GLOSSARY OF SELECTED TECHNICAL TERMS ailkura atiga atigahara agratalasaficara agrapluta aficita aficitabhramarI afijana a<;l<;litli adrutlilanrtya anatiga anibaddha anibandha anibandhanrtta anibandhanrtya anIld anurnlina antarlilaga apasara A pantomiming through gestures major limb, feature; a feature of degIllisya (q.v.) sequence of dance units; a feature of degillisya (q.v.) a foot movement a degI (q.v.) can (q.v.) a neck movement; an arm movement; a foot movement; a karlll]a (q.v.); an utplutikarafia (q.v.) a whirling movement a hand gesture a tlila (q.v.) a bhiimican (q.v.) a bandha (q.v.) dance same as above a feature of degIllisya (q.v.) loosely constructed in comparison to nibaddha (q.v.)(as applied to a song) freer composition in comparison to rigidly structured (as applied to a dance) a pure dance with scope for improvisation a mimetic dance with scope for improvisation a feature of degIllisya (q.v.) a feature of degillisya (q.v.) an utplutikarar:ta (q.v.) exit; dance interludes in a play 261
73
Embed
GLOSSARY OF SELECTED TECHNICAL TERMS - …978-94-011-3594...(q.v.)(as applied to a song) freer composition in comparison to rigidly structured (as applied to a dance) a pure dance
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
pantomiming through gestures major limb, feature; a feature of degIllisya (q.v.) sequence of dance units; a feature of degillisya (q.v.) a foot movement a degI (q.v.) can (q.v.)
a neck movement; an arm movement; a foot movement; a karlll]a (q.v.); an utplutikarafia (q.v.) a whirling movement a hand gesture a tlila (q.v.) a bhiimican (q.v.) a bandha (q.v.) dance same as above a feature of degIllisya (q.v.) loosely constructed in comparison to nibaddha (q.v.)(as applied to a song) freer composition in comparison to rigidly structured (as applied to a dance) a pure dance with scope for improvisation
a mimetic dance with scope for improvisation a feature of degIllisya (q.v.) a feature of degillisya (q.v.)
an utplutikarar:ta (q.v.) exit; dance interludes in a play
a feature of de~IIlisya (q.v.) musical play a de~I (q.v.) dance a variety of anibandha (q.v.) dance
GLOSSARY
a group dance, a variety pi1].<Jlbandha (q.v.); a variety of Dftyabheda (q.v.), a boy dancer of Orissa same as gUl}.<JalI (q.v.) a ddInatya (q.v.); a minor drama a pattern of rhythm same as gUl}.<JalI (q.v.) (a play) to be sung a feature of lasya (q.v.) (in the Bharata tradition) a play to be sung a lasya (q.v.) to be peformed to a song a feature of music, the note on which the music begins a group of tones
GHA
a drum
same as above same as above a de~I (q.v.) dance same as above to stamp on the ground marking the rhythm with anklebel1s same as above
MOVEMENT AND MIMESIS 269
CaDCU
cakkar
cakram3l}~a
cakrabbramarl
caccatputa
c3l}~a
caturasra
caturura
caturasrapada
candraka
candravarta
camatkaranrtta ...
carcan
calavali
calli
cfu:14ikasthana cM3l}a
can caIaka
cali
caliva~
ca,agati
ci1}tu
CA
a drum
a spinning movement, (a feature of Kathak)
a kar3l}a or dance-unit
a spinning movement
a tala of the older tradition
a feature of d~I lasya
a kind of measure; a double-ha..'1d gesture; a standing
posture
same as above
a quartet
a hand-gesture
a kar3l}a or dance-unit
a bandha (q.v.) dance
a song; a tala or rhythm; a degI (q.v.) dance; a degI
(q.v.) dance
a feature of degIlasya (q.v.)
a dance by a female performer playing a drum called
hu~ukka (q.v.)
a degI (q.v.) sthana (q.v.)
