do w.When asked if h e d e pa rt s f ro m t ra d t on a g ra ffiti i deas , he answersMy a m i s t o s how new s ides of gr af fi ti ar t.There w a ways be w r ters who pa nt i e ga y ,b ut the n umb er of g raff t art st s who use newm ed a and st yles is ste ad y in crea sing. So weh av e n ew i de as a o ng sid e t he o d ones.

Of course some peop e don t h sbut has n o

Grafflti m us t b e d s t nc t ve . Fo r m e i ts e ss en "tial to try new th ngs w thout losing sight ofthe besics.

Studying f ne art in Sw tzer and prov ded aop por tun ty fo r OAIM to reco nside r h s

Beside of workin g w th t he can, her e nv en te d h s n am e u si ng a n o r ch es tr a o f n ewt ec hn q ue s, s uc h a s e tc h ng s, l n o eu m p r nt s,an d scu pt ures of wo od and con cret e. OAIMn ever had a ny r ea r oe m ode s or m ento rs. Hel ke s the work of va n Go gh s pa nt ngs or Fr ank

IN TRD11

Gehry's arch tecture, but he f nds h s ma ni ns p ra t on w t h n n at ur e:

D AIM - G RENZ GAN GE W AG ENU rn d e i nt en si ve A us e na nd er se tz un g m t d enDar ste u ng smbg c hke te n se nes Nam ens zudem ons tr er en, ihn in e ne Einheit z u b r ng enu nd z u p er fe kt o n er en , g eh t d er H am bu rg erS f -V ir tu os e D AI M m t V or e be gr af f t .u nt q-

Wege. Man kbnnte me nen, se nebrachen aus d en M au em h er vc r, u rn auf

zu exp l odi e r en . photoreast schenSer en Platz zu mechen und sch ef3 ch a sP la st k en z u n eu er n L eb en z u e rw ac he n

Even t ho ug h a dv er t se me nt , c ar to on s, a ndge nre s l ke pop -ar t a re ref ected by g raff t ,e ve ry k in d o f s ha pe , c o ou r, a nd p at te rn b eg n si n n a tu re . J us t k ee p y ou r e ye s o pe n! -

Erea tlv i tg an d de ter mnat on a o wed DAIIVI t oget in contact w th other wr ters ear y in h scareer. He had a hand in pa nt ng the ta e stgraff t in the wor d, commemorated in theG u nn es s B oo k o f R ec or ds . A m em be r o f i nt er -n at on a a rt st co e ct ves suc h as FX, FBI, SUK,and GBF, he has become one of the mostfamous and sought-after art sts in theword. He is i nv ted to in ar-t showsand exh b tons around the wor d and has co -l ec to r S i n J ap an , N ew Ze a an d, A us tr a a , a ndt he U n te d S ta te s, a s w e a s i n E ur op e

I nDA IMs Gaer e s ar nm e t sich d e Vi e fa t s e ne rT ec hn k en u nd M ot v e: D er s e ts am e B lc k e xo t -s ch er F sc he , p er sp ek t v sc he D ar st e u ng ene n er G as ma sk e, d an eb en k om p ex e Be ru sr -S ki zz en s e ne s N a r n en s . h t er A c r ql b il d er , dortZechnungen . ..Auf d e Frage , ob er s ch v e r n h e rkornm l ic h e nSraffitiverstandnis lose, antwortet er

D AI M a tt r bu te s h s s uc ce ss t o h s c o a bo ra t onw t h o th er a rt s ts . Al t he u n qu e c on tr b ut o nsin graff t art assure h m in estab sh ng th sy ou ng a nd e ne rg et c m ov em en t i n t h e i nt er na -t ona a rt wor d

Meln B es tr eb en b es te ht d ar n , n eu e F ac et te nv on G ra ff t a uf zu ze g en . Es w r d i mm er W r te rgeben, d e i e ga sprUhen, aber eben auchzunehmend solche, d e andere Med en undSt e nutzen. So kommen neue Ideen h nzu,o hn e d as s d e a t en v er sc hw nden.

In 1999 DAIMc o - f ou nd ed t he a rt s t a ss oc a t ong ett ng-up . They o rga nzed the ve ry suc-c es sf u a nn ua U rb an Iliscipline exhbtons.I n 2 000, 2001 an d 200 2 inte rna tona gr aff tart sts presented the r work to a w de pub ca ud e nc e i n H am bu rg Germany

K la r g b t e s i mm er L eu te , d e b e m G ed an ke n a nG re nz er we t er un g z us am me nz uc ke n. D e seSk ep s s k an n O AI M n c ht v e a bg ew n ne n:

Gr af f t k an n s ic h u nt er sc h ed c h g es ta t en .FO r m c h i st e s v e w c ht g er , N eu es a us zu pr o-b er en u nd dab e den G run dged anke n n ch t zuvertleren.

