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http://oac.cdlib.org/findaid/ark:/13030/kt1z09r9h1Online items
available
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 1
Finding aid for the Pacific Standard Time: Art in L.A.
Recordings, 2008-2012IA40011
Cyndi SheinInstitutional Records and Archives20131200 Getty
Center Drive, Suite 1100Los Angeles
[email protected]:
"http://hdl.handle.net/10020/GRI_InstitutionalArchives/"
http://oac.cdlib.org/findaid/ark:/13030/kt1z09r9h1http://oac.cdlib.org/findaid/ark:/13030/kt1z09r9h1
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Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 2
Language of Material: EnglishContributing Institution:
Institutional Records and ArchivesTitle: Pacific Standard Time: Art
in L.A. recordingscreator: California Institute of the Artscreator:
Henry E. Huntington Library and Art Gallerycreator: Vincent Price
Art Museumcreator: USC Fisher Museum of Artcreator: California
African-American Museumcreator: UCLA Film and Television
Archivecreator: Los Angeles County Museum of Artcreator: Films by
Alexa Oona Schulz (Firm)creator: Los Angeles Contemporary
Exhibitions (Gallery)creator: Getty Research Institutecreator:
Getty Foundationcreator: Ruth Chandler Williamson Gallerycreator:
Los Angeles (Calif.). Cultural Affairs Departmentcreator: Armand
Hammer Museum of Art and Cultural Centercreator: Armory Center for
the Artscreator: Japanese American National Museum (Los Angeles,
Calif.)creator: Getty Foundationcreator: American Museum of Ceramic
Artcreator: Otis College of Art and Designcreator: Los Angeles
Filmforum (Firm)creator: Orange County Museum of Art
(Calif.)creator: 18th Street Arts Complexcreator: Pomona College
(Claremont, Calif.). Museum of Artcreator: Pacific Standard Time
(Project)Identifier/Call Number: IA40011Physical Description: 13.65
Linear Feet(32 boxes and 50 enclosures: printed material, 1 hard
drive, 26 video tapes, 276optical discs, 30 digital files, 282.6
TB)Date (inclusive): 2008-2012Language of Material:
EnglishAbstract: The collection principally comprises recordings
produced from 2008 through 2012 as part of the Pacific
StandardTime: Art in L.A. project. Project participants, including
the Getty itself, conducted an extensive series of oral histories
withmany of Los Angeles' key artists, filmmakers, curators,
collectors, and critics, focusing on postwar art (1945-1980). Many
ofthe participating cultural institutions received funding from the
Getty Foundation, which collected the resulting
interviews.Exhibitions put on by the partner institutions and
discussions with the their curators were documented by the
GettyResearch Institute, through a contract with Tremolo
Productions. Material also includes transcripts of interviews;
recordingsof lectures, symposia, and panel discussions; short
documentary films; and printed brochures and announcements
relatedto the project.To access physical materials at the Getty, go
to the library catalog record for this collection and click
"Request an Item."Click here for general library access
policy . See the Administrative Information section of this
finding aid for accessrestrictions specific to the records
described below. Please note, some of the records may be stored off
site; advancednotice is required for access to these
materials.Access RestrictionsDetailed restrictions may be found at
the appropriate places throughout this inventory.The following
types of records are permanently closed: records containing
personal information, records that compromisesecurity or
operations, legal communications, legal work product, and records
related to donors. The J. Paul Getty Trustreserves the right to
restrict access to any records held by the Institutional
Archives.
http://hdl.handle.net/10020/ALMA21117646480001551http://hdl.handle.net/10020/access
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Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 3
Scope and Content NoteThe collection principally comprises audio
and video recordings produced from 2008 through 2012 as part of the
PacificStandard Time: Art in L.A. project (PST). Material also
includes transcripts of interviews; recordings of lectures,
symposia,and panel discussions; short documentary films; and
printed brochures and announcements related to the project.The
materials in the first series principally comprise oral history
interviews conducted by PST partner institutions from 2008through
2012. Project organizers conducted an extensive series of oral
histories with many of Los Angeles' key artists,filmmakers,
curators, collectors, and critics. Many of the participating
organizations were awarded funds by the GettyFoundation, which
received the resulting interviews as part of the grant
requirement.Materials in the second series principally comprise
2008-2012 audiovisual recordings of oral history interviews,
publicconversations, symposia, lectures, and recorded exhibition
content created/initiated by the Getty as part of its
PSTinitiative. The Getty Research Institute recorded the majority
of these interviews and events to document and preserve theart
historical record of Los Angeles from 1945 to 1980. A few short
audio clips were also conducted for inclusion in a2011-2012
exhibition at the J. Paul Getty Museum, Crosscurrents in L.A.:
Painting and Sculpture, 1950-1970. The clips wereintended for
public visitors to enjoy while they viewed corresponding works in
the exhibition.Materials in the third series comprise audio and
videos produced by Tremolo Productions, which was commissioned by
theGetty Research Institue to visually capture the exhibitions at
PST partner institutions across Southern California andconduct
interviews of their curators, institutional leaders, and exhibiting
artists.ArrangementRecords are organized into three series: Series
I. Getty Foundation funded Pacific Standard Time oral histories,
2008-2012;Series II. Getty produced Pacific Standard Time audio
recordings, 2011; and Series III. Audiovisual documentation of
PacificStandard Time partner institution exhibitions,
2008-2012.Administrative HistoryThe Getty Research Institute (GRI)
is an operating program of the J. Paul Getty Trust, a
not-for-profit educational, culturaland philanthropic organization
dedicated to the visual arts. Originally established in 1983 as the
Getty Center for theHistory of Art and the Humanities (GCHAH), the
objective of the GCHAH was to foster advanced research in art, its
history,diversity, and meaning in culture by engaging scholars from
various disciplines in the humanities. In 1996, in order to
avoidconfusion with the soon-to-open Getty Center campus in
Brentwood, the GCHAH was renamed the Getty Research Institutefor
the History of Art and the Humanities and in 2000, the program's
name was shortened to the Getty Research Institute(GRI).The GRI's
mission is to further knowledge and advance understanding of the
visual arts and their various histories throughadvanced research
and scholarship, and through its activities and resources, provide
a unique environment for research,critical inquiry, and scholarly
exchange. The GRI's Research Library, consisting of over one
million books, periodicals, studyphotographs, auction catalogs and
special collections of rare and unique materials, as well as online
resources anddatabases, serve an international community of
scholars and the interested public. The GRI also provides
intellectualleadership through its research projects, exhibitions,
and publication programs and provides service to a wide range
ofscholars worldwide through residencies, fellowships, hosted
lectures and symposia, and its innovative digital referencetools.
Through all of its programs and activities, the GRI endeavors to
provide resources, expertise, and a collaborativeenvironment for
art-historical research and publication.Through the GRI's
multidisciplinary programming, first from the department of
Contemporary Programs and Research andlater, its successor, the
Department of Architecture and Contemporary Art (DACA), the GRI
worked to advance art historyscholarship of contemporary art,
including sound art, audiovisual documentation of personal art,
experimental music, anddance as well as a focus on the birth of
video as an artistic medium around the world.The Pacific Standard
Time: Art in L.A. 1945-1980 project is rooted in a Getty Research
Institute DACA initiative calledModern Art in Los Angeles that
began in 2002 with the goal to recover the historical record of art
in Southern California.Around 2009, the J. Paul Getty Trust
recognized the potential of Modern Art in Los Angeles to expand
beyond the GettyResearch Institute, and in 2011, created an
initiative branded and trademarked as Pacific Standard Time: Art in
L.A.1945-1980.Fueled by a series of Getty grants, the Pacific
Standard Time: Art in L.A. 1945-1980 initiative grew into a
region-widecollaboration between more than 60 cultural
institutions, culminating in a series of exhibitions and events
from October2011 to April 2012 across Southern California called
Pacific Standard Time: Art in L.A. 1945-1980. In addition to
exhibitionsand events, over 40 publications documenting Los
Angeles' impact on art history during the postwar years were
createdand dozens of traveling and related exhibitions were held
all over the world, resulting in unprecedented international
pressattention focused on the history of art in Los Angeles.