a wandering performer; a musician; an expert in the
music of ankle bells; a ~I (q.v.) dance
the movement of one leg
a movement of the arms a feature of degIIasya (q.v.); the basic dance of the
Manipuri style
a feature of degIlasya (q.v.) - ... a can
a degI (q.v.) dance
270
cindu
citra
citri
citrakalisa
citrakivya
citribhinaya
cilli
ce,tikfta
cauki
chalika chalita
chiyanita
chiyilaga
chilikya
churita
chau
·akkadi J •
jakkarl janantika
janiti
jayadarpa
GLOSSARY
a bandha (q.v.) dance originating in the land of
Drivi"a varied; a de§i dance
a marganitya or mimetic dance of the regional
variety
concluding movement of a special type
a minor dramatic type
a special mode of presentation
same as calli (q.v.)
movements of the entire body
the basic standing pose of the Odissi style, a square
posture
CHA
a song, a mimetic dance
same as above
a musical mode
music based on pure form, same as siilaga
same as chalika (q.v.)
a variety of llisya (q.v.); a deSi (q.v.) dance
a regional dance from the eastern part of India
JA
a Persian dance categorized as anibandha (q.v.)
dance, a prakliraniitya (q.v.)
same as above
an aside
a carl (q.v.)
a de§i (q.v.) karaJ)a (q.v.)
MOVEMENT AND MIMESIS
jayanta
jiika<Ji jati jugupsitii
jhaflka
jhampataIa
takka
!heva
<;tala <;tima <;limika <;tillayi
<;tomika
<;tombalika
<;tombika
<;tombi
<;tolapada
a hand-jesture
same as jakka<Ji (q.v.)
a melodic type a miirganatya (q.v.)
JHA
a feature of degiIiisya (q.v.)
a degi tala or regional rhythm
TA
a raga (q.v.)
a feature of degiIiisya (q.v.)
a feature of degiIiisya (q.v.) a major dramatic type
a miirganatya (q.v.) a feature of degiIiisya (q.v.); same as dhillayi (q.v.)
a deginrtta (q.v.)
a minor drama, a dance-drama
same as above
same as above
a karaI)a or dance-unit; same as dolapiida (q.v.)
271
272
~ii1a
tatkar
tarahara
tala
talapu~paputa
talavillisita
tavaJ}.i
taQQava
tala
taIariipaka
tirapabbramarI
tiryakaraJ}.a
tivap
tiikali
tumbika
trUyaJl!1ya qicani
totaka
trigii~aka
tripataka
tribhailgi
trimii~aka
GLOSSARY
a feature of de~ilasya (q.v.)
TA
movements of ankle bells ( a feature of Kathak)
a feature of de~iIlisya (q.v.), same as tharahara (q.v.)
a feature of de~ilasya (q.v.)
a karaJ}.a or dance unit
a karat}a or dance unit
a feature of de~iIlisya (q.v.); same as navat}i, lavat}i or
namani
nrtta or dance in the Bharata tradition; later taken to
mean a vigorous dance
rhythmic system or cycle
an anibandhanrtta (q.v.)
a revolving movement
an anibandhanrtta (q.v.)
a technical feature of music
a feature of de~iIasya (q.v.)
a de~inrtta (q.v.)
a bandha (q.v.) dance
a feature of de~ilasya (q.v.)
a minor drama; same as trotaka (q.v.)
a feature of llisya (q.v.) (in the Bharata tradition),
same as trimii~aka (q.v.)
a single-hand gesture
a standing posture in the Odissi style, breaking the
line of the body into three
same as trigii~aka (q.v.)
MOVEMENT AND MIMESIS 273
tharahara
dat}~pak,a
datt~isa
dat}\falisya
dat}~i
dat}~ni
disiittam
durrnalIl
durmilita
durrnalliki degi
degikanari
degikara
deginitya
deginrtta
deginrtya
degiIisya
degyanga
dvigii<P1aka
a hand gesture
a minor drama; a deginitya (q.v.), same as to~
(q.v.)
THA
a feature of degilisya (q.v.); same as tarahara (q.v.)
