www.praisecharts.com Glorious Day Words & music by J. Wilbur Chapman, Mark Hall, and Michael Bleecker Arranged and orchestrated by Dan Galbraith Based on the popular recording from the Casting Crowns album “Until the Whole World Hears” The PraiseCharts Worship Band Series is a unique and growing series of arrangements by some of today’s top new arrangers. These arrangements are geared towards a contemporary “R&B horns” praise band sound, but at the same time are scalable up to a medium‐sized orchestra. The core parts (rhythm, vocals, and brass) may be enhanced with the other parts in any combination. Parts included in the PraiseCharts Worship Band Series Lead Sheet (SAT) – for worship leader and vocal team Piano/Vocal (SATB) – includes written‐out piano part and SATB vocals Rhythm – a more detailed chart for keyboard, guitars, and drums. Ac. Guitar – modified Rhythm part in appropriate capo keys Core Worship Band instrumental parts (written as a section): Trumpet 1‐2 Alto Sax Trumpet 3 (doubles Alto Sax) Trombone 1‐2 Tenor Sax 1‐2 (doubles Trombone) Additional Orchestral parts (these enhance the arrangement, but the Worship Band parts may also stand alone): Bass Trombone/Tuba Percussion 1,2 (Timpani, Bells, Sus. Cym., etc) Bari Sax (doubles Bass Trombone) Horn 1‐2 (French Horn) Flute/Oboe 1‐3 Clarinet (doubles 3 rd Flute) Individual string parts ‐ Violin, Viola, Cello‐Bass (note, all multi‐note parts are divisi) String Reduction – string parts condensed for keyboard synth Rhythm section: The Rhythm part is for the section player (pianist, guitarist, or drummer) with all the specific rhythms and chords necessary for the arrangement. The Lead Sheet is a combination rhythm and vocal chart meant for the vocalists, worship leader, or rhythm player needing more vocal cues. The Piano, Vocal part includes a full piano part in “songbook format” for those not comfortable with playing from a chord chart. When playing with a complete band the pianist would be advised to simplify this part in order to "stay out of the way". Vocals: We include both an SAT Lead Sheet and a SATB Vocal/Piano score. When using the SAT part (soprano/alto/tenor), the baritone/basses should sing the melody (soprano) down an octave – any exceptions are listed on the score. When the part is written in unison, the men should sing it down one octave or it may be done as a solo. This method provides a contemporary sound in an easy‐ to‐learn fashion. Alternate keys: There is at least one alternate key included to accommodate either a keyboard‐based band or a guitar‐based band, to give the orchestra a more playable key, or to make the vocal range more accessible if necessary. Other notes: Rehearsal numbers are given in the form of “1”, “2”, and “3”, providing the easy use of finger signals by the worship leader who may want to make impromptu changes during worship. Normally, “1” is the verse of the song, “2” is the chorus, and “3” is a bridge or other section, but there are exceptions. When a section is repeated in its entirety later in the arrangement, it is labeled “1a” or “2a”, etc. All endings and repeats are clearly notated to facilitate these impromptu changes. Finally, each instrumental part includes Lyric Cues to aid the player in keeping their place. A note on brass stylings: For most titles, the brass parts should be interpreted with jazz articulations and inflections in mind. They have been notated very carefully to aid the player in this interpretation. Written with core brass Written as a section Written as a section To contact us: Email feedback@ praisecharts.com or call (800) 695‐6293
27
Embed
Glorious Day (Living He Loved Me) (Casting Crowns) · Based on the popular recording from the Casting Crowns album ...
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
www.praisecharts.com
Glorious Day
Words & music by J. Wilbur Chapman, Mark Hall, and Michael Bleecker
Arranged and orchestrated by Dan Galbraith
Based on the popular recording from the Casting Crowns album
“Until the Whole World Hears”
The PraiseCharts Worship Band Series is a unique and growing series of arrangements by some of today’s top new arrangers. These arrangements are geared towards a contemporary “R&B horns” praise band sound, but at the same time are scalable up to a medium‐sized orchestra. The core parts (rhythm, vocals, and brass) may be enhanced with the other parts in any combination.