N o o ne k no ws w ha t t o e xp ec t f ro m g ra ff t i n t hefu ture , b ut DAIM is excite d ab out th s un rer -ta ntu too. On y one th ng is sure: H s p anse xt en d f ar b ey on d 2 00S a r ea dy . M t dem Stud um der Fre en Kunste in der

Schwe z be kam der gew sse nha fte Kun st erGe eg enhe t, se ne Inte resse n neu zu def n e-

D AIM -D AR IN G T O P US H T HE B OU ND AR IE S

re no Ncbe n Arb eten m t cer S pr uh do se l e 8D AI ~ s e ne n N am en n un i n K up fe ts uc he n u ndL no dru cken, Eipsrn cde e n. Sku ptur en a usH o z u nd B et on i mm er w e de r n eu e nt st eh en .D rekte Vorb d er hat DAIM n cht. Er mag d ew er ke d es M a er s v an G og h u nd d es A rc h te k-ten Frank Geh y. W r kl c he I ns p ra t on finder eh au pt sa ch c h i n der NaturAuch we nn Werbu ng, Com cs und Kunst -rehtungen wie b esp e swe se Pop- Art na chw e vor Einftuss auf Graff t nehmen, s e so ine n en n euen Kcntext geb ra ch t w er de n, b eg n ntelnfach a e s m t d er Na tur . Ai e erd enkl che nFo rm en , F ar bg eb un ge n, M us te r m an b ra uc htn ur d e A ug en o ff en z u h a t en !

Dureh Krea tiv i ta t und Schaffensdrang e rgabensich schne! Kontakte zu Se neN t ar be t v er ha f d em hbc hs te nzum E in tr ag i ns Gunnes s- B uc h d er R ek or de , e rw ur de M t g e d intematicnaler KUnstergruppenwie FX, FBI , SUK u n d G B F , a a h lt wetwet zu denr en or nr n er te st en G ra ff t - K un st e m. A rb e ts -re sen tre ben ihn urn den ha ben Erdba undVe rn ssa gen re hen sich an Ein adu nge n, anBesuche , an Auftrage : sene entfe rntes ten Kun-d en w ohnen i n J ap an , N eu se et an d u nd A us tr a-lenA is E in ze g an ge r h ar te D AI M e s s ic he r n c ht s ow e i t g e br ac ht . K o a bo ra t on en m t u nt er sc h ed -l ch en Kun st ern sind f r ihn des A u nd O.

DAIM war 199 9 M tbegr und er d er Ate e rge-me nschatt get tng- up(. VI t se ne n Ko e genve ran sta tet e er zw schen 2000 und 20 02 d eerfogrechen Urban Discipl ine- -Aosste ungen,a uf d er i nt er na t on a e G ra ff t - KU ns t erb re t en P ub k um i hr e Wer ke p ra se nt e rt en .

W e sich d e Graff t - Kunst in den nachstenJa hre n en tw cke n w rd, dar auf ist a uch DAIMges pa nn t. E in es isr jedenfa s sicher: Se nKa ende r ist b s we t ins n achste Jah r ausg e-f u t . ..

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D A IM -D AR IN G T O P US H T H E B O UN D AR IE S 1 1locaton TIJUANA I M EX IC O _ . . d at e 2 00 3


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--artists O A IM , S E A KO AI M- OA RIN G T O P U SH T HE B OU ND AR IE S

. .. . date 2004131 2 W A L LS


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1 4 W A L LS. loca o n HAMBURG / GERMANY da e Z003

l oc a ti o n B R U G G E I B EL G IU M _ .. d at e 2 00 3 t ec hn iq ue S PR A YP AI NT O N W O O D

O AI M- OA RIN G T O P US H T HE B OU ND AR IE S. . _- I o ca tl on S A N D I EG O / U S A - .. d at e 2 0 03

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D AIM -D A RIN G TO P U S H T H E B O UN D A R IE S 17IOGtion HAMBURG I G E RM A NY - -- d at e 2 00 2


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20 WALLS D AIM -D A R IN G TO P U SH T H E B O UN DA R IE S 21. . .. t n er G E TT IN G U P . a rt is ts T A SE K , D A I M , S T D H E AD , D A DD Y C O O L l oc at io n F RE IR AU M , M U SE UM F UR K UN ST U NO G E WE RB E H AM B UR G / G E RM A NY d at e 2 00 2


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22 W A L LS_.. artists S EA K , M A RS , O A IM - .ilocation S AN F RA NC IS CO / U SA - -- date2003

O AIM -O AR IN G TO P U S H T H E B OU ND AR IE S 23


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D AIM -D AR IN G TO P U SH T H E B O UN D AR IE S 25

I TA lf 1~ j} AR ING r 0 PUSHTHE BOUNOAR IE S 27


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P R O J E C T S. .

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O AI M- OA RI NG T O P US H T HE B OU ND AR IE S 2928 P R O JEC T S


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_ __ i te l K IL L A B E E 5 . .. a rt is ts lOKISS, O A IM . l oc at io n H A MB U RG / G E RM A NY - -- d a te 1 99 9 - -- p ho to A N DR E AS G E HR K E

30 P R OJE C T S O AIM -O AR IN G TO P U SH TH E B O UN DA R IE S 31


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- t e THREE THE HARD WAY -- ar s ts SEAK, MAZE, DAIM =toca o n HACHENBURG ( WE ST ER W Al D) / GERMANYd at e 2 00 0 - _ in fo P AI NT E D D U RI NG K UN S T! V O R O E R H A US T UR K U NS T WO C HE H A CH E NB U RG

. t e ,>$UREAL SM . ar s ts SEAK, DAIM oca on HACHENBURG [ WE ST ER W Al O) / GERMANYd at e 2 0 04 . .. . i nf o P A IN T ED D U RI NG K UN S T! VO R O E R H A U S TU R K U NS T W QC H E H A CH E NB U RG

