TEP 320 Semester Two 2011 Creative Arts Program (K-6) Visual Arts ‘First Marks’ Workshops Forms: rock art frescoes, prints, paintings & drawings © B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
Jan 17, 2015
TEP 320 Semester Two
2011
Creative Arts Program (K-6) Visual Arts ‘First Marks’ Workshops
Forms: rock art frescoes, prints, paintings & drawings
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
Developing Critical & Creative Graduate Capabilities (Macquarie University)
The Australian National Professional Standards for Teachers (2010) states that graduates are required to develop:
Critical and creative thinking and resources to engage students and draw on local, national and global content through virtual and/or real environments for their programs
(2010, Item 3.4, p14).
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University.
Rock Art Frescoes ���& other forms of visual art
‘First Marks’
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University created 23.7.11
Cultural perspectives in the Creative Arts Creative Arts K-6 Syllabus, 2000, p.9.
Teachers are considered the facilitators of the passing on of traditional knowledge. Workshops provide Opportunities to develop knowledge & understanding about Visual arts forms and diverse cultural art practices.
Relates respectfully to Aboriginal Indigenous art & cultures building on reconciliation model for Indigenous & non-Indigenous people.
Focuses on contemporary art forms that acknowledge and reflect on-going traditions. © B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
4
Conceptual Framework
. © B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University.
5
(Board of Studies NSW.(2000),The Visual Arts Years 7–10 Syllabus)
���Stage 3- Visual Arts Outcomes:���
• Making (VAS3.1 & 3.2) • Investigates subject matter in an attempt to represent likenesses of
things in the world. • Makes artworks for different audiences, assembling materials in a
variety of ways.
• Appreciating (VAS3.3 & 3.4) • Acknowledges that audiences respond in different ways to artworks
and that there are different opinions about the value of artworks. • Communicates about the ways in which subject matter is represented
in artworks.
(Creative Arts K-6 Syllabus, 2000)
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University.
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FORMS
Drawing, Painting
Printmaking – 2D
Sculpture- 3-D
Media-4-D
Elements- point, line shape, form texture pattern colour.
The Artists Tools
Visualisation &
Transformation
GLOSSARY Composition, Fine motor skills, Incising, monoprints, Representations Scumbling Digital artworks
Subject Matter Places
& Spaces
Planning Programming
Assessing Reporting & Evaluating
(Creative Arts Syllabus p. 82-104).
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University.
Overview of Primary Level Visual Arts Language
• 1. Subject matter the general category of information or theme being communicated
• 2. Content The specific message with an intended meaning and function
• 3. Form Visual and physical structure of the communication.
• By manipulating these three components, the teacher is able to vary their emphasis and change the message.
(Wallschlaeger,1992, p.435).
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
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3 major components in Visual Arts Language
Form: Rock Art Pictograph ���Applying a scumbling painting technique ���
(C.A. Syllabus, 2006, p.104).
Artist: B.W.Leeuwen 2005 NAIDOC Week, Taiwan
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
Some symbols used in Aboriginal desert art ���There are many different interpretations & meanings given by
different clan groups across Australia
(Stokes, 2004, p.7 & p.11)
Aboriginal Rock petroglyphs on campus… Have you seen this?
Form: Rock sculpture using incising techniques
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
Artist: Edna Marion Watson Title: ‘Water is Life’, 2000. Form: Sculpture using incising techniques into the sandstone rock surface. Purpose: To Celebrate birthing and Darug Women Position: outside Mia-Mia Childcare, X5B. Visit Macquarie University Art Gallery-sculpture park.
website: http://www.artgallery.mq.edu.au/about/sculpturepark © B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
Title: The Warawara Friendship Stone, 2003.
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
What Forms & Techniques have been used here ?
Artists: Euphemia Bostock & Jan Shaw
Silk screen Techniques
Making: Stage 1-create the screen Stage 2- print off the screen
Subject Matter: People
Indigenous Artist Jeffrey Samuels at ‘Bwo-Me’ Creativity Workshops 2011. (C.A. Syllabus, 2006, p. 80).
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
Artist Jeffrey Samuels, 2011
‘Bwo-Me’ Screen printing Workshops, 2011.
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
Screen printing workshop using ���acrylic paint and card squeegee boards.
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
���Form: 2-D printmaking using organic materials &
mono printing techniques
(Monoprint (one-off print) C.A. Syllabus, 2006, p.103).
