www.praisecharts.com [email protected](800) 695-6293 Parts included in the PraiseCharts Worship Band Series Praise Band (Level 1) vocal, rhythm and, instrumental parts: Lead Sheet (SAT) – for the worship leader and vocal team Trumpet 1-2 Piano/Vocal (SATB) – for the pianist and SATB choir Alto Sax Choir Sheet (SATB) – for the SATB choir Trumpet 3 (doubles Alto Sax) Rhythm – a more detailed chart for keyboard, guitars, and drums. Trombone 1-2 Ac. Guitar – a modified Rhythm part in appropriate capo keys Tenor Sax 1-2 (doubles Trombone) Bass Trombone/Tuba Bari Sax (doubles Bass Trb.) Orchestration (Level 2) level instrumental parts (includes all Praise Band parts plus the following): Percussion 1-2 Violin 1-2 (stacked parts are divisi unless otherwise indicated) Horn 1-2 (French Horn) Viola Flute/Oboe 1-3 Cello-Bass (non-transposed) Clarinet (doubles 3 rd woodwind part) String Reduction (string parts condensed for keyboard synth) PraiseCharts Worship Orchestrations are a group of contemporary arrangements in a time-tested format by PraiseCharts’ best writers. The Praise Band level begins with a contemporary “R&B horns” praise band sound, while the Orchestration level incorporates instruments scalable up to a medium-sized “studio” orchestra. Rhythm section: The Rhythm part is for the section player (pianist, guitarist, or drummer) with all the specific rhythms and chords necessary for the arrangement. The Lead Sheet is a combination rhythm and vocal chart meant for the vocalists, worship leader, or rhythm player needing more vocal cues. The Piano, Vocal part includes a full piano part in “songbook format” for those not comfortable with playing from a chord chart. When playing with a complete band the pianist would be advised to simplify this part in order to "stay out of the way". Vocals: Our charts can include a SAT Lead Sheet, a SATB Vocal/Piano score, and a SATB Choir Sheet. When using the SAT part (soprano/alto/tenor), the baritone/basses should sing the melody (soprano) down an octave – any exceptions are listed on the score. When the part is written in unison, the men should sing it down one octave or it may be done as a solo. This method provides a contemporary sound in an easy-to-learn manner. Alternate keys: There is at least one alternate key included to accommodate either a keyboard-based band or a guitar-based band, to give the orchestra a more playable key, or to make the vocal range more accessible if necessary. Other notes: Each instrumental part includes Lyric Cues to aid the player in keeping their place. Flawless Words & music by Barry Grau, Bart Millard, Ben Glover, David Garcia, Mike Scheuchzer, Nathan Cochran, Robby Shaffer, and Solomon Olds Arranged by Erik Foster and Dan Galbraith Orchestrated by Dan Galbraith Based on the popular recording from the MercyMe album "Welcome To The New"
151
Embed
Flawless (Mercy Me) · Ac. Guitar – a modified Rhythm part in appropriate capo keys Tenor Sax 1-2 (doubles Trombone) Bass Trombone/Tuba Bari Sax (doubles Bass Trb.)
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Parts included in the PraiseCharts Worship Band Series Praise Band (Level 1) vocal, rhythm and, instrumental parts: Lead Sheet (SAT) – for the worship leader and vocal team Trumpet 1-2 Piano/Vocal (SATB) – for the pianist and SATB choir Alto Sax Choir Sheet (SATB) – for the SATB choir Trumpet 3 (doubles Alto Sax) Rhythm – a more detailed chart for keyboard, guitars, and drums. Trombone 1-2 Ac. Guitar – a modified Rhythm part in appropriate capo keys Tenor Sax 1-2 (doubles Trombone) Bass Trombone/Tuba
Bari Sax (doubles Bass Trb.) Orchestration (Level 2) level instrumental parts (includes all Praise Band parts plus the following):
Percussion 1-2 Violin 1-2 (stacked parts are divisi unless otherwise indicated) Horn 1-2 (French Horn) Viola Flute/Oboe 1-3 Cello-Bass (non-transposed) Clarinet (doubles 3rd woodwind part) String Reduction (string parts condensed for keyboard synth)
PraiseCharts Worship Orchestrations are a group of contemporary arrangements in a time-tested format by PraiseCharts’ best writers. The Praise Band level begins with a contemporary “R&B horns” praise band sound, while the Orchestration level incorporates instruments scalable up to a medium-sized “studio” orchestra.
Rhythm section: The Rhythm part is for the section player (pianist, guitarist, or drummer) with all the specific rhythms and chords necessary for the arrangement. The Lead Sheet is a combination rhythm and vocal chart meant for the vocalists, worship leader, or rhythm player needing more vocal cues. The Piano, Vocal part includes a full piano part in “songbook format” for those not comfortable with playing from a chord chart. When playing with a complete band the pianist would be advised to simplify this part in order to "stay out of the way".
Vocals: Our charts can include a SAT Lead Sheet, a SATB Vocal/Piano score, and a SATB Choir Sheet. When using the SAT part (soprano/alto/tenor), the baritone/basses should sing the melody (soprano) down an octave –
any exceptions are listed on the score. When the part is written in unison, the men should sing it down one octave or it may be done as a solo. This method provides a contemporary sound in an easy-to-learn manner.
Alternate keys: There is at least one alternate key included to accommodate either a keyboard-based band or a guitar-based band, to give the orchestra a more playable key, or to make the vocal range more accessible if necessary.
Other notes: Each instrumental part includes Lyric Cues to aid the player in keeping their place.
Flawless Words & music by Barry Grau, Bart Millard, Ben Glover,
David Garcia, Mike Scheuchzer, Nathan Cochran, Robby Shaffer, and Solomon Olds
Arranged by Erik Foster and Dan Galbraith
Orchestrated by Dan Galbraith Based on the popular recording from the MercyMe album "Welcome To The New"
& ### 44 œ .œ œ œ œ .œA
Moderate Rock feel q = 102Elec. Gtr only
PŒ ‰ jœ œ œ œ œ œ
1. There's got to be moreSOLO (at pitch)
œ Œ ‰ jœ œ œ œthan go-ing back
A1 Verse+ Drums
& ###4 œ œ œ Œ ‰ . rœ œ œ œ
and forth from do - ing right
œ œ œ œ œ œ œ ≈ œ œ œ œto do - ing wrong, 'cause we were taught
E
& ###6
œ œ œ œ œ œ .œ œ œ .œthat's who we are. Well come on,
œœ œœ œœ œœ œœ œœ ..œœ œœ Œget in line right be-hind me.
Asus ’œœ œœ œœ œœ œœ œœ œœ ..œœ œœYou, a - long with ev-'ry-bod-y.
& ###9
’ œ œ œ œ œ œ œ œ œ œThink-ing there's worth in what you
A ’ ’ ’œ œdo.
‰ jœ œ œ œ œ œ œThen like a he - ro, who takes
ALL
A + Bass/PadsDrums out
2 PreChor.
& ###12
œ œ œ œ jœ œ jœthe stage when we're
Œ œ œ œ œ œ œon the edge of our seats
E œ œ œ œ jœ œ œ œsay-ing it's too late.
œ Œ Œ ‰ jœœWell,
D
DUET: (top note)
& ### ..16
œœ œœ œœ œœ œœ œœ œœ œœlet me in - tro-duce you to a -
..œœ jœœ œœ œœ œœ œœmaz - ing grace.
A
˙̇ Œ ‰ jœœœNo
Mel. on top
œœœ œœœ œœœ œœœ Œ ‰ jœœœmat-ter the bumps, no
Full band grooveA3 Chorus fˆ
& ###20
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœmat-ter the bruis - es, no
’ ’œœœ œœœ œœœ œœœmat-ter the scars,
E œœœ œœœ œœœ œœœ œœœ œœœ œœœstill the truth is the cross
œœœ œœœ œœœ œœœ Œ œœœ œœœhas made, the cross
D
Key: A
Flawless(based on the recording from the MercyMe album "Welcome To The New")
www.praisecharts.com/27098 Barry Grau, Bart Millard, Ben Glover,David Garcia, Mike Scheuchzer, Nathan Cochran,
Robby Shaffer, and Solomon OldsArr. by Erik Foster and Dan Galbraith
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Lead Sheet(SAT)
&&
######œœœ œœœ œœœ œœœ jœœœ œœœ jœœœ
has made you flaw -
24
∑œœœ œœœ ...˙̇̇less.