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Finding aid for the PacificStandard Time: Art in L.A.Recordings,
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A series of public programs were offered as a part of Pacific
Standard Time: Art in L.A. 1945-1980 that included
lectures,symposia, performance art, theater, concerts, readings,
film screenings, oral histories, and public conversations in
whichleading artists, filmmakers, musicians, curators, and critics
discussed their contributions to Los Angeles' vibrant postwar
artscene.Four Pacific Standard Time: Art in L.A. 1945-1980
exhibitions were held at the Getty:Pacific Standard Time:
Crosscurrents in L.A. Painting and Sculpture, 1950–1970
(co-sponsored by the GRI and the J. PaulGetty Museum); Greetings
from L.A.: Artists and Publics, 1950–1980 (sponsored by the GRI);
From Start to Finish: De WainValentine's Gray Column (sponsored by
the Getty Conservation Institute and the J. Paul Getty Museum); In
Focus: LosAngeles, 1945–1980 (sponsored by the J. Paul Getty
Museum).View Pacific Standard Time: Art in L.A. 1945-1980
inititiave and exhibitions website online Preferred
Citation[Cite the item and series (as appropriate)], Pacific
Standard Time: Art in L.A. Recordings, 2008-2012, Getty
ResearchInstitute and Getty Foundation. The Getty Research
Institute.
IA40011.http://hdl.handle.net/10020/cifaia40011Publication
RightsContact Library Rights and Reproductions at the Getty
Research Institute for copyright information and permission
topublish.Related MaterialsThe following materials are offered as
possible sources of further information on the people, programs,
and subjectscovered by the records. The listing is not
exhaustive.Getty Research Institute Modern Art in Los Angeles
recordings, 2003-2011. The Getty Research Institute.
IA40018.Getty Research Institute Pacific Standard Time: Overdrive:
L.A. Constructs the Future, 1940-1990 exhibition oral
historyinterviews, 2011-2012. The Getty Research Institute.
IA40025.Getty Research Institute Cool School oral history
recordings, 2005-2006. The Getty Research Institute.
IA40027.Getty Research Institute California Video exhibition
project files and oral history recordings, 2006-2008. The
GettyResearch Institute. IA60004.Woman's Building records,
1960-2016, undated, The Getty Research Institute. Accession no.
2017.M.43.Getty Research Institute Pacific Standard Time: Art in
L.A. 1945-1980 Administrative Project Files, 2003,
2008-2013,undated. The Getty Research Institute. IA60006. This
finding aid is restricted to Getty staff only.Getty Research
Institute Project and Development Specialist Karen Stokes Records,
1987-2017, undated (bulk 1992-2017).The Getty Research Institute.
IA60009. This finding aid is restricted to Getty staff only.Pacific
Standard Time: Los Angeles Art, 1945-1980. Edited by Rebecca
Peabody, Andrew Perchuk, Glenn Phillips, and RaniSingh. Los
Angeles: Getty Research Institute and the J. Paul Getty Museum,
2011.California Video: Artists and Histories. Edited by Glenn
Phillips. Los Angeles: Getty Research Institute and the J. Paul
GettyMuseum, 2008.Processing HistoryUpon review of event transfer
documentation and other internal programmatic documents, it was
determined that theModern Art in Los Angeles artist oral histories
and public events were not Pacific Standard Time materials and
wereremoved from this collection and added to the Modern Art in Los
Angeles Recordings collection (finding aid IA40018) byHelen Kim in
2020. Those accessions processed and originally described in this
finding aid were accessions 2012.IA.066,2012.IA.082, 2012.IA.083,
2012.IA.084, 2012.IA.085, 2012.IA.086, 2012.IA.089, 2012.IA.092,
2012.IA.093, 2012.IA.094,2012.IA.095, 2012.IA.096, 2012.IA.097,
2012.IA.098, 2012.IA.099, 2012.IA.100, 2012.IA.101, 2012.IA.102,
2012.IA.103,2012.IA.104, 2012.IA.105, 2012.IA.106, 2012.IA.107,
2012.IA.108, 2012.IA.109, 2012.IA.110, 2012.IA.111,
2012.IA.112,2012.IA.113, 2012.IA.114, 2012.IA.115, 2012.IA.116,
2012.IA.117, 2012.IA.119, 2012.IA.120, 2012.IA.121, and
2012.IA.122.Additional Information AvailableSome of the recordings
have been described in more detail in individual library catalog
records. For additional informationon a particular event, search
the Getty Research Institute Library Catalog by event name,
participant name, keyword, or bythe topical collection title
"Pacific Standard Time: Art in L.A. 1945–1980 collection (Getty
Research Institute)."Subjects and Indexing TermsArtists --
Political activity -- Los Angeles -- California -- 20th centuryArt
and social action -- United States -- 20th century
http://blogs.getty.edu/pacificstandardtime/http://hdl.handle.net/10020/rights_reprohttp://hdl.handle.net/10020/cifaia40018http://hdl.handle.net/10020/cifaia40025http://hdl.handle.net/10020/cifaia40025http://hdl.handle.net/10020/cifaia40027http://hdl.handle.net/10020/cifaia60004http://library.getty.edu/cgi-bin/Pwebrecon.cgi?DB=local&PAGE=First
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Finding aid for the PacificStandard Time: Art in L.A.Recordings,
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Feminism in art -- United States -- 20th centuryArt -- Political
aspects -- United States -- 20th centurySocial movements in art --
United States -- 20th centuryArtists and community -- California --
20th centuryCommunity art projects -- Los Angeles (Calif.) -- 20th
centuryLos Angeles (Calif.) -- Social life and customs -- 20th
centuryDocumentaries (motion picture genre)Ceramics -- 20th century
-- Criticism, interpretation, etc. -- CaliforniaCeramics --
California -- 20th century -- HistoryArt, Modern -- 20th century --
Criticism, interpretation, etcExperimental films -- United
StatesElectronic documentsOral histories (document genres)Japanese
American artists -- United States -- 20th centuryWomen artists --
United States -- 20th centurySound recordingsAsian American art --
United States -- 20th centuryArt museums -- Exhibitions -- United
StatesTranscriptsAfrican American artists -- United States -- 20th
centuryArt, American -- 20th century -- Criticism, interpretation,
etc.Artists -- California -- Los Angeles -- 20th centuryChinese
American artists -- United States -- 20th centuryArtists -- United
States -- InterviewsVideo art -- California -- Los
AngelesPerformance art -- United States -- 20th centuryAfrican
American art -- United States -- 20th centuryVideo art -- United
States -- 20th centuryConceptual Art -- United States -- 20th
centuryVideo recordingsFeminism and art -- United States -- 20th
centuryWoman's Building (Los Angeles, Calif.) -- History18th Street
Arts ComplexAmerican Museum of Ceramic ArtArmand Hammer Museum of
Art and Cultural CenterArmory Center for the ArtsCalifornia
African-American MuseumLos Angeles (Calif.). Cultural Affairs
DepartmentHenry E. Huntington Library and Art GalleryJapanese
American National Museum (Los Angeles, Calif.)Los Angeles
Contemporary Exhibitions (Gallery)Los Angeles County Museum of
ArtLos Angeles Filmforum (Firm)Orange County Museum of Art
(Calif.)Otis College of Art and DesignPomona College (Claremont,
Calif.). Museum of ArtRuth Chandler Williamson GalleryUCLA Film and
Television Archive
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Finding aid for the PacificStandard Time: Art in L.A.Recordings,
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Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-201218th Street Arts Center, 2011-2012
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 7
Getty Foundation funded Pacific Standard Time oral
histories, Series I. 2008-2012Physical Description: 8.5 Linear
Feet(18 boxes and 5 enclosures: printed material, 1 harddrive, 26
video tapes, 276 optical discs. 1.52 TB)Scope and Contents of
CollectionThe series principally comprises oral history interviews
conducted from 2008 through 2012as part of Pacific Standard Time:
Art in L.A., a research project that focused on the
postwar(1945-1980) art scene in Los Angeles. The project was
initiated by the Getty in collaborationwith arts institutions
across Southern California. Project organizers conducted an
extensiveseries of oral histories with many of Los Angeles' key
artists, filmmakers, curators, collectors,and critics. The
materials were collected by the Getty Foundation as part of the
grantfunding process for Pacific Standard Time.Many of the
participating organizations were awarded funds by the Getty
Foundation, whichreceived the resulting interviews as part of the
grant requirement. Most of the recordingsand transcripts exist
solely in digital format and are available online when rights
permit.Material also includes recordings of lectures, symposia, and
panel discussions; shortdocumentary films; and printed ephemera
(brochures, press kits, press releases, and othertypes of
announcements) collected by the Getty Institutional Archives to
document theexhibitions and events. With a few exceptions (noted
below), digital materials that are opento researchers are available
online at http://hdl.handle.net/10020/ia40011 . Printed
materialsare available on site at the Getty Research
Institute.ArrangementMaterials are arranged alphabetically by the
name of the institution that conducted theinterviews and/or hosted
the symposia.Acquisition InformationMaterials were collected by the
Getty Foundation as part of the grant process andtransferred
periodically to the Institutional Archives. The collection includes
accessions2011.IA.26; 2011.IA.27; 2011.IA.48; 2011.IA.69;
2012.IA.002; 2012.IA.003; 2012.IA.004;2012.IA.023; 2012.IA.034;
2012.IA.038; 2012.IA.039; 2012.IA.046; 2012.IA.047;
2012.IA.048;2012.IA.049; 2012.IA.050; 2012.IA.051; 2012.IA.052;
2012.IA.136; and 2013.IA.18.Access RestrictionsWith the exception
of resources that are marked restricted or confidential, the
recordsdescribed in accessions 2011.IA.26; 2011.IA.27; 2011.IA.48;
2011.IA.69; 2012.IA.002;2012.IA.004; 2012.IA.023; 2012.IA.034;
2012.IA.038; 2012.IA.039; 2012.IA.046; 2012.IA.047;2012.IA.048;
2012.IA.049; 2012.IA.050; 2012.IA.051; 2012.IA.052; 2012.IA.136;
and2013.IA.18 are available for use by qualified researchers.The
resources in 2012.IA.003 (18th Street Arts Center) are closed until
such time as the J.Paul Getty Trust receives signed permission from
the participants.Due to an absence of agreements from some
participants, some materials are closed or onlyavailable on site at
the Getty Research Institute or through Interlibrary Loan .