32 P RO JE C T S D AIM -O AR IN G T O P US H T HE B OU ND AR IE S 33


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.... tte ,,(QMMUNI(ATIONS ANDCHANGES... arts ts 5EAK, DAIM ... locaton NEUSS/ GERMANY ---date 2000 t it e l P A R A D I S E I Sl AN D - - a rt is ts H E S H , O A I M - v- -t oc at ic n H A M B UR G / G E R M AN Y d at e 1 99 4

34 PR O JECTS. . . . the! GR AF FI TI -S IG N O F THE T IM E5 - .. artsts L Q O M IT , O A R C O , H E S H , V A 1 NE , D H N E , O A I M -v-tocanon H AM BU RG / GERMANy


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d ate 1 99 5 i nf o C O M MI SS IO N W O R K F O R S A G A .. p ho to L UT Z F I SC H MA NN

Theneed for humans to leavevisible tracesis aso ld as humanity. Cavepa in tings f romt he S t on e A g e p ro vi de e v id e nc e o f t h e cave 5earlier inhabitants. Paintings are still usedto attract visual attention, as this piece ofart by six graffit i artists from Paris, Munichand Hamburg shows. Produced under theartistic leadership of DAIM,and measuringanastonishing 11x28 meters, it wasthe tal-lest graffit i ever done atthat time, earning ita place in the Guinness Book of Records.With theorganisational assistance ofLotharKnode , t he a rt is ts paint ed t hi s h ig h - r isemural during oneweek in December,despitefreezing temperatures. SAGA,abig Hamburgbuilding society, wanted this large artworkto seta positive tone foran under-privilegedneighbourhood in Hamburg -Bergedorf.In the centre o f the paint ing, a spray -pain-ted train moves toward Bergedorf in front ofthe Skyline of Hamburg. This contemporarymethod of leaving t races is i llustrated bythe image of a boy with aspraycan. Detai lsof acavepainting and Michelangelo's frescoin the Sistine Chape l focus the h istorica lrelevance, l inking the Stone Age with thepeopleof the 21st century.

Das Bedurfn is des Menschen, s ichtbateSpuren zu h in terlassen, ist u ra lt . Schon inder Steinzeit entstanden H6hlenmalereien,d ie b is he ut e Z eugn is d er d amal igenBewohner sind. Mit tlerwe ile f indet man anZugen und Hauserwanden auf der ganzenWelt Graffit i, DasPhanomen. visuell auf sichaufmerksam zu mechen, hat sich also bis inunsere ZeiterhaltenDiese Entwicklung dokumentiert das Werkvon sechs Gra ff it ikOnst le rn aus Par is ,MOnchen und Hamburg , welche unter derkunstlerischen Leitung von DA1Meine Hoch-hauswand gestalteten. Mit den Maflen von11x28m entstand deshochste Graffit i seinerZeit und diese Tatsacheversehaffte diesemKunstwerk e inen Ein trag in das Guiness-buchder RekordeOrgan is ien von Lothar Knode, wurde es ane iner S timf la che e ines Hochhauses i llHamburg -Sergedorf im ueaernber bei Temp-erato-en umden Gefrierpunkt innerhalb vone iner Woche umgesetzt . Die grd l1 te Ham-burger Wohnungsbaugese llschaft SAGA,wol lte mit d iesem Sild VO allem ein positi-ves Zeichen in demansonsten eher benach-teiligten Stadtteil sctzcn.Sof indet s ich im Zentrum des Bildes e inebespruhte S-Bahn, welche vor der Skylinevon Hamburg in Riehtung Bergedorf fahrt .Diese moderne Art, eine Spur zu hinterlas-sen, f inder s ieh wiederholt in dem Bildaus-sehnitt des Jungen mit der Spruhdose. Diegesch icht liche Relevanz wird vor allemdurch den Ausschn it t der Hoh ienrna lere iund Miche langelos Freskenmalere i in derSixtinischen Kapellebetont. Sospannt diesesKunstwerk thematisch den Bogen von deSteinzeit zum Leben der Mensehen des 21.Jahrhunderts.

36 P R OJE C T S- -- - t it el $ 1 G E O R G S P R UH T V O R I D E E N - -- - a r ti st s D A DD Y COal, V A IN E . O A IM - -

O AIM -O AR IN G TO P U S H T H E B O UN D AR IES 37. . t it el G E TT I NG - UP - - a rt is ts lASEK, S T DH E AO , D A DD Y C O O L, O A IM . .. . l oc at io n H A M BU R G / G E R MA N Y - -- d at e 2 0 00


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locaton HAMBURGI GERMANY date 1999

D A IM -D A R IN G TO P U S H T H E B O UN D A R IE S 39


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D O C K ' ioT HE N EW H AM BU RG A ND I TS S IS TE R C IT IE S ,

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40 DA IM -D AR ING T O P US H T HE BO UN DA RIE S 41D O C K 1 0- - t it el T HE N E W H A MB U RG A N D I TS S IS T ER C IT IE S "

. .. . a rt is ts L O O MI T, P E TE R M I CH A LS K I, T O AS T , D A D DY C O O L, V A I N E, S E AK , D A IM , S T OH E AD , D A RC O , T A S E K