Œ œ œ jœ œ jœThe cross has made
(echo)
A ’ ’ ’ ‰ jœœœNojœ œ jœ œ œ œ
you flaw - less.
œœœ œœœ œœœ œœœ Œ ‰ jœœœmat-ter the hurt or
.˙ Œ
& ###28
œœœ œœœ œœœ œœœ jœœœ œœœ jœœœhow deep the wound is, no
’ ’œœœ œœœ œœœ œœœmat-ter the pain,
E œœœ œœœ œœœ œœœ œœœ œœœ œœœstill the truth is the cross
œœœ œœœ œœœ œœœ Œ œœœ œœœhas made, the cross
D2nd X to Codaı
& ###32
1
œœœ œœœ œœœ œœœ jœœœ œœœ jœœœhas made you flaw -
œœœ œœœ ...˙̇̇less.
A Œ ‰ œ œ œ œ œ œ œ2. Could it pos-sib-ly be
˝Mel. (at pitch)
’ ’ ≈ œ œ œ œthat we sim-ply
A4 Verse P Elec. Gtr only
& ###36 œ œ œ Œ ‰ jœ œ .œ
can't be-lieve that this
‰ j¿ ¿ .¿Bass/Drums
œ œ œ œ œ œ Œ œ œ œun - con-di - tion - al kind of love
E F.œ œ œ œ œ .œ œ œwould be e - nough to
& ###39
‰ œœ œœ œœ œœ œœ œœ œœ œœ Œtake a filth-y wretch like this,
D ≈ œœ œœ œœ œœ œœ œœ œœ œœ œœ Œand wrap him up in right - eous-ness,
‰ . rœ œ œ œ œ œ œ œ œbut that's ex-act - ly what He
A
& ### ..42
’ ’œ œ ‰ jœœœdid. No
2
œœœ œœœ œœœ œœœ jœœœ œœœ jœœœhas made you flaw -
œœœ œœœ ...˙̇̇less.
A ’ ’ ’ ’ f .œ Jœ œ œ Œ(Oo,
G5 Bridge
& ###47
.œ Jœ œ œ ŒOo.)
D ‰ œ œ œ ≈ œ œ œ œ œ œ œTake a breathe, smile and say, "Right
A
œ œ .œ œ œ œ œ œ œ œhere, right now, I'm o -kay be-cause
Lead Sheet(SAT)
Flawless - page 2 of 3 Key: A
& ###50
.œ jœ œ œ Œ(Oo,
œ œ œ Œ Œ ‰ jœœthe
Gf.œ jœ œ œ ŒOo.)
..œœ Jœœ œœ œœ œœ œœcross was e - nough.
D ˝̇˙ ÓA ˝ ‰ jœ œ œ œ œ œ œ
Then like a he-ro, who takes
A6 PreChor. F
& ###55
œ œ œ œ jœ œ jœthe stage when we're
Œ œ œ œ œ œ œon the edge of our seats
E œ œ œ œ jœ œ œ œsay-ing it's too late.
œ Œ Œ ‰ jœœWell,
D
& ###59
œœ œœ œœ œœ œœ œœ œœ œœlet me in - tro -duce you to grace,
..œœ jœœ ..œœ jœœgrace, God's
A
..œœ jœœ œœ œœ œœ œœgrace.
˙̇ Œ ‰ jœœœNo
>̋Mel. on top
fD.S. al Coda ı
& ###63
œœœ œœœ œœœ œœœ jœœœ œœœ jœœœhas made you flaw -
Codaı
œœœ œœœ ...˙̇̇less.
A ’ ’ ’ ’ ‰ jœ œ œ .œ œ œ œNo mat - ter what they say,
prime unis.
A7 Bridge2
& ###67
‰ jœ œ œ .œ œ œ œor what you think you are,
‰ jœ œ œ .œ œ œ œthe day you called His name,
E Œ œœ œœ œœ œœ œœ œœHe made you flaw -
& ###70
œœ œœ ..˙̇less.
D Œ œœ œœ œœ œœ œœ œœHe made you flaw -
œœ œœ ..˙̇less.
A ’ ’ ’ ‰ jœœœNo
œœœ œœœ œœœ œœœ Œ ‰ jœœœmat-ter the bumps, no
Af8 Chorus
Drums out
& ###75
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœmat - ter the bruis - es, no
œœœ œœœ œœœ œœœ Œ Œmat - ter the scars,
E œœœ œœœ œœœ œœœ œœœ œœœ œœœstill the truth is the cross
& ###78
œœœ œœœ œœœ œœœ Œ œœœ œœœhas made, the cross
D œœœ œœœ œœœ œœœ jœœœ œœœ jœœœhas made you flaw -
œœœ œœœ ...˙̇̇less.
A |UBass out
Lead Sheet(SAT)
Flawless - page 3 of 3 Key: A
&
&?
###
######
44
4444
∑
œ .œ œ œ œ .œ∑
A
Moderate Rock feel q = 102
P
Œ ‰ jœ œ œ œ œ œ1. There's got to be more
SOLO (at pitch)
œ .œ œ œ œ .œ∑
œ Œ ‰ jœ œ œ œthan go-ing back
œ .œ œ œ œ .œ
œ .œ œ œ œ œ(play RH if no drums)
A
1 Verse
&
&?
###
######
œ œ œ Œ ‰ . rœ œ œ œand forth from do - ing right
œ .œ œ œ œ .œ ?
4 œ .œ œ œ œ œ
œ œ œ œ œ œ œ ≈ œ œ œ œto do - ing wrong, 'cause we were taught
œ .œ œ œ œ .œ
œ .œ œ œ œ œ
E
&
??
###
######
œ œ œ œ œ œ .œ œ œ .œthat's who we are. Well come on,
œ .œ œ œ œ .œ &
6 œ .œ œ œ œ œ
œœ œœ œœ œœ œœ œœ ..œœ œœ Œget in line right be-hind me.
œ .œ œ œ œ .œ
œ .œ œ œ œ œ
Asus
Key: A
Flawless(based on the recording from the MercyMe album "Welcome To The New")
www.praisecharts.com/27098 Barry Grau, Bart Millard, Ben Glover,David Garcia, Mike Scheuchzer, Nathan Cochran,
Robby Shaffer, and Solomon OldsArr. by Erik Foster and Dan Galbraith
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Piano-Vocal(SATB)
&
&?
###
######
œœ œœ œœ œœ œœ œœ œœ ..œœ œœ ŒYou, a - long with ev-'ry - bod - y.
œ .œ œ œ œ .œ8 œ .œ œ œ œ œ
Œ œ œ œ œ œ œ œ œ œ œThink-ing there's worth in what you
œ .œ œ œ œ .œ
œ .œ œ œ œ œ
A
œ œ Œ Ódo.
œ .œ œ œ œ .œ
œ .œ œ jœ .œ&?
&?
###
###
######
‰ jœ œ œ œ œ œ œThen like a he - ro, who takes
ALL
‰ Jœœ œœ œœ œœ œœ œœ œœ
œ œ œœ œ œ œ œœ œ11
w
A
2 PreChor.
œ œ œ œ jœ œ jœthe stage when we'reœœ œœ œœ œœ J
œœ œœ Jœœ
œ œ œœ œ œ œ œœ œ˙ jœ œ jœ
Œ œ œ œ œ œ œon the edge of our seats
Œ œœ œœ œœ œœ œœ œœ
œ œ œœ œ œ œ œœ œw
E
&?
&?
###
#########
œ œ œ œ jœ œ œ œsay - ing it's too late.œœ œœ œœ œœ J
œœ œœ œœ œœ
œ œ œœ œ œ œ œœ œ14
˙ jœ œ jœ
œ Œ Œ ‰ jœœWell,œœ Œ Œ ‰ Jœœ
œ œ œœ œ œ œ œœ œw
D
DUET: (top note)
œœ œœ œœ œœ œœ œœ œœ œœlet me in - tro - duce you to a -œœ œœ œœ œœ œœ œœ œœ œœ
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Rhythm
& ###43
2
’ ’ ’ ’ ’ œ œ œ œ œA œ œ œ œ œ œ œ ’ ’ ’ ’G
5 Bridge
"Oh, oh..."f ’ ’ ’ ’D
& ###48
’ ’ ’ ’A ’ ’ ’ ’ ’ ’ ’ ’G ’ ’ ’ ’D |A |
& ###54
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœBass up high - drums outSynth pulses
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Ac. Guitar
& ###43
2
’ ’ ’ ’ ’ œ œ œ œ œA œ œ œ œ œ œ œ ’ ’ ’ ’G
5 Bridge
"Oh, oh..."f ’ ’ ’ ’D
& ###48
’ ’ ’ ’A ’ ’ ’ ’ ’ ’ ’ ’G ’ ’ ’ ’D |A |
& ###54
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœBass up high - drums outSynth pulses
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Tenor Sax 1-2
& #####48
Ó Œ ‰ Jœfœ œ œ œ œ œ œ œœn ..œœ Jœœn ˙̇
& #####51
Œ œœ œœ> ˙̇ l2 l86 PreChor.
"Then like a hero..."
Ó Œ œœ œœ œœ̂D.S. al Coda ı
f
& #####63
‰ jœ œ œ œ œ œCodaı
˙ ‰ Jœ œ œ .œ Jœ œ œ œ œœfww
7 Bridge2
"No matter what they..."
& #####67
Ó œ œ œ œ w Œ ‰ jœ̂ œ œ œ œ œ œ œ- œ ˙
& #####71
Œ œœ œœ œœ œœ- œœ>Íww ww l8
8 Chorus
"No matter the bumps..."
Tenor Sax 1-2 Flawless - page 2 of 2 Key: A
? ### 44 ∑Moderate Rock feel q = 102
∑1."There's got to be more..."
l81 Verse l8
2 PreChor.
"Then like a hero..."
? ### .. 2x, 3x only
19
jœ> ‰ Œ Ó3 Chorus ˆ
"No matter the bumps..."fŒ ‰ jœ jœ œ̂ jœ .˙ Œ Œ œ œ œ œœ œœ ..˙̇ Œ
? ###24
‰ œœjœœ ˙̇
All times
FŒ œœ œœ œœ œœ œœ œœ ..˙̇ Œ ..œœ
jœœ ˙̇F? ###
28..œœjœœ œœ œœ .œ jœ ˙ ‰ œ jœ œ œœ
- œœ œœ œœ- œœ ˙̇
2nd X to Codaı
? ### ..32
1
l2 ∑2."Could it possibly..."
l74 Verse Œ œ œ œ œ œ̂F
2
‰ œœjœœ œœ œœ œœ
? ###44
˙̇ jœœ ..œœ Œ œœ œœ œœ œœ œœf..˙̇nn œ
5 Bridge "Oh, oh..." wwÍ? ###
48
Œ ..œœ œœ ..œœjœœfœœ ..œœ œœ œœ œœ œœnn ..œœ
jœœnn œœ œœ œœ
Key: A
Flawless(based on the recording from the MercyMe album "Welcome To The New")
www.praisecharts.com/27098 Barry Grau, Bart Millard, Ben Glover,David Garcia, Mike Scheuchzer, Nathan Cochran,
Robby Shaffer, and Solomon OldsArr. by Erik Foster and Dan Galbraith
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Trombone 3, Tuba
? ###51
œœ œœ- œœ> ˙̇ l2 l8
6 PreChor.
"Then like a hero..."
∑D.S. al Coda ı
? ###63
‰ œœjœœ œœ œœ œœ
Codaı
˙̇ jœœ ..œœ ..œœjœœ œœ œœ œœ œœf
? ###66
ww7 Bridge2
"No matter what they..."..œœjœœ œœ œœ œœ w Œ ‰ jœ̂ œ œ œœ œœ
? ###70
œœ œœ œœ ˙̇ Œ œœ œœ œœ œœ œœÍ..˙̇ œœ œœ ww l8
8 Chorus
"No matter the bumps..."
Trombone 3, Tuba Flawless - page 2 of 2 Key: A
& ###### 44 ∑Moderate Rock feel q = 102
∑1."There's got to be more..."
l81 Verse l8
2 PreChor.
"Then like a hero..."
& ###### .. 2x, 3x only
19
jœ> ‰ Œ Ó3 Chorus ˆ
"No matter the bumps..."fŒ ‰ jœ jœ œ̂ jœ .˙ Œ Œ œ œ œ œ œ .˙ Œ
& ######24
‰ œ Jœ ˙All times
FŒ œ œ œ œ œ œ .˙ Œ .œ jœ ˙F
& ######28
.œ jœ œ œ .œ jœ ˙ ‰ œ jœ œ œ- œ œ œ- œ ˙2nd X to Codaı
& ###### ..32
1
l2 ∑2."Could it possibly..."
l74 Verse Œ œ œ œ œ œ̂F
2
‰ œ Jœ œ œ œ
& ######44
˙ jœ .œ Œ œ œ œ œ œf .˙n œ5 Bridge
"Oh, oh..."
wÍ& ######
48
Œ .œ œ .œ jœf œ .œ œ œ œ œn .œ jœn œ œ œ
Key: A
Flawless(based on the recording from the MercyMe album "Welcome To The New")
www.praisecharts.com/27098 Barry Grau, Bart Millard, Ben Glover,David Garcia, Mike Scheuchzer, Nathan Cochran,
Robby Shaffer, and Solomon OldsArr. by Erik Foster and Dan Galbraith
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Percussion
÷& ###
..
..‘
40
∑‘∑
Ó æ̋Sus. Cym.
∑F
2
∑
˙ ˙∑
œ .˙ ?
‘Ó æ̇F
÷? ###
¿ ¿ ¿ ¿ ¿> ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿> ¿ ¿ ¿
46wn
5 Bridge "Oh, oh..."
ff
∑∑
∑
œ œ w
∑Ó Œ œæ
∑
wn
÷? ###
∑
51
∑˝
œ œ w>∑∑
l8l8
6 PreChor.
"Then like a hero..."
Ó æ̇Sus. Cym.
>̇ æ̇ &
D.S. al Coda ı
Ff P
÷& ###
∑
63˙ ˙
Codaı ∑œ .˙ ?
∑Œ ‰ œ œ æ̇
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿small shaker
w
7 Bridge2
"No matter what they..."
fF
l4l4
÷? ###
∑
71
Ó æ̇
∑
w>‘∑
l8l8
8 Chorus
"No matter the bumps..."
Percussion Flawless - page 2 of 2 Key: A
& #### 44 ∑Moderate Rock feel q = 102
∑1."There's got to be more..."
l81 Verse l8
2 PreChor.
"Then like a hero..."
& #### ..19
∑3 Chorus ˆ
"No matter the bumps..."
Œ œ œ œF-fw Ó œ œ w .˙ œ
& ####25
w Ó Œ ‰ jœ w ˙ Œ œ ww ˙̇ ˙̇
& #### ..31
..˙̇ œœ2nd X to Codaı 1
ww ∑ ∑2."Could it possibly..."
l84 Verse
2
ww
& ####44
l2 Œ œn .œnò Jœ5 Bridge "Oh, oh..."
f..˙̇ œ> œ> ww>Í
& ####49
Œ œ œ œf
.˙n œ> œ> w> l2 l46 PreChor.
"Then like a hero..."