See theinventory below for additional detail; restrictions are
noted at the item level. Access toprinted material (not in digital
format) that is open to the public is only available on site atthe
Getty Research Institute. Most of the resources that is open to
researchers is availableonline at
http://hdl.handle.net/10020/ia40011 .Most of the recordings
and transcripts were received in digital format (electronic
documentsand recordings that were transferred to the Archives on
optical discs, hard disc drives, or viaemail). The discs/drives act
as archival or duplication masters and are therefore
restricted.When resources are not available online, use copies of
discs containing unrestricted contentwill be made upon request;
this requires advance notice and may delay access.The following
types of records are permanently closed: records containing
personalinformation, records that compromise security or
operations, legal communications, legalwork product, and records
related to donors. The J. Paul Getty Trust reserves the right
torestrict access to any records held by the Institutional
Archives.Processing NoteDigital files were ingested and managed by
Cyndi Shein and renamed to conform to localrepository protocol when
necessary. She described, arranged, and transformed copies of
thedigital files for access and created the associated MARC and EAD
metadata. Mary K. Woodsand Cyndi Shein created the digital objects
and the associated DC and METS metadata. ZoeMacLeod labeled and
re-housed the physical objects that were received in 2011.The
megabytes (MB), gigabytes (GB), and terabytes (TB) listed in the
extent fields of acomponent represent the digital volume saved on
the Archives Server for that component,including the originals (as
received by the archives) and use copies that have been createdfor
dissemination.
http://hdl.handle.net/10020/ia40011http://www.getty.edu/research/library/using/interlibrary_loan.htmlhttp://hdl.handle.net/10020/ia40011
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Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-201218th Street Arts Center, 2011-2012
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 8
18th Street Arts Center, 2011-2012Physical Description:
0.3 Linear Feet(1 box: 14 optical discs; 5.6 GB)Scope and
ContentsMaterials include audio and video recordings of interviews
with persons involved with the18th Street Arts Center in its "early
days." The interviews were part of Pacific StandardTime: Art in
L.A., a city-wide research project that focused on the postwar
(1945-1980)art scene in Los Angeles. No transcripts were received.
18th Street Arts Center hosted anexhibition titled "Collaboration
Labs: Southern California Artists and the Artist SpaceMovement" as
part of the Pacific Standard Time: Art in L.A. project.Additional
information on this exhibition can be found on the PST website
athttp://www.pacificstandardtime.org/past/artinla/exhibitions.html.Access
RestrictionsRESTRICTED: All the interviews conducted by the 18th
Street Arts Center are closed untilsuch time as the J. Paul Getty
Trust receives signed permissions from the
participants.ArrangementMaterials are arranged alphabetically by
the surname of the interviewee.
Mixed Materials2012.IA.003-01
Michael Barnard, circa 2011
Mixed Materials2012.IA.003-01
Linda Burnham and Steve Durham, circa 2011
Mixed Materials2012.IA.003-01
Jill Burnham, circa 2011
Mixed Materials2012.IA.003-01
Clayton Campbell, circa 2011
Mixed Materials2012.IA.003-01
Sue Dakin and Barbara Smith, circa 2011
Mixed Materials2012.IA.003-01
Dan Kwong, circa 2011
Mixed Materials2012.IA.003-01
Marcus Kuiland-Nazario, circa 2011
Mixed Materials2011.IA.48-01
Printed ephemera: Press release, July 5, 2011
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Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012American Museum of Ceramic Art: "Common
Ground: Ceramics in Southern California 1945-1975," 2009-201...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 9
American Museum of Ceramic Art: "Common Ground: Ceramics
in Southern California1945-1975," 2009-2010
Physical Description: 0.4 Linear Feet(1 box: 11 optical discs;
2.6 GB)Scope and ContentsMaterials comprise audio recordings of
oral history interviews conducted in 2009 and2010 by the American
Museum of Ceramic Art in conjunction with their
2011-2012exhibition, "Common Ground: Ceramics in Southern
California 1945-1975." The exhibitionexamined both the cohesiveness
and the diversification found within the LosAngeles-area,
post-World War II clay community. The exhibition and related
interviewswere part of the Pacific Standard Time: Art in L.A.
project; the project website describesthe exhibition as follows:
"The decades following World War II saw tremendous growthand
experimentation in studio and industrial ceramics. Artist Millard
Sheets (1907-1989),a leading educator and designer, exerted
considerable influence on a multitude of LosAngeles-area art
institutions. Sheets' strongly-held concept of 'good design' acted
as acatalyst in forming ceramic practices and opinions about art,
interiors, and architecture."Please note that although a video
interview was conducted with Betty Davenport Ford,the disc received
by the Getty Institutional Archives was not readable and the
interview istherefore not listed here with the AMOCA materials.
Audio excerpts and an uneditedtranscript from the Ford interview
can be found below in the Huntington Library materialsrelated to
the exhibition, "The House that Sam Built."Additional information
on this exhibition can be found on the PST website
athttp://www.pacificstandardtime.org/past/artinla/exhibitions.html.Access
RestrictionsThe recordings exist solely in digital format (discs
that were transferred to the Archiveson optical discs). The discs
act as archival masters and are therefore restricted. Therecordings
are open to researchers are available online.ArrangementMaterials
are arranged alphabetically by the surname of the interviewee.
