Fuzzy time and dislocated space in digital media (Phd ongoing research)

TIME AND ITS IMAGES

Fuzzy time and dislocated space in digital media(Phd ongoing research)

Carles Sorawww.csora.cat

[email protected]

Minard graph of Napoleon’s march to Moscow 1812 - [Tufte, 1983]

Khronos projector [Casinelli, 2005]

Eduard MuybridgeChronofotographie, 1878

Steina Vasulka, Bent Scans (2002)

Silf,1960 - Slit-scan

the fourth dimension, Zbig Rybczynsk, 1988

Bill Viola, The Tree of Knowledge,1997

Romy Achituv, 1997

Khronos projector, Alvaro Casinelli, 2005

The invisible Shape of Things Past, 1997Joachim Sauter, Dirk Lüsebrink

Video StreamerElliott, Davenport, 1994

1.1 Modernity and its crystallized time.1.2 Spatial and temporal metaphors1.3 Learning, language and cultural context of timeHenri Berson, Gilles Deleuze, Gaston Bachelard, Igor Prigogine, Steven Hawking, Albert Einstein, J.F. Lyotard.

2. The movement in artsWalter Benjamin, Eduard Cutting, Edward Tufte, Paul Virilio, Josep Mª Català, Jose Luís Brea, James Elkins

MAIN CHAPTERS

[Degas,1874 - Painting]

[Bush,1865 - Painting] [Duchamp,1865 - Painting] [Marey,1865 - Chronofotography - Biology]

[Silf,1960 - Slit-scan - Photography]

[Gondry -Bullet time,1995 - Cinema]

[Méliès,1874 - Timelapse - Cinema]

[Rybczynski,1988 - Cinema][Walitsky,1970 - Art]

[Utterback, 2001 - Art]

[Art+Com, 97 - Art][Christi, 97 - Art]

[Ängeslevä, 2002 - Art] [Cassinelli, 2005 - Art][Achituv, 1997 - Art]

[McCay,1867 - Painting]

[ Banvard,1848 - Moving Panorama]

[Griffith,1915 - Muntatge ]

4. Film objects and space-time correlations in interactive media

3. Artefacts and devices for a manipulative time.

5. new media temporalities & Interface experiments

When will users apply their preminent time-arrow-model in gestural interactions?

Could the shape of the interface interfere in the users time models?

9 trials with left-right direction: 70%3 trials with right -left: 23%1 diagonal 7%

6 trials with clockwise direction: 60%2 trial with anticlockwise direction: 20%1 trials with left-right direction: 10%1 vertical top-bottom direction: 10%