Parts included in the PraiseCharts Worship Band Series
Lead Sheet (SAT) – for worship leader and vocal team Piano/Vocal (SATB) – includes written‐out piano part and SATB vocals Rhythm – a more detailed chart for keyboard, guitars, and drums. Ac. Guitar – modified Rhythm part in appropriate capo keys Core Worship Band instrumental parts (written as a section): Trumpet 1‐2 Alto Sax Trumpet 3 (doubles Alto Sax) Trombone 1‐2 Tenor Sax 1‐2 (doubles Trombone)
Additional Orchestral parts (these enhance the arrangement, but the Worship Band parts may also stand alone):
Bari Sax (doubles Bass Trombone) Horn 1‐2 (French Horn)
Flute/Oboe 1‐3 Clarinet (doubles 3rd Flute) Individual string parts ‐ Violin, Viola, Cello‐Bass (note, all multi‐note parts are divisi) String Reduction – string parts condensed for keyboard synth
Rhythm section: The Rhythm part is for the section player (pianist, guitarist, or drummer) with all the specific rhythms and chords necessary for the arrangement. The Lead Sheet is a combination rhythm and vocal chart meant for the vocalists, worship leader, or rhythm player needing more vocal cues. The Piano, Vocal part includes a full piano part in “songbook format” for those not comfortable with playing from a chord chart. When playing with a complete band the pianist would be advised to simplify this part in order to "stay out of the way".
Vocals: We include both an SAT Lead Sheet and a SATB Vocal/Piano score. When using the SAT part (soprano/alto/tenor), the baritone/basses should sing the melody (soprano) down an octave – any exceptions are listed on the score. When the part is written in unison, the men should sing it down one octave or it may be done as a solo. This method provides a contemporary sound in an easy‐to‐learn fashion.
Alternate keys: There is at least one alternate key included to accommodate either a keyboard‐based band or a guitar‐based band, to give the orchestra a more playable key, or to make the vocal range more accessible if necessary.
Other notes: Rehearsal numbers are given in the form of “1”, “2”, and “3”, providing the easy use of finger signals by the worship leader who may want to make impromptu changes during worship. Normally, “1” is the verse of the song, “2” is the chorus, and “3” is a bridge or other section, but there are exceptions. When a section is repeated in its entirety later in the arrangement, it is labeled “1a” or “2a”, etc. All endings and repeats are clearly notated to facilitate these impromptu changes. Finally, each instrumental part includes Lyric Cues to aid the player in keeping their place.
A note on brass stylings: For most titles, the brass parts should be
interpreted with jazz articulations and inflections in mind. They have
been notated very carefully to aid the player in this interpretation.
All rights reserved. Used by permission. CCLI #5638022 Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright.
& #####17
œœœ œœœ œœœ ‰ jœœœ œœœ œœœ œœœ œœœried my sins far a - way.
G#m7
œœœ œœœ œœœ Œ œœœ œœœ œœœ œœœRis - ing, He jus -
E2
œœœ œœœ œœœ Œ œœœ œœœ œœœ œœœ œœœti - fied free - ly for - ev -
B
& #####20
œœœ œœœ œœœ œœœ Œ œœœ œœœ œœœ œœœer. One day He's com -
F# jœœœ œœœ jœœœ œœœ œœœ œœœ œœœing, O glo - ri - ous day,
G#m7 3rd X to Codaıœœœ ‰ jœœœ œœœ œœœ œœœ œœœ œœœ
O glo - ri -ous day.
E2
& ##### ..23
1 - Repeat to Verse 2
œ œ œ œ œB |œEma7 to 1 2 - to Verse 3
œ œ œ œ œB |œEma7
& #####27
’ ’ œ œ œ œ3. One day the grave
Solo 2
B(no3) B2 B1a Verse
Fjœ œ ≈ rœ œ œ œ œ
could con-ceal Him no long -
Ema7 E6 jœ œ ‰ œ œ œ œer, one day the stone
B(no3) B2 B
& #####30
jœ œ ≈ rœ œ œ œ œrolled a - way from the door.
