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Finishing Touches: Detail through Precision and Patience (Detail is the Life of Painting) Detail through Improvisation and Texture (Fluid Abstraction) Glenn Hirsch, Instructor
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Finishing Touches in Painting: Detail through Precision and Detail through Improvised Texture

May 08, 2015

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Glenn Hirsch, Instructor
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Page 1: Finishing Touches in Painting: Detail through Precision and Detail through Improvised Texture

Finishing Touches:

Detail through Precision and Patience (Detail is the Life of Painting)

Detail through Improvisation and Texture (Fluid Abstraction)

Glenn Hirsch, Instructor

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Marie-Genevieve BouliarSelf-Portrait 1792

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Marie-Genevieve Bouliar 1792Marie-Gabrielle Capet, 1783

Before the French Revolution After

Two artist self-portraits

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Detail is the life of painting

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Jacob van Ruisdael

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Franz Hals

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John William Waterhouse

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John William Waterhouse (English, 1849-1917)

Known for depictions of women from Greek mythology and Arthurian legend, a key member of the Pre-Raphaelite movement which sought to reform art by rejecting what it considered the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo.

In contrast, the they wanted a return to the abundant detail, intense colors and complex compositions of Renaissance Italian art as typified by Botticelli.

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“Pre-Raphaelite”

John William Waterhouse, 1896

“Mannerist”

Agnolo di Cosimo, aka Bronzino, 1545

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St. Cecilia, 1895

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John William Waterhouse, English, 1849-1917

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John William Waterhouse, Ophelia, 1903

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Jose Jimenez y Aranda

Holy week in Seville 1879

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fluid abstraction

Helen Frankenthaler Fred Martin

Mark Rothko

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Helen Frankenthaler

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Mark Rothko

Watercolors

1940-1947

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Mark Rothko, watercolor

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Mark Rothko, watercolor

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Fred Martin

Ink on paper

1980-1985

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Fred Martin

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Fred Martin

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Fred Martin

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Pam Pitt

student work, 2013-14

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