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A bi g, empt y wal l t ha t ev er yon e c an s eemust bethe greatest challenge for any graf-fiti art is t. B lohm &Voss' 5sh ipyard, dock 10in Hambu rg Harbour , i s cer ta in ly one o fthese. Nothing but twohundred meters o fwat er and t he occas io na l t ra ve ll in g shipcomes between the vis itor a t , Landungs-brtlcken and this work ofart.The idea for this paint ing was conce ived in1998, but it took the studio associa tionget t ing-up m ere than tw o y ears of w orkto bring it t o l if e. W it h t he ass is ta nce o fLothar Knode, they obtained an officiallicen-s e f rom t he c ity o f Hamb ur g a nd r ai se dfunds for the pro ject . Because they cou ldonly leasethe wall, tbeq could notspray on itdi re ctl y, b ut i nst ea d ha d t o c rea te t hework o f a r t o na 600 -square-me te r wal l i nHamburg-Bergedorf. Under the leadership ofgetting -up


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'\r.. '", ~DAIM-DARING TO PUSH ~gUNDARIES 47-,


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C A N V A- - - , , ' .._!.- _

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48 C AN V AS ESute! D A IM . .. t ec hn iq ue S P R A YP A IN T . . size 9 S X 1 45 eM. . . . date 2000

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D AIM -DA RIN G TO P USH TH E B OU NDA RIE S 49_ __ _i te l O AI M SH A R K " . .. . t ec hn iq ue S P R AY P A IN T . .. s iz e 7 6 X 1 0 0 e M . .. . d a te 2 0 01


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- - tn el D AI M - _. t ec hn iq ue S PR A YP A IN T _ .. s iz e 7 5 X 1 10 e M - _. . d a te 2 0 01D AI M~ DA RI NG T O P US H T HE B OU ND AR IE S

- - t it el S TY LE C H IC KE N " .. . - t ec hn iq ue S P RA Y PA IN T - - s iz e 8 0 X 1 1 0 e M .. .. e la te 2 00 1.._- tte "STYLE CHICKENGR N [ ST EN C IL J" . . _- technque SPRAYPAINT_. s ize 60 X120 CM-_.date 2002

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52 C A N V A S E Stitel D AI M R E LA X ED . .. . t ec hn iq ue S P R AY P AI N T O N W OO D - s ize 2 50 X 2 00 CM d at e 2 0 02

O AI M- OA RI NG T O P US H T HE B OU ND AR IE S 53


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54 C A N V A S E Srite! O EI M - F IR E E X P LO S IO N . .. . t ec hn iq ue S P RA Y PA I NT . .. s iz e 1 40 X 9 0 e M - . . d a te 2 0 03 D A IM -D A R IN G TO P U S H T HE B O UN D AR IE S 55


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56 C A N V A S E S__titet S-BIG /5 - MED UM! 5 - SMALL -c.terhnique MX ED MEDA size EACH 18 X 2 3 CM date 2003

O AIM -O AR IN G T O P US H T HE B OU ND AR IE S 57


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D A IM -D AR ING TO P U S H T H E BO UN DA R IE S S98 C A N V A S E Sme D-DEIM


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60 CA N VA SE S.... tte DAIM-BLAU I PINK ---. technque SPRAYPAINT-.. s ize 61X 122 eM.... date 200~. .. . t te DAIM $7 technque SPRAYPAINT. .. s iz e 122 X183 e M - - date 2003

D AIM -DA RIN G T O P US H T HE BO UN DA RIE S 61_ _ te OE IM -BEIGE ! GELB - . . t ec hn q ue SPRAYPA IN T s z e 8 0X 1 20 e M - -- - date 2003


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62 CANVASES....t te DEIM ..-_technque P AP ER . .. s iz e 6 1 X 4 6 e M - -- - dote 2003


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O AIM -O AR IN G TO P US H T HE B O UN D A R IES 65_tte ,,$PRUHDOSEB IW - - t ec hn q ue 5PRAYPA INT - - s iz e 1 00 X 130CM - d a te 1 99 7


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66 C A N V A SE S_ __ i te l " W E SP E B IW - -- te ch ni qu e S P RA Y PA IN T - - s iz e 1 20 X 1 90 eM d a te 1 9 98

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68 C A N V A S E Sd e ta il O A IM G E S TR I CH E L T

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70 CAN V ASESd et ai l O A IM H O T E X P L O SI O N

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72 C A N V A S E S...- detail R A CE R I OT S ' 92 [ G ES P Rt T ZT ) " O A IM -O AR IN G TO P U S H T H E B O U N D A R IE S 73- _ . t te R AC E R IO TS ' 92 [ GE SP R IT ZT j " ." technque S PR AY PA IN T - size 15 0 X 1 00 eM date 1998


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74 C A N V A S E S. -_ d e ta il O A IM M I T D R I P S

O AIM -O AR IN G TO P US H T HE B OU ND AR IE S 75"OAIMMITDRIPS techn ique SPRAYPAINT-- s iz e2 X[70 X90 ) eM -- date 1997


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76 C A N V A S E S- -- t ite l IG E LF IS C H 1 1 _. .. t ec hn iq ue S P RA Y PA IN T s iz e 1 20 X 9 0 e M - d at e 1 99 5

D AI M- DA RIN G T O P US H T HE B OU ND AR IE S__tite) " PA P AG E IE N FI SC H 1 - - -- technique S P RA Y P AI N T - - size 9 0 X 9 0 C M - -- - d ate 1 99 6

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tne! H A RL E KI N L lP P FI S CH . .. . te ch ni qu e S P RA Y PA IN T . .. s iz e 9 0 X 1 10 C M . ... d ate 1 99 6

77


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7B C A N V A S E S_ __ _i te l D IE K O N IG I N - -- - t e c hn iq ue S P R A YP A IN T - -- s iz e 1 20 X 1 40 e M - _. . date 2000

