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From April Fools' to Hollywood The Making of the LA Typographical Map Josh Ryan, Axis Maps 1 / 29
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From April Fool's to Hollywood - The Making of the LA Typographical Map

Apr 13, 2017

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Page 1: From April Fool's to Hollywood - The Making of the LA Typographical Map

From April Fools' to HollywoodThe Making of the LA Typographical Map

Josh Ryan, Axis Maps

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Page 2: From April Fool's to Hollywood - The Making of the LA Typographical Map

History

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Page 3: From April Fool's to Hollywood - The Making of the LA Typographical Map

The Origin of the Species

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Page 7: From April Fool's to Hollywood - The Making of the LA Typographical Map

Genesis of the LA MapI joined Axis Maps in March 2015

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Page 8: From April Fool's to Hollywood - The Making of the LA Typographical Map

Genesis of the LA MapI joined Axis Maps in March 2015

Came from doing GIS/Developer work in Thailand

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Page 9: From April Fool's to Hollywood - The Making of the LA Typographical Map

Genesis of the LA MapI joined Axis Maps in March 2015

Came from doing GIS/Developer work in Thailand

Make a map

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Page 10: From April Fool's to Hollywood - The Making of the LA Typographical Map

Genesis of the LA MapI joined Axis Maps in March 2015

Came from doing GIS/Developer work in Thailand

Make a map

April Fools' day 2015

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Page 11: From April Fool's to Hollywood - The Making of the LA Typographical Map

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Page 13: From April Fool's to Hollywood - The Making of the LA Typographical Map

Fallout"Wow, looking good. What inspired you to take on this side project?"

"I completely thought this was real. They all look this crappy at some pointin the process!"

"Even bad design on these impresses, because they take forever to make."

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Page 14: From April Fool's to Hollywood - The Making of the LA Typographical Map

1. Data

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Page 15: From April Fool's to Hollywood - The Making of the LA Typographical Map

Get OSM DataCalifornia data downloaded from download.geofabrik.de/

Filtered with Osmosis - can filter by coords, and type of node/way/relation

osmosis--rbf california-latest.osm.pbf--bounding-box top=34.18 left=-118.53 bottom=33.65 right=-118.10--tf accept-ways highway=secondary,tertiary--used-node--wx highways.osm

Could do something similar now with Mapzen's Metro extracts -mapzen.com/data/metro-extracts/

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Page 16: From April Fool's to Hollywood - The Making of the LA Typographical Map

Move To IllustratorConverted to SVG with Maperitive - maperitive.net

Import into Adobe Illustrator

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Page 17: From April Fool's to Hollywood - The Making of the LA Typographical Map

Manual Work (Lines)Join all the line segments

Using Type on a Path tool, convert paths to lines of text

Center on line using Type on a Path Options

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Manual Work (Areas)Create a Text box that covers the entire area

Use the polygon to create a Clipping mask for the Text box

Adjust the Text box shape (like any polygon) to ensure no rivers of text

Confession - If you don't have polygons from your data (like I didn't), you cantake screenshots of OSM online and use those in Illustrator as a tracing guide

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Page 19: From April Fool's to Hollywood - The Making of the LA Typographical Map

2. Design

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Page 20: From April Fool's to Hollywood - The Making of the LA Typographical Map

Design Goals for City of Angles versionaka Don't try this at home

DataMislabel thingsSpelling mistakes ("5rd st", misspellings of local names, etc...)No Consistency ("120th St" vs "140 St")OSM Data specific - make sure to leave off different possible tags

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Page 21: From April Fool's to Hollywood - The Making of the LA Typographical Map

Design Goals for City of Angles versionaka Don't try this at home

DataMislabel thingsSpelling mistakes ("5rd st", misspellings of local names, etc...)No Consistency ("120th St" vs "140 St")OSM Data specific - make sure to leave off different possible tags

TypeToo many fonts (4 minimum)Arbitrary Font Hierarchy (Size, Weight, Style)Kitschy fonts (Comic Sans, Papyrus, etc...)Purposefully bad Kerning (especially on a typographic map)

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Page 22: From April Fool's to Hollywood - The Making of the LA Typographical Map

Design Goals for City of Angles versionaka Don't try this at home

DataMislabel thingsSpelling mistakes ("5rd st", misspellings of local names, etc...)No Consistency ("120th St" vs "140 St")OSM Data specific - make sure to leave off different possible tags

TypeToo many fonts (4 minimum)Arbitrary Font Hierarchy (Size, Weight, Style)Kitschy fonts (Comic Sans, Papyrus, etc...)Purposefully bad Kerning (especially on a typographic map)

ColorUse Red and Green for Colorblind viewersIf using an institutions colors on the map, make sure you use thewrong oneRandom saturation levels for features that are equivalent in visualweight

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Page 23: From April Fool's to Hollywood - The Making of the LA Typographical Map

Design of Los Angeles versionType

Myriad Pro was chosen as it has a large family. Also has a Condensedversion which is nice for small streetsCase is always Upper. Creates a consistent baseline and cap height fora nice smooth edgeOnly two families chosen, one serif and one sans-serif as per normalcartographic conventionMasking helps with reading overlapping text

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Page 24: From April Fool's to Hollywood - The Making of the LA Typographical Map

Design of Los Angeles versionType

Myriad Pro was chosen as it has a large family. Also has a Condensedversion which is nice for small streetsCase is always Upper. Creates a consistent baseline and cap height fora nice smooth edgeOnly two families chosen, one serif and one sans-serif as per normalcartographic conventionMasking helps with reading overlapping text

ColorCreates a hierarchy that is 3-4 levels deepContrast has been an issue in the past. Reversing text can help withthis

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Page 25: From April Fool's to Hollywood - The Making of the LA Typographical Map

Design of Los Angeles versionType

Myriad Pro was chosen as it has a large family. Also has a Condensedversion which is nice for small streetsCase is always Upper. Creates a consistent baseline and cap height fora nice smooth edgeOnly two families chosen, one serif and one sans-serif as per normalcartographic conventionMasking helps with reading overlapping text

ColorCreates a hierarchy that is 3-4 levels deepContrast has been an issue in the past. Reversing text can help withthis

Inset mapMatch the aesthetic of the title area (angular)Yellow highlight reminiscent of Rand-McNally

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3. Review

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Page 29: From April Fool's to Hollywood - The Making of the LA Typographical Map

Thanks!axismaps.com | @karenkingfisher

Both maps available for perusal in the map gallery

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