& ####58
Ó Œ œP .˙ œ .˙ œ w wwD.S. al Coda ı
p f
Key: A
Flawless(based on the recording from the MercyMe album "Welcome To The New")
www.praisecharts.com/27098 Barry Grau, Bart Millard, Ben Glover,David Garcia, Mike Scheuchzer, Nathan Cochran,
Robby Shaffer, and Solomon OldsArr. by Erik Foster and Dan Galbraith
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Horn 1-2
& ####63
˙̇ ˙̇Codaı ww> Œ œ .œ jœœ ww7 Bridge2
"No matter what they..."f~~~~
& ####67
∑ Ó œ œ .˙ œ œ .œ jœ ˙
& ####71
Œ œ œ œ œ ..˙̇ œœ œœ ww l88 Chorus
"No matter the bumps..."
~~~~
Horn 1-2 Flawless - page 2 of 2 Key: A
& ### 44 ∑Moderate Rock feel q = 102
∑1."There's got to be more..."
l81 Verse l8
2 PreChor.
"Then like a hero..."
& ### ..19
œœœ- œœœ- œœœ- œœœ. Ó3 Chorus ˆ
"No matter the bumps..."fœœœ- œœœ- œœœ- œœœ œœœ œœœ
. Œ œœœ- œœœ- œœœ- œœœ. Ó Œ œœœ- œœœ œœœ œœœ.Œ
& ###23
œœœ œœœ œœœ- œœœ. Ó Œ œœœ- œœœ Jœœœ œœœ. Jœœœ œœœœœœ ...˙̇̇ ∑ œœœ- œœœ- œœœ- œœœ. Ó
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Violin 1-2
& ###44
œœ ..˙̇ ww Œ œ œ œn5 Bridge
"Oh, oh..."f.˙ œ w ˙ œ œ
& ###50
˙ œ œn .˙ œ ww ww l36 PreChor.
"Then like a hero..."
˙ ˙P
& ###58
˙ ˙ ˙ ˙ ˙ ˙F˙ ˙ ww
D.S. al Coda ı
& ###63
˙̇ ˙̇Codaı œœ ..˙̇ ..˙̇ œœ œœ œœ œœ œœœœ œœ
7 ..œœ Jœœ Jœœ ..œœ
7 Bridge2
"No matter what they..."f& ###
67
..œœ Jœœ Jœœ ..œœ ..œœ J
œœ Jœœ ..œœ ..œœ J
œœ œœ œœ ..œœ Jœœ œœ œœ
& ###71
..œœ Jœœ œœ œœ ..œœ J
œœ Jœœ ..œœ ww l8
8 Chorus
"No matter the bumps..."
Violin 1-2 Flawless - page 2 of 2 Key: A
B ### 44 ∑Moderate Rock feel q = 102w 1."There's got to be more..."
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Viola
B ###44
œ .˙ w Œ œ œ œn5 Bridge
"Oh, oh..."f.˙ œ w ˙ œ œ
B ###50
˙ œ œn .˙ œ w w l36 PreChor.
"Then like a hero..."̇
˙P
B ###58
˙ ˙ ˙ ˙ ˙ ˙F˙ ˙ w
D.S. al Coda ı
B ###63
˙ ˙Codaı
œ .˙ .˙ œ .œ jœ jœ .œ7 Bridge2
"No matter what they..."fB ###
67
.œ jœ jœ .œ .œ jœ jœ .œ .œ jœ œ œ .œ Jœ œ œ
B ###71
.œ Jœ œ œ .œ jœ jœ .œ w l88 Chorus
"No matter the bumps..."
Viola Flawless - page 2 of 2 Key: A
? ### 44 ∑Moderate Rock feel q = 102
∑1."There's got to be more..."
l81 Verse l7
2 PreChor.
"Then like a hero..."wP
? ### ..19
w3 Chorus ˆ
"No matter the bumps..."F ˙ ˙ w ˙ ˙
? ###23
w ˙ ˙ .˙ œ ˙ œ œ
? ###27
w ˙ ˙ w ˙ ˙
? ###31
w2nd X to Codaı 1
˙ ˙ w ∑2."Could it possibly..."
l24 Verse
? ### ..37
wP ˙ ˙ wF
w w w
Key: A
Flawless(based on the recording from the MercyMe album "Welcome To The New")
www.praisecharts.com/27098 Barry Grau, Bart Millard, Ben Glover,David Garcia, Mike Scheuchzer, Nathan Cochran,
Robby Shaffer, and Solomon OldsArr. by Erik Foster and Dan Galbraith
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Cello-Bass
? ###43
2
˙ ˙ .˙ œ ˙ œ œ .˙n œ5 Bridge
"Oh, oh..."f? ###
47 w .˙ œ ˙ œ œ .˙n œ
? ###51 .˙ œ w w l4
6 PreChor.
"Then like a hero..."
wP
? ###59
˙ ˙ wF ˙ ˙ wD.S. al Coda ı
? ###63
˙ ˙Codaı
.˙ œ ˙ œ œ .˙ œ7 Bridge2
"No matter what they..."f? ###
67.œ jœ jœ .œ .˙ œ .œ jœ œ œ .˙ œ
? ###71 .œ jœ œ œ .œ jœ jœ .œ w l8
8 Chorus
"No matter the bumps..."
Cello-Bass Flawless - page 2 of 2 Key: A
& ### 44 ∑Moderate Rock feel q = 102www1."There's got to be more..."
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
String Reduction
&?
###
###
œ .˙
33w
w
∑2."Could it possibly..."
l2l2
4 Verse
wwwwP
˙̇̇ ˙̇̇
˙ ˙
&?
###
###....
www39
wFwwww
wwww
wwww
2˙ ˙
˙ ˙
œ .˙
.˙ œ
&?###
###
w
45˙ œ œ
Œ œ œ œn
.˙n œ
5 Bridge
"Oh, oh..."f.˙ œ
w
w
.˙ œ
˙ œ œ
˙ œ œ
&?###
###
˙ œ œn
50.˙n œ
.˙ œ
.˙ œ
wwww
wwww
l3l3
6 PreChor.
"Then like a hero..."
&?###
###˙ ˙
57
∑P
˙ ˙w
˙ ˙˙ ˙
˙ ˙wF
˙ ˙˙ ˙
www
D.S. al Coda ı
String Reduction Flawless - page 2 of 3 Key: A
&?###
###˙ ˙
63
˙ ˙
Codaı œ .˙
.˙ œ
.˙ œœ œœ œœ œœ œœœœ œœ
7
˙ œ œ
.œ Jœ Jœ .œ
.˙ œ
7 Bridge2
"No matter what they..."f
&?###
###
.œ Jœ Jœ .œ
67.œ jœ jœ .œ
.œ Jœ Jœ .œ
.˙ œ
.œ Jœ œ œ
.œ jœ œ œ
.œ Jœ œ œ
.˙ œ
&?###
###
.œ Jœ œ œ
71 .œ jœ œ œ
.œ Jœ Jœ .œ
.œ jœ jœ .œ
www
w
l8l8
8 Chorus
"No matter the bumps..."
String Reduction Flawless - page 3 of 3 Key: A
&?
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&
&&??
÷&&
&&B?
###
###
######
###
#################
###################
44444444
44
4444444444444444444444
SA
TB
Rhythm
Trumpet 1-2
Alto Sax(Trumpet 3)
Trombone 1-2(Tenor Sax 1-2)
Bass Trombone
1
2
Horn 1-2
Flute (Oboe) 1-3(Clarinet)
Violin
Viola
Cello-Bass
Piano
Percussion
∑∑
œ .œ œ œ œ .œ∑
œ .œ œ œ œ .œElec. Gtr. only
∑∑∑∑∑∑∑
∑∑∑∑
A
A
Moderate Rock feel q = 102
P
P
Œ ‰ jœ œ œ œ œ œ1. There's got to be more
SOLO (at pitch)
∑
œ .œ œ œ œ .œ∑
2
œ .œ œ œ œ .œ
∑∑∑∑∑∑∑
∑www
∑
p fp f
œ Œ ‰ jœ œ œ œthan go-ing back∑
œ .œ œ œ œ .œ
œ .œ œ œ œ œ(play RH if no drums)
3
œ .œ œ œ œ .œÛ ‰ . RÛ Û Û ¿+drums
∑∑∑∑
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿small shaker
∑∑
∑∑∑∑
A
A
1 Verse
P
F
œ œ œ Œ ‰ . rœ œ œ œand forth from do-ing right∑
œ .œ œ œ œ .œ ?
œ .œ œ œ œ œ
4
œ .œ œ œ œ .œ
∑∑∑∑
‘∑∑
∑∑∑∑
Key: A
Flawless(based on the recording from the MercyMe album "Welcome To The New")
www.praisecharts.com/27098 Barry Grau, Bart Millard, Ben Glover,David Garcia, Mike Scheuchzer, Nathan Cochran,
Robby Shaffer, and Solomon OldsArr. by Erik Foster and Dan Galbraith
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Conductor's Score
&?
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&
&&??
÷&&
&
&B?
###
###
######
###
#################
##########
#########
SA
TB
Rhythm
Tpt. 1-2
A. Sax(Tpt. 3)
Trb. 1-2(T. Sax 1-2)
B. Tbn.
Hrn. 1-2
Fl. (Ob.) 1-3(Clar.)
Vln.
Vla.
Vc.-D.B.
Piano
Perc.
œ œ œ œ œ œ œ ≈ œ œ œ œto do - ing wrong, 'cause we were taught
∑
œ .œ œ œœ .œ
œ .œ œ œ œ œ
5
’ ’ ’ ’
∑∑∑∑
‘∑∑
∑
∑∑∑
E
E
œ œ œ œ œ œ .œ œ œ .œthat's who we are. Well come on,
∑
œ .œ œ œœ .œ &
œ .œ œ œ œ œ
6
’ ’ ’ ’
∑∑∑∑
‘∑∑
∑
∑∑∑
œœ œœ œœ œœ œœ œœ ..œœ œœ Œget in line right be -hind me.
∑
œ .œ œ œ œ .œœ .œ œ œ œ œ
7
’ ’ ’ ’
∑∑∑∑
‘∑∑
∑
∑∑∑
Asus
Asus
œœ œœ œœ œœ œœ œœ œœ ..œœ œœ ŒYou, a- long with ev-'ry - bod - y.
∑
œ .œ œ œ œ .œœ .œ œ œ œ œ
8
’ ’ ’ ’
∑∑∑∑
‘∑∑
∑
∑∑∑
Conductor's Score Flawless - page 2 of 22 Key: A
&?
&?
&
&&??
÷&&
&
&B?
###
###
######
###
#################
##########
#########
SA
TB
Rhythm
Tpt. 1-2
A. Sax(Tpt. 3)
Trb. 1-2(T. Sax 1-2)
B. Tbn.
Hrn. 1-2
Fl. (Ob.) 1-3(Clar.)
Vln.
Vla.
Vc.-D.B.
Piano
Perc.
Œ œ œ œ œ œ œ œ œ œ œThink-ing there's worth in what you
∑
œ .œ œ œ œ .œœ .œ œ œ œ œ
9
’ ’ ’ ’
∑∑∑∑
‘∑∑
∑
∑∑∑
A
A
œ œ Œ Ódo.
∑
œ .œ œ œ œ .œœ .œ œ jœ .œ
10
’ ’ ’ ’
∑∑∑∑
Ó æ̋ (choke)Sus. Cym.
∑∑
∑
∑∑∑
P
‰ jœ œ œ œ œ œ œThen like a he - ro, who takes
ALL
‰ Jœœ œœ œœ œœ œœ œœ œœ
œ œ œœ œ œ œ œœ œw
11
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ+ Bass/PadsDrums out
synth pulse
∑∑∑∑
∑∑∑
∑
œœ. œœ. œœ. œœ. œœ. œœ. œœ. œœ.
œ. œ. œ. œ. œ. œ. œ. œ.
∑
A
A
2 PreChor.
PP
œ œ œ œ jœ œ jœthe stage when we'reœœ œœ œœ œœ J
œœ œœ Jœœ
œ œ œœ œ œ œ œœ œ˙ jœ œ jœ
12
’ ’ ’ ’
∑∑∑∑
∑∑∑
∑
œœ. œœ. œœ. œœ. œœ. œœ. œœ. œœ.
œ. œ. œ. œ. œ. œ. œ. œ.
∑
Conductor's Score Flawless - page 3 of 22 Key: A
&?
&?
&
&&??
÷&&
&
&B?
###
###
######
###
#################
##########
#########
SA
TB
Rhythm
Tpt. 1-2
A. Sax(Tpt. 3)
Trb. 1-2(T. Sax 1-2)
B. Tbn.
Hrn. 1-2
Fl. (Ob.) 1-3(Clar.)
Vln.
Vla.
Vc.-D.B.
Piano
Perc.
Œ œ œ œ œ œ œon the edge of our seats
Œ œœ œœ œœ œœ œœ œœ
œ œ œœ œ œ œ œœ œw
13
’ ’ ’ ’
∑∑∑∑
∑∑∑
∑
œœ. œœ. œœ. œœ. œœ. œœ. œœ. œœ.
œ. œ. œ. œ. œ. œ. œ. œ.
∑
E
E
œ œ œ œ jœ œ œ œsay - ing it's too late.œœ œœ œœ œœ J
œœ œœ œœ œœ
œ œ œœ œ œ œ œœ œ˙ jœ œ jœ
14
’ ’ ’ ’
∑∑∑∑
∑∑∑
∑
œœ. œœ. œœ. œœ. œœ. œœ. œœ. œœ.
œ. œ. œ. œ. œ. œ. œ. œ.
∑
œ Œ Œ ‰ jœœWell,œœ Œ Œ ‰ Jœœ
œ œ œœ œ œ œ œœ œw
15
’ ’ ’ ’
∑∑∑∑
∑∑∑
∑
œœ. œœ. œœ. œœ. œœ. œœ. œœ. œœ.
œ. œ. œ. œ. œ. œ. œ. œ.
∑
D
D
DUET: (top note)
œœ œœ œœ œœ œœ œœ œœ œœlet me in - tro -duce you to a -œœ œœ œœ œœ œœ œœ œœ œœ
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Lead Sheet(SAT)
&&
##œœœ œœœ œœœ œœœ jœœœ œœœ jœœœ
has made you flaw -
24
∑œœœ œœœ ...˙̇̇
less.
Œ œ œ jœ œ jœThe cross has made
(echo)
G ’ ’ ’ ‰ jœœœNo
jœ œ jœ œ œ œyou flaw - less.
œœœ œœœ œœœ œœœ Œ ‰ jœœœmat-ter the hurt or
.˙ Œ
& #28
œœœ œœœ œœœ œœœ jœœœ œœœ jœœœhow deep the wound is, no
’ ’œœœ œœœ œœœ œœœmat-ter the pain,
D œœœ œœœ œœœ œœœ œœœ œœœ œœœstill the truth is the cross
œœœ œœœ œœœ œœœ Œ œœœ œœœhas made, the cross
C2nd X to Codaı
& #32
1
œœœ œœœ œœœ œœœ jœœœ œœœ jœœœhas made you flaw -
œœœ œœœ ...˙̇̇less.
G Œ ‰ œ œ œ œ œ œ œ2. Could it pos-sib-ly be
˝Mel. (at pitch)
’ ’ ≈ œ œ œ œthat we sim-ply
G4 Verse P Elec. Gtr only
& #36 œ œ œ Œ ‰ jœ œ .œ
can't be-lieve that this
‰ j¿ ¿ .¿Bass/Drums
œ œ œ œ œ œ Œ œ œ œun - con-di - tion - al kind of love
D F .œ œ œ œ œ .œ œ œwould be e - nough to
& #39
‰ œœ œœ œœ œœ œœ œœ œœ œœ Œtake a filth-y wretch like this,
C ≈ œœ œœ œœ œœ œœ œœ œœ œœ œœ Œand wrap him up in right - eous-ness,
‰ . rœœ œœ œœ œœ œœ œœ œœ œœ œœbut that's ex-act - ly what He
G
& # ..42
’ ’œœ œœ ‰ jœœœdid. No
2
œœœ œœœ œœœ œœœ jœœœ œœœ jœœœhas made you flaw -
œœœ œœœ ...˙̇̇less.