D AIM -D AR IN G TO P U S H T H E B O UN D A RIE S 79


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82 S C ULP TU R E S____te "OA1M---- technque WOOD iDO X5 0X 5 0 e M - _ .. dote 1996

_ ti te l " OA IM F AR BI G - - t ec hn iq ue A CR YL IC O N C O N CR ET E .. _ s iz e 5 0 X 3 0 X 3 0 e M . .. . done 1997


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D A IM -D A R IN G TO P US H T H E B O UN D A R IE S B 5


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O AIM -O AR ING T O P USH TH E BO UN DAR IE S B7.... the! S - R OB OT R ED / RO BO T G RE EN date 2003


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88 G RA PH IC S_ . . t i te lA-PFEIL - - date 2002---- tne! A - V E RS TR A HL T . .. . d on e 2 0 02


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DA IM -D AR ING TO P USH THE BOUNDAR IES 91t ite ast DAIMenson< _.. date 2004


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D AIM -D AR IN G T O P US H T HE B OU ND AR IE S 93-tte RUSTYGREY.._-date 2004


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94 GR AP H ICS-_ . t t te DAIM-ARGENT --date 2003


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98 V IT A

1971 - - -- Born as Mrko Resser i n Lueneburg /Bennanq

1 98 9 - _- F r st g ra ff t - wo rk s a s (AlA

1998 ----Work-traves 10Croata, Poand, Greece,B e g um a nd t he U SA-- -- Becomes member o f the i nternatonaa n - g ro up F BI

Ur bL 1I D sc p n e 2 00 2 e xh b t o n__Edtor and pub s he r- o f t h e {lrban

D sc p n e 2 002 bo ok____Participation at the Kunstwoche

DAIM-DARING TOPUSH THE BOUNDARIES 99

f or -t he Mus eedar t r no demenL e/France_ Suppor ted bid the CompanyScherng


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- -- - F ou nd n g o f t h e TeO [Trash -Can Design Jart-group

1990 - -- - F r st c omm ss io ne d w or ks

1 99 1- -- - G ra du at o n f rom hgh s ch oo [ Ab t ur )

1 99 2 - -- - S t ar ts f re e an ce a rt -w or ks a sOA IM

1993 - -_ .W nne r o f HW/WEST g ra ff t c on te st i nHamburg

1 99 4 - -- work- tr av els to Denmark , F rance andSwtzerand- -- - J o bs a s g r af f t -t ea ch er i n s c ho o s i nHamburg /Germany, Denmark andSwtzerand- -- - B e comes m em be r o f t h e GBF and SUKart-groups

1995 ---- Creates together with other in ternationalg ra ff t - ar t st s t he h g he st g t" af f t i n t heworld . Ent ry i n the Eunness Book ofRecords---- work-traves to New York and Denmark- -- - B ec om es m em be r o f t h e N ew Y or k F Xart-group

1996 ----Wor k- tr av e t oN ew Y or k- -- - S tu d es a ff n e- ar ts a t S c hu te f urSestanung. Luceme/Switzertand

199? ----Creates together w th i nter -no tonaa rt s ts i nH ambur g o ne o f t h e b g ge st g ra f-f t i n S c rr na nq . Openng c er em on y t hr ou ghthe maor of Hamburg/Germany- - -- Work- t raves to NewYorkand F rance

Hachenburg [Westerwa d]/Germany1999 ----Wor k- tr av e s t o Mex ic o C t y,

Sw tzer-and, Denmark, F rance and Por tuga- c- Fo un d ng and r ea z at o n o f s tu d o a ss oc i-

2003 - - - Work- t raves to USA ,Swtzerand, F rance,B e g um and Mex ic o____Coopera ton w th Lev "s and F ront neT -s h rt a nd J ac ke t- de si gn s [m t ed e d t on ]_ __R ea z a t on o f t wo w a s a t t he h yd roe e ct r c s ta t on Maschnenkaverne imPumpspecherwerk Gods tha I IThuer ngen_C omm ss io n w or k f or vcttenfall EuropeOpenng ceremony for the Pumpspecber -werk t hr ou gh t he g ermOn c hanc e o r - a ndt he p rme m ns te r" o f T h ue r ng en____T -shr t desi gn for T rba USA____Par tc ipa ton at the proec t weih-nachtsmann f or t he d v s io n o f em poy -ment Hamburg/Germany__Par tc ipa ton at the proec t Schntz ing

3 D- th e c ub e by Hendrk Docken

anon g e r ti ng .up - -- - P a rt c ip at o n i n t he a rt p ro e ct D on tStop b y x u ns iv er e n F ra nk fu rt B er rn an q

2 00 0 - -- -W o rk -t ra ve s t o I ta y , N ew Y or k a n dCanada._--L ve Per fo rmance atPoarbaze fashonshow at Phonodrorne, Hamburg/Bennang- -- - O rg an s at o n a nd r ea t za no n o f t h e Ur ba n D sc ip n e 2 00 0 e xh b t o n- -- - Ed tor -and pub sher o f the UrbanD s ci p n e 2 00 0 b oo k

2 004 - - - T -sh rt de sg n [ m t ed ed t on] forCa(harttEur-ope____Cooper -a ton w th Lev " sand F rnn t fne .T- sh r t a nd j ac ke t- d es g ns [ m t e d e d t on ]____S tartng own cothng brand

