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On this SlideShare page, you will find several Power Point presentations, one for each of the most popular essays to read aloud from A Sand County Almanac at Aldo Leopold Weekend events. Each presentation has the essay text right on the slides, paired with beautiful images that help add a visual element to public readings. Dave Winefske (Aldo Leopold Weekend event planner from Argyle, Wisconsin) gets credit for putting these together. Thanks Dave! A note on images within the presentations: we have only received permission to use these images within these presentations, as part of this event. You will see a photo credit slide as the last image in every presentation. Please be sure to show that slide to your audience at least once, and if you don't mind leaving it up to show at the end of each essay, that is best. Also please note that we do not have permission to use these images outside of Aldo Leopold Weekend reading event presentations. For example, the images that come from the Aldo Leopold Foundation archive are not “public domain,” yet we see unauthorized uses of them all the time on the internet. So, hopefully that’s enough said on this topic—if you have any questions, just let us know. [email protected]
21

Foreword

May 27, 2015

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Education

This is the text of Leopold's essay "Foreword" paired with beautiful images. The presentation can be used as a backdrop to help illustrate public readings of the essay.
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Transcript
Page 1: Foreword

On this SlideShare page, you will find several Power Point presentations, one for each of the most popular essays to read aloud from A Sand County Almanac at Aldo Leopold Weekend events. Each presentation has the essay text right on the slides, paired with beautiful images that help add a visual element to public readings. Dave Winefske (Aldo Leopold Weekend event planner from Argyle, Wisconsin) gets credit for putting these together. Thanks Dave!

A note on images within the presentations: we have only received permission to use these images within these presentations, as part of this event. You will see a photo credit slide as the last image in every presentation. Please be sure to show that slide to your audience at least once, and if you don't mind leaving it up to show at the end of each essay, that is best. Also please note that we do not have permission to use these images outside of Aldo Leopold Weekend reading event presentations. For example, the images that come from the Aldo Leopold Foundation archive are not “public domain,” yet we see unauthorized uses of them all the time on the internet. So, hopefully that’s enough said on this topic—if you have any questions, just let us know. [email protected]

If you download these presentations to use in your event, feel free to delete this intro slide before showing to your audience.

Page 2: Foreword
Page 3: Foreword

Foreword

Page 4: Foreword

THERE ARE SOME WHO CAN LIVE WITHOUT WILD THINGS,& some who cannot.

Page 5: Foreword

These essays are the delights &

dilemmas of one who cannot.

Page 6: Foreword

Like winds and sunsets, wild things were taken for granted until progress

began to do away with them.

Page 7: Foreword

Now we face the question whether a still higher 'standard of living' is worth its cost in things natural, wild, and free. For us of the minority,

the opportunity to see geese is more important than television,

Page 8: Foreword

and the chance to find a pasque flower is a right as inalienable as free speech.

Page 9: Foreword

These wild things, I admit, had little human value until mechanization assured us of a good breakfast, and until science disclosed the drama of where they come from and how they live.

Page 10: Foreword

The whole conflict thus boils down to a question of degree. We of the minority see a law of diminishing returns in progress; our opponents do not.

Page 11: Foreword

CONSERVATION IS GETTING NOWHERE because it is incompatible with our Abrahamic concept of land.

Page 12: Foreword

We abuse land because we regard it as a commodity belonging to us. When we see land as a community to which we belong, we may begin to use it with love and respect.

Page 13: Foreword

There is no other way for land to survive the impact of mechanized man,

Page 14: Foreword

nor for us to reap from it the esthetic harvest it is capable, under

science, of contributing to culture.

Page 15: Foreword

That land is a community is the basic concept of ecology, but that land is to beloved and respected is an extension of ethics. That land yields a cultural harvest is a fact long known, but latterly often forgotten. These essays attempt to weld these three concepts

Page 16: Foreword

Such a view of land and people is, of course, subject to the blurs and distortions of personal experience and personal bias. But wherever the truth may lie, this much is crystal-clear:

Page 17: Foreword

our bigger-and-better society is now like a hypochondriac, so obsessed with its own economic health as to have lost the capacity to remain healthy.

Page 18: Foreword

The whole world is so greedy for more bathtubs that it has lost the stability necessary to build them, or even to turn off the tap.

Page 19: Foreword

Nothing could be more salutary at this stage than a little healthy contempt for a plethora of material blessings.

Page 20: Foreword

Perhaps such a shift of values can be achieved by reappraising things unnatural, tame, and confined in terms of things natural, wild, and free.

Page 21: Foreword

Photo Credits• Historic photographs: Aldo Leopold Foundation archives

• A Sand County Almanac photographs by Michael Sewell

• David Wisnefske, Sugar River Valley Pheasants Forever, Wisconsin Environmental Education Board, Wisconsin Environmental Education Foundation, Argyle Land Ethic Academy (ALEA)

• UW Stevens Point Freckmann Herbarium, R. Freckmann, V.Kline, E. Judziewicz, K. Kohout, D. Lee, K Sytma, R. Kowal, P. Drobot, D. Woodland, A. Meeks, R. Bierman

• Curt Meine, (Aldo Leopold Biographer)

• Wisconsin Department of Natural Resources, Environmental Education for Kids (EEK)

• Hays Cummins, Miami of Ohio University

• Leopold Education Project, Ed Pembleton

• Bird Pictures by Bill Schmoker

• Pheasants Forever, Roger Hill

• Ruffed Grouse Society

• US Fish and Wildlife Service and US Forest Service

• Eric Engbretson

• James Kurz

• Owen Gromme Collection

• John White & Douglas Cooper

• National Oceanic and Atmospheric Administration (NOAA)

• Ohio State University Extension, Buckeye Yard and Garden Online

• New Jersey University, John Muir Society, Artchive.com, and Labor Law Talk