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GCE Media Studies (H140/H540) Get Ahead INSET Training 2010-11
17

GCE A Level 2010-11 inset notes

Dec 14, 2014

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From the latest training on how to be effective in teaching the AS and A2 exams and coursework units - from OCR
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Page 1: GCE A Level 2010-11 inset notes

GCE Media Studies (H140/H540)

Get Ahead

INSET Training 2010-11

Page 2: GCE A Level 2010-11 inset notes

Housekeeping

• Times• Fire Exit• Toilets• Lunch• Use of mobiles/Wi-Fi• Feedback form

Page 3: GCE A Level 2010-11 inset notes

Aims of the day• Encourage a holistic view of the A level course• Focus on shared ideas for course structure and approaches• Provide exemplar materials to assist with approaches and marking• Emphasise areas for improvement in practice• Respond to questions about all units• Suggest resources for all units

Page 4: GCE A Level 2010-11 inset notes

In your pack…

• Paper resources

• CD contents

• Online links

Page 5: GCE A Level 2010-11 inset notes

AS/A2 Coursework

Page 6: GCE A Level 2010-11 inset notes

Research and Planning• Ensure all research and planning is evidenced- see this as the

candidate’s journey for the project

• Ensure blogs are organised and labelled, with individual contributions to group blogs tagged

• Ensure blogs use the potential of the medium- not just written text!

• Research should be relevant to the production

• Planning should evidence all stages of the project (including planning for all three tasks at A2)

Page 7: GCE A Level 2010-11 inset notes

Construction: Video• Ensure candidates are trained in the use of equipment and get plenty

of practice• Centres should have appropriate equipment for the task• Offer a wider range of examples to consider before they fix on an idea• Broaden from the thriller/horror hybrid at AS• Research into titles and their functions/conventions is crucial to the AS

task• Mise en scene should be carefully planned• Risk assessment should be considered before all shoots

Page 8: GCE A Level 2010-11 inset notes

Construction: Print

• Ensure candidates are trained in the use of equipment and get plenty of practice

• Centres should have appropriate equipment for the task

• Candidates should ensure that they look carefully at real examples and follow conventions

• Photographs need careful staging and manipulation thereafter

• A variety of models are needed for the magazine- not just one artist or band

• All written text should be proofread before submission

• No found images may be used

Page 9: GCE A Level 2010-11 inset notes

Construction: Radio

• Ensure candidates have access to and training on suitable equipment for the task

• Candidates should be advised against ‘spoof’ programmes

• Careful attention to presentation and scripting is essential for successful outcomes

• Research into real examples is very important

Page 10: GCE A Level 2010-11 inset notes

Construction: Web• Sites should be online

• Appropriate software needs to be used for web tasks

• Designs of web pages are not acceptable for submission e.g. a JPEG image of homepage

• Close attention to content and audience is essential

• All elements of the task set need to be present

Page 11: GCE A Level 2010-11 inset notes

Construction: A2 marking reminder• All main tasks and ancillary tasks need to be marked against the criteria for the appropriate media in the specification e.g. a web home page ancillary task needs to be marked against the web criteria and not the same criteria as the main task e.g. video

Page 12: GCE A Level 2010-11 inset notes

Evaluations• At AS the evaluation must address the seven questions and be presented

digitally

• At A2 the evaluation must address the appropriate four questions and also be presented digitally

• Must be more than just written text or an essay read to camera

• May be a series of tasks in different forms

Page 13: GCE A Level 2010-11 inset notes

Admin• minimise packaging of samples and despatch them swiftly • minimise the number of disks submitted- one per centre is ideal• ensure candidate numbers are on all paperwork, disks and blogs• If using blogs, set up a centre hub to allow instant access to all candidates’ work• ensure the format for all submissions is universally accessible• If working in a consortium, ensure cross-centre moderation takes place• ensure cover sheet comments and marks match the level descriptors and are

appropriate for the work• differentiate comments and marks for candidates working in a group• check arithmetic and that scores on cover sheets match those entered on the MS1• submit coversheets on paper but keep copies of these for your records• keep copies of all candidate work – things can go missing in the post

Page 14: GCE A Level 2010-11 inset notes

AS examQuestion 1• Do link analysis to the key concept of representation• Extend Candidates knowledge and understanding of editing and sound• Ensure that you cover all aspects of representation as outlined in the Specification• No need to cover every shot within sequence; choose appropriate exemplars• Chronological approach to answering question often leads to descriptive responses.

Question 2• Cover all seven bullet points found in the Specification (page 19)• Keep exemplar contemporary (ie post 2005)• Teach a range of examples within a media area• Provide Candidates with plenty of evaluation exercises• Remember not to teach textual analysis for question 2.

Page 15: GCE A Level 2010-11 inset notes

A2 Exam 1a

• Creative decision making • Process• Progress over time• Specific examples• Reflection on own development • It’s about YOU- the student

Page 16: GCE A Level 2010-11 inset notes

A2 exam 1b

• Students need to understand the concept (with references/quotations)

• Apply the concept

• Textual analysis of their work using the concept (ONE production)

• It’s about THE WORK

Page 17: GCE A Level 2010-11 inset notes

A2 exam Section BStudents need to be able to:

• Show a deep understanding of a debate

• Show knowledge and understanding of application and assessment of theories, research and conflicting ideas

• Show knowledge and understanding of a range of contemporary examples, at least one reference to the past and one projection for the future.