Ema7 E6
œ Œ œ œ œ œThen He a - rose
B(no3) B2 B jœ œ jœ œ œ œ œov - er death He had con -
Ema7 E6
& #####33
jœ œ ‰ œ œ œ œquered. Now is as - cend - -
B(no3) B2 B jœ œ jœ œ œ œ œed my Lord ev - er - more.
Ema7 E6f
& #####35
œ œ œ jœ ‰ œ œ œ œ œDeath could not hold
W.L. only
C#m7 œ œ ‰ jœ œ œ œ œ œHim, the grave could not keep
E2
&&
##########
Jœ œ ≈ rœ œ œ œ œHim from ris - ing a - gain.
37
∑
G#m7 œ Œ œœœ œœœ œœœ œœœLiv - ing, He loved
œ œ œ œ œ œ .œRis - ing a - gain.
Opt. BGVs
F#susD.S. al Coda ı
Glorious Day (Living He Loved Me) - page 2 of 4Lead Sheet(SAT) Key: B
All rights reserved. Used by permission. CCLI #5638022 Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright.
All rights reserved. Used by permission. CCLI# 5638022 Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright.
& bb17
œœœ œœœ œœœ ‰ jœœœ œœœ œœœ œœœ œœœried my sins far a - way.
Gm7
œœœ œœœ œœœ Œ œœœ œœœ œœœ œœœRis - ing, He jus -
Eb2œœœ œœœ œœœ Œ œœœ œœœ œœœ œœœ œœœ
ti - fied free - ly for - ev -
Bb
& bb20
œœœ œœœ œœœ œœœ Œ œœœ œœœ œœœ œœœer. One day He's com -
F jœœœ œœœ jœœœ œœœ œœœ œœœ œœœing, O glo - ri - ous day,
Gm7 3rd X to Codaıœœœ ‰ jœœœ œœœ œœœ œœœ œœœ œœœ
O glo - ri - ous day.
Eb2
& bb ..23
1 - Repeat to Verse 2
œ œ œ œ œBb|œEbma7 to 1 2 - to Verse 3
œ œ œ œ œBb|œEbma7
& bb27
’ ’ œ œ œ œ3. One day the grave
Solo 2
Bb(no3) Bb2 Bb1a Verse
Fjœ œ ≈ rœ œ œ œ œ
could con-ceal Him no long -
Ebma7 Eb6 jœ œ ‰ œ œ œ œer, one day the stone
Bb(no3) Bb2 Bb
& bb30
jœ œ ≈ rœ œ œ œ œrolled a - way from the door.
Ebma7 Eb6œ Œ œ œ œ œ
Then He a - rose
Bb(no3) Bb2 Bb jœ œ jœ œ œ œ œov - er death He had con -
Ebma7 Eb6
& bb33
jœ œ ‰ œ œ œ œquered. Now is as - cend - - -
Bb(no3) Bb2 Bb jœ œ jœ œ œ œ œed my Lord ev - er - more.
Ebma7 Eb6 f
& bb35
œ œ œ jœ ‰ œ œ œ œ œDeath could not hold
W.L. only
Cm7 œ œ ‰ jœ œ œ œ œ œHim, the grave could not keep
Eb2
&&
bb
bbJœ œ ≈ rœ œ œ œ œ
Him from ris - ing a - gain.
37
∑
Gm7 œ Œ œœœ œœœ œœœ œœœLiv - ing, He loved
œ œ œ œ œ œ .œRis - ing a - gain.
Opt. BGVs
FsusD.S. al Coda ı
Glorious Day (Living He Loved Me) - page 2 of 4Lead Sheet(SAT) Key: Bb
All rights reserved. Used by permission. CCLI# 5638022 Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright.