Top Banner
Songbook Sixties Act naturally (G) 3 Anna Marie (E) 4 Baby's in black (G) 5 Be my baby (D) 6 Californian dreaming (Am) 7 Crying in the rain (C) 8 Funny how love can be (D) 10 God only knows (G) 11 God only knows (G) (voor bas) 12 God only knows (A) (voor bas) 13 Here comes the sun (A) 14 Hey Jude (D) 15 I can hear music (A) 16 I Don't Want to Spoil the Party (G) 17 If I fell (C) 18 If I needed someone (G) 19 I'll get you (C) 20 In My Live (G) 21 I should've known better (E) 22 I've got to get a message to you (A) 23 Let it be me 24 Lola 25 Love me do (G of E) 26 Massachusetts (G) 27 Mr. Tambourine Man (D) 28 New York mining disaster 1941 (Am) 29 No Reply (A) 30 Norwegian wood (D) 31 1 / 52
52

Gerrit Olie - Songbook Sixties

Mar 19, 2023

Download

Documents

Khang Minh
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Gerrit Olie - Songbook Sixties

Songbook Sixties

Act naturally (G) 3

Anna Marie (E) 4

Baby's in black (G) 5

Be my baby (D) 6

Californian dreaming (Am) 7

Crying in the rain (C) 8

Funny how love can be (D) 10

God only knows (G) 11

God only knows (G) (voor bas) 12

God only knows (A) (voor bas) 13

Here comes the sun (A) 14

Hey Jude (D) 15

I can hear music (A) 16

I Don't Want to Spoil the Party (G) 17

If I fell (C) 18

If I needed someone (G) 19

I'll get you (C) 20

In My Live (G) 21

I should've known better (E) 22

I've got to get a message to you (A) 23

Let it be me 24

Lola 25

Love me do (G of E) 26

Massachusetts (G) 27

Mr. Tambourine Man (D) 28

New York mining disaster 1941 (Am) 29

No Reply (A) 30

Norwegian wood (D) 31

1 / 52

Page 2: Gerrit Olie - Songbook Sixties

Oh happy day (G) 32

Rock and roll music (G) 33

Ruby Tuesday (Am) 34

So Sad (D) 35

Strawberry fields forever (A) 36

Take a message to Mary (E) 37

Tell me what you see (G) 38

Thank You Girl (C) 39

There's a place (C) 40

The sun ain’t gonna shine anymore (D) 41

Things we said today (Am) 42

Ticket To Ride (G) 43

Turn turn turn (D) 44

Twist And Shout (C) 45

Unchained melody (C) 46

Wonderful World (G) 47

Yes it is (A) 48

You don't have to say you love me (Dm) 49

You like me too much (Am) 50

You've got to hide your love away (G) 51

You've Lost That Loving Feeling (C) 52

2 / 52

Page 3: Gerrit Olie - Songbook Sixties

Act naturally (G) (G) They're gonna put me in the (C) movies (G) They're gonna make a big star out of (D) me We'll (G) make a film about a man that's sad and (C) lonely And (G) all I gotta do is (D) act naturally (G) Well, I'll (D) bet you I'm gonna be a (G) big star Might (D) win an Oscar you can never (G) tell The (D) movies gonna make me a (G) big star 'Cause (A) I can play the part so (D) well Well I (G) hope you come and see me in the I (C) movies (G) Then I’ll know that you will plainly (D) see The (G) biggest fool that ever hit the (C) big time And (G) all I gotta do is (D) act naturally (G) (intermezzo D G D G) (G) We'll make the scene about a man that's sad and (C) lonely And (G) beggin down upon his bended (D) knee I'll (G) play the part but I won't need (C) re hearsin’ (G) All I have to do is (D) act naturally (G) Well, I'll (D) bet you I'm gonna be a (G) big star Might (D) win an Oscar you can never (G) tell The (D) movies gonna make me a (G) big star 'Cause (A) I can play the part so (D) well Well I (G) hope you come and see me in the I (C) movies (G) Then I’ll know that you will plainly (D) see The (G) biggest fool that ever hit the (C) big time And (G) all I gotta do is (D) act naturally (G)

3 / 52

Page 4: Gerrit Olie - Songbook Sixties

Anna Marie (E) (E E7 E6 E A) (A) Tonight while the snowflakes are (E) falling, here in my dreams I can (A) see, the white cherry blossoms of (D) Chaumont, where I (E) walked with Anna (A) Marie. (A) Anna Marie, (Bm) Anna Marie, (E) my heart remembers and (A) sighs. (A) C'est vous, c'est vous, (Bm) m'aimez beaucoup, (E) I miss you Anna (A) Marie. (E E7 E6 E A) (A) My love was pledged to (E) another, but I knew as I crossed the (A) sea, that I'd never love any (D) other, as I (E) love my Anna (A) Marie. (A) Anna Marie, (Bm) Anna Marie, (E) my heart remembers and (A) sighs. (A) C'est vous, c'est vous, (Bm) m'aimez beaucoup, (E) I miss you Anna (A) Marie. (E) I miss you Anna (A) Marie

4 / 52

Page 5: Gerrit Olie - Songbook Sixties

Baby's in black (G) (intro G C G) (G) Oh dear, (D) what can I do? (C) Baby's in black and (D) I'm feeling blue, Tell me, (G) oh (C) what can I (G) do? (G) She thinks of him and so she dresses in (C) black, And though he'll never come (G) back, (D) she's dressed in (G) black. (G) Oh dear, (D) what can I do? (C) Baby's in black and (D) I'm feeling blue, Tell me, (G) oh (C) what can I (G) do? (G) I think of her, but she thinks only of (C) him, And though it's only a (G) whim, (D) she thinks of (G) him. (Em) Oh how (A) long will it take, (C) Till she (D) sees the mistake she has (G) made? (G) Dear (D) what can I do? (C) Baby's in black and (D) I'm feeling blue, Tell me, (G) oh (C) what can I (G) do? (rif) (Em) Oh how (A) long will it take, (C) Till she (D) sees the mistake she has (G) made? (G) Dear (D) what can I do? (C) Baby's in black and (D) I'm feeling blue, Tell me, (G) oh (C) what can I (G) do? (G) She thinks of him and so she dresses in (C) black, And though he'll never come (G) back, (D) she's dressed in (G) black. (G) Dear (D) what can I do? (C) Baby's in black and (D) I'm feeling blue, Tell me, (G) oh (C) what can I (G) do?

5 / 52

Page 6: Gerrit Olie - Songbook Sixties

Be my baby (D) (D D) (D) The night we met, I knew I (Em) needed you (A) so. (D) And if I had the chance, I'd (Em) never let you (A) go. (F#7) [ah] So won't you say you love me, (B7) [ah] I'll make you so proud of me. (E7) [ah] We'll make 'em turn their heads (A7) every place we go. So won't you, (D) please, [be my, be my baby]. Be my little (Bm) baby, [my one and only baby]. Say you'll be my (G) darlin', [be my, be my baby]. Be my baby (A) now. Wa-oh-oh-oh-oh. (D) I'll make you happy, baby, (Em) just wait and (A) see. (D) For every kiss you give me (Em) I'll give you (A) three. (F#7) [ah] Oh, since the day I saw you, (B7) [ah] I have been waiting for you. (E7) [ah] You know I will adore you (A7) 'til eternity. So won't you, (D) please, [be my, be my baby]. Be my little (Bm) baby, [my one and only baby]. Say you'll be my (G) darlin', [be my, be my baby]. Be my baby (A) now. Wa-oh-oh-oh-oh. (D) [Be my, be my baby], Be my little (Bm) baby. [My one and only baby], say you'll be my (G) darlin'. [Be my, be my baby], Be my baby (A) now, Wa-oh-oh-oh-oh. (D) [Be my, be my baby], Be my little (Bm) baby. [My one and only baby], say you'll be my (G) darlin'. [Be my, be my baby], Be my baby (A) now, Wa-oh-oh-oh-oh.

6 / 52

Page 7: Gerrit Olie - Songbook Sixties

Californian dreaming (Am) (Am) All the leaves are (Am G F) brown, [repeat] and the (G) sky is (E) grey. [repeat] (F) I've been for a (C E Am) walk, [repeat] on a (F) winter's (E) day. [repeat] I'd be safe and (Am G F) warm, [repeat] if I (G) was in (E) LA. [repeat] California (Am G F) Dreamin', [repeat] [together] on (G) such a winter's (E) day. Stopped into a (Am G F) church, [do not repeat] I passed (G) along the (E) way. [do not repeat] Well, I (F) got down on my (C E Am) knees, [repeat] and I (F) pretend to (E) pray. [repeat] You know the preacher likes the (Am G F) cold, [repeat] he knows I'm (G) gonna (E) stay. [repeat] California (Am G F) Dreamin', [repeat] [together] on (G) such a winter's (E) day. Intermezzo: Am G F G Am G F G C E7 Am F E4 All the leaves are (Am G F) brown, [repeat] and the (G) sky is (E) grey. [repeat] (F) I've been for a (C E Am) walk, [repeat] on a (F) winter's (E) day. [repeat] If I didn't (Am G F) tell her, [repeat] I could (G) leave to (E) day. [repeat] California (Am G F) Dreamin', [repeat] on (G) such a winter's (Am) day, [respond] (G) California (F) Dreamin' on (G) such a winter's (Am) day, [respond] (G) California (F) Dreamin' [together] on (G) such a winter's (E) day.

7 / 52

Page 8: Gerrit Olie - Songbook Sixties

Crying in the rain (C) (C) I'll (F) never (G) let you (C) see. The way my (F) broken heart is (G) hurting (C) me. I've got my (F) pride and I (E) know how to (Am) hide, all the (F) sorrow and pain. (G) I'll do my crying in the (Am) rain. (G Am) (C) If I (F) wait for (G) cloudy (C) skies. You won't know the (F) rain from the (G) tears in my (C) eyes. You'll never (F) know that I (E) still love you (Am) so. though the (F) heartaches remain. (G) I'll do my crying in the (Am) rain. (G Am) (F) Raindrops falling from (Dm) heaven, will (G) never wash away my (C) misery. But (Am) since we're not together, I'll (F) look for stormy weather. To (G) hide these tears I hope you'll never see. (C) Some (F) day when my (G) crying's (C) done. I'm gonna (F) wear a smile and (G) walk in the (C) sun. I may be a (F) fool, but till (E) then, darling (Am) you'll never (F) see me complain, (G) I'll do my crying in the (Am) rain. (G) [break] I'll do my crying in the (Am) rain. (G Am)

8 / 52

Page 9: Gerrit Olie - Songbook Sixties

Every Little Thing (G) (G) When I'm walking (C) beside (D) her, (G) people tell me I'm (F C) lucky. (Am) Yes, I know I'm a (D) lucky (G) guy. (G) I remember the (C) first (D) time, (G) I was lonely (F) without (C) her. (Am) Can't stop thinking (D) about her (G) now. (G) Every little (F) thing she does, she does for (G) me, yeah. And you know the (F) things she does, she does for (G) me, who-who. (G) When I'm with her I'm (C D) happy, (G) just to know that she (F) loves (C) me. (Am) Yes, I know that she (D) loves me (G) now. (G) There is one thing I'm (C) sure (D) of, (G) I will love her (F C) forever. (Am) For I know love will (D) never (G) die. (G) Every little (F) thing she does, she does for (G) me, yeah. And you know the (F) things she does, she does for (G) me, who-who. (intermezzo G C D G F C Am D G) (G) Every little (F) thing she does, she does for (G) me, yeah. And you know the (F) things she does, she does for (G) me, who-who. (G C D) Every little (G) thing (G C D) Every little (G) thing

9 / 52

Page 10: Gerrit Olie - Songbook Sixties

Funny how love can be (D) Intro: D9 D D9 D4 D4 D4 D4 D (2x) (G) There she (A) goes with her (D) nose in the (A) air. (G) Funny how (A) love can (D) be. (G) Wonder (A) why she (D) pretends I'm not (A) there. (G) Funny how (A) love can (D) be, (A) girl. (G) Funny how (A) love can (D) be. (G) There she (A) is with that (D) look in her (A) eye. (G) Hasn't got (A) time for (D) me. (G) Does she (A) know how it's (D) making me (A) cry? (G) Funny how (A) love can (D) be, (A) girl. (G) Funny how (A) love can (D) be. (G) What a (A) thing to (D) happen, (G) life with (A) out a (D) friend. (G) What a (A) thing to (D) happen, (Bm) funny how (E7) true love can (A4) end (A). (G) I can (A) tell that she (D) just doesn't (A) care. (G) How can I (A) make her (D) see? (G) I'm in (A) love and it (D) just isn't (A) fair. (G) Funny how (A) love can (D) be, (A) girl. (G) Funny how (A) love can (D) be. (G) who (A) who who who (D) who who (A) who (G) Funny how (A) love can (D) be. (G) who (A) who who who (D) who who (A) who (G) Funny how (A) love can (D) be.

10 / 52

Page 11: Gerrit Olie - Songbook Sixties

God only knows (G) G D G D G D Em7 D D E F (C) I may not (Am) always love you (Em) But long as there (A7) are stars above you (D) You never (Bbdim) need to doubt it (D) I'll make you so (Bm) sure about it (G) God only (D) knows what I'd be (Em7) without you D D E F (C) If you should (Am) ever leave me (Em) Though life would still (A7) go on believe me (D) The world could show (Bbdim) nothing to me (D) So what good would (Bm) living do me (G) God only (D) knows what I'd be (Em7) without you G F G F F G7 Am7 D7 G D#dim G Em (C) God only (G) knows what I'd be (Am7) without you REPEAT SECOND COUPLET (append extra D) (G) God only (D) knows what I'd be (Em7) without you (D) KEEP REPEATING

11 / 52

Page 12: Gerrit Olie - Songbook Sixties

God only knows (G) (voor bas) G D/F# G D/F# G D/F# Em7 D D E F (C/G) I may not (Am) always love you (Em) But long as there (A7/G) are stars above you (D/A) You never (Bbdim) need to doubt it (D/A) I'll make you so (Bm/G#) sure about it (G) God only (D/F#) knows what I'd be (Em7) without you D D E F (C/G) If you should (Am) ever leave me (Em) Though life would still (A7/G) go on believe me (D/A) The world could show (Bbdim) nothing to me (D/A) So what good would (Bm/G#) living do me (G) God only (D/F#) knows what I'd be (Em7) without you G F G F F/C G7/D (Am7/E Am7) D7/C G/D D#dim G/D Em/C# (C) God only (G/B) knows what I'd be (Am7) without you REPEAT SECOND COUPLET (append extra D/F#) (G) God only (D/F#) knows what I'd be (Em7) without you (D/F#) KEEP REPEATING

12 / 52

Page 13: Gerrit Olie - Songbook Sixties

God only knows (A) (voor bas) A E/G# A E/G# A E/G# F#m7 E E F# G (D/A) I may not (Bm) always love you (F#m) But long as there (B7/A) are stars above you (E/B) You never (Cdim) need to doubt it (E/B) I'll make you so (C#m/A#) sure about it (A) God only (E/G#) knows what I'd be (F#m7) without you E E F# G (D/A) If you should (Bm) ever leave me (F#m) Though life would still (B7/A) go on believe me (E/B) The world could show (Cdim) nothing to me (E/B) So what good would (C#m/A#) living do me (A) God only (E/G#) knows what I'd be (F#m7) without you A G A G G/D A7/E (Bm7/F# Bm7) E7/D A/E Fdim A/E F#m/D# (D) God only (A/C#) knows what I'd be (Bm7) without you REPEAT SECOND COUPLET (append extra E/G#) (A) God only (E/G#) knows what I'd be (F#m7) without you (E/G#) KEEP REPEATING

13 / 52

Page 14: Gerrit Olie - Songbook Sixties

Here comes the sun (A) Intro: (A A D E7) (2x) (A) Here comes the sun, (D) here comes the (B7) sun. And I say (A) it's all right. (D A/C# D/B A E A) (A) Little darling, it's been a (D) long, cold, lonely (E7) winter. (A) Little darling, it feels like (D) years since its been (E7) here. (A) Here comes the sun, (D) Here comes the (B7) sun. And I say (A) it's all right. (D A/C# D/B A E A E) (A) Little darling, the smiles (D) returning to their (E7) faces. (A) Little darling, it seems like (D) years since it's been (E7) here. (A) Here comes the sun, (D) here comes the (B7) sun. And I say (A) it's all right. (D A/C# D/B A E A E) (C) Sun, (G) sun, (D/F#) sun, (D) here it (A) comes. (E7) (6x) (E7 4x) (A) Little darling, I feel that (D) ice is slowly (E7) melting. (A) Little darling, it seems like (D) years since its been (E7) clear. (A) Here comes the sun, (D) here comes the (B7) sun. And I say (A) it's all right. (D A/C# D/B A E A) (A) Here comes the sun, (D) here comes the (B7) sun. (A) It's all right. (D A/C# D/B A E A) (2x)