G ’ ’ ’ ’ f .œ jœ œ œ Œ(Oo,
F5 Bridge
& #47
.œ jœ œ œ ŒOo.)
C ‰ œ œ œ ≈ œ œ œ œ œ œ œTake a breathe, smile and say, "Right
G
œ œ .œ œ œ œ œ œ œ œhere, right now, I'm o - kay be-cause
Lead Sheet(SAT)
Flawless - page 2 of 3 Key: G
& #50
.œ jœ œ œ Œ(Oo,
œ œ œ Œ Œ ‰ jœœthe
Ff.œ jœ œ œ ŒOo.)
..œœ Jœœ œœ œœ œœ œœcross was e - nough.
C ˝̇˙ ÓG ˝ ‰ jœ œ œ œ œ œ œ
Then like a he-ro, who takes
G6 PreChor. F
& #55
œ œ œ œ jœ œ jœthe stage when we're
Œ œ œ œ œ œ œon the edge of our seats
D œ œ œ œ jœ œ œ œsay-ing it's too late.
œ Œ Œ ‰ jœœWell,
C
& #59
œœ œœ œœ œœ œœ œœ œœ œœlet me in - tro -duce you to grace,
..œœ jœœ ..œœ jœœgrace, God's
G
..œœ jœœ œœ œœ œœ œœgrace.
˙̇ Œ ‰ jœœœNo
>̋Mel. on top
fD.S. al Coda ı
& #63
œœœ œœœ œœœ œœœ jœœœ œœœ jœœœhas made you flaw -
Codaı
œœœ œœœ ...˙̇̇less.
G ’ ’ ’ ’ ‰ jœ œ œ .œ œ œ œNo mat - ter what they say,
prime unis.
G7 Bridge2
& #67
‰ jœ œ œ .œ œ œ œor what you think you are,
‰ jœ œ œ .œ œ œ œthe day you called His name,
D Œ œ œ œ œ œ œHe made you flaw -
Octaves
& #70
œ œ .˙less.
C Œ œ œ œ œ œ œHe made you flaw -
œ œ .˙less.
G ’ ’ ’ ‰ jœœœNo
œœœ œœœ œœœ œœœ Œ ‰ jœœœmat-ter the bumps, no
Gf8 Chorus
Drums out
& #75
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœmat - ter the bruis - es, no
œœœ œœœ œœœ œœœ Œ Œmat - ter the scars,
D œœœ œœœ œœœ œœœ œœœ œœœ œœœstill the truth is the cross
& #78
œœœ œœœ œœœ œœœ Œ œœœ œœœhas made, the cross
C œœœ œœœ œœœ œœœ jœœœ œœœ jœœœhas made you flaw -
œœœ œœœ ...˙̇̇less.
G |UBass out
Lead Sheet(SAT)
Flawless - page 3 of 3 Key: G
&
&?
#
##
44
4444
∑
œ .œ œ œ œ .œ∑
G
Moderate Rock feel q = 102
P
Œ ‰ jœ œ œ œ œ œ1. There's got to be more
SOLO (at pitch)
œ .œ œ œ œ .œ∑
œ Œ ‰ jœ œ œ œthan go-ing back
œ .œ œ œ œ .œ
œ .œ œ œ œ œ(play RH if no drums)
G
1 Verse
&
&?
#
##
œ œ œ Œ ‰ . rœ œ œ œand forth from do - ing right
œ .œ œ œ œ .œ ?
4 œ .œ œ œ œ œ
œ œ œ œ œ œ œ ≈ œ œ œ œto do - ing wrong, 'cause we were taught
œ .œ œ œ œ .œ
œ .œ œ œ œ œ
D
&
??
#
##
œ œ œ œ œ œ .œ œ œ .œthat's who we are. Well come on,
œ .œ œ œ œ .œ &
6 œ .œ œ œ œ œ
œœ œœ œœ œœ œœ œœ ..œœ œœ Œget in line right be-hind me.
œ .œ œ œ œ .œ
œ .œ œ œ œ œ
Gsus
Key: G
Flawless(based on the recording from the MercyMe album "Welcome To The New")
www.praisecharts.com/27098 Barry Grau, Bart Millard, Ben Glover,David Garcia, Mike Scheuchzer, Nathan Cochran,
Robby Shaffer, and Solomon OldsArr. by Erik Foster and Dan Galbraith
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Piano-Vocal(SATB)
&
&?
#
##
œœ œœ œœ œœ œœ œœ œœ ..œœ œœ ŒYou, a - long with ev-'ry - bod - y.
œ .œ œ œ œ .œ8 œ .œ œ œ œ œ
Œ œ œ œ œ œ œ œ œ œ œThink-ing there's worth in what you
œ .œ œ œ œ .œ
œ .œ œ œ œ œ
G
œ œ Œ Ódo.
œ .œ œ œ œ .œ
œ .œ œ jœ .œ&?
&?
#
###
‰ jœ œ œ œ œ œ œThen like a he - ro, who takes
ALL
‰ Jœœ œœ œœ œœ œœ œœ œœ
œ œ œœ œ œ œ œœ œ11
w
G
2 PreChor.
œ œ œ œ jœ œ jœthe stage when we'reœœ œœ œœ œœ J
œœ œœ Jœœ
œ œ œœ œ œ œ œœ œ˙ jœ œ jœ
Œ œ œ œ œ œ œon the edge of our seats
Œ œœ œœ œœ œœ œœ œœ
œ œ œœ œ œ œ œœ œw
D
&?
&?
#
###
œ œ œ œ jœ œ œ œsay - ing it's too late.œœ œœ œœ œœ J
œœ œœ œœ œœ
œ œ œœ œ œ œ œœ œ14 ˙ jœ œ jœ
œ Œ Œ ‰ jœœWell,œœ Œ Œ ‰ Jœœ
œ œ œœ œ œ œ œœ œw
C
DUET: (top note)
œœ œœ œœ œœ œœ œœ œœ œœlet me in - tro - duce you to a -œœ œœ œœ œœ œœ œœ œœ œœ
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Rhythm
& #43
2
’ ’ ’ ’ ’ œ œ œ œ œG
œ œ œ œ œ œ œ ’ ’ ’ ’F5 Bridge
"Oh, oh..."f ’ ’ ’ ’C
& #48
’ ’ ’ ’G ’ ’ ’ ’ ’ ’ ’ ’F ’ ’ ’ ’C |G |
& #54
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœBass up high - drums outSynth pulses
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Ac. Guitar
& #43
2
’ ’ ’ ’ ’ œ œ œ œ œG œ œ œ œ œ œ œ ’ ’ ’ ’F
5 Bridge
"Oh, oh..."f’ ’ ’ ’C
& #48
’ ’ ’ ’G ’ ’ ’ ’ ’ ’ ’ ’F ’ ’ ’ ’C |G |
& #54
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœBass up high - drums outSynth pulses
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Tenor Sax 1-2
& ###48
Ó Œ ‰ Jœfœ œ œ œ œ œ œ œœn ..œœ jœœn ˙̇
& ###51
Œ œœ œœ> ˙̇ l2 l8
6 PreChor.
"Then like a hero..."
Ó Œ œœ œœ œœ̂D.S. al Coda ı
f
& ###63
‰ jœ œ œ œ œ œCodaı
˙ ‰ Jœ œ œ .œ Jœ œ œ œ œœfww
7 Bridge2
"No matter what they..."
