Jan 02, 2016
Geraldine Deluca, Ph.D. English Department
Brooklyn College
Helene Dunkelblau, Ph.D.Department of Basic
Educational Skills Queensborough
Community College
Rick Repetti, Ph.D.Department of History,
Philosophy & Political Science Kingsborough
Community College
Alexandra Tarasko, R.N., M.A., C.S.Department of Nursing
Queensborough Community College
Agenda
1. Brief overview of contemplative practices & benefits
2. The presenters will discuss: What they do in their classesWhat is happening on their campuses
3. PracticumExperience a sample of contemplative practices
4. Brief Q&A5. Planning session aimed at CUNY-wide network6. Brief closing meditation
Types of contemplative practicesWhy?
“The faculty of voluntarily bringing back a wandering attention, over and over again, is the very root of judgment, character, and will... An education which should improve this faculty would be the education par excellence. But it is easier to define this ideal than to give practical directions for bringing it about.”
- William James, Principles of Psychology
Meditation: the paradigm caseOne-pointedness (candle flame, image, mandala, etc.)
Other forms of meditation
Mindfulness (non-judgmental observing) Thoughts, breath, bodily sensations, walking, etc.
Visualization and guided imageryBreathing exercisesMantraInformal: Reflective dwelling, reverie, or free
associating on a topic, image, word, idea, variations
Ram Dass: “Undigested experiences”
Other forms
Close reading of a passageLectio divina
1. Visual reading aloud 2. Mental reading, silently 3. Receptive listening, creative opening
WritingFocused, reflective, journaling, free writing,
etc.
Effects of contemplative practicesMindfulness, heightened awareness
Clarity of mindFocused attention
Inner calmPresence (cf. art studio atmosphere)Sense of connectedness to others and the work
Broadening of perspectiveMetacognitive processes Intrinsic curiosity
Geri Deluca’s classPractices used:
1. Meditation and body scan2. Lectio divina3. Close listening and saying back what you
hear4. Reading texts with a “spiritual”
orientation:considering the connection between great literature and a deep sense of values
Helene Dunkelblau’s classPractices used:1. Reflective writing
Reader response journals in conjunction with The Alchemist by Paulo Coelho (spiritual content)
2. Guided imagery Stimulus for essay writing
3. Breath meditation Before high-stakes tests
Rick Repetti’s philosophy classesCalming breath, mindfulness, lectio divina
Post-meditation free-writing, post-reading journaling
Content-related meditations Sample 1: Identity
“What if…?” Imagine a different childhood, career All things considered: Who am I? What am I?
Sample 2 : What would it be like to be a brain in a vat? Sample 3: If in an experience machine, why be moral?
Sociology teacher uses calming breath before exams
Alex Tarasko’s classPractices used:1. Loving-kindness meditation
to develop empathy in nursing students
2. Story telling and active listening as therapeutic interventions with patients facing losses
3. Focused breathing meditation to help students diminish their distractive thoughts at beginning of
lecture as stress reduction prior to an exam
At Brooklyn College
Weekly meditations open to faculty, staff, students
Formerly: Monthly meetings of the involved faculty
Periodic (1/semester) meetings with KCC/QCC faculty
At Queensborough CC
Monthly meetings of the faculty from Queensborough and from Queens College
Periodic (1/semester) meetings with BC & KCC faculty
Presentations at conferences
At Kingsborough CC
FIG’s weekly meditations for faculty/staff, 1 release hour
Periodic (1/semester) meetings with BC’s & QCC’s faculty
Presentations at conferences on teachingPSC-CUNY grant to research use of meditation in
my classes
Also:Contemplative classes at Vassar College summer
program
Practicum: Hands-onTechniques:
Lectio divina – followed by:Reflective free-writing
Cf. 3 levels of the bell ring1. actual sound2. mental repetition of sound (cf. after-image) 3. silent, receptive, listening, opening
(creative effects)
Lectio divina Passage: You’re sitting here with us, but you’re also out walking
in a field at dawn. You are yourself the animal we hunt when you come with us on the hunt. You’re in your body like a plant is solid on the ground, yet you’re wind. You’re the diver’s clothes lying empty on the beach. You’re the fish. In the ocean are many bright strands and many dark strands like veins that are seen when a wing is lifted up. Your hidden self is blood in those, those veins that are lute strings that make ocean music, not the sad edge of surf, but the sound of no shore.
- Rumi
(Born in Afghanistan, 1207, fled to Turkey to escape Mongol invasion, became a scholar, mystic, died 1279.)
Reflective Free-writing 5 minutes, non-stop writing. Uncensored,
unedited. Stream of consciousness. Whatever comes up. Or whatever came up.
Q&A and Planning StageQ & A?Questions to address:
What would a CUNY-wide network look like?What sorts of events would we plan?How would we connect and organize activities?
http://cunycontemplatives.pbwiki.com Sign our email list, and you’ll get an e-vite to the
wikiWhat would we read?What kinds of funding could we seek?Other questions, comments?
Thank you!http://cunycontemplatives.pbwiki.com
Geri Deluca (BC): [email protected]
Helene Dunkelblau (QCC): [email protected]
Rick Repetti (KCC):[email protected]
Alexandra Tarasko (QCC): [email protected]