14 / 52

Page 15: Gerrit Olie - Songbook Sixties

Hey Jude (D) Hey (D) Jude, don't make it (A) bad. Take a sad song and make it (D) better. (G) Remember to let her into your (D) heart. Then you can (A) start to make it (D) better. [no repeat] Hey (D) Jude, don't be (A) afraid. You were made to go out and (D) get her. The (G) minute you let her under your (D) skin. Then you (A) begin to make it (D) better (D7). [no repeat] And anytime you feel the (G) pain, hey (Bm) Jude, (Em) refrain. Don't carry the (A) world upon your (D) shoulders (D7). For well you know that it's a (G) fool who (Bm) plays it (Em) cool, by making his (A) world a little (D) colder. (D) Na na na (D7) na na (A) na na (A) na na. Hey (D) Jude, don't let me (A) down. You have found her, now go and (D) get her. (G) Remember to let her into your (D) heart. Then you can (A) start to make it (D) better (D7). [no repeat] So let it out and let it (G) in, hey (Bm) Jude, (Em) begin. You're waiting for (A) someone to (D) perform with (D7). And don't you know that it's just (G) you? Hey (Bm) Jude, you'll (Em) do. The movement you (A) need is on your (D) shoulder. (D) Na na na (D7) na na (A) na na (A) na na. Hey (D) Jude, don't make it (A) bad. Take a sad song and make it (D) better. (G) Remember to let her under your (D) skin. Then you (A) begin to make it (D) better, better, better, better, better, better, oh! (D) Na na na (C) na na na na (G) Na na na na, hey (D) Jude REPEAT

15 / 52

Page 16: Gerrit Olie - Songbook Sixties

I can hear music (A) Intro (A) Ah (A) This is the (C#m) way, (D) I always (E) dreamed it would be. (A) The way that it (C#m) is, oh (D) oh when you are (Dm) holding (E) me. (D) I never had a love of my own, (E) maybe that's why when we're all alone. (A) I can hear music (Bm), I can hear (E7) music. (A) The sound of the city baby (Bm) seems to (E7) disappear. (A) I can hear (A7) music (D), sweet sweet (Dm) music. (A) Whenever you touch me baby, (Bm E7) whenever you're (A) near (A) Lovin' (C#m) you (D), it keeps me (E) satisfied. (A) And I can't (C#m) explain, oh (D) no, the way I'm (Dm E) feeling inside. (D) You look at me, we kiss and then (E) I close my eyes and here it comes again. REPEAT SECOND COUPLET (A) I hear the music all the time, yeah. I hear the music, hold me tight now baby. (E) I hear the music all the time, yeah (A) I hear the music, hold me tight now baby. REPEAT INTRO, SECOND COUPLET AND OUTRO

16 / 52

Page 17: Gerrit Olie - Songbook Sixties

I Don't Want to Spoil the Party (G) intro: (B string) G (d b d) D7 (c a c) D7 (a) D (d) D7 (c) G (b) (G) I don't want to spoil the party so I'll go. I would hate my disappointment to (D) show. There's (Em) nothing for me (B7) here, so (C) I will (D) disappear. If she (G) turns up while I'm (F) gone please let me (G) know. I've (G) had a drink or two and I don't care. There's no fun in what I do if she's not (D) there. I (Em) wonder what went (B7) wrong, I've (C) waited far too (D) long. I (G) think I'll take a (F) walk and look for (G) her. (G) Though tonight she's made me sad, (Em) I (Am) still (C) love (D) her. If I (G) find her I'll be glad, (Em) I (Am) still (C) love (D) her. (G) I don't want to spoil the party so I'll go. I would hate my disappointment to (D) show. There's (Em) nothing for me (B7) here, so (C) I will (D) disappear. If she (G) turns up while I'm (F) gone please let me (G) know. (G) Though tonight she's made me sad, (Em) I (Am) still (C) love (D) her. If I (G) find her I'll be glad, (Em) I (Am) still (C) love (D) her. I've (G) had a drink or two and I don't care. There's no fun in what I do if she's not (D) there. I (Em) wonder what went (B7) wrong, I've (C) waited far too (D) long. I (G) think I'll take a (F) walk and look for (G) her. outro: (B string) G (d b d) D7 (c a c) D7 (a) D (d) D7 (c) G (b)

17 / 52

Page 18: Gerrit Olie - Songbook Sixties

If I fell (C)

(C#m) If I fell in love with you, would you (C) promise to be true, and (B) help me (G#m) understand? 'Cause I've (C#m) been in love before, and I (C) found that love was more, than (Dm) just holding (G) hands If I (C) give (Dm) my (Em) heart to (Dm) you, I (G) must be sure. From the (C) very (Dm Em) start, that (Dm) you, would (G) love me more than (C) her. (Fm G) If I (C) trust (Dm) in (Em) you, oh (Dm) please, don't (G) run and hide. If I (C) love (Dm) you (Em) too, oh (Dm) please, don't (G) hurt my pride like (C9) her, 'cause I couldn't stand the (F) pain. And (Fm) I, would be sad if our new (C) love, was in (G7) vain. So I (C) hope (Dm) you (Em) see, that (Dm) I, would (G) love to love you. (C) And (Dm) that (Em) she will (Dm) cry, when (G) she learns we are (C) two. If I (Fm) fell in (Bb) love with (C) you.

18 / 52

Page 19: Gerrit Olie - Songbook Sixties

If I needed someone (G) (G G G G G4 G G9 G 2x) (G) If I needed someone to love You're the one that (low) I'd be thinking (F) of If I needed (G) someone (G) If I had some more time to spend Then I guess I'd (low) be with you my (F) friend If I needed (G) someone (Dm) Had you come some (E) other day Then it might not have (Am) been like this (Dm) But you see now (E) I'm too much in (Am) love (D) (G) Carve your number on my wall and maybe you will (low) get a call from (F) me If I needed (G) someone (G 2x) ah (G 2x) ah (F 2x) ah (G 2x) ah (G) If I had some more time to spend Then I guess I'd (low) be with you my (F) friend If I needed (G) someone (Dm) Had you come some (E) other day Then it might not have (Am) been like this (Dm) But you see now (E) I'm too much in (Am) love (D) (G) Carve your number on my wall and maybe you will (low) get a call from (F) me If I needed (G) someone (G 2x) ah (G 2x) ah (G)

19 / 52

Page 20: Gerrit Olie - Songbook Sixties

I'll get you (C) Oh (C) yeah, oh (G) yeah - Oh (C) yeah, oh (G) yeah (C) Imagine, I'm in love with you, it's (F) easy cause I (G) know. I've (C) imagined, (d) I'm in (Am) love with you, (F) many, many, many times (G) before. It's not (C) like me to (Gm7) pretend, but I'll (C) get you, I'll get you in the (Am7) end. Yes I (F) will, I'll get you in the (G) end, Oh (C) yeah, oh (G) yeah. I (C) think about you night and day, I (F) need you, as it's (G) true. When I (C) think about you, (Am) I can say, I'm (F) never, never, never, never (G) blue. So I'm (C) telling you, my (Gm7) friend, that I'll (C) get you, I'll get you in the (Am7) end. Yes I (F) will, I'll get you in the (G) end, Oh (C) yeah, oh (G) yeah. Well there’s (F) gonna be a time, when I'm (C) gonna change your mind; so you (D7) might as well resign yourself to (G) me, oh yeah (C) Imagine, I'm in love with you, it's (F) easy cause I (G) know. I've (C) imagined, I'm in (Am) love with you, (F) many, many, many times (G) before. It's not (C) like me to (Gm7) pretend, but I'll (C) get you, I'll get you in the (Am7) end. Yes I (F) will, I'll get you in the (G) end, Oh (C) yeah, oh (G) yeah - Oh (C) yeah, oh (G) yeah

