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Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington College of Law 7 November 2013 Prof. P. Bernt Hugenholtz
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Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Dec 11, 2015

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Page 1: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Flexing Authors’ RightsHow copyright laws outside the US can become more flexible

2nd Annual Peter Jaszi Distinguished LectureAmerican University, Washington College of Law

7 November 2013

Prof. P. Bernt Hugenholtz

Page 2: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.
Page 3: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Map of common/civil law countries

Page 4: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.
Page 5: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Not Permitted in (Some) Authors’ Right Countries (or Unsure)

• Showing © content in PPT at public lecture

Page 6: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Not Permitted in (Some) Authors’ Right Countries (or Unsure)

Page 7: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Not Permitted in (Some) Authors’ Right Countries (or Unsure)

• Showing photos in PPT at public lectures

• TV news reporting of an arts exhibition

Page 8: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Not Permitted in (Some) Authors’ Right Countries (or Unsure)

Page 9: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Not Permitted in (Some) Authors’ Right Countries (or Unsure)

• Showing photos in PPT at public lectures

• TV news reporting of an arts exhibition

• Using film fragments in documentaries

Page 10: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Not Permitted in (Some) Authors’ Right Countries (or Unsure)

Page 11: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Not Permitted in (Some) Authors’ Right Countries (or Unsure)

• Showing photos in PPT at public lectures

• TV news reporting of an arts exhibition

• Using film fragments in documentaries

• Posting user-generated content on social media

Page 12: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Not Permitted in (Some) Authors’ Right Countries (or Unsure)

Page 13: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Not Permitted in (Some) Authors’ Right Countries (or Unsure)

• Showing photos in PPT at public lectures

• TV news reporting of an arts exhibition

• Using film fragments in documentaries

• Posting user-generated content on social media

• Digitizing and indexing content for data mining, or for operating a search engine

Page 14: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Not Permitted in (Some) Authors’ Right Countries (or Unsure)

Page 15: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Not Permitted in (Some) Authors’ Right Countries (or Unsure)

Page 16: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Typology of Limitations and Exceptions

• Copyright systems (common law countries) Fair use: open norm allowing range of ‘fair’ uses Fair dealing: list of L&E’s with some flexibility

• Authors’ right systems (civil law + EU): Closed list of L&E’s EU InfoSoc Directive (2001): exhaustive list of

optional L&E’s

Page 17: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Why Authors’ Rights Systems are Suspicious of Fair Use

• Civil law made by the people, not the courts judge is “mouth of the law”

• Authors’ rights based in natural law, favors authors over users narrow ‘exceptions’

• Concerns over legal certainty (‘floodgates’)

• Fears of US legal imperialism (“Fair US”)

• EU (or int’l) law does not permit fair use

Page 18: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Increasing Need for Flexible, Open Norms

• Accelerating pace of technological change

• Legislature cannot respond, must anticipate more abstract, open norms

• EU harmonization requires extra cycle of law making• Total legislative response time > 10 years!

Page 19: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Arguments against Flexibility Revisited

• Civil law has already moved to more open norms• ‘Unlawfulness’, ‘reasonableness’, ‘fairness’

• Increasing role for ‘unwritten law’

Page 20: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Arguments against Flexibility Revisited

• Civil law has moved to open norms

• AR systems moving away from natural law• Public interest requires balancing of rights &

freedoms

• Fundamental rights: property rights and freedoms

Page 21: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Arguments against Flexibility Revisited

• Civil law has moved to open norms

• AR systems moving away from natural law

• Legal certainty?• FU is fairly predictable (Beebe, Samuelson, Netanel)• Guidelines, Best practices

• Civil courts working around closed L&E’s• Google Image Search case (German S.Crt. 2010)

• Three-step test (TRIPs, WCT) creates a safety net

Page 22: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Arguments against Flexibility Revisited

• Civil law has moved to open norms

• AR systems moving away from natural law

• Legal certainty?

• “Fair US”: more flexibility does not mean importing fair use

Page 23: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Arguments against Flexibility Revisited

• Civil law has moved to open norms

• AR systems moving away from natural law

• Legal certainty?

• ‘US v. them’: more flexibility does not necessarily imply fair use

• EU (and int’l) law actually tolerate (some) flexibilities

Page 24: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Does the EU Framework Allow Flexible Norms?

• InfoSoc Directive: closed list of L&E’s• Rec 32: ”exhaustive enumeration of exceptions and

limitations”

• But L&E’s in Directive loosely circumscribed • Prototypes, not precise exceptions• Rec 2: ”need to create a general and flexible legal

framework […] to foster the development of the IS”

Page 25: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Examples from InfoSoc Directive

Art. 5(3)(d) (quotation):

“….quotations for purposes such as criticism or review, provided that they relate to a work or other subject-matter which has already been lawfully made available to the public, that, unless this turns out to be impossible, the source, including the author’s name, is indicated, and that their use is in accordance with fair practice, and to the extent required by the specific purpose; ….”

Page 26: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

National Implementations:From strict to liberal

Article L122-5 Intellectual Property Code (France)Once a work has been disclosed, the author may not prohibit: […]3°. on condition that the name of the author and the source are clearly stated: a) analyses and short quotations justified by the critical, polemic, educational, scientific or informatory nature of the work in which they are incorporated […];

Article 22 Swedish Copyright ActAnyone may, in accordance with proper usage and to the extent necessary for the purpose, quote from works which have been made available to the public.

Page 27: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Examples from InfoSoc Directive

Art. 5(3)(i):

“…. incidental inclusion of a work or other subject-matter in other material; ….”

Page 28: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Examples from InfoSoc Directive

Art. 5(3)(k):

“…. use for the purpose of caricature, parody or pastiche….”

Page 29: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

What about the Three-step Test?(5.5 ISD, 13 TRIPs, 10 WCT)

• Flexible norms can be (1) reasonably predictable, (2) not all-encompassing, and (3) not unduly harm authors/right holders

• Any WTO complaints about fair use?

Page 30: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

Recent Calls for More Flexibility

• UK Copyright Review: more L&E’s

• Netherlands: make L&E’s more flexible

• Irish Copyright Review: fair use

• Australian Copyright Reform: fair use?

• Discussions in Poland, France, other states

Page 31: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

What Kinds of Flexibilities?

• Create flexibilities inside circumscribed L&E’s• Dutch Copyright Committee (2013): extend

quotation right to cover user-generated content

Page 32: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

What Kinds of Flexibilities?

• Create flexibilities inside circumscribed L&E’s

• Create flexibility alongside circumscribed L&E’s: open norm complementary to L&E’s, subject to 3-step test• Korea (Act of 2011), Ireland (Review 2013)

Page 33: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.
Page 34: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

European Copyright Code (Wittem Group)

Art. 5.5 – Further limitationsAny other use that is comparable to the uses enumerated in art. 5.1 to 5.4(1) is permitted provided that the corresponding requirements of the relevant limitation are met and the use does not conflict with the normal exploitation of the work and does not unreasonably prejudice the legitimate interests of the author or rightholder, taking account of the legitimate interests of third parties.

Page 35: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

“Who Cares?”

• Chilling effects on institutional users (e.g. libraries, educators), innovators, authors

• Increasing gap between social norms and the law of copyright, undermines social legitimacy of copyright

• Everyone who (still) believes in copyright should care

Page 36: Flexing Authors’ Rights How copyright laws outside the US can become more flexible 2 nd Annual Peter Jaszi Distinguished Lecture American University, Washington.

17-09-11