DA
a guddha or pure (non-representational) variety of
til)~va (q.v.)
a karatta or dance-unit
a ~inrtta (q.v.)
a ~iIisya (q.v.)
same as above
a degitqtya (q.v.)
the dance of the devadisis of ramilni<;lu
a minor dramatic type of degi (q.v.) variety; a
deginrua (q.v.)
a minor dramatic type
same as above
regional
a degi (q.v.) dance
a feature of degilisya (q.v.)
a dramatic presentation of the regional variety
an abstract dance of the regional variety
a mimetic dance of the regional variety
graceful dance of regional variety
a feature of ~i (q.v.) dance
a feature of lisya (in the Bharata tradition)
274
dvimiicptaka dvipadl
dpyakivya dolapada dohaka
dhammilla Dharu dhasaka dhatu dhillayi
dhiiviicJa dhyana§loka
dhruva dhruvagitarqtya
dhruvapadanrua dhruva
dhruva~
nata natana natasiitra napbhava
na~aneri
GLOSSARY
same as above a metre; a song consisting of two verses; a mimetic
dance a poetic composition to be seen a karat;la or dance-unit; same as ~olapada (q.v.) a de§i(q.v.) dance
DBA
a special way of braiding hair
a bandhanrua (q.v.) from Andhra region a feature of de§iIllsya (q.v.) a musical element a feature of de§iIasya (q.v.); same as ~llayi (q.v.) a §uddha (non-mimetic) dance; a bandhanrtta (q.v.) pictorial verses presenting anthropomorphic images of the musical modes a feature of music; a tiila (q.v.); a song-piece a pure(non-mimetic) nrtta (q.v.) danced to a dhruva (q.v.) song a bandhanrtta (q.v) danced to a dhruvapada song a raga (q.v.)
same as dhiiva~ (q.v.)
an actor dancing
NA
guidelines for actors emotional expression appropriate for women an anibandha (q.v) dance
MOVEMENT AND MIMESIS 275
natajiinuka
nand!
nandimaIi
narnani
nartaka
nartakabh~li
nartakl nartana
nartanaka
navaQi
nli!a
nli!aka
nlitikli
nli!!
nlitra
nlitranrtYa
nlityadharrnI
nlitrarlisaka
nlind!
nlida
nlimlivaIl
nikuncita
nijlipaQa
nitamba
nibaddha
nigumbhita
nirlijitapadma
neri
nrtta
an anibandhanrtta (q.v.)
a sthiina (q.v.)
a variety of bhli1)aka (q.v.)
a feature of degillisya (q.v.); same as navaQi, lavaQi or
tavaQi
a male dancer
the special language of dancers
a female dancer
dancing
a minor drama
a feature of degillisya (q.v.), same as namani, lava1)i
or tavaQi
a rliga (q.v)
a major dramatic type
a minor drama; a mlirganlitra (q.v.)
same as above
drama (often used as nrtya (q.v.) in the manuals)
an expressive dance
stylized (movement)
a degI (q.v.) dance; a minor drama; a degI nlitya (q.v.)
an opening verse
sound
an anibandha (q.v.) dance
a degitli1)gava (q.v.)
a feature of degillisya (q.v.)
a kara1)a or dance-unit
rigorously constructed (applied to music)
a kara1)a or dance-unit
a clilaka or a special movement of the hand
an anibandhanrtta (q.v.)
a non-representational dance
276 GLOSSARY
nrttakavya dance-drama
nrttacara a fonn of drama
nrttapradhanaragakavya musical play with dance as its main feature
nrttavara same nrttacara
nrttahasta hand gesture for dance
nrttatrnakaprabandha dance-drama
rqtya a mimetic dance
rqtyakavya dance drama
rqtyabhava
rqtyabheda
nyaya
pataka
padarthabhinaya
paryastaka
parivrtta
pata
patarnat].i
patak~ara
pada
padapiita
piiclvakuiicita
par~vajanu
piiq1)ipIQa
parijataka
pari jatalata
a special expression used by dancers
dance-drama
rules
PA
a single-hand gesture
miming the meaning of words
an angahara (q.v.); a non-representational dance
sequence
a de~Isthana (q.v.)
syllables uttered with drumming or dancing to keep
the rhythm
striking the ground with the feet
syllables of drumming
footwork
a feature of de~Ilasya (q.v.)
a d~Ita1)Qava (q.v.)
a kara1)a or dance-unit
a de~Isthana (q.v.)
a minor dramatic type
same as above
MOVEMENT AND MIMESIS 277
pala
piQ<p
piQ<pbandha
pipIlika
puraQ~
pu,pagaQ~a
pu,panjali
piirvarailga
p!l!hottanatala
pekkhaQa
peraQa
peraQi
prakaraQa
prakaraQika
prakaraQI
prakaranatya
praIdn:ta
pracara (hasta)
pracchedaka
pratitala
pratimukha
pratyailga
pratyalIgha
prabandha
pramiiQa
pravrtti
prastiivana
the movement of one leg, generally known as can
(q.v.)