Mixed Materials2012.IA.034-01
Francis Chun, July 13, 2009Physical Description: (1 CD)
Mixed Materials2012.IA.034-01
Raul Angulo Coronel, May 13, 2010Physical Description: (1
CD)
Mixed Materials2012.IA.034-01
Doris De Larios, August 17, 2010Physical Description: (1 CD)
Mixed Materials2012.IA.034-01
Robert Deakins, Around 2009 or 2010Physical Description: (1
CD)
Mixed Materials2012.IA.034-01
Robert Glover, May 27, 2010Physical Description: (1 CD)
Mixed Materials2012.IA.034-01
Joe Koons, May 2, 2010Physical Description: (1 CD)
Mixed Materials2012.IA.034-01
Rosemary Ivins: Interview regarding husband Anthony Ivins,
August 18, 2009Physical Description: (1 CD)
Mixed Materials2012.IA.034-01
Harrison McIntosh, June 7, 2009Physical Description: (1 CD)
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Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012American Museum of Ceramic Art: "Common
Ground: Ceramics in Southern California 1945-1975," 2009-201...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 10
Mixed Materials2012.IA.034-01
Marguerite McIntosh, June 7, 2009Physical Description: (1
CD)
Mixed Materials2012.IA.034-01
Marian Moule, October 10, 2009 and December 15, 2010Physical
Description: (1 CD)
Mixed Materials2012.IA.034-01
Ed Traynor, January 7, 2010Physical Description: (1 CD)
Mixed Materials2011.IA.48-01
Printed ephemera: Screenshot of exhibition announcement,
2011
Armand Hammer Museum of Art and Cultural Center: "Now Dig
This! Art and BlackLos Angeles 1960-1980," 2008-2010
Physical Description: 0.4 Linear Feet(1 box: 15 optical discs;
5.8 GB)Scope and ContentsMaterial comprises recordings and
transcripts of interviews conducted by the ArmandHammer Museum of
Art and Cultural Center in relation to its 2011 exhibition, "Now
DigThis! Art and Black Los Angeles 1960-1980." The research and
exhibition were part of thePacific Standard Time: Art in L.A.
project. According to promotional documentationreleased at the time
of the exhibition, the material "examines a pioneering group
ofAfrican American artists whose work, connections, and friendships
with other artists ofvaried ethnic backgrounds influenced the
creative community and artistic practices thatdeveloped in Los
Angeles during this historic period."[Armand Hammer Museum of Art
and Cultural Center. "Exhibitions," accessed June 12,2020,
http://hammer.ucla.edu/exhibitions/detail/exhibition_id/196 ]Access
RestrictionsThe recordings and transcripts exist solely in digital
format (electronic documents andrecordings that were transferred to
the Archives on optical discs). The discs act asarchival or
duplication masters and are therefore restricted. Some of the
interviews arerestricted; restrictions are noted below. Digital
materials that are open to researchers areavailable
online.ArrangementMaterials are arranged alphabetically by the
surname of the interviewee.
Mixed Materials2011.IA.26-01
Camille Billops [see James Hatch], May 18, 2010
Mixed Materials2011.IA.26-01
Dan Concholar, December 13, 2009Physical Description: (2
CDs)RESTRICTED. This material is restricted due to lack of
permission from theinterviewee.
Mixed Materials2011.IA.26-01
Fred Eversley, November 18, 2008Physical Description: (2
CDs)RESTRICTED. This material is restricted due to lack of
permission from theinterviewee.
Mixed Materials2011.IA.26-01
Charles Gaines, February 26, 2010Physical Description: (2
CDs)
Mixed Materials2011.IA.26-01
James Hatch and Camille Billops, May 18, 2010Physical
Description: (4 CDs)Note: The audio is scratchy in places and the
content of the CDs is largelyoverlapping.
https://hammer.ucla.edu/now-dig-this
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Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Armand Hammer Museum of Art and Cultural
Center: "Now Dig This! Art and Black Los Angeles 1960-1980,...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 11
Mixed Materials2011.IA.26-01
E.J. Montgomery, April 27, 2010Physical Description: (1 CD)
Mixed Materials2011.IA.26-01
Judson Powell and Sue Welsh, June 25, 2010Physical Description:
(4 CDs)
Mixed Materials2011.IA.26-01
Sue Welsh [see Judson Powell]
Mixed Materials2011.IA.48-01
Printed ephemera: Press release and screenshot of exhibition
webpage, 2012012
Armory Center for the Arts: "Speaking in Tongues: The Art
of Wallace Berman andRobert Heinecken, 1961-1976," 2009-2010
Physical Description: 0.4 Linear Feet(1 box: 18 optical discs;
1.7 GB)Access RestrictionsThe recordings and transcripts exist
solely in digital format (electronic documents andrecordings that
were transferred to the Archives on optical discs). The discs act
asarchival or duplication masters and are therefore restricted.
Some of the interviews arerestricted; restrictions are noted below.
All materials that are open to researchers areavailable
online.ArrangementIndividual recordings and transcripts are spread
across 18 discs. Interviews are listedhere alphabetically by the
surname of the interviewee.Scope and ContentsMaterial comprises
recordings and transcripts of interviews conducted by the
ArmoryCenter for the Arts in relation to its 2011 exhibition,
"Speaking in Tongues: The Art ofWallace Berman and Robert
Heinecken." The interviews and exhibition were part of thePacific
Standard Time: Art in L.A. project. According to a press release
from the ArmoryCenter, "this exhibition examines how these two
artists bridged modernist and emergingpost-modernist trends by
ushering in the use of photography as a key element ofcontemporary
avant-garde art. Focusing on language and the creation of new
visualcodes, as well as on the little-known friendship between
Berman and Heinecken, theirworks are explored within the unique
cultural milieu of 1960s and 1970s SouthernCalifornia, as it fueled
and amplified each artist's highly original creative approach
tomaking images."[Armory Center for the Arts. Press Release, July
7, 2011. Accessed September 30,
2011,http://www.armoryarts.org/about-us/news/wallace-berman-and-robert-heinecken-together-at-last/ ]
Mixed Materials2011.IA.27-01
Tom Barrow, May 1, 2010
Mixed Materials2011.IA.27-01
Luke Batten, around 2010
Mixed Materials2011.IA.27-01
Tosh Berman, March, 21, 2010
Mixed Materials2011.IA.27-01
Carl Chiarenza, February 17, 2010
Mixed Materials2011.IA.27-01
Eileen Cowin, around 2009 or 2010
Mixed Materials2011.IA.27-01
Darryl Curran, June 6, 2009
Mixed Materials2011.IA.27-01
Robert Fichter, January 5, 2010
Mixed Materials2011.IA.27-01
Bruria Finkel, May 12, 2010
http://www.armoryarts.org/about-us/news/wallace-berman-and-robert-heinecken-together-at-last/
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Armory Center for the Arts: "Speaking in
Tongues: The Art of Wallace Berman and Robert Heinecken, 19...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 12
Mixed Materials2011.IA.27-01
Jeff Gates, around 2009 or 2010RESTRICTED. This material is
restricted due to lack of permission from theinterviewee.
Mixed Materials2011.IA.27-01
Hal Glicksman, February 9, 2010
Mixed Materials2011.IA.27-01
Karol Heinecken Mora, April 17, 2010
Mixed Materials2011.IA.27-01
Geoff Heinecken, around 2009 or 2010
Mixed Materials2011.IA.27-01
Graham Howe, June 28, 2009RESTRICTED. This material is
restricted due to lack of permission from theinterviewee.
Mixed Materials2011.IA.27-01
Harold Jones, April 29, 2010
Mixed Materials2011.IA.27-01
Stephen Lemher, November 9, 2009
Mixed Materials2011.IA.27-01
Nathan Lyons, February 17, 2010RESTRICTED. This material is
restricted due to lack of permission from theinterviewee.
Mixed Materials2011.IA.27-01
David Meltzer, January 24 and February 7, 2010
Mixed Materials2011.IA.27-01
Joyce Neimanas, May 1 of 2009 or 2010
Mixed Materials2011.IA.27-01
Robert Dean Stockwell, December 9, 2010
Mixed Materials2011.IA.27-01
Russ Tamblyn, October 12, 2010
Mixed Materials2011.IA.48-01
Printed ephemera: Press release, July 7, 2011
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012California African American Museum: "Places
of Validation, Art and Progression," circa 2011
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 13
California African American Museum: "Places of
Validation, Art and Progression,"circa 2011
Physical Description: 0.1 Linear Feet(1 enclosure: 5 optical
discs; 1.1 GB)Scope and ContentsResource comprises five video
recordings created by the California African AmericanMuseum (CAAM)
in relation to its 2011-2012 exhibition "Places of Validation, Art
andProgression." The exhibition and related interviews were part of
Pacific Standard Time:Art in L.A., a city-wide research project
that focused on the postwar (1945-1980) artscene in Los Angeles.