20 / 52

Page 21: Gerrit Olie - Songbook Sixties

In My Live (G) (G D G D) There are (G) places (D) I'll (Em G7) (g e) remember All my (C Cm) life though (G) some have changed Some (G) forever (D) not for (Em G7) (g e) better Some have (C Cm) gone and (G) some remain All these (Em) (f#) places have their (C) (f# e) moments With (F) lovers and friends I (G) still can recall Some are (Em) (f#) dead and some are (A) (f# e) living In (Cm) my life I've (G) loved them all (G D) But of (G) all these (D) friends and (Em G7) lovers There is (C Cm) no one (G) compares with you And these (G) memories (D) lose their (Em G) meaning When I (C Cm) think of love as (G) something new Though I (Em) know I'll never lose (C) affection For (F) people and things that (G) went before I know I'll (Em) often stop and (A) think about them In (Cm) my life I (G) love you more | G D | Em G7 | C Cm | G | 2X Though I (Em) know I'll never lose (C) affection For (F) people and things that (G) went before I know I'll (Em) often stop and (A) think about them In (Cm) my life I (G) love you more (G D) In (Cm) my life I love you more (G D G)

21 / 52

Page 22: Gerrit Olie - Songbook Sixties

I should've known better (E) (E B E) I (B) should have known (E) better with a (B) girl like (E B) you That I would (E) love every (B) thing that you (C#m) do and I (A) do Hey hey (B) hey and I (E B E) do (B) Woh oh woh oh (E B E) I (B) never (E) realised what a (B) kiss could (E B) be This could (E) only (B) happen to (C#m) me can't you (A) see can't you (G#7) see (C#m) That when I (A) tell you that I (E) love you, (G#7) oh (C#m) Your gonna (A) say you love me (E) too oh (A) And when I (B) ask you to be (E C#m) mine (A) your gonna (B) say you love me (E B E) too (B) Sooo (E B E) I (B) should have (E) realised a lot of (B) things (E B) before If this is (E) love you (B) got to give me (C#m) more Give me (A) more hey hey (B) hey give me (E B E) more (B) Woh oh woh oh (E B E) I (B) never (E) realised what a (B) kiss could (E B) be This could (E) only (B) happen to (C#m) me can't you (A) see can't you (G#7) see (C#m) That when I (A) tell you that I (E) love you, (G#7) oh (C#m) Your gonna (A) say you love me (E) too oh (A) And when I (B) ask you to be (E C#m) mine (A) Your gonna (B) say you love me (E B E) too You (B) love me (E B E) too You (B) love me (E B E) too You (B) love me (E B E) too

22 / 52

Page 23: Gerrit Olie - Songbook Sixties

I've got to get a message to you (A) (A D A D) The (G) preacher talked to me and he (Am) smiled, Said, (D) come and walk with me, come and (G) walk one more mile. Now for once in your life you're (Am) alone, but you (D) ain't got a dime, there's no (E) time for the phone. I've just (A) got to get a message to (Bm) you, hold (D) on, (E) hold (A) on. One more hour and my life will be (Bm) through, hold (D) on, (E) hold (A) on (D). I (G) told him I'm in no (Am) hurry, but if (D) I broke her heart, won't you (G) tell her I'm sorry. And for once in my life I'm (Am) alone, and I've (D) got to let her know, just in (E) time before I go. I've just (A) got to get a message to (Bm) you, hold (D) on, (E) hold (A) on. One more hour and my life will be (Bm) through, hold (D) on, (E) hold (A) on (D). Well I (G) laughed but that didn't (Am) hurt, and it's (D) only her love, that keeps me (G) wearing this dirt. Now I'm crying but deep down (Am) inside, well I (D) did it to him, now it's (E) my turn to die. I've just (A) got to get a message to (Bm) you, hold (D) on, (E) hold (A) on. One more hour and my life will be (Bm) through, hold (D) on, (E) hold (A) on (E) I've just. (A) got to get a message to (Bm) you, hold (D) on, (E) hold (A) on. One more hour and my life will be (Bm) through, hold (D) on, (E) hold (A) on (D).

23 / 52

Page 24: Gerrit Olie - Songbook Sixties

Let it be me (G) God bless the (D) day I found you (Em) I want to (Bm) stay around you (C) And so I (G) beg you (C) Let it be (G) me (G) Don't take this (D) heaven from one (Em) If you must (Bm) cling to someone (C) Now and (G) forever (C) Let it be (G) me (C) 'Cause each time we (Bm) meet love (C) I find (G) complete love (Am) Without your (Bm) sweet love (C) What would life (B D) be? (G) So never (D) leave me lonely (Em) Tell me you (Bm) love me only (C) And that you'll (G) always (C) Let it be (G) me JUMP TO LAST REFRAIN (C) And that you'll (G) always (C) Let it be (G) me (C) And that you'll (G) always (BREAK) (C) Let it be (G) me

24 / 52

Page 25: Gerrit Olie - Songbook Sixties

Lola (CCC D EEE) (E) I met her in a club down in old Soho where you (A) drink champagne, and it (D) tastes like coca (E) cola, C O L A (A) cola. She (E) walked up to me and she asked me to dance, I (A) asked her her name and in a (D) dark brown voice she said (E) Lola, L O L A (A) Lola. (D) Lo lo lo lo (C) Lola (CCC D EEE EEEE). (E) Well I'm not the world's most physical guy, but when she (A) squeezed me tight she nearly (D) broke my spine, oh my (E) Lola, (E) Lo lo lo lo (A) Lola. Well (E) I'm not dumb but I can't understand why she (A) walked like a woman, but (D) talked like a man, oh my (E) Lola, (E) Lo lo lo lo (A) Lola. (D) Lo lo lo lo (C) Lola (CCC D EEE EEEE). (E) Well we (B7) drank champagne and danced all night (F#), under electric candlelight. She (A) picked me up and sat me on her knee. Said “Little boy, won't you come home with me”. Well (E) I'm not the world's most passionate guy, but when I (A) looked in her eye, well I (D) almost fell for my (E) Lola, Lo lo lo lo (A) Lola (D), Lo lo lo lo (C) Lola (CCC D). (E) Lola Lo lo lo lo (A) Lola, (D) lo lo lo lo (C) Lola (CCC D EEE EEEE). I (A) pushed (E) her (B7) away. I (A) walked (E) to the (B7) door. I (A) fell (E) to the (B7) floor. I got (E) down (G#m) on my (C#m) knees. Then (B7) I looked at her and she at me. (E) That's the way that I want it to stay and I (A) always want it to (D) be that way for my (E) Lola, Lo lo lo lo (A) Lola. (E) Girls will be boys and boys will be girls. It's a (A) mixed up, muddled up, (D) shook up world, except for (E) Lola, Lo lo lo lo (A) Lola. Well (B7) I left home just a week before, and I'd (F#) never ever kissed a woman before, but (A) Lola smiled and took me by the hand, said “Little boy, gonna make you a man”. Well (E) I'm not the world's most masculine man, but I (A) know what I am and I'm (D) glad I'm a man and so is (E) Lola, lo lo lo lo (A) Lola, (D) Lo lo lo lo (C), Lola (CCC D) REPEAT

25 / 52

Page 26: Gerrit Olie - Songbook Sixties

Love me do (G of E) (G G C C G G C C G G C C G G G C) (G) Love, love me (C) do (G) You know I love (C) you (G) I'll always be (C) true So (C C/G C C/G C) please [break] love me (G) do, (C) whoa, (G) love me do (C) REPEAT COUPLET (D) Someone to love (C F) Somebody (G) new (D) Someone to love (C F) Someone like (G) you REPEAT COUPLET REPEAT CHORUS (OPTIONAL INSTRUMENTAL) REPEAT COUPLET (C) Yeah, (G) love me do, (C) whoa, (G) love me do

26 / 52

Page 27: Gerrit Olie - Songbook Sixties

Massachusetts (G) (G G G G/D) 2X (G) Feel I'm goin (Am) back to (C) Massa (G) chusetts, (G) something’s telling (Am) me I (C) must go (G) home. And the lights all went out in Massa (C) chusetts, the day I (G) left her (D7) standing on her (G) own. (Am D) (G) Tried to hitch a (Am) ride to (C) san fran (G) cisco, (G) gotta do the (Am) things I (C) wanna (G) do. And the lights all went out in Massa (C) chusetts, they brought me (G) back to (D7) see my way with (G) you. (Am D) (G) Talk about the (Am) life in (C) Massa (G) chusetts, (G) speak about the (Am) people (C) I have (G) seen, And the lights all went out in Massa (C) chusetts, and Massa (G) chusetts is break and slow down (D7) one place I have continue (G) seen (G) I will re (Am) member (C) Massa (G) chusetts ... I will remember ...