a group dance in a cluster
group dances that form auspicious figures on the
stage
a pattern of rhythm
an anibandha (q.v.) dance
a feature of lasya (q.v.) (in the Bharata tradition)
a flower-offering to the gods with dance and music
the preliminaries to a play
a sthana (q.v.)
a de~I (q.v.) dance
a de~I (q.v.) dance; also a variety of taQgava (q.v.)
same as above
a major dramatic form
a minor dramatic type; a marganatya (q.v.)
same as above
a de~Inrtya (q.v.)
miscellaneous; performance practice
(Nienhuis, 1977, p.38).
a movement of the hand
a feature of lasya (q.v.) (in the Bharata tradition)
a tala (q.v.)
progression
minor limb
a margasthana or a standing posture of the tradtional
variety
a musical composition
harmony; a feature of de~I1asya (q.v.)
the means of application
introduction
278
prasthiina
prahasana
preqaJ}a
preqaJ}aka
preqyaprabandha
pretUchaJ}a
preraJ}a
preraJ}i
playa
baka
batunrtta
baddha
bandharqtta
bandhanrtYa
bahurlipa
bihyabhramarl'
bindu
Bharatanatyam
bhadrisana
bhit}a
a de§I (q.v.) dance; a minor drama
a major dramatic type
GLOSSARY
a minor drama; same as peklchaJ}a (q.v.), a de~I (q.v.)
dance
same as above
a composition to be seen
a de§I (q.v.) dance, same as peklchaJ}a and prek'aJ}a; a
de§Ilisya (q.v.)
a de~I (q.v.) dance; a minor drama
a de§Ilisya (q.v.)
a kalisa (q.v.)
BA
a kalisa (q.v.)
an anibandhanrtta (q.v.); a dance item of Odissi style
structured, same as nibaddha (q.v.)
a set, structured and abstract dance in the de§I (q.v.)
tradition
a set, structured and mimetic dance in the de§I (q.v.)
tradition; a dance-piece called bandhanrtya (q.v.)
a de§I.(q.v.) dance
a revolving movement
a structural division in a play; a point marking the
sudden development of secondary incidents
BHA
a classical dance style from Tamilnad
a group dance forming an auspicious figure
a major dramatic type
MOVEMENT AND MIMESIS 279
bha1]aka
bhfu:1ikli
bhfu:1I
bhfu:1~li
bhliva
bhavaneri
bhlivli~raya
bhitra
bhillukI
bhIma
bhujaflgatrasta
bhujaflgatrlisita
bhujaflgabbrama1]a
bhiimicarl
bhedyaka
bbramari
mananrt)'a
m3l)ikulyli
Manipuri
m31)!hanrtya
m31)thaka
m31)Qala
m31)Qalasthana
m31)Qalarasaka
m31)Q1
a minor dramatic type
a minor dramatic type
same as above
a de~I (q.v.) dance
emotion; a feature of de~yaflga (q.v.)
an anibandha (q.v.) dance
dependant on emotional expression, a feature of
peraI]i (q.v.) dance; same as bagaQa (q.v.)
a de~I (q.v.) dance
a de~Inrtta (q.v.); same as ulrnukI (q.v.)
a de~I (q.v.) aflgahara (q.v.)
a kar31)a or dance-unit
a carl (q.v.)
a ~uddha or non-representational tli1]Qava (q.v.)
a carl (q.v.) performed touching the ground
a group dance (a variety of pI1]Q1bandha) (q.v.)
a pirouette; a spinning, revolving or whirling
movement
MA
a bandha (q.v.) dance
a mystery story
a classical dance style from Manipur
a bandha (q.v.) dance
a tala (q.v.)
the combination of carl (q.v.) movements
a margas thana or a standing posture of traditional
variety
a variety of rasa (q.v.) dance
an anibandhannta (q.v.); a variety of de~I (q.v.) dance
280
mauavali madhupacarl
madhyama mana manodhanna mayiiragati malliki masroati masrollllWroddhata
a prakiranitya (q.v.); a de~initya (q.v.) a de~i (q.v.) carl (q.v.) described by Kohala who is quoted by Kallinitha in the commentary on the Sangltaratpakara a musical mode a feature of de~iIisya (q.v.) same as mana (q.v.) a gait simulating the gait of a peacock a minor drama a feature of de~iIisya (q.v.)