2001-- - - Lve Per formance in Chrs tchurch/NewZeaand- -- - P la nn n g a nd r ea z a t on o f a 2 00 0 m2s iz e p a nt n g Ih e n ew Hamb ur g a nd i tss is te r c ites cls-Das neuesene Partnerstadte ] atOpenng cerernond throughHamburg/Germany- - - - G ra H t -wortdtour t h rough Tha and,Aus traa , New Zeaand, B razi , A rgentna ,USA,Mexico- -- - R ea z at o n o f t h e Mur a C oba ! g ra ff tpr-oect in Sao Pauo/Brazi- -- - O rg an s at o n a nd r ea z at o n o f t h e Ur ba n D s ci p n e 2 00 1 e xh b t o n- -- - E d t or an d p ub s he r o f t he Ur ba nD sc ip n e 2 00 1 b oo k

DAIMartwear_ __ _R ea z at o n o f t h e L ev s R oads how ,rneet Srgrcet i n Germany, Swtzerandand Austra__Partc i pa ton at the Kunstwoche

Hacuenburg [westerwald] IGerrnan~- - --Contest par t cpa ton j or con tc rmatonthe Spebudenpatz at HamburgerReeperbahn IGermany_ __ _C re at n g am u ra ( or t he HGK [Ha fe n.und GOtervcrkehr Kan) i n B rueh/Germany

R ea s at o n o f a w a Mex quE ur op e o:2002 ----Work-traves to Swtzerand

- -_ . O rg an s at o n a nd r ea z at o n o f t h e

100 S E L E CT E D E X H IB I TI O N S

1991 Narren Hende ...o:Altonaer Museum, Harnburg/Eerrnanq---- GraffitiCosmx 10Ga ery Harnburg/Berrnanq

- - - - Eraff i t i -ArtKunstho f Gut Dargast [RUgen)/GerTnan!:- -- - Sens S ode rPhonodrome. Hamburg/Berrnanq

___Contents under pres sureAotea Gae " : , A uc kl an d! N ew Z eaand_ _ __ R o c kl n d a North 2001K iasma Museum of Contemporaru A rt (TheF n s h N at o na Gae r y) . H e si nk i/ F n an d

DAIM-DARING TOPUSH THE BOUNDARIES

Lmna Sallerq, Oakland/USA--EastmeetsWest

S tar t Soma Gaer , San F r-anc isco /USA_ ._ _ In st a a t o n- Sc io n A rt S ee e sThe NYCUrban Experence Museum , New

101

Sezeicbnet Eraffit!Kunsthae Darmstadt, Darmstadt/Germany---- gra[ff)teCr ewe st Gae r , L os A ngees /USA____Instaa ton-e Scion A rt Seres


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1992 Graff t D gta C o s mi x 1 0 G a ll er " 1j a t D i g it al . Hamburg!Berrnanq

1995 ---- Graffitlj MunchenPasinger Fabrk, Nunch/Berrnenq

1996 - -- - DAIMS ooe x h b t o n LIt P-A rt Gaery , Darmstadt /Germanl j- - -- D A I M S o lo e x hi bi ti o n a t H a ga z !n , H am bu r g/Germany---- ART FrankfurtFrankturt z Serrnanq" "- - A T r ib u te t o S t qt e Kamann Museum , Munch/German-_-- Elb-Ar t ' 96Cut Harnbvrg /Cermanq

1997 - - -- Aufs tand derZechenToskansche Saul enhal l e , Augsburg/German,J

Gaere K rau tsaa tFrankfurt/Uermanq- -- - A T r b ut e t o E ra ff t GotscherStad, Landshut/Lerrnanq

1 99 8 - -- - G aer e I TALuzem/Swtzer and- -- - V i nc en t L ou s Gae r e sNew York/USA

1999 - -- - Spraq Out t he 9 0 sPac if co Fne A rt , New Yor-k/USA

Crazu CoorsKFZ,Narburg/Eerrnanq

---- Eraffiti 2000Rote Fabrk, Zunch/Sw it ze rt and - - - Camb t e Can,Best Western, Gera/Gerrnan

-- GraphcaogstcsPerth/Austra a____Graphcaog stcsBlue Room, Sldney/Austraa

2000 Crafflti-Arr aussteung hamburgPhonodrorne, Hamburgv Serrnanq----WordSpra\Maane/ ta

---canvars

Gra ff t 2000/2 2 00 2 - - - g et t ng -u p F RE IRAUMMuseum fur Kunst und Gewerbe, Hamburg/Germany__goba graf f t -ART

Gaery Anne Mnerchan, HCmbur-gGemany

Ro\cFabrk,Zurch/Swtzerand- - - Ur ba n D s ci p n e 2 00 0I-Punkt Ha e, Hamburg/Eerrnanq- - - - Recorr t res Hp- HopNort/France- .- - : 2000-Po s t o ne n j un ge r K un stunc Horzont der Dokumenta, Kasse t /Be rrnanq____le g ra ff t d an s t au s s es etats

Iaxie Gaer , Pars iFrank rech__Irban Ds ci p n e 2 0D 2

Bavara S t. Pau Brauerei, Hamburg/Germany

H ae _02 , H edeber g/ Se rm a n-- gambecanKunstveren Gera/Germany____Nacht der dugend _~Ratheus Bremen/Germany

Ber n/Germar---- Kuns t! Vorder HausturKunstwoche Hachenburg [westerwatd}/Germany ____be sjde the wallRock in da Nor th 2000K iasrna Museum of Eonternporarq An [TheF n s h N at o na Sallerq]. H e si nk / F n a nd---- gettng-upSchweriner Sch108, Scbwenn/Cermanq