27 / 52

Page 28: Gerrit Olie - Songbook Sixties

Mr. Tambourine Man (D) intro: (g snaar) D D6 D D4 D A A4 A (2x)

G A D G

Hey! Mr. Tambourine Man, play a song for me,

D G A

I'm not sleepy and there ain't no place I'm going to.

G A D G

Hey! Mr. Tambourine Man, play a song for me,

D G A D

in the jingle jangle morning I'll come followin' you.

G A D G

Take me for a trip upon your magic swirlin' ship,

D G

all my senses have been stripped,

D G

and my hands can't feel to grip, (melody stays low) D G

and my toes too numb to step, (melody stays low) D G A

wait only for my boot-heels to be wanderin'.

G A D G

I'm ready to go anywhere, I'm ready for to fade

D G D G

o-on to my own parade, cast your dancing spell my way,

A

(melody goes up) I promise to go under it.

G A D G

Hey! Mr. Tambourine Man, play a song for me,

D G A

I'm not sleepy and there ain't no place I'm going to.

G A D G

Hey! Mr. Tambourine Man, play a song for me,

D G A D

in the jingle jangle morning I'll come followin' you.

28 / 52

Page 29: Gerrit Olie - Songbook Sixties

New York mining disaster 1941 (Am)

(Am) In the event of something happening to me, there is something I would like you all to (D) see. It's just a (G) photograph of someone that I (Am) knew (D). Have you (G) seen my (C) wife, Mr. (G) Jones? Do you know what it's (C) like on the (F) outside? Don't go talking too loud, you'll cause a (E4) landslide (E), Mr. (Am) Jones. (Am) I keep straining my ears to hear a sound. Maybe someone is digging under (D) ground, or have they (G) given up and all gone home to (Am) bed, thinking (D) those who once existed must be (G) dead (F). Have you (G) seen my (C) wife, Mr. (G) Jones? Do you know what it's (C) like on the (F) outside? Don't go talking too loud, you'll cause a (E4) landslide (E), Mr. (Am) Jones. (Am) In the event of something happening to me, there is something I would like you all to (D) see. It's just a (G) photograph of someone that I (Am) knew (D). Have you (G) seen my (C) wife, Mr. (G) Jones? Do you know what it's (C) like on the (F) outside? Don't go talking too loud, you'll cause a (E4) landslide (E), Mr. (Am) Jones.

29 / 52

Page 30: Gerrit Olie - Songbook Sixties

No Reply (A) (A) This happened once (D) before, when I came to your (E) door, no (A) reply. They said it wasn't (D) you, but I saw you peep (E) through your (A) window, I saw the (F#m) light, (C#m) I saw the (D) light. (C#m) I know that you saw (D) me, 'cause I looked up to (E) see your (A) face. I tried to (D) telephone, they said that you were not (E) home, that's a (A) lie. 'Cause I know where you've (D) been, I saw you walk (E) in your (A) door. I nearly (F#m) died, (C#m) I nearly (D) died. (C#m) 'Cause you walked hand in (D) hand with another (E) man in my (A) place. If I were you I'd (C#) realize that (F#) I love you (Bm) more than (D) any other (A) guy, and I'll forgive the (C#) lies that (F#) I heard (Bm) before when you (D) gave me no (A) reply. I've tried to (D) telephone, they said you were not (E) home, that's a (A) lie. 'Cause I know where you've (D) been, I saw her walk (E) in your (A) door. I nearly (F#m) died, (C#m) I nearly (D) died. (C#m) 'Cause you walked hand in (D) hand with another (E) man in my (A) place. No (F#m C#m) reply, no (D A6) reply.

30 / 52

Page 31: Gerrit Olie - Songbook Sixties

Norwegian wood (D) (D D D D D C D D) (D D D D D C D D) (D) I once had a girl, or should I say (C) she once had (D) me. (D) She showed me her room, isn't it good (C) Norwegian (D) wood. She (Dm) asked me to stay and told me to sit (G) anywhere, So (Dm) I looked around and I noticed there wasn't a (Em A) chair. (D) I sat on a rug, biding my time, (C) drinking her (D) wine. (D) We talked until two, and then she said, (C) It's time for (D) bed. (D D D D D C D D) (D D D D D C D D) (Dm) She told me she worked in the morning and started to (G) laugh, (Dm) I told her I didn't, and crawled off to sleep in the (Em A) bath. (D) And when I awoke, I was alone, (C) this bird has (D) flown. (D) So I lit a fire, isn't it good (C) Norwegian (D) wood. (D D D D D C D D)

31 / 52

Page 32: Gerrit Olie - Songbook Sixties

Oh happy day (G) (Am7 D7 Am7 D7 Am7 D7 G C/G G C/G) (G) Oh happy day Oh happy (C/G) day (G) Oh happy day Oh happy (E7) day When Jesus (Am7) washed When Jesus (D7) washed Oh when he (Am7) washed When Jesus (D7) washed When Jesus (Am7) washed When Jesus (D7) washed He wash my sins (G) away Oh happy (C/G) day (G) Oh happy day Oh happy (C/G) day (G) Oh happy day Oh happy (C/G) day (G) Oh happy day Oh happy (E7) day When Jesus (Am7) washed When Jesus (D7) washed Oh when he (Am7) washed When Jesus (D7) washed When Jesus (Am7) washed When Jesus (D7) washed He wash my sins (G) away Oh happy (C/G) day (G) Oh it’s happy day Oh happy (D7) day (D7) [break] He taught me (G) how to (C/G) watch, fight and (G) pray, (G) fight and pray (D7) [break] And live re (G) joicing (C/G) ever every (G) day, every (G) day (D7) [break] REPEAT FROM SECOND COUPLET (G) Oh happy day Oh happy (C/G) day (G) Oh happy day Oh happy (E7) day When Jesus (Am7) washed When Jesus (D7) washed Oh when he (Am7) washed When Jesus (D7) washed When Jesus (Am7) washed When Jesus (D7) washed He wash my sins (G) away Oh happy (C/G) day (G) Oh happy day Oh happy (C/G) day REPEAT

32 / 52

Page 33: Gerrit Olie - Songbook Sixties

Rock and roll music (G) Just let me hear some of that CHORUS I Rock and roll music, any old way you choose it. It's got a back beat you can't lose it, any old time you use it. Gotta be rock roll music, if you wanna dance with me, if you wanna dance with me. I've got no kick against modern jazz, unless they try to play it too darn fast, and lose the beauty of the melody, until they sounded like a symphony. That's why I go for that CHORUS II I took my loved one over 'cross the tracks, and she can get her man a wailing sax. I must admit they had a rockin' band, man they were blowin' like a hurrican'. That's why I go for that. CHORUS III Way down south they had a jubilee, the georgia folks they had a jamboree. They're drinkin' homebrew from a wooden cup, the folks are dancing and are all shook up. and started playin' that. CHORUS IV Don't get to hear them play a tango, and in the mood to take a mambo. It's way too early for a congo, so keep a rockin' that pi-a-no. that's why I go for that. CHORUS V

33 / 52

Page 34: Gerrit Olie - Songbook Sixties

Ruby Tuesday (Am) (Am) She would (C) never (F) say where (G) she came (C) from. (low) (Am) Yester (C) day don't (F) matter (G) if it's (C) gone. (Am) While the (D) sun is (G) bright. Or (AM) in the (D) darkest (G) night. No one (C) knows. She comes and (G) goes. (C) Good (G) bye, (C) Ruby Tuesday. (C) Who could (G) hang a (C) name on you? (C) When you (G) change with (F) every new day. (G) Still I'm gonna (C) miss you. (G). Don’t (Am) question (C) why she (F) needs to (G) be so (C) free. (low) She'll (Am) tell you (C) it's the (F) only (G) way to (C) be. (Am) She just (D) can't be (G) chained. To a (Am) life where (D) nothing's (G) gained. And nothing's (C) lost. At such a (G) cost. (C) Good (G) bye, (C) Ruby Tuesday. (C) Who could (G) hang a (C) name on you? (C) When you (G) change with (F) every new day. (G) Still I'm gonna (C) miss you. (G). (Am) There's no (C) time to (F) lose, I (G) heard her (C) say. (low) (Am) Catch your (C) dreams be (F) fore they (G) slip (C) away. (Am) Dying (D) all the (G) time. (Am) Lose your (D) dreams and (G) you will lose your (C) mind. Ain't life (G) unkind? (C) Good (G) bye, (C) Ruby Tuesday. (C) Who could (G) hang a (C) name on you? (C) When you (G) change with (F) every new day. (G) Still I'm gonna (C) miss you. (G) Repeat Couplet