a vigorous dance mixed with delicate movements a forceful carl (q.v.) movement a karll1}a or dance-unit a de~i (q.v.) dance; same as gut;lc1-ali (q.v.) a musical measure classical or traditional a traditional dramatic presentation; a regional variety of dance found in the Sangltaniriy~a and the Sangltasirasamgraha an abstract classical dance a mimetic dance of the classical variety that generates rasa (q.v.) a hand gesture exposition the opening dance pertaining to facial expression and movement a feature of de~iIisya (q.v.) colouring of the face according to the character and the mood an anibandhanrtta (q.v.); a variety of de~i (q.v.) dance
MOVEMENT AND MIMESIS 281
mu~upacan
mudra
murat].Qari
murii
mu~ti
miirchana
mrga
mrgigati
mfdailgi
meIapaka
motita
yak~aglina
yati
yatinrtYa
yantra
yoni
yauvata
ranamurii
rathacakra
rasa
rasa~ti
rasavrtti
same as madhupacan (q.v.) but quoted by Kumbha as
mu~upacan (q.v.)
natural grace; hand gesture for religious ritual
an anibandhannta (q.v.), a variety of de~i (q.v.) dance
an anibandhannta (q.v.), a variety of de~i (q.v.) dance
a hand gesture
the ascent and descent of svara (q.v.)
a kalasa (q.v.)
a gait like a deer
a pattern of rhythm
part of a musical composition
a margas thana or standing posture of classical
variety
YA
a folk-dance from Andhra
a pattern of rhythm; a tala (q.v.); an anibandha (q.v.)
dance
an mimetic dance of the de~I (q.v.) variety
an auspicious diagram (7); mechanical device
an auspicious diagram from by a group of dancers
a variety of de~i1asya (q.v.) dance
RA
an anibandha dance _ T
a can aesthetic affect
a glance generating rasa (q.v.)
a feature of de~i1asya (q.v.)
282
rahasyamudra
raga
ragaUvya
ragllCiarlaniya
rajavilasini
rajaharnsagati
rarnakri~ rasa
rasaka
rasaklitika
rasika
rupaka
rekha
rekhlibandha
recaka
reva
laghu
langhita
l~
lata
latabhr8Jtl.aI)a
latavr§cika
laya
lalatatilaka
lali
la1ita
a mystical hand gesture
musical mode; melodic pattern
musical play
musical play to be seen
women of royal court
a gait simulating the gait of a swan
a minor drama
GLOSSARY
a ded (q.v.) dance; a minor (dance) drama; an
anibandharqtta (q.v.)
same as above
a play about Ktll].a and Radha in a regional language
a deSinrtta (q.v.)
major drama; a bandha (q.v.) dance
the imaginary lines described by the body in motion ;
a feature of deSilasya (q.v.)
a deSi(q.v.) can (q.v.)
a movement that involve streching
a feature of deSilasya (q.v.)
LA
a dance using minor kar3l].as (q.v.); a natya (q.v.)
vartana vardhamana vastu vakyarthabhinaya vaggeyakara
vaga~
vacika
vimabhrllIllat:la
a mixture of graceful and vigorous movements a feature of degIIasya (q.v.); same as navllI}i, namani
or tavat:ti a caIaka (q.v.) leaping movements a bandhanrtYa (q.v.) dancing with delicate movements an anibandharqtta (q.v.), a variety of degi (q.v.) dance a minor drama; a deginatya (q.v.); a degin!tta (q.v.) originally a dramatic art, later treated as a delicate dance style a feature of lasya (q.v.) a karat:la or dance-unit a pure (non-representational) taJ:1~ava (q.v.) the realistic convention of performance a degi (q.v.) can (q.v.)
VA
a bhiimican (q.v.) movement of the chest an item in Bharatanatyam which is a combination of mimetic and non-mimetic movements movement of the arms
a degi (q.v.) sthana (q.v.) subject matter miming the meaning of an entire sentence a composer musician a feature of perat:ti (q.v.) dance; same as bhavagraya verbal
a pure (non-representational) taJ:1~ava (q.v.)