According to a press release from CAAM, the exhibition brought
tolife "the history of the artists who helped birth one of the most
influential art movementsof the second half of the 20th century and
the validators who supported and enabledthem to achieve their goals
in spite of the wider conditions of exclusion from themainstream
art presenting community. The perspective of 'Places of Validation,
Art andProgression' is on the history and driving forces that made
venues and opportunitiespossible for Black art to be seen while
allowing the art to reflect the wide variety ofartists, styles,
venues and personalities that served the Black arts scene
between1940-1980."The video recordings each run from three to six
minutes in length and feature excerpts ofinterviews with artists
and their supporters, as well as images of art works and
ephemera.The interviews are undated, but were probably conducted in
2011.Additional information on this exhibition can be found on the
PST website
athttp://www.pacificstandardtime.org/past/artinla/exhibitions.html.ArrangementThe
discs are listed alphabetically.Access RestrictionsThe recordings
were received in digital format (electronic files that were
transferred tothe Archives on optical discs). The discs act as
duplication masters and are thereforerestricted. Recordings from
discs 1, 3, 4, and 5 are open to researchers and are
publicallyavailable online through
http://hdl.handle.net/10020/2013ia18 .Please note that, due to
rights restrictions, the J. Paul Getty Trust is currently unable
toprovide access to disc 2 (Collectors and Bartering), however, the
video is availablethrough another source at
http://vimeo.com/65933144 .
Moving Images2013.IA.18-01
Brockman Gallery: Dale and Alonzo Davis, probably 2011Physical
Description: (Duplication master: 1 DVD)
Moving Images2013.IA.18-01
Collectors and Bartering: interviews on collecting with Dr. Leon
Banks, DonaldStinson, Jerry Manpearl, and Henry Segerstrom;
interviews on bartering with BillPajaud, Dr. Samella Lewis, Greg
Pitts, and Betye Saar, probably 2011
Physical Description: (Duplication master: 1 DVD)Access
RestrictionsRESTRICTED. This video is closed until such time as the
J. Paul Getty Trust receivessigned permissions from all the
interviewees.
Moving Images2013.IA.18-01
First Voices of Validation: probably 2011Physical Description:
(Duplication master: 1 DVD)
1940s: Bill Pajaud, Greg Pitts, Betye Saar,
Dr. Samella Lewis (early arts scene
in Los Angeles) 1950s and 1960s: Dale Davis, Dr. Samella
Lewis, Joe Sims (creating their own
opportunities) 1960s and 1970s: Donald Stinson and Cecil
Fergerson (progression) 1960s and 1970s: Greg Pitts and Cecil
Fergerson (expanding recognition of
Black art) Roderick Sykes and Dr. Samella Lewis (true
validation is progression)
http://hdl.handle.net/10020/2013ia18
http://vimeo.com/65933144
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012California African American Museum: "Places
of Validation, Art and Progression," circa 2011
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 14
Moving Images2013.IA.18-01
Murals: Betye Saar, Joe Sims, Elliott Pinkney, and Roderick
Sykes, probably 2011Physical Description: (Duplication master: 1
DVD)
Moving Images2013.IA.18-01
Other Places of Validation: Roderick Sykes, Greg Pitts, Dr.
Samella Lewis, DonaldStinson, and Bernie Casey, probably 2011
Physical Description: (Duplication master: 1 DVD)
Mixed Materials2011.IA.48-01
Printed ephemera: Press release and screenshot of exhibition
announcement,2011
California Institute of the Arts: "The Experimental
Impulse," 2011-2012 Physical Description: 0.2 Linear Feet(1 shared
box: 6 optical discs; 12.6 GB)Access RestrictionsThe discs act as
archival or duplication masters and are therefore restricted. Some
of theinterviews are restricted; restrictions are noted below.
Digital materials that are open toresearchers are available
online.Scope and ContentsMaterials comprise clips and excerpts of
audio and video recordings of oral historyinterviews with over 30
persons conducted by the California Institute of the Arts
(CalArts)in conjunction with their 2011-2012 exhibition "The
Experimental Impulse" shown atREDCAT. According to promotional
material released by CalArts, the exhibition explored"the pivotal
role of experimentation in Los Angeles in the years immediately
following thecity's emergence as a vital artistic center . . . [and
offered] new insights into theunderstanding of developments in
critical art practice after 1965 . . ." The exhibition andrelated
interviews were part of Pacific Standard Time: Art in L.A. a
research project thatfocused on the postwar (1945-1980) art scene
in Los Angeles.The interviews focus on "a selection of key figures
who shaped the city's culturallandscape through various forms of
patronage and artist-motivated initiatives. Theexhibition includes
original interviews with such individuals as Robert Smith,
foundingdirector of the Los Angeles Institute of Contemporary Art
(1974-85); Dorit Cypis,co-director of Foundation for Art Resources
(1979-82); Marc Pally, first director of LACE(1979-83); Gemini
G.E.L. co-founder and patron Stanley Grinstein; collectors Judy
andStuart Spence; and many others."REDCAT. "Exhibition," accessed
November 20,
2012,http://www.redcat.org/exhibition/experimental-impulse
Interviews with Rena Small, Sherry Milner,
Stanley Grinstein conducted by
Thomas Lawson and Aram Moshayedi Interviews with Sheila de
Bretteville, Roger Conrad, Chip Lord conducted by
Benjamin Tong Interviews with Craig Hodgetts, Stephen
Nowlin, Richard Farson, John Bache, Joe
Malloy, Chip Lord conducted by Benjamin Tong Interviews
with Cheryl Kershaw, Jill Ciment, Mira Schor, Robert Covington,
Suzanne Lacy, and James Welling conducted by Fiona ConnorMixed
Materials2012.IA.049-01
The Experimental Impulse documentary
Mixed Materials2011.IA.48-01
Printed ephemera: Press release and screenshot of exhibition
webpage, 2011
http://www.redcat.org/exhibition/experimental-impulse
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012City of Los Angeles Cultural Affairs
Department: "Civic Virtue: The Impact of the Los Angeles
Munici...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 15
City of Los Angeles Cultural Affairs Department: "Civic
Virtue: The Impact of the LosAngeles Municipal Art Gallery and the
Watts Towers Arts Center," 2010
Physical Description: 0.7 Linear Feet(2 boxes: 49 optical discs;
43.2 GB)ArrangementDiscs are arranged alphabetically by the surname
of the interviewee, followed by the disccontaining transcripts of
the interviews.Scope and ContentsMaterials comprise video
recordings and transcripts of oral history interviews conductedin
2010 by the City of Los Angeles Department of Cultural Affairs
(DCA) in conjunctionwith their exhibition "Civic Virtue: The Impact
of the Los Angeles Municipal Art Galleryand the Watts Towers Arts
Center," which examined the institutional histories of two ofthe
oldest and most diverse artistic centers operated by the DCA. The
exhibition wasopen from December 2011 to February 2012 and
highlighted the work of some of theartists, curators, and community
activists whose contributions enhanced the culture andcommunity of
Los Angeles and helped establish it as an international artistic
center. Theexhibition at the Los Angeles Municipal Art Gallery was
"a chronological survey examiningthe role of civic government in
relationship to the development of arts in Los Angelestraced
through painting, drawing, sculpture, ceramics, photography, and
film," while theexhibition at the Watts Towers was "a chronological
survey examining the developmentof this important grass-roots arts
space into an established, nationally-recognized,community arts
center."The interviews were primarily conducted by Pilar Tompkins
Rivas and focus on thedevelopment, restoration, administration, and
activities of the Watts Towers Arts Centerand the Los Angeles
Municipal Art Gallery from the perspective of individuals
activelyinvolved with the institutions. The interviews, exhibition,
and related events were part ofthe city-wide Pacific Standard Time:
Art in L.A. project that focused on postwar art in LosAngeles from
1945-1980.Additional information on this exhibition can be found on
the PST website
athttp://www.pacificstandardtime.org/past/artinla/exhibitions.html.Access
RestrictionsThe recordings and transcripts exist solely in digital
format (electronic documents andrecordings that were transferred to
the Archives on optical discs). The discs act asarchival or
duplication masters and are therefore restricted. Some of the
interviews arerestricted; restrictions are noted below. These
materials are open to researchers andavailable online.Original
recordingsArchival originals (24 mini DVDs) are housed in Box
2012.IA.052-02.