2001- -- - wo r c S pr aq M an/ t< :---- Grafft 2000/3Rote Fabrk, Zurch/Swtzerand

Ur ba n D s ci p n e 2 00 1Postsorterha e Stephansptatz, Hamburg/Germany

2003 - -- - von derWand genommenE lbchaussee Acht Gaer -y,Hamburg/Gerrnan____st crazyWor d at e e r Gae r -y a t t h e K l ng sp orMuseum , Offenbach am Man/Germany-- Battle Arts---- Erafflti Ogg NAC, Portland [Oregon] / USA

____Abstrakte tettersCrewest Gaer , LosAngees /USA__gt ob a A er os o u om non

Art C o nt er n po ra n ea H i rm e r,Cas te o e Meet o, C han t /I ta y

York/USA--- Art ShowS tar t Soma Gaery , San F ranc isco /USA_ I ns ta a t o n- Sc io n A rt Series

San Francisco/USA----WdeWandeE-Werk, Erangen/Berrnanq- DASELO

Munc ipa Gaery , Montpe er /F rance----We8Atrum, Hamburg/German- -- C t K in gz Showr-oom, Gent/Begum

roung prmt vesGronnge Museum, Brugge. Begum- - -Kunst SchlacbtWor date er Gaer , Offenbach/Ger - rnany

Ex h b t AT hem-Ar t, A rt G ae r o fOn ta r o, C anada____ In st a a t o n- Sc io n A rt Series

Soto, Boston/USAKingz

Fsh &Chps, Antwerpen/Beg urn- - -- Trbus UrbaneKube-X, Brusses/Beg um- DAIM &SEAK

Defance Gaery , Chcago/USA____Constructon UrbanesTax ie Gaer , Pars /France---nsta aton-ScionArt SeriesMoca DC,Washngton/USA---- PressureSleney/Austra a

2004 Insta a ton-Scion Art SenesDef a nc e Gae r , C h ca go /USA

Los Angees/USA

---- "Vibratons llrbaines T ax ie Gae r , Pessac /France

- -- - Ur ba n D s ci p n e Z DDO-Gr af f t - Ar t Peters/Resser/ Zahmann.200 0E xh b t o n c at a og ueg et t ng - u p [ E er rn a nq ] ISBN:3-00-006154-1

OAIM-OARING TOPUSHTHE BOUNDAR IE S 103

- -- - E ra ff t O gg K ar n D e tz . 2 00 1E xh b t o n c at a og ueArte Contemporanea H rme r/M. Wedemann [ It a y]

- -- . La ng ag es d eR ue# 2Gra f f- It !. 2004Verag Gra f -tt! {France] ISBN:2-914714-025---- Open-Air-Saene


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- -- - U rb an D sc ip n e Z OO - Gr af f t - Ar tPeters/Resser /Zahrnann .2001E xh b t o n c at a og ueget tng-up (German~ )ISBN: 3-000079602

---. Urban D sc ip n e 2 00 2- G ra ff t .ArtPeters/Resser /Zahmann.2 002E xh b t o n c at a og ueget tng-up (Germany ) ISBN: 3-00-009421-0- -- - E xh b f o n . Z 2 0 00 Ute Baumgartel . 2000E xhb t o n c at a og ueAkadem!e der Kunste Bertn/EennanqGestaten Verag [Eerrnauq ] ISBN: 3-931125-34x

---- Eraffiti Art #1 Deutschand -Germany1996. Schwarzkopf&Schwarzkopf (Germany)ISBN389502~028~5

---- Iiraffit l Art #7 Norddeutschand1997. Schwarzkopf SrSchwarzkopf (Germany)ISBN J89502~135~2

---- Eraffltl Art #9 wandeHrs g. B . van Ireeck. 1998Scbwa rz kopf SSc hwarzkop f [Se r rnonq]ISBN3-89602-151-3

- -. - Br ok en Wndows G ra ff t N YCJames Karla [ v[u ra . 2002G n ko P re ss I SB N: 1 -S 84 23 0 78 9

- - -- NYC Sra f f tMc h ko R c oN o se . 2 00 0Brephc-Sha Pubshng (Japan) ISBN:4-?5G1-11??-x

- -. - Aspects o f E ra ff twortburo S te fa n Mc he . 2 00 1Exhbton catalogueRote Fabr lk [Swnaer tand]- -- - Back ju rnps Sketch BookA d ri an N a bi . 1996Ba.umps [Germany ) ISBN3-9B06846-0-1

. -- - Ha rn bu rg t tq E ra ff t 2003Pubkat ver lag [Gerrnanq] ISBN:3980?47857---. Stqleflle, Blackbook Sesstons.utMar ku s C hr s t . 2 00 2Pub kat Verag (Germany) ISBN: 3-9807478-2-4

- - -- Hp-Hop Lex tkonS.Krekow, J. Stener, M. Tauptz. 1999Lexi kon Imprn t Verag [Bermanq]ISON 3~89GOU05~9

- - - - E r a f f it i L ex i koneB.van Ireeck. 1998Schwarzkopf&Schwarzkopf (Germany)ISBN,J.89G02~160~5

- - -wr te r Lex ikonB. van I reeck . 1995Edition Aragon [Serrnanq] ISBN:389535-428-7----),Ha ofFameM. Todt, B. van I reeck . 1995Edton A ragon [Germany ) ISBN: 389535-430-9