284
vara
vika~
vikala
vi1qta
vikrama
vicitra
vicitri
vicitribhinaya
vicyavi
vi<J.u1igava
vitala
vidagdhi
vidyut
vidyudbhratnaQa
vidyudbhrinta
vidyuIlui
Vinivrtta viyogini
vilambitam
vilasamanda
vilisiki vivartana
vivrtta
vi,ama
vi,amataJ:i<J.ava vipmalaga
vihasi
a minor dramatic type
comic dance
a tldi (q.v.) angahara (q.v.)
a de§i (q.v.) angahara (q.v.)
a degi (q.v.)angahara (q.v.)
a tldi (q.v.) angahara (q.v.)
a marganitya (q.v.)
various ways of acting
a carl (q.v.)
a variety of bandhanrtta (q.v.)
a feature of deglIisya (q.v.)
a tldinrtta (q.v.)
a kalisa (q.v.)
GLOSSARY
a pure (non-representational) taJ:i<J.ava (q.v.)
a karll\la or dance-unit a degI (q.v.) Cml (q.v.)
a k8rll\l8 (q.v.); a degi (q.v.) sthina (q.v.)
a marganitya (q.v.)
a feature of deglIisya (q.v.)
a karat]a or dance-unit
a minor drama
a feature of tldlIisya (q.v.); a bandhanrtYa (q.v.)
a karll\la or dance-unit
an acrobatic dance
a difficult taJ:ieJava (q.v.) dance
difficult dance movements involving jumps
a feature of degilisya (q.v.)
a stringed instrument
style
vocal ensemble
a de§mitya (q.v.)
MOVEMENT AND MIMESIS 285
~cika
~cikakuttita
vaitalika
vaipota
v~ikha
v~ikharecita
vai~~ava
vyaiijana
vyabhicanbhava
vakyarthabhinaya
vyayima
vyayoga
gabdaprabandha
gamya
gikha
gataka
gintija
a karat}a or dance-unit
a karat}a or dance-unit
a bard; a general entertainer, a critic who is
knowledgeable in music
a degiIqtya (q.v.) of the bandha (q.v.) variety
a margasthina or standing posture of traditional
variety
a karat}a or dance-unit
a mirgasthina or standing posture of traditional
variety
rhetorical expression
transitory mood
miming the meaning of a sentence
excercise
a major dramatic type
SA
a degi (q.v.) dance
a bandharqtta of the degi tradition accompanied by
the utterance of musical syllables
same as above
a mimetic degi (q.v.) dance to the utterance of
syllables or notes; a bandharqtya (q.v.)
a mimetic bandha (q.v.) dance of degi (q.v.) variety
a time beat; a mimetic group dance where dancers
dance with sticks in hands; a dramatic presentation
body movement expressing meaning
a minor dramatic type; same as sanaka (q.v.)
a degi (q.v.) angahira (q.v.)
286
gavara gikhara
gmgaka
gUpaka gilpini
givapriya
gukagati
guddhapaddhati gplkhaIa
~alika
grnga grnganatya
~gabhinaya
grngara gravyakivya gri
grigadita
,idgaka
sanId'n:ta sanId'n:taneri sanglta
sangltaka
GLOSSARY
the use of body movements; one of the three components of iJ}gikabhinaya (q.v.)
a prakiiranatya (q.v.), a variety of degI (q.v.) dance
a hand gesture
a minor dramatic type, same as ,idgaka a minor drama; a deglnitya (q.v.)
a ddlnrtta (q.v.) a degI (q.v.) dance
a gait simulating the gait of a parrot presentation of a pure (traditional) technique
a group dance, a variety of piJ}~bandha (q.v.)
same as above
in the context of dance refers to erotic movement an erotic dramatic presentation of a regional variety
a mimetic movement containing erotic elements
erotic poetic compositon to be heard a musical mode a minor drama, a deginitya (q.v.)
a minor drama, same as gmgaka
SA
mixed an anibandha (q. v.) dance
vocal and instrumental music and dance
a mimetic dance
MOVEMENT AND MIMESIS 287
sattaka
sattva
sandaIMa
sandhi
samagaika
samapada
samapada
sama
samprek'lqlacarl
sarhlapaka
sallapaka
sattvika
sadhana
samanyabhinaya
swa
saIaga
saIat'iganeri
siIbhagati
sukalasa
sukumara
sukumaraprayoga
surekhatva
susandhi
siika
sii<.fanrtya _ T
suCt siilu saindhava
sau"hava
an upariipaka or minor drama; a de~i (q.v.) natya (q.