Moving Images2012.IA.052-01
Artist and curator Cecil Fergerson discusses his history with
LACMA and thecommunity in Watts, May 20, 2010
Physical Description: (Duplication masters: 5 DVDs)
Moving Images2012.IA.052-01
Curator and museum director Josine Ianco-Starrels provides an
overview of herprofessional career up to 1980, April 16-18,
2010
Physical Description: (Duplication maters: 13 DVDs)
Moving Images2012.IA.052-01
Historic site curator Virgina Kazor discusses her work with the
L.A. Department ofCultural Affairs and the restoration of the Watts
Towers and Frank Lloyd Wright'sHollyhock House, September 29,
2010
Physical Description: (Duplication masters: 2 DVDs)
Moving Images2012.IA.052-01
Painter and lithographer June Wayne provides a brief history of
her work in LosAngeles up to 1980, July 29 and September 2,
2010
Physical Description: (Duplication masters: 4 DVDs)
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012City of Los Angeles Cultural Affairs
Department: "Civic Virtue: The Impact of the Los Angeles
Munici...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 16
Mixed Materials2012.IA.052-01
Transcriptions of interviews, 2010Physical Description: (Use
copy: 1 CD)
Mixed Materials2011.IA.48-01
Printed ephemera: Screenshot of exhibition description from
webpage, 2011
Huntington Library, Museum, and Botanic Gardens: "The
House that Sam Built: SamMaloof and Art in the Pomona Valley,
1945-1985," mid 1990s, 2011
Physical Description: 0.1 Linear Feet(1 shared box. 1 optical
disc. 3.9 GB.)ArrangementIndividual interviews are listed
alphabetically by the surname of the interviewee followedby
thematic compilations of interview audio clips as used in the
exhibition.Scope and ContentsResource comprises full transcripts
and clips of audio recordings of interviews conductedby the
Huntington Library, Museum, and Botanical Gardens in relation to
its 2011-2012exhibition, "The House That Sam Built: Sam Maloof and
Art in the Pomona Valley,1945-1985." The exhibition held the
California home that craftsman Sam Maloof and hiswife Alfreda
created in the mid-1950s as its central metaphor. The research
andexhibition were part of Pacific Standard Time: Art in L.A. a
city-wide research project thatfocused on the postwar (1945-1980)
art scene in Los Angeles. The exhibition showcasedimportant Maloof
pieces (primarily furniture) and works in various media by his
friendsand colleagues. Interviews were conducted with Maloof
(mid-1990s) and artists from hiscircle (2011).According to
promotional material released at the time of the exhibition, the
exhibitionintended to "shed new light on the rich network of
influences and exchanges thatdeveloped among artists and artisans
living near the college town of Claremont in thePomona Valley . . .
Covering a dynamic period in American art, the exhibition spanned
thedevelopment of Maloof's work from his earliest explorations of
handcrafted furniture inthe 1950s to 1985, the year he received the
'Genius Grant' from the John D. andCatherine T. MacArthur
Foundation."Additional information on this exhibition can be found
on the PST website
athttp://www.pacificstandardtime.org/past/artinla/exhibitions.html.Access
RestrictionsResource is open to qualified researchers and available
online. The recordings andtranscripts exist solely in digital
format (electronic documents and recordings that weretransferred to
the Archives on an optical disc). The disc acts as a duplication
master andis therefore restricted.
Individual interviews with artists:
Scope and ContentsMaterial includes audio recordings and
transcripts of interviews with Sam Maloof andartists that were
featured in the exhibition. Full transcripts of the interviews
andexcerpts of the interview audio recordings that were featured in
the exhibition areavailable online. Use copies of the full audio
recordings are available upon request.Advanced notice is required
for the production of use copies. The production of usecopies may
delay research requests.Please note that a full transcript and
audio excerpts of the Betty Davenport Fordinterview are provided
courtesy of the American Museum of Ceramic Art.
Mixed MaterialsShared2012.IA.046; 047;048, 049;
050;136
Aldo Casanova (sculpture), June 15, 2011
Betty Davenport Ford (ceramics), February 21, 2011
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Huntington Library, Museum, and Botanic
Gardens: "The House that Sam Built: Sam Maloof and Art in th...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 17
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
James Hueter (painting), June 14, 2011
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Sam Maloof (woodworking), mid-1990s
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Harrison McIntosh (ceramics), June 15, 2011
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
James Strombotne (painting), June 21, 2011
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
John Svenson (sculpture), June 14, 2011
Thematic compilations of audio excerpts featured in
exhibition:Scope and ContentsThese audio recordings are
compilations of excerpts from various interviews,
includingcommentary from James Hueter, Harrison McIntosh, Aldo
Casanova, John Svenson,and Betty Davenport Ford. The Ford audio
(from February 2011) was providedcourtesy of the American Museum of
Ceramic Art.
Mixed MaterialsShared2012.IA.046; 047;048, 049;
050;136
Memories of Sam Maloof: Meeting Sam; The House that Sam Built;
Generosity;Sam's Dedication, 2011
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
A Community of Artists: Millard Sheets; Showing our work; Why
Claremont,2011
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
The Colleges: A Humanities Haven; There was a Diversity; The
Scene wasExciting, 2011
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Script of audio featured in the exhibition, 2011
Mixed Materials2011.IA.48-01
Printed ephemera: Press release, 2011
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Japanese American National Museum: "Drawing
the Line: Japanese American Art, Design & Activism in Po...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 18
Japanese American National Museum: "Drawing the Line:
Japanese American Art,Design & Activism in Post-War Los
Angeles," 2011-2012
Physical Description: 0.3 Linear Feet(1 enclosure: printed
transcripts. 1 shared box: 9optical discs; 28.7 GB)Access
RestrictionsThe recordings exist solely in digital format
(electronic files that were transferred to theArchives on optical
discs). The discs act as duplication masters and are
thereforerestricted. The transcripts were received in print and are
are only available on site at theGetty Research Institute.Due to a
lack of agreements from some participants, the musical/dance
performance isonly available on site at the Getty Research
Institute or through Interlibrary Loan. Video recordings of
the interviews are open to researchers and are publically
availableonline.ArrangementMaterials are listed in the following
order: video interview about Gidra; individual videointerviews
alphabetically by surname; musical/dance performance video;
printedtranscripts; and printed ephemera.Scope and
ContentsMaterials comprise video recordings and transcripts of oral
history interviews conductedby the Japanese American National
Museum (JANM) in conjunction with their 2011-2012exhibition,
"Drawing the Line: Japanese American Art, Design and Activism in
Post-WarLos Angeles." The exhibition explored "the changing notions
of identity and community inPost-War Japanese American Los Angeles,
from the 1950s to the early 1980s. Art andactivism combine and are
redefined through landmark works by a diverse group ofexceptional
artists and designers."The interviews were conducted with a broad
group of artists, whose specialities includevisual art, performing
art, filmmaking, graphic design, and automotive design.
Interviewswere also conducted with founders of Gidra, a creative
UCLA student newspaper(1969-1974), sometimes called "The Voice of
the Asian American Movement," thatfocused on political advocacy and
Asian American identity. The exhibition and relatedinterviews were
part of Pacific Standard Time: Art in L.A., a city-wide research
projectthat focused on the postwar (1945-1980) art scene in Los
Angeles.The material also includes one video recording of "What Can
a Song Do?" (January 24,2012) featuring Nobuko Miyamoto (aka Joanne
Miya), Japanese American actress, dancer,performance artist, and
activist. The performance was presented at LACE (Los
AngelesContemporary Exhibitions) in collaboration with JANM as part
of the Pacific Standard TimePerformance and Public Art Festival.