34 / 52

Page 35: Gerrit Olie - Songbook Sixties

So Sad (D) (D) We used to (G) have good times (Em) together (A). (D) But now I (G) feel them slip (Em) away (A). (D) It makes me (G) cry, (D) to see love (Bm) die. (D) So sad to (G) watch good (A) love go (D) bad. (D) Remember (G) how you used to (Em) feel dear (A). (D) You said (G) nothing could change your (Em) mind (A). (D) It breaks my (G) heart, (D) to see us (Bm) part. (D) So sad to (G) watch good (A) love go (D) bad. (G) Is it any (Em) wonder, (A) that I feel so (D) blue. (G) When I know for (Em) certain, (E7) that I'm losing (A G) you. (D) Remember (G) how you used to (Em) feel dear (A). (D) You said (G) nothing could change your (Em) mind (A). (D) It breaks my (G) heart, (D) to see us (Bm) part. (D) So sad to (G) watch good (A) love go (D) bad. (D) So sad to (G) watch good (A) love go (D) bad.

35 / 52

Page 36: Gerrit Olie - Songbook Sixties

Strawberry fields forever (A) | E Emaj7 | E7 E7 | F#m E | D A | CHORUS I (A) Let me take you down, cause I’m going (Em) to Strawberry (Em7) fields. (F#7) Nothing is real and (D) nothing to get (F#7) hung about (D) Strawberry fields (A) forever. (E) Living is (Emaj7) easy with (E7) eyes closed (F#m E) Misunderstanding all you (D) see. (D) It’s getting (E) hard to be (A) someone, but it all works (F#m) out. (D) It doesn’t (E) matter much to (D A) me. CHORUS II (E) No one, I (Emaj7) think, is in (E7) my tree. (F#m) I mean, it (E) must be high or (D) low. (D) That is, you (E) can't, you know, (A) tune in, But its (F#m) alright. (D) That is, I (E) think it’s not too (D A) bad. CHORUS III (E) Always, no, (Emaj7) sometimes, think it’s (E7) me. (F#m) But, you (E) know, I know when it’s a (D) dream. (D) I think, er, (E) no, I mean, er, (A) yes, But its all (F#m) wrong. (D) That is, I (E) think I (D A) disagree. CHORUS IV (D) Strawberry fields (A) forever. (D) Strawberry (E) fields (D) forever. (A)

36 / 52

Page 37: Gerrit Olie - Songbook Sixties

Take a message to Mary (E) (E) These are the words of a frontier lad who (G#m) lost his love when he (B7) turned bad. (E) Take a message to Mary but (B7) don't tell her where I (E) am. (E) Take a message to Mary but (B7) don't say I'm in a (E) jam. You can (C#m) tell her I had to (G#m) see the world or (C#m) tell her that my (F#) ship set (B) sail. You can (E) say, she (G#m) better not (A) wait for (E) me but (C#m) don't tell her I'm (B) in (C#m) jail, oh (E) don't tell her (B) I'm in (E) jail. (E) Take a message to Mary but (B7) don't tell her what I've (E) done. (E) Please don't mention the stagecoach and the (B7) shot from a careless (E) gun. You can (C#m) tell her I had to (G#m) change my plans and (C#m) cancel out the (F#) wedding (B) day. But (E) please don't (G#m) mention my (A) lonely (E) cell where (C#m) I'm gonna pine (B C#m) away, (E) until my (B) dying (E) day. (E) Take a message to Mary but (B7) don't tell her all you (E) know. (E) My hearts achin' for Mary Lord (B7) knows I miss her (E) so. Just (C#m) tell her I went to (G#m) Timbuktu. (C#m) Tell her I'm (F#) searchin' for (B) gold. You can (E) say she (G#m) better find (A) someone (E) new to (C#m) cherish and (B) to (C#m) hold, oh (E) Lord, this (B7) cell is (E) cold. (E) Mary, (C#m) Mary, oh (E) Lord, this (B) cell is (E) cold.

37 / 52

Page 38: Gerrit Olie - Songbook Sixties

Tell me what you see (G)

(G) If you (C) let me (G) take your heart (C) I will (D) prove to (G) you. (G) We will (C) never (G) be apart (C) if I'm (D) part of (G) you. (C) Open up your (G) eyes now, (C) tell me what you (G) see. (C) It is no surprise (G) now, (C) what you (D) see is (G) me. (G) Big and (C) black the (G) clouds may be (C) time will (D) pass (G) away. (G) If you (C) put your (G) trust in me (C) I'll make (D) bright your (G) day. (C) Look into these (G) eyes now, (C) tell me what you (G) see. (C) Don't you realise (G) now, (C) what you (D) see is (G) me. (G7) Tell me what you (C) see. (C G D G) (G) Listen (C) to me I (G) one more time (C) how can (D) I get (G) through? (G) Can't you (C) try to (G) see that I'm (C) trying to (D) get to (G) you? (C) Open up your (G) eyes now, (C) tell me what you (G) see. (C) It is no surprise (G) now, (C) what you (D) see is (G) me. (G7) Tell me what you (C) see. (C G D G) repeat last couplet and chorus

38 / 52

Page 39: Gerrit Olie - Songbook Sixties

Thank You Girl (C) Intro G F (G) Oh (F) Oh (C) You (F) be good to (C) me (F) You made me (C) glad (G) when I was (C) blue (F) (C) And (F) eternally (C F) I´ll always (C) be (G) in love with (C) you And (F) all I gotta (G) do is (F) thank you girl (G) thank you girl (C) I (F) could tell the (C) world (F) a thing or (C) two (G) about our (C) love (F) (C) I (F) know little (C) girl (F) only a (C) fool (G) would doubt our (C) love And (F) all I gotta (G) do is (F) thank you girl (G) thank you girl (Am) Thank you girl for (C) lovin´ me the (G) way that you do (Dm) That´s the kind of (G) love that is too (C) good to be true And (F) all I gotta (G) do is (F) thank you girl (G) thank you girl Rif G F (G) Oh (F) Oh (C) You (F) be good to (C) me (F) You made me (C) glad (G) when I was (C) blue (F) (C) And (F) eternally (C F) I´ll always (C) be (G) in love with (C) you And (F) all I gotta (G) do is (F) thank you girl (G) thank you girl Rif G F (G) Oh (F) Oh (C F C F) Oh (G) Oh (F) Oh (C F C F) Oh (G) Oh (F) Oh (C) Oh

39 / 52

Page 40: Gerrit Olie - Songbook Sixties

There's a place (C) (C F C F) (G) There, there is a (C) place, (F) where I can (C) go (F), when I feel (C) low, (Am) when I feel (G) blue. And it's my (Em) mind, (F) and there's no (C) time (F) when (G) I'm (Am) alone. (G) I, I think of (C) you, (F) and things you (C) do (F), go 'round my (C) head, (Am) the things you (G) said. Like I (F) love only (G) you. (Am) In my mind there's no (D) sorrow, (C) don't you know that it's (Em) so. (Am) There'll be no sad (D) tomorrow, (C) don't you know that it's (Em) so. (G) There, there is a (C) place, (F) where I can (C) go (F), when I feel (C) low, (Am) when I feel (G) blue. And it's my (Em) mind, (F) and there's no (C) time (F) when (G) I'm (Am) alone. There's a (C) place (F). repeat

40 / 52

Page 41: Gerrit Olie - Songbook Sixties

The sun ain’t gonna shine anymore (D) Intro: D D9 D Em13 Em7 A (2x) D D D (2x) (D) Loneliness (Em/D) is a cloak you wear. (D) A deep shade of blue (Em/D) is always there. (D) [ha] The sun ain't gonna shine any (Em/D) more. The moon ain't gonna rise in the (D) sky. The tears are always clouding your (G/D A) eyes. the tears are always ... When you're without (D) love. (Em) Ba a a (A) by. (D) Emptiness (Em/D) is a place you're in. (D) With nothing to lose, but no (Em/D) more to win. (D) [ha] The sun ain't gonna shine any (Em/D) more. The moon ain't gonna rise in the (D) sky. The tears are always clouding your (G/D A) eyes. the tears are always ... When you're without (D) love. e | e c# a | b e | b a g# | e c# a | c# b e | e c# b (E) Lonely (A) without you, (E) baby (A). Girl, (E) I need you (A). I can't go on. The (D) sun ain't gonna shine anymore. [repeat] The (Em/D) moon ain't gonna rise in the sky. [repeat] The (D) tears are always clouding your eyes. [repeat] The (G/D) [together] sun ain't gonna shine any (A) more. When you're without (D) love. (Em) Ba a a (A) by. Intro: D D9 D Em13 Em7 A The (D) sun ain't gonna shine anymore. [repeat] The (Em/D) moon ain't gonna rise in the sky. [repeat] The (D) tears are always clouding your eyes. [repeat] The (G/D) [together] sun ain't gonna shine any (A) more. When you're without (D) love.