& ###67
Ó œ œ œ œ w Œ ‰ jœ̂ œ œ œ œ œ œ œ- œ ˙
& ###71
Œ œœ œœ œœ œœ- œœ>Íww ww l8
8 Chorus
"No matter the bumps..."
Tenor Sax 1-2 Flawless - page 2 of 2 Key: G
? # 44 ∑Moderate Rock feel q = 102
∑1."There's got to be more..."
l81 Verse l8
2 PreChor.
"Then like a hero..."
? # .. 2x, 3x only
19
jœ> ‰ Œ Ó3 Chorus ˆ
"No matter the bumps..."fŒ ‰ jœ jœ œ̂ jœœ ..˙̇ Œ Œ œœ œœ œœ œœ œœ ..˙̇ Œ
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Percussion
÷& #
..
..‘
40
∑‘∑
Ó æ̋Sus. Cym.
∑F
2
∑
˙ ˙∑
œ .˙ ?
‘Ó æ̇F
÷? #
¿ ¿ ¿ ¿ ¿> ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿> ¿ ¿ ¿
46wn
5 Bridge "Oh, oh..."
ff
∑∑
∑
œ œ w
∑Ó Œ œæ
∑
wn
÷? #
∑
51
∑˝
œ œ w>∑∑
l8l8
6 PreChor.
"Then like a hero..."
Ó æ̇Sus. Cym.
>̇ æ̇ &
D.S. al Coda ı
Ff P
÷& #
∑
63˙ ˙
Codaı ∑œ .˙ ?
∑Œ ‰ œ œ æ̇
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿small shaker
w
7 Bridge2
"No matter what they..."
fF
l4l4
÷? #
∑
71
Ó æ̇∑
w>‘∑
l8l8
8 Chorus
"No matter the bumps..."
Percussion Flawless - page 2 of 2 Key: G
& ## 44 ∑Moderate Rock feel q = 102
∑1."There's got to be more..."
l81 Verse l8
2 PreChor.
"Then like a hero..."
& ## ..19
∑3 Chorus ˆ
"No matter the bumps..."
Œ œ œ œF-fw Ó œ œ w .˙ œ
& ##25
w Ó Œ ‰ jœ w ˙ Œ œ ww ˙̇ ˙̇
& ## ..31
..˙̇ œœ2nd X to Codaı 1
ww ∑ ∑2."Could it possibly..."
l84 Verse
2
ww
& ##44
l2 Œ œn .œnò jœ5 Bridge "Oh, oh..."
f..˙̇ œ> œ> ww>Í
& ##49
Œ œ œ œf
.˙n œ> œ> w> l2 l46 PreChor.
"Then like a hero..."
& ##58
Ó Œ œP .˙ œ .˙ œ w wwD.S. al Coda ı
p f
Key: G
Flawless(based on the recording from the MercyMe album "Welcome To The New")
www.praisecharts.com/27098 Barry Grau, Bart Millard, Ben Glover,David Garcia, Mike Scheuchzer, Nathan Cochran,
Robby Shaffer, and Solomon OldsArr. by Erik Foster and Dan Galbraith
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Horn 1-2
& ##63
˙̇ ˙̇Codaıww> Œ œ .œ jœœ ww
7 Bridge2
"No matter what they..."f~~~~
& ##67
∑ Ó œ œ .˙ œ œ .œ jœ ˙
& ##71
Œ œ œ œ œ ..˙̇ œœ œœ ww l88 Chorus
"No matter the bumps..."
~~~~
Horn 1-2 Flawless - page 2 of 2 Key: G
& # 44 ∑Moderate Rock feel q = 102
∑1."There's got to be more..."
l81 Verse l8
2 PreChor.
"Then like a hero..."
& # ..19
œœœ- œœœ- œœœ- œœœ. Ó3 Chorus ˆ
"No matter the bumps..."fœœœ- œœœ- œœœ- œœœ œœœ œœœ
. Œ œœœ- œœœ- œœœ- œœœ. Ó Œ œœœ- œœœ œœœ œœœ. Œ
& #23
œœœ œœœ œœœ- œœœ. Ó Œ œœœ- œœœ Jœœœ œœœ. Jœœœ œœœœœœ ...˙̇̇ ∑ œœœ- œœœ- œœœ- œœœ. Ó
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Violin 1-2
& #44
œœ ..˙̇ ww Œ œ œ œn5 Bridge
"Oh, oh..."f.˙ œ w ˙ œ œ
& #50
˙ œ œn .˙ œ ww ww l36 PreChor.
"Then like a hero..."
˙ ˙P
& #58
˙ ˙ ˙ ˙ ˙ ˙F ˙ ˙ wwD.S. al Coda ı
& #63
˙̇ ˙̇Codaı œœ ..˙̇ ..˙̇ œœ œœ œœ œœ œœœœ œœ
7 ..œœ Jœœ Jœœ ..œœ
7 Bridge2
"No matter what they..."f& #
67
..œœ Jœœ Jœœ ..œœ ..œœ J
œœ Jœœ ..œœ ..œœ J
œœ œœ œœ ..œœ Jœœ œœ œœ
& #71
..œœ Jœœ œœ œœ ..œœ J
œœ Jœœ ..œœ ww l8
8 Chorus
"No matter the bumps..."
Violin 1-2 Flawless - page 2 of 2 Key: G
B # 44 ∑Moderate Rock feel q = 102w 1."There's got to be more..."
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Viola
B #44
œ .˙ w Œ œ œ œn5 Bridge
"Oh, oh..."f.˙ œ w ˙ œ œ
B #50
˙ œ œn .˙ œ w w l36 PreChor.
"Then like a hero..."
˙ ˙P
B #58
˙ ˙ ˙ ˙ ˙ ˙F˙ ˙ w
D.S. al Coda ı
B #63
˙ ˙Codaı
œ .˙ .˙ œ .œ jœ jœ .œ7 Bridge2
"No matter what they..."fB #
67.œ jœ jœ .œ .œ jœ jœ .œ .œ jœ œ œ .œ jœ œ œ
B #71
.œ jœ œ œ .œ jœ jœ .œ w l88 Chorus
"No matter the bumps..."
Viola Flawless - page 2 of 2 Key: G
? # 44 ∑Moderate Rock feel q = 102
∑1."There's got to be more..."
l81 Verse l7
2 PreChor.
"Then like a hero..."wP
? # ..19
w3 Chorus ˆ
"No matter the bumps..."F ˙ ˙ w ˙ ˙
? #23
w ˙ ˙ .˙ œ ˙ œ œ
? #27
w ˙ ˙ w ˙ ˙
? #31
w2nd X to Codaı 1
˙ ˙ w ∑2."Could it possibly..."
l24 Verse
? # ..37 wP ˙ ˙ w
Fw w w
Key: G
Flawless(based on the recording from the MercyMe album "Welcome To The New")
www.praisecharts.com/27098 Barry Grau, Bart Millard, Ben Glover,David Garcia, Mike Scheuchzer, Nathan Cochran,
Robby Shaffer, and Solomon OldsArr. by Erik Foster and Dan Galbraith
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
String Reduction
&?
#
#
œ .˙
33w
w
∑2."Could it possibly..."
l2l2
4 Verse
wwwwP
˙̇̇ ˙̇̇
˙ ˙
&?
#
#....
www39
wFwwww
wwww
wwww
2˙ ˙
˙ ˙
œ .˙
.˙ œ
&?##
w
45˙ œ œ
Œ œ œ œn
.˙n œ
5 Bridge
"Oh, oh..."f.˙ œ
w
w
.˙ œ
˙ œ œ
˙ œ œ
&?##
˙ œ œn
50.˙n œ
.˙ œ
.˙ œ
wwww
wwww
l3l3
6 PreChor.
"Then like a hero..."