The performance was presented in conjunction with"Drawing the
Line." Along with William "Charlie" Chin and the late Chris Ijima,
Miyamotocreated the group Yellow Pearl, which recorded the musical
album "A Grain of Sand:Music for the Struggle of Asians in America"
in 1973. The 2012 "What Can a Song Do?"performance was referred to
as the "Yellow Pearl Remix" concert, and along with NobukoMiyamoto,
featured Benny Yee, Danny Yamamoto, Atomic Nancy, Chucky Kim,
TraciKato-Kiriyama, Ruben Guevara, Tatsuo Hirano, Kathy Masaoka,
Sean Miura and KamauAyubbi. It was directed by Dan Kwong with
visuals by Tran Bui.Japanese American National Museum. Press
Release, accessed November 12,
2012.http://www.janm.org/press/release/301/
Interviews: Moving ImagesShared2012.IA.046;
047;048, 049; 050;136
Gidra interviews with Doug Aihara, Mike Murase, and Evelyn
Yoshimura,September 2011
Physical Description: (Duplication master: 1 DVD)
http://www.getty.edu/research/library/using/interlibrary_loan.htmlhttp://www.janm.org/press/release/301/
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Japanese American National Museum: "Drawing
the Line: Japanese American Art, Design & Activism in Po...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 19
Moving ImagesShared2012.IA.046; 047;048, 049; 050;136
Mike (Matsumi) Kanemitsu: Interview with his daughter, Nancy
Uyemura,September 2011
Physical Description: (Duplication master: 1 DVD)
Moving ImagesShared2012.IA.046; 047;048, 049;
050;136
Robert Nakamura, August 2011Physical Description: (Duplication
master: 1 DVD)
Moving ImagesShared2012.IA.046; 047;048, 049;
050;136
Linda Nishio, September 2011Physical Description: (Duplication
master: 1 DVD)
Moving ImagesShared2012.IA.046; 047;048, 049;
050;136
Ben Sakoguchi, September 2011Physical Description: (Duplication
master: 1 DVD)
Moving ImagesShared2012.IA.046; 047;048, 049;
050;136
Larry Shinoda: Interview with his sister, Grace Aiko Shinoda
Nakamura,September 2011
Physical Description: (Duplication master: 1 DVD)
Moving ImagesShared2012.IA.046; 047;048, 049;
050;136
Bruce Yonemoto, September 2011Physical Description: (Duplication
master: 1 DVD)
Moving ImagesShared2012.IA.046; 047;048, 049;
050;136
Norman Yonemoto, September 2011Physical Description:
(Duplication master: 1 DVD)
Moving ImagesShared2012.IA.046; 047;048, 049;
050;136
"What Can a Song Do?" Yellow Pearl: Remix. Nobuko Miyamoto
(Joanne Miya)Performance at LACE, January 24, 2012
Physical Description: (Duplication master: 1 DVD)Conditions
Governing AccessDue to rights limitations, the video recording of
the performance is only available onsite at the Getty Research
Institute or through Interlibrary Loan.
Mixed Materials2012.IA.050-01
Printed transcripts of all interviews, 2011
Mixed Materials2011.IA.48-01
Printed ephemera: Screenshot of exhibition webpage, 2011
http://www.getty.edu/research/library/using/interlibrary_loan.html
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Los Angeles Contemporary Exhibitions: "Los
Angeles Goes Live: Performance Art in Southern California...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 20
Los Angeles Contemporary Exhibitions: "Los Angeles Goes
Live: Performance Art inSouthern California 1970-1983,"
2009-2011
Physical Description: (1 shared box: 4 optical discs; 3 GB)Scope
and ContentsResource comprises audio recordings and transcripts of
oral history interviews conductedby Los Angeles Contemporary
Exhibitions (LACE) in relation to its 2011-2012 exhibition,"Los
Angeles Goes Live: Performance Art in Southern California,
1970-1983." Theexhibition featured performance art documentation
such as costumes, props,photographs, artist books, video, scripts,
scores, and posters representing a variety ofperformance artists
and approaches. The project also included a performance series
andpublication that explored the histories and legacies of
performance art. The exhibitionand related interviews were part of
Pacific Standard Time, a city-wide project thatdocumented the
post-war art scene in Los Angeles.The concurrent performance series
featured "re-inventions of historical performances andnew
performative actions staged throughout" Los Angeles. The exhibition
andperformances examined "a central issue at the core of
performance art practice andscholarship: How can one revisit
performance art after the fact? Through documentation?Through
restaging the work by the original artist? Through a contemporary
reinvention byanother?"The exhibition and performances/interviews?
were part of Pacific Standard Time: Art inL.A., a city-wide project
that focused on the postwar (1945-1980) art scene in
LosAngeles.Additional information on this exhibition can be found
on the PST website
athttp://www.pacificstandardtime.org/past/artinla/exhibitions.html.Original
materialsArchival/duplication masters are housed in box
2012.IA.136-shared (with 2012.IA.050,etc.). Audio recordings are on
discs 1 and 2, transcripts are on disc 3, release forms areon disc
4.ArrangementMaterials are listed alphabetically by the surname of
the interviewee.Access RestrictionsResource is open to qualified
researchers.
Mixed MaterialsShared2012.IA.046; 047;048, 049;
050;136
Jerri Allyn, February 25 and April 26, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Jacki Apple, around 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Larry Bell, July 26, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Ed Bereal, May 11, 2010
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Los Angeles Contemporary Exhibitions: "Los
Angeles Goes Live: Performance Art in Southern California...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 21
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Nancy Buchanan, February-March, 2010 and June 15, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Chris Burden, January 20, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Judy Chicago, around 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Dorit Cypis, September 29, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Dark Bob and Light Bob, June 29, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Lowell Darling, April 15, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Norma Jean Deák, around 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Simone Forti, July 14, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Llyn Foulkes, June 26, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Cheri Gaulke, February-March 2010 and June 25, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Maren Hassinger, August 13, 2010
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Los Angeles Contemporary Exhibitions: "Los
Angeles Goes Live: Performance Art in Southern California...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 22
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Lin Hixon, May 4, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Hirokazu Kosaka, April 20, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Leslie Labowitz, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Suzanne Lacy, March 26, 2010 and January 21, 2011
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
James Luna, April 10, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
John Malpede, July 2, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Barry Markowitz, June 26, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Nobuko Miyamoto, July 17, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Susan Mogul [restricted], June 10, 2009
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Senga Nengudi, October 2009
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Pauline Oliveros, June 16, 2010
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Los Angeles Contemporary Exhibitions: "Los
Angeles Goes Live: Performance Art in Southern California...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 23
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Rudy Perez, June 25, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Rachel Rosenthal, April 22, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Josie Roth, June 25, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Brian Routh, May 15, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Nina Sobell, July 13, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Carl Stone, July 6, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Patssi Valdez, November 2, 2009
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
John White, April 16, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Faith Wilding, June 7, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Robert Wilhite, April 22, 2010
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Terry Wolverton, May 12, 2010
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Los Angeles Contemporary Exhibitions: "Los
Angeles Goes Live: Performance Art in Southern California...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 24
Mixed MaterialsShared2012.IA.046; 047;048, 049; 050;136
Z'EV (Stef Weisser), July 13, 2010
Mixed Materials2011.IA.48-01
Printed ephemera: Press release and screenshots of exhibition
webpage, 2011
Los Angeles County Museum of Art: "California Design,
1930-1965: 'Living in aModern Way,'" 2011
Physical Description: 0.1 Linear Feet(1 enclosure: 1 optical
disc; 4.1 GB)Scope and Contents"California Design 1930-1965: Living
in a Modern Way, Designer Interviews" was a videorecording created
by the Los Angeles County Museum of Art (LACMA) in relation to
its2011-2012 exhibition, "California Design, 1930-1965: 'Living in
a Modern Way.'" Theexhibition and related interviews were part of
Pacific Standard Time: Art in L.A., acity-wide research project
that focused on the postwar (1945-1980) art scene in LosAngeles.
According to a press release from LACMA, "The exhibition, the first
major studyof modern California design, examines the state's key
role in shaping the material cultureof the country at mid-century.
California Design features . . . furniture, textiles,
fashion,graphic and industrial design, ceramics, jewelry,
metalwork, architectural drawings, andfilm . . ." The credits list
"Films by Alexa Oona Schulz, 2011." The interviews were
likelyconducted in 2010 or 2011.The following artists/designers are
interviewed on this video: Lou Danziger, John Kapel,Gere Kavanaugh,
Bernard Kester, Harrison McIntosh, merry renk, June Schwarcz,
KaySekimachi, Jack Stauffacher, Deborah Sussman, and Gene
Tepper.Additional information on this exhibition can be found on
the PST website
athttp://www.pacificstandardtime.org/past/artinla/exhibitions.html.Access
RestrictionsThe DVD compilation is only available on site at the
Getty Research Institute. Theinterviews that comprise the
compilation are open and available online.ArrangementThe digital
files containing the individual interviews have been arranged
alphabetically bythe surname of the interviewee.
Mixed Materials2011.IA.69-01
Video compilation of interviewsPhysical Description:
(Duplication master: 1 DVD)
Mixed Materials2011.IA.48-01
Printed ephemera: Press release, 2011
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Los Angeles Filmforum: "Alternative
Projections: Experimental Film in Los Angeles 1945-1980,"
2009-2...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 25
Los Angeles Filmforum: "Alternative Projections:
Experimental Film in Los Angeles1945-1980," 2009-2010
Physical Description: 1.6 Linear Feet(4 boxes: 92 optical discs;
204.1 GB)Scope and ContentsLos Angeles Filmforum's project,
"Alternative Projections: Experimental Film in LosAngeles
1945-1980," focused on the community of filmmakers, artists,
curators andprogrammers who contributed to the creation and
presentation of experimental film andvideo in Southern California
in the postwar era. Filmforum's 2011 exhibition was a seriesof film
screenings at the Egyptian Theater in Hollywood, as well as several
collaborativescreenings with other cultural organizations. L.A.