Imagining Aboriginal Rock Art Frescoes Form: Drawing into mono-prints
Artist: B.W.Leeuwen 2010 Artist Jeffrey Samuels, 2011
Artist Jeffrey Samuels, 2011
Lino Prints
(C.A. Syllabus, 2006 p.103).
Composition: Structure
& pictorial
arrangement in the artwork
Always display & record artworks (Edwards, 1998). ������Form: Photography & Digital ���Use camera, digital video recorder, scanner & computer.
Artist Jeffrey Samuels, 2011 (C.A. Syllabus, 2006 p.84). © B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
Imaginative paintings inspired by Aboriginal rock art frescoes
Artists: P. W. Quinn & B.W. Leeuwen, 2010.
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
The literature shows preservice and early career teachers generally feel inadequate about their capacity to foster ‘Creativity’ through the visual arts with the children they teach.
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
How can ‘Creativity’ be fostered in Teachers through the Visual Arts?
This PhD study investigates ways of fostering ‘Creativity’ in teachers. It integrates the Visual Arts with other Creative Arts strands (music, dance, drama, media). These Workshops are designed to encourage
teachers-in-training to foster ‘Creativity’ firstly in themselves so they can more effectively mentor the children they teach.
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
Aboriginal perspectives in Creative Arts (Harrison, 2011, p.190) encourages teachers to incorporate Aboriginal
perspectives in the classroom. Some ways of doing this In visual arts use Deidre Stokes’ Desert Dreaming's (2004) ask children to interpret paintings using these symbols and keys.
Visit Board of Studies New South Wales, Affirmations of identity, Years 7-10 kit- http://ab-ed.boardofstudies.nsw.edu.au/go/aboriginal-art/affirmations-of-identity#handbook
Integrate Visuals with Dance, Drama and Music- discover how Aboriginal dancers use movement to represent animals. www.youube.com/watch?v=j75uSz{F6QE
Another good stimulus is to visit the Boomalli Aboriginal Cooperative www.boomalli.com.au © B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
Other useful resources for teaching ���Aboriginal Art & Culture in the primary years.
Visit Sydney’s Aboriginal Artist Gallery at Boomalli Aboriginal Cooperative-
www.boomalli.com.au
Additional Indigenous Resources
Finding our feetFirst findings from Footprints in Time
Proof07 9.10.09
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
DVD production On social justice
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
Reference List
Board of Studies NSW, (2000), The Visual Arts Years 7–10 Syllabus. Board of Studies NSW, (2006), Creative Arts K-6 Syllabus. Dinham, J. (2011), Delivering Authentic Arts Education. Melbourne, Cengage Learning. Boomalli Aboriginal Cooperative- www.boomalli.com.au Edwards, C., Gandini, L., Forman, G. (1998), The Hundred Languages of Children. New Jersey: Ablex Publishing. Harrison, N. (2011), Teaching and Learning in Aboriginal Education. 2nd Edition. Sydney, Oxford University Press. Macquarie University Art Gallery Website: Department of Education, Employment and Workplace Training, (2010), National Framework for Professional Standards for Teaching Commonwealth of Australia. http://www.deewr.gov.au/schooling/pages/professionalstandardsforteachers. Samuels, J. (2011), Guest Artist, ‘Bwo-Me’ Creativity workshops, held at Workshop Art Centre. Stokes, D. (2004), Desert Dreaming. Reed International Books Australia. Wade-Leeuwen, B, Wade Quinn, T., (2005) Moku Expressionists Artists Australia, http://www.mokuartists.com/mokuartists.html Visited 24.7.10. Wade-Leuwen, B. Bwo-Me (Life’s Breath) Exhibition & Workshops, Workshop Art Centre, 2011. Torrance, P. (1974),Torrance Tests of Creative Thinking. Lexington, Ginn and Company (Xerox Corporation).
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University
Pre
serv
ice
Prim
ary
Art
Teac
hers
C
reat
ive
Arts
Pro
gram
TEP320
© B. Wade-Leeuwen, (2011). Unpublished PhD Thesis, Department of Education, Macquarie University created 23.7.11.
Contact details: Bronwen Wade-Leeuwen���PhD Candidate in Human Science Macquarie University. [email protected] ���Website: Moku artists.com ���Mobile: 0422211645