E d th v on weiser. Ude, Chrs tan Ude, 2004F rederki ng & Thaer [Germany )ISBN:3-89405-534-7

- .- - D o t 2 D o tOes ign i s K inky . 2004Oes ign i s K inky (Aust ra a ]

- . -- Era ff t Word-St ree t a rt f rom fve contnents2004Harry N .Abrams [New York/USA]15BN,0810949192Thamcs&Hudson (London/UK]15BN,0500511705Graphc Sha [Tokyo/Japan)ISBN,476G114949

---- Planete Grafft -Street art des c inq conttnents2004Edtons Pqrarnqd (Pars/France)ISBN: 2910555725

.-.- Graffiti -Arte urbane de los c inco ccntinents2004. E d to r a Gus ta vo G (Ba rc e on a/ Sp a n)ISBN:842521954X

---- De W er e d v a n G ra ff t - K un st v an d e straatuit v fwereddeen2004. N s so n & Lamm[Arnsterdarn/Netherands ]ISBN,9085410010

O AIM -O AR IN G TO P U S H T H E B O UN D A RIE S 1 05

(


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CLI ENTS : - - -- v au en fa E ur op e _ -- . D am fe rf hr qs e r - -- - C t ro en - -- - P h p s E le ct ro n c - -- - S iemens - -- - S chwa rz ko pf [ we ! a] - -- - M tv - -- - C ar ha rt t . .. . L ev s _F ro nt n e - -- - D c ki es - -- - A d da s - -- - Mar s [Mastenoods AGJ . . _ -D eut sc he T eek om - -- - A gf a - -- - B e er sd or f AG - -- - Mar b or o C gar et te s - -- - W es t C gar et te s -T a kl n e T eec ommun ca t on - -- - L TU /T a er eb or g - -- - S AGAWohnung sb au ge se s ch af t - -- - S pr n ke nh of AG - - -- HVV [ Hambur ge r V er ke hr sv er bu nd ] - -- - NOR[No rd de ut sc he r R undf un kJ - -_ . HEW (Hambur ge r E le kt r zi ta ts we rk e] - -- - H am bu rg er A rb e ts am t - -- - DGB (Deut sc he r C ew er ks ch af ts bu nd ] - -- - P os te r-N et wo rk /B low-Up - -- - H S V [Hambur ge r S po rt ve re n ] S up po rt er s C ub " - -- S NCF (Fr an ce T ra n C om pany ) . .. . E ru er as qs N et wo rk [ Ea be t ro n C om pany ) . .. . Z ug erV er ke hr sb et r eb e (Sw t ze r an d) . .. . Mg ro s ( Sw t ze r an d]. .. . S ch o z u nd F r en ds . .. S pr n ge r & J ac ob q . .. . B BDD . .. S e ec t - -- - BMZ !F CASPONSORS: - - C a rh an t " -- " A s tr a B ee r [ Ho s te n AG) . .. . E as tp ak . .. N k e . .. - Moot ow S pr aq pa n t . .. . R ed bu Germany /USA - -- - 3M - -- - H am bu rg er A be ndbt et t. .. . S ko da [ Vo k sw agen AG] _ . H ar nb ur g sc he K u tu rs t ft un g " " HGK [Ha fe n- u nd Gut er ve rk eh r K a ]

O AI M-O AR IN 5 T O P U SH T HE B OU ND AR IE S 107


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DAIMCopurght 2006 DAIM& P ub k at

PUBLISHER:P ub k at v er te gs - u nd H cnde s GmbH & Co.I


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- - . - The Art Of Rebellion 2world of urban art act ivism04.1005ISBN 10 3-9S099094-xIS8Na 97839809909-4-3clODHardcover. 24X Zficrn. 208 pages

.--- Fadingsgraffiti to design, illustration and more08.1005158NlO 3-9809909-0-115BN13- 918-3-9809909-0-SS . S c hl eeHardcover. 28 X 21cm. 240 pages

-.-- The Art O f Rebellionworld of streetart05.2005I SBN1Q 3-9809909-1-5ISBNG 978-3-9889909-1-1clODPaperback. 15 X 23cm. 144 pages

. - - Montana Writer Teamgraffiti at its best09.2006ISBNm 3-9809909-5-8ISBN13 918-3-9809909-5-0RuedioneHardcover. 21x 28cm. 150 pages

. - - . St~lefi le Blackbook Sessions.#D2graffiti on paper05.2004158Nl0 3-9801418-8-3ISBN13: 9783-980('478-8-2M . ChristlPaperback. 23 x 15cm. 150 pages

---- Best OfStqtefilebest of issue 01-10lo.200SIS8N1O 3-9809909-2-3ISBNn 9783-9809909-2-9M. ChristlPaperback. 23 x 15cm 256 pages

--.- Maclaimf inest photorealist ic graff it i09.2006ISBNm 3-939565-01-2ISBN1J 9?8-3-939555-01-4S. Petermann, F Lehman nPaperback. 25 x 21cm. 158 pages

----" Stqleffle Blackbook Sessions.#03graffiti on paper09.2005IS8Nl0 3-9809909-1"4IS8Na 978-39809909-'-4M. ChristlPaperback. 23 x lGcm. 150 pages

---Stylefilegraffit i magazineOu t e ve ru March, .Jull j and Novemberdocumenting in high qualitq the graffitiand street art movement allover the planetfor details and further information checkhttpv/www.stutefile.de
http://httpv/www.stutefile.dehttp://httpv/www.stutefile.de

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