&?##˙ ˙
57
∑P
˙ ˙w
˙ ˙˙ ˙
˙ ˙wF ˙ ˙
˙ ˙www
D.S. al Coda ı
String Reduction Flawless - page 2 of 3 Key: G
&?##˙ ˙
63
˙ ˙
Codaı œ .˙
.˙ œ
.˙ œœ œœ œœ œœ œœœœ œœ
7
˙ œ œ
.œ Jœ Jœ .œ
.˙ œ
7 Bridge2
"No matter what they..."f
&?##
.œ Jœ Jœ .œ
67.œ jœ jœ .œ
.œ Jœ Jœ .œ
.˙ œ
.œ Jœ œ œ
.œ jœ œ œ
.œ Jœ œ œ
.˙ œ
&?##
.œ Jœ œ œ
71 .œ jœ œ œ
.œ Jœ Jœ .œ
.œ jœ jœ .œ
www
w
l8l8
8 Chorus
"No matter the bumps..."
String Reduction Flawless - page 3 of 3 Key: G
&?
&?
&
&&??
÷&&
&&B?
#
###
#
#########
#######
44444444
44
4444444444444444444444
SA
TB
Rhythm
Trumpet 1-2
Alto Sax(Trumpet 3)
Trombone 1-2(Tenor Sax 1-2)
Bass Trombone
1
2
Horn 1-2
Flute (Oboe) 1-3(Clarinet)
Violin
Viola
Cello-Bass
Piano
Percussion
∑∑
œ .œ œ œ œ .œ∑
œ .œ œ œ œ .œElec. Gtr. only
∑∑∑∑∑∑∑
∑∑∑∑
G
G
Moderate Rock feel q = 102
P
P
Œ ‰ jœ œ œ œ œ œ1. There's got to be more
SOLO (at pitch)
∑
œ .œ œ œ œ .œ∑
2
œ .œ œ œ œ .œ
∑∑∑∑∑∑∑
∑www
∑
p fp f
œ Œ ‰ jœ œ œ œthan go-ing back∑
œ .œ œ œ œ .œ
œ .œ œ œ œ œ(play RH if no drums)
3
œ .œ œ œ œ .œÛ ‰ . RÛ Û Û ¿+drums
∑∑∑∑
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿small shaker
∑∑
∑∑∑∑
G
G
1 Verse
P
F
œ œ œ Œ ‰ . rœ œ œ œand forth from do-ing right∑
œ .œ œ œ œ .œ ?
œ .œ œ œ œ œ
4
œ .œ œ œ œ .œ
∑∑∑∑
‘∑∑
∑∑∑∑
Key: G
Flawless(based on the recording from the MercyMe album "Welcome To The New")
www.praisecharts.com/27098 Barry Grau, Bart Millard, Ben Glover,David Garcia, Mike Scheuchzer, Nathan Cochran,
Robby Shaffer, and Solomon OldsArr. by Erik Foster and Dan Galbraith
rights reserved. Used by permission | CCLI #7020472 | Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright
Conductor's Score
&?
??
&
&&??
÷&&
&
&B?
#
#
##
#
#########
####
###
SA
TB
Rhythm
Tpt. 1-2
A. Sax(Tpt. 3)
Trb. 1-2(T. Sax 1-2)
B. Tbn.
Hrn. 1-2
Fl. (Ob.) 1-3(Clar.)
Vln.
Vla.
Vc.-D.B.
Piano
Perc.
œ œ œ œ œ œ œ ≈ œ œ œ œto do - ing wrong, 'cause we were taught
∑
œ .œ œ œœ .œ
œ .œ œ œ œ œ
5
’ ’ ’ ’
∑∑∑∑
‘∑∑
∑
∑∑∑
D
D
œ œ œ œ œ œ .œ œ œ .œthat's who we are. Well come on,
∑
œ .œ œ œ œ .œ &
œ .œ œ œ œ œ
6
’ ’ ’ ’
∑∑∑∑
‘∑∑
∑
∑∑∑
œœ œœ œœ œœ œœ œœ ..œœ œœ Œget in line right be -hind me.
∑
œ .œ œ œ œ .œœ .œ œ œ œ œ
7
’ ’ ’ ’
∑∑∑∑
‘∑∑
∑
∑∑∑
Gsus
Gsus
œœ œœ œœ œœ œœ œœ œœ ..œœ œœ ŒYou, a- long with ev-'ry - bod - y.
∑
œ .œ œ œ œ .œœ .œ œ œ œ œ
8
’ ’ ’ ’
∑∑∑∑
‘∑∑
∑
∑∑∑
Conductor's Score Flawless - page 2 of 22 Key: G
&?
&?
&
&&??
÷&&
&
&B?
#
###
#
#########
####
###
SA
TB
Rhythm
Tpt. 1-2
A. Sax(Tpt. 3)
Trb. 1-2(T. Sax 1-2)
B. Tbn.
Hrn. 1-2
Fl. (Ob.) 1-3(Clar.)
Vln.
Vla.
Vc.-D.B.
Piano
Perc.
Œ œ œ œ œ œ œ œ œ œ œThink-ing there's worth in what you
∑
œ .œ œ œ œ .œœ .œ œ œ œ œ
9
’ ’ ’ ’
∑∑∑∑
‘∑∑
∑
∑∑∑
G
G
œ œ Œ Ódo.
∑
œ .œ œ œ œ .œœ .œ œ jœ .œ
10
’ ’ ’ ’
∑∑∑∑
Ó æ̋ (choke)Sus. Cym.
∑∑
∑
∑∑∑
P
‰ jœ œ œ œ œ œ œThen like a he - ro, who takesALL
‰ Jœœ œœ œœ œœ œœ œœ œœ
œ œ œœ œ œ œ œœ œw
11
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ+ Bass/PadsDrums out
synth pulse
∑∑∑∑
∑∑∑
∑
œœ. œœ. œœ. œœ. œœ. œœ. œœ. œœ.
œ. œ. œ. œ. œ. œ. œ. œ.
∑
G
G
2 PreChor.
PP
œ œ œ œ jœ œ jœthe stage when we'reœœ œœ œœ œœ J
œœ œœ Jœœ
œ œ œœ œ œ œ œœ œ˙ jœ œ jœ
12
’ ’ ’ ’
∑∑∑∑
∑∑∑
∑
œœ. œœ. œœ. œœ. œœ. œœ. œœ. œœ.
œ. œ. œ. œ. œ. œ. œ. œ.
∑
Conductor's Score Flawless - page 3 of 22 Key: G
&?
&?
&
&&??
÷&&
&
&B?
#
###
#
#########
####
###
SA
TB
Rhythm
Tpt. 1-2
A. Sax(Tpt. 3)
Trb. 1-2(T. Sax 1-2)
B. Tbn.
Hrn. 1-2
Fl. (Ob.) 1-3(Clar.)
Vln.
Vla.
Vc.-D.B.
Piano
Perc.
Œ œ œ œ œ œ œon the edge of our seats
Œ œœ œœ œœ œœ œœ œœ
œ œ œœ œ œ œ œœ œw
13
’ ’ ’ ’
∑∑∑∑
∑∑∑
∑
œœ. œœ. œœ. œœ. œœ. œœ. œœ. œœ.
œ. œ. œ. œ. œ. œ. œ. œ.
∑
D
D
œ œ œ œ jœ œ œ œsay - ing it's too late.œœ œœ œœ œœ J
œœ œœ œœ œœ
œ œ œœ œ œ œ œœ œ˙ jœ œ jœ
14
’ ’ ’ ’
∑∑∑∑
∑∑∑
∑
œœ. œœ. œœ. œœ. œœ. œœ. œœ. œœ.
œ. œ. œ. œ. œ. œ. œ. œ.
∑
œ Œ Œ ‰ jœœWell,œœ Œ Œ ‰ Jœœ
œ œ œœ œ œ œ œœ œw
15
’ ’ ’ ’
∑∑∑∑
∑∑∑
∑
œœ. œœ. œœ. œœ. œœ. œœ. œœ. œœ.
œ. œ. œ. œ. œ. œ. œ. œ.
∑
C
C
DUET: (top note)
œœ œœ œœ œœ œœ œœ œœ œœlet me in - tro - duce you to a -œœ œœ œœ œœ œœ œœ œœ œœ