v.); same as Utaka (q.v.)
expression (in the context of dance)
a hand gesture
the juncture of a play (structural element of a play)
a double hand gesture
a foot movement; a margasthana or standing posture
of traditional variety
a de~i (q.v.) bhiimicarl (q.v.)
a pattern of rhythm
a de~i (q.v.) carl (q.v.)
an upariipaka or minor drama; a deg1natya (q.v.)
same as above
expressive
methods of practice
natural expression
a carl (q.v.)
music based on pure form, same as chayaIaga
an anibandha (q.v.) dance
a gait simulating the gait of a lion
a feature of de~iIasya (q.v.)
delicate
the graceful application of dance movements
a feature of de~iIasya (q.v.)
a feature of de~iIasya (q.v.)
a feature of de~iIasya (q.v.)
a bandha (q.v.) dance
a foot movement
movement simulating a flame
a feature of lasya (q.v.) (in the Bharata tradition)
a metre; a mimetic presentation atMa posture same as above; posture meant for men a feature of degilasya (q.v.) permanent mood
GLOSSARY
a feature of lasya (q.v.) (in the Bharata tradition) a carl (q.v.)
an angahara (q.v.) a soft glance a pattern of rhythm; a de§iIasya (q.v.) a feature of degilasya (q.v.) a pattern of rhythm a musical note a bandha dance in which musical notes are mimed a mimetic bandhanrtta (q.v.) of the degi (q.v.) variety a double-hand gesture, a sthana (q.v.)
HA
a degi (q.v.) natya (q.v.); a degi dance; a minor drama
same as above hand-gesture a de§I (q.v.) dance
a ddi (q.v.) J1!1ta (q.v.) a kalasa or concluding movement feminine movements a margana!ya (q.v.) (described as part of the de§I (q.v.) repertoire)
1. P. E. Granoff: Philosophy and Argument in Late Vedanta. Sri Hartja's Khan4tl11alcha'14akJuidya. 1978. ISBN 90-277-0878-9
2. M. Nagatomi, B. K. Matilal, J. M. Masson, and E. C. Dimock, Jr. (eds.): Sanskrit and Indian Studies. Essays in Honour of Daniel H. H. Ingalls. 1980. ISBN 90-277-0991-2
3. J. M. Masson: The Oceanic Feeling. The Origins 0/ Religious Sentiment in Ancient India. 1980. ISBN 90-277-1050-3
4. M. Tachikawa: The Structure o/the World in Udayana's Realism. A Study o/the Lak:jQMvali and the Kira'1Qvali. 1981 ISBN 90-277-1291-3
5. H-L. Cheng: Niigarjuna's Twelve Gate Treatise. Translated, with Introductory Essays, Comments, and Notes. 1982. ISBN 90-277-1380-4
6. J. Bro~khorst: Tradition and Argument in Classical Indian Linguistics. The . Bahiratlga-Paribhii~ in the Paribh~enduSekhara. 1986. ISBN 90-277-2040-1
7. B. K. Matilal and R. D. Evans (eds.): Buddhist Logic and Epistemology. Studies in the Buddhist Analysis of Inference and Language. 1986 ISBN 90-277-2222-6
8. R. Herzberger: Bhartr:hari and the Buddhists. An Essay in the Development of Fifth and Sixth Century Indian Thought. 1986 ISBN 90-277-2250-1
9. R. P. Hayes: Dignaga on the Interpretation o/Signs. 1988 ISBN 90-277-2667-1
10. P. Bilimoria: Sabdapramdf1D: Word and Knowledge. A Doctrine in M"uniimsiiNyaya Philosophy (with reference to Advaita Vediinta-paribhiisii 'Agama'). Towards a Framework for Sruti-priim~ya. 1988 ISBN 90-277-2675-2
11. P. Fenner: The Ontology o/the Middle Way. 1990 ISBN 0-7923-0667-8
12. M. Bose: Movement and Mimesis. The Idea of Dance in the Sanskritic Tradition. 1991 ISBN 0-7923-1325-9
Kluwer Academic Publishers - Dordrecht / Boston / London