41 / 52

Page 42: Gerrit Olie - Songbook Sixties

Things we said today (Am) (Am) You say (Em7) you will (Am) love me, if I (Em7) have to (Am) go. (Am) You'll be (Em7) thinking (Am) of me, somehow (Em7) I will (Am) know. (C) Someday when I'm (C9) lonely, (F) wishing you weren't (Bb) so far away. (Am) Then I (Em7) will (Am) remember, things we (Em7) said (Am) today. (Am) You say (Em7) you'll be (Am) mine girl, 'til the (Em7) end of (Am) time. (Am) These days (Em7) such a (Am) kind girl, seems so (Em7) hard to (Am) find. (C) Someday when we're (C9) dreaming, (F) deep in love not a (Bb) lot to say. (Am) Then I (Em7) will (Am) remember, things we (Em7) said (A) today. (A) Me i'm just the (D7) lucky kind, (B7) Love to hear you (E7) say that love is (A) love, and though we (D7) may be blind, (B7) love is here to (E7) stay and that's (Am) Enough to (Em7) make you (Am) mine girl, be the (Em7) only one. (Am) Love me (Em7) all the (Am) time girl, we'll go (Em7) on and (Am) on. (C) Someday when we're (C9) dreaming, (F) deep in love not a (Bb) lot to say. (Am) Then I (Em7) will (Am) remember, things we (Em7) said (A) today. (A) Me i'm just the (D7) lucky kind, (B7) Love to hear you (E7) say that love is (A) love, and though we (D7) may be blind, (B7) love is here to (E7) stay and that's (Am) Enough to (Em7) make you (Am) mine girl, be the (Em7) only one. (Am) Love me (Em7) all the (Am) time girl, we'll go (Em7) on and (Am) on. (C) Someday when we're (C9) dreaming, (F) deep in love not a (Bb) lot to say. (Am) Then I (Em7) will (Am) remember, things we (Em7) said (Am) today.

42 / 52

Page 43: Gerrit Olie - Songbook Sixties

Ticket To Ride (G) I (G) think I'm gonna be sad, I think it's today, yeah. The girl that's driving me mad, is going (Am) away (D). (Em) She's got a ticket to (C) ri-hide, (Em) She's got a ticket to (Fmaj7) ri-hi-hide, (Em) She's got a ticket to (D) ride, But she don't (G) care. She (G) said that living with me, was bringing her down yeah. She would never be free, when I was (Am) around (D). (Em) She's got a ticket to (C) ri-hide, (Em) She's got a ticket to (Fmaj7) ri-hi-hide, (Em) She's got a ticket to (D) ride, But she don't (G) care. I (C) don't know why she’s ridin' so high. She ought to think twice, she ought to do right by (D) me. (C) Before she gets to saying goodbye. She ought to think twice, she ought to do right by (D) me. I (G) think I'm gonna be sad, I think it's today yeah. The girl that's driving me mad, is going (Am) away, (D) yeah. Ah (Em) She's got a ticket to (C) ri-hide, (Em) She's got a ticket to (Fmaj7) ri-hi-hide, (Em) She's got a ticket to (D) ride, But she don't (G) care. I (C) don't know why she’s ridin' so high. She ought to think twice, she ought to do right by (D) me. (C) Before she gets to saying goodbye. She ought to think twice, she ought to do right by (D) me. She (G) said that living with me, was bringing her down, yeah. She would never be free, when I was (Am D) around. Ah (Em) She's got a ticket to (C) ri-hide, (Em) She's got a ticket to (Fmaj7) ri-hi-hide, (Em) She's got a ticket to (D) ride, But she don't (G) care. (G) My baby don't care. My baby don't care. My baby don't care,

43 / 52

Page 44: Gerrit Olie - Songbook Sixties

Turn turn turn (D) Intro: D Em F#m G A | D Em F#m (A) To every (D) thing (G) turn, (D) turn, (A) turn. There is a (D) season (G) turn, (D) turn, (A) turn. [syncope] And (G) A time (F#m) to every (Em) purpose (A) under (D) heaven. A time to be (A) born, a ti-ime to (D) die. A time to (A) plant, a ti-ime to (D) reap. A time to (A) kill, a ti-ime to (D) heal. A time to (G F#m) laugh, a (Em A) ti-ime to (D) weep. (A) To every (D) thing (G) turn, (D) turn, (A) turn. There is a (D) season (G) turn, (D) turn, (A) turn. [syncope] And (G) A time (F#m) to every (Em) purpose (A) under (D) heaven. A time to build (A) up, a time to break (D) down. A time to (A) dance, a ti-ime to (D) mourn. [pause] (A) A time to cast away (D) stones. A time to (G F#m) ga-ather (Em A) sto-ones to (D) gether. (A) To every (D) thing (G) turn, (D) turn, (A) turn. There is a (D) season (G) turn, (D) turn, (A) turn. [syncope] And (G) A time (F#m) to every (Em) purpose (A) under (D) heaven. A time of (A) love, a ti-ime of (D) hate. A time of (A) war, a ti-ime of (D) peace. [pause] (A) A time you may (D) embrace. A time to (G F#m) re-frai-ain (Em A) fro-om (D) embracing. (A) To every (D) thing (G) turn, (D) turn, (A) turn. There is a (D) season (G) turn, (D) turn, (A) turn. [syncope] And (G) A time (F#m) to every (Em) purpose (A) under (D) heaven. A time to (A) gain, a ti-ime to (D) lose. A time to (A) rend, a ti-ime to (D) sow. A time for (A) love, a ti-ime for (D) hate. A time for (G F#m) pea-eace, I (Em) swear it's (A) not too (D) late!

44 / 52

Page 45: Gerrit Olie - Songbook Sixties

Twist And Shout (C) (C F G G | C F G G) Well, shake it up, baby, now (shake it up, baby) Twist and shout (twist and shout) C'mon c'mon, c'mon, c'mon, baby, now (come on baby) Come on and work it on out (work it on out) Well, work it on out (work it on out) You know you look so good (look so good) You know you got me goin', now (got me goin') Just like I knew you would (like I knew you would) (Oh) Well, shake it up, baby, now (shake it up, baby) Twist and shout (twist and shout) C'mon, c'mon, c'mon, c'mon, baby, now (come on baby) Come on and work it on out (work it on out) (Oh) You know you twist your little girl (twist, little girl) You know you twist so fine (twist so fine) Come on and twist a little closer, now (twist a little closer) And let me know that you're mine (let me know you're mine) (Oh) (C F G G 4x) Ah Ah Ah Ah Ah Well, shake it up, baby, now (shake it up, baby) Twist and shout (twist and shout) C'mon, c'mon, c'mon, c'mon, baby, now (come on baby) Come on and work it on out (work it on out) (Oh) You know you twist your little girl (twist, little girl) You know you twist so fine (twist so fine) Come on and twist a little closer, now (twist a little closer) And let me know that you're mine (let me know you're mine) (Oh) Well, shake it, shake it, shake it, baby, now (shake it up baby) Well, shake it, shake it, shake it, baby, now (shake it up baby) Well, shake it, shake it, shake it, baby, now (shake it up baby) Ah Ah Ah Ah

45 / 52

Page 46: Gerrit Olie - Songbook Sixties

Unchained melody (C) (C) Oh, my (Am) love, my (F) darling, I've (G) hungered for your (C) touch, a (Am) long, lonely (G) time, and (C) time goes (Am) by so (F) slowly and (G) time can do so (C) much, are (Am) you still (G) mine. I (C) need your (G) love, I (Am) need your (Em) love. God (F) speed your love (G) to (C) me (C7) (F) Lonely rivers (G) flow to the (F) sea, to the (Eb) sea. (F) To the open (G) arms of the (C) sea. (F) Lonely rivers (G) sigh, wait for (F) me, wait for (Eb) me, (F) I'll be coming (G) home, wait for (C) me. (C) Oh, my (Am) love, my (F) darling, I've (G) hungered for your (C) love, a (Am) long, lonely (G) time, and (C) time goes (Am) by so (F) slowly and (G) time can do so (C) much, are (Am) you still (G) mine. I (C) need your (G) love, I (Am) need your (Em) love. God (F) speed your love (G) to (C) me (Am F C)

46 / 52

Page 47: Gerrit Olie - Songbook Sixties

Wonderful World (G) Don't know much about history Don't know much biology Don't know much about a science book Don't know much about the French I took But I do know that I love you And I know that if you love me too What a wonderful world this would be Don't know much about geography Don't know much trigonometry Don't know much about algebra Don't know what a slide rule is for But I do know one and one is two And if this one could be with you What a wonderful world this would be Now I don't claim, to be an A-student But I'm trying to be For maybe by being an A-student, baby I could win your love for me Don't know much about history Don't know much biology Don't know much about a science book Don't know much about the French I took But I do know that I love you And I know that if you love me too What a wonderful world this would be La la la - History - Uh - Biology La la la - Science book - Uh - French I took. REFRAIN

47 / 52

Page 48: Gerrit Olie - Songbook Sixties

Yes it is (A) (E) If you wear (A) red to (F#m) night (B7), (E) remember what I (A) said to (D) night (B7). For (C#m) red is the colour that my (A) baby wore, (D) and what's more, it's (C#m) true, (E) Yes it is. (E) Scarlet were the (A) clothes she (F#m) wore (B7), (E) everybody (A) knows I'm (D) sure (B7). (C#m) I would remember all the (A) things we planned, (D) understand, it's (C#m) true, (E) yes it is, it's (E7) true. (E) Yes it is. (Bm) I could be (E) happy with (A) you by my (F#m) side, (Bm) If I could (E) forget her, but (C#m) it's my pride, yes it is, (E) yes it is, oh yes it (F#7) is, (B7) yeah. (E) Please don't wear (A) red (F#m) tonight (B7), (E) this is what I (A) said (D) tonight (B7). For (C#m) red is the colour that will (A) make me blue, in (D) spite of you, it's (C#m) true, (E) yes it is, it's (E7) true. (E) Yes it is. (Bm) I could be (E) happy with (A) you by my (F#m) side, (Bm) If I could (E) forget her, but (C#m) it's my pride, yes it is, (E) yes it is, oh yes it (F#7) is, (B7) yeah. (E) Please don't wear (A) red (F#m) tonight (B7), (E) this is what I (A) said (D) tonight (B7). For (C#m) red is the colour that will (A) make me blue, in (D) spite of you, it's (C#m) true. (E) yes it is, it's (Ab7) true. (A) Yes it (B) is, it's (E6) true.

48 / 52

Page 49: Gerrit Olie - Songbook Sixties

You don't have to say you love me (Dm) (Dm) When I said I (Gm) needed you, (C) you said you would (F) always stay. (Bb) It wasn't me who (Bb6) changed but you, and (E6) now you've gone (A7) away. (Dm) Don't you see that (Gm) now you've gone, (C) and I'm left here (F) on my own. (Bb) That I have to (Bb6) follow you, and (E7) beg you to come (A7) home. (D) You don't have to (Bm) say you love me, (G) just be close at (A) hand. (D) You don't have to (Bm) stay forever, (Em) I will (A) understand. (D) Believe me, (F#m) believe me, I (Bm) can't help but love you. But (G) believe me, I'll (Em) never tie you (A7) down. (Dm) Left alone with just a (Gm) memory, (C) life seems dead and (F) so unreal. (Bb) All that's left is (Bb6) loneliness, there's (E6) nothing left to (A7) feel. (D) You don't have to (Bm) say you love me, (G) just be close at (A) hand. (D) You don't have to (Bm) stay forever, (Em) I will (A) understand. (D) Believe me, (B7) believe me. (E) You don't have to (C#m) say you love me, (A) just be close at (B) hand. (E) You don't have to (C#m) stay forever, (F#m) I will (B7) understand. (E) Believe me (D), (E) believe me (D), (E) believe me.

49 / 52

Page 50: Gerrit Olie - Songbook Sixties

You like me too much (Am) (G) Though you've (Am) gone away this morning, you'll be (C) back again (G) tonight. Telling (Am) me there'll be no next time, If I (C) just don't treat you (G) right. You'll (Bm7) never leave me and you know it's (D) true, 'cause you (G) like me too (C) much and I like (D) you. You've (Am) tried before to leave me, but you (C) haven't got the (G) nerve. To walk (Am) out and make me lonely, which is (C) all that I (G) deserve, You'll (Bm7) never leave me and you know it's (D) true, 'cause you (G) like me too (C) much and I like (D) you. (Em) I really (A) do, and it's (Bm) nice when you (A) believe me, (Em) If (A) you leave (D) me. (Am) I will follow you and bring you (C) back where you (G) belong, 'cause I (Am) couldn't really stand it, I (C) admit that I was (G) wrong, I (Bm7) wouldn't let you leave me 'cause it's (D) true, 'cause you (G) like me too (C) much and I like (D) you. rif 'cause you (G) like me too (C) much and I like (D) you. (Em) I really (A) do, and it's (Bm) nice when you (A) believe me, (Em) If (A) you leave (D) me. (Am) I will follow you and bring you (C) back where you (G) belong, 'cause I (Am) couldn't really stand it, I (C) admit that I was (G) wrong, I (Bm7) wouldn't let you leave me 'cause it's (D) true, 'cause you (G) like me too (C) much and I like (D) you. 'cause you (G) like me too (C) much and I like (D) you.

50 / 52

Page 51: Gerrit Olie - Songbook Sixties

You've got to hide your love away (G) (G) Here I (D) stand with (F) head in (G) hand, (C) turn my face to the (F C) wall. (G) If she's (D) gone I (F) can't go (G) on, (C) feeling two foot (F C D) small. (G) Every (D) where (F) people (G) stare, (C) each and every (F C) day. (G) I can (D) see them (F) laugh at (G) me, (C) and I hear (F C D) them say. (G) Hey, you've got to (C) hide your love (D) away. (G) Hey, you've got to (C) hide your love (D) away. (G) How can (D) I (F) even (G) try (C), I can never (F C) win. (G) Hearing (D) them, (F) seeing (G) them, (C) in the state I'm (F C D) in. (G) How could (D) she (F) say to (G) me (F), love will find a (F C) way. (G) Gather (D) 'round, (F) all you (G) clowns, (C) let me hear you (F C D) say. (G) Hey, you've got to (C) hide your love (D) away. (G) Hey, you've got to (C) hide your love (D) away. Instrumental

51 / 52

Page 52: Gerrit Olie - Songbook Sixties

You've Lost That Loving Feeling (C) (C) You never close your (Bb/C) eyes any (C) more when I (Bb/C) kiss your (C) lips. And there's no (Bb/C) tenderness like before in your finger (C) tips. You're trying (Dm) hard not to show it, (Em) [baby] But (F) baby, (G) baby I know it. (C) You've lost that (Dm/C) lovin' feeling, (G) whoa, that (C) lovin' feeling. You've lost that (Dm/C) lovin' feeling, now it's (Bb/C) gone, gone, gone, (C) wooooooh. c bb g f eb c bb g (C) Now there's no welcome (Bb/C) look in your (C) eyes when I (Bb/C) reach for (C) you. And now your're (Bb/C) starting to criticize little things I (C) do. It makes me (Dm) just feel like crying, (Em) [baby] 'cause (F) baby, something (G) beautiful’s dying. (C) You've lost that (Dm/C) lovin' feeling, (G) whoa, that (C) lovin' feeling. You've lost that (Dm/C) lovin' feeling, now it's (Bb/C) gone, gone, gone, (C) wooooooh. (F G F G) (C) You've lost that (Dm/C) lovin' feeling, (G) whoa, that (C) lovin' feeling. You've lost that (Dm/C) lovin' feeling, now it's (Bb/C) gone, gone, gone, (C) wooooooh.

52 / 52