Filmforum's project included filmscreenings, oral history
interviews, and symposia, and was part of the Los
Angeles-basedPacific Standard Time: Art in L.A. initiative. A few
of the oral history interview videorecordings (DVDs) were not
playable when the Getty received them from Filmforum.Although these
few video recordings are unavailable thorough the Getty, the
transcriptsfor all Filmforum recordings are available in their
entirety.Materials date from 2009 to 2010 and include video
recordings of public paneldiscussions/symposia as well as video
recordings and transcripts of interviews withindividuals from the
Los Angeles postwar filmmaking community.Additional information on
this exhibition can be found on the PST website
athttp://www.pacificstandardtime.org/past/artinla/exhibitions.html.ArrangementInterviews
are arranged in alphabetical order by the surname of the
interviewee.Symposia (panel discussions) follow the
interviews.Access RestrictionsThe content of all the interviews is
open and unrestricted. The recordings and transcriptsexist solely
in digital format (electronic documents and recordings that were
transferredto the Archives on optical discs). The discs act as
archival masters and are thereforerestricted.Due to lack of
agreements from some public panel discussion participants,
paneldiscussions (transcripts and recordings) are only available on
site at the Getty ResearchInstitute or through Interlibrary
Loan.
Interviews Mixed Materials2012.IA.004-01
Andersen, Thom, January 10, 2010Physical Description: (Disc
05-07: video recording; Disc 08: transcript)
Mixed Materials2012.IA.004-01
Block, Beth, February 14, 2010Physical Description: (Disc 09-11:
video recording; Disc 12: transcript)
Mixed Materials2012.IA.004-01
Cannon, Terry, November 15, 2009Physical Description: (Disc
13-14: video recording; Disc 15: transcript)
Mixed Materials2012.IA.004-01
Casady, Chris, November 22, 2009Physical Description: (Disc
16-17: video recording; Disc 18: transcript)
Mixed Materials2012.IA.004-01
David, Sky, April 17, 2010Physical Description: (Disc 19-20:
video recording; Disc 21: transcript)Please note that this
interview contains mature content. Sky David discusses
someparticularly graphic details of his Vietnam War experience
during his videointerview.
Mixed Materials2012.IA.004-01
Erenberg, Sam, March 28, 2010Physical Description: (Disc 22-23:
video recording; Disc 24: transcript)
Fles, Michael (formerly known as John Fles)
June 27, 2009
http://www.getty.edu/research/library/using/interlibrary_loan.htmll
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Los Angeles Filmforum: "Alternative
Projections: Experimental Film in Los Angeles 1945-1980,"
2009-2...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 26
Mixed Materials2012.IA.004-01
Fles, MichaelPhysical Description: (Disc 25: video
recording)
Mixed Materials2012.IA.004-02
Fles, MichaelPhysical Description: (Disc 26-27: video recording;
Disc 28: transcript)
Mixed Materials2012.IA.004-02
Friedman, Roberta, February 19-20, 2010Physical Description:
(Disc 29-32: video recording; Disc 33: transcript)
Mixed Materials2012.IA.004-02
Gamboa, Harry Jr., May 8, 2010Physical Description: (Disc 34-35:
video recording; Disc 36: transcript)
Mixed Materials2012.IA.004-02
Getz, Mike, June 23, 2010Physical Description: (Disc 37-38:
video recording; Disc 39: transcript)
Mixed Materials2012.IA.004-02
Hock, Louis, April 18, 2010Physical Description: (Disc 40-41:
video recording; Disc 42: transcript)
Mixed Materials2012.IA.004-02
Lebrun, David, October 30, 2009 and January 23, 2010Physical
Description: (Disc 43-49: video recording; Disc 50: transcript)
Mixed Materials2012.IA.004-03
Mays, Peter, November 7, 2009 and April 3, 2010Physical
Description: (Disc 51-54: video recording; Disc 55: transcript)
Mixed Materials2012.IA.004-03
Nakamura, Robert, May 23, 2010 and August 22, 2010Physical
Description: (Disc 56-59: video recording; Disc 60: transcript)
Mixed Materials2012.IA.004-03
Perkins, Jeffrey, June 5, 2010Physical Description: (Disc 61-62:
video recording; Disc 63: transcript)
Mixed Materials2012.IA.004-03
Pike, Angeline, January 9, 2010Physical Description: (Disc
64-65: video recording; Disc 66: transcript)
Mixed Materials2012.IA.004-03
Scaff, William, May 2, 2010Physical Description: (Disc 67-68:
video recording; Disc 69: transcript)
Mixed Materials2012.IA.004-03
Scroggins, Michael, March 27, 2010 and May 9, 2010Physical
Description: (Disc 70-73: video recording; Disc 74: transcript)
Mixed Materials2012.IA.004-04
Thomas, Kevin, October 21, 2010Physical Description: (Disc
75-76: video recording; Disc 77: transcript)
Mixed Materials2012.IA.004-04
Rice, Craig and Keith Ullrich, January 16, 2010Physical
Description: (Disc 78-80: video recording; Disc 81: transcript)
Ullrich, Keith [See interview under Craig
Rice]Mixed Materials2012.IA.004-04
Whitney, John Jr., April 24, 2010 and July 24, 2010Physical
Description: (Disc 82-84: video recording; Disc 85: transcript)
Mixed Materials2012.IA.004-04
Wilson, David, January 30, 2010Physical Description: (Disc
86-88: video recording; Disc 89: transcript)
Mixed Materials2012.IA.004-04
Wilson, Diana, May 1, 2010Physical Description: (Disc 90-91:
video recording; Disc 92: transcript)
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Los Angeles Filmforum: "Alternative
Projections: Experimental Film in Los Angeles 1945-1980,"
2009-2...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 27
Symposia/Panel discussions
Access RestrictionsDue to the lack of agreements from some
public panel discussion participants, paneldiscussions (transcripts
and recordings) are only available on site at the GettyResearch
Institute or through Interlibrary Loan.
Mixed Materials2012.IA.004-01
Sing Wing Turquoise Bird Panel Discussion, November 13,
2010Physical Description: (Disc 01: video recording; Disc 02:
transcript)Scope and ContentsAlternative Projections Symposium.
Moderator: Adam Hyman. Panel Participants:Amy Halpern, Shayne Hood,
Larry Janss, David Lebrun, Peter Mays, and MichaelScroggins.
Mixed Materials2012.IA.004-01
Los Angeles Independent Film Oasis Panel Discussion, November
14, 2010Physical Description: (Disc 03: videorecording; disc 04:
transcript)Scope and ContentsAlternative Projections Symposium.
Moderator: Terry Cannon. Panel participants:Morgan Fisher, Roberta
Friedman, Amy Halpern, Tom Leeser, Beverly O'Neill, PatO'Neill,
Grahame Weinbren, and David Wilson.
Mixed Materials2011.IA.48-01
Printed ephemera: Press release, January 27, 2010
Orange County Museum of Art: "State of Mind: New
California Art circa 1970,"2009-2011
Physical Description: 0.1 Linear Feet(1 shared box: 3 optical
discs; 6.3 GB)Access RestrictionsDue to rights restrictions, the
exhibition planning notes are only available in the ReadingRoom at
the Getty Research Institute and the public discussions are only
available fromcomputers on-site at the Getty.ArrangementMaterials
are arranged with the video recordings first followed by the
exhibition planningnotes.Scope and ContentsMaterials comprise video
recordings of public conversations sponsored by the OrangeCounty
Museum of Art (OCMA) in relation to its exhibition "State of Mind:
California Artcirca 1970," which was part of the Pacific Standard
Time: Art in L.A. project. According toan OCMA press release dated
July, 2011, the exhibition was co-sponsored by theUniversity of
California, Berkley Art Museum and Pacific Archive and
featured"installations, photographs, videos, artists' books, and
extensive performancedocumentation . . . that demonstrate[d] the
crucial role of California artists on thedevelopment of Conceptual
art and other new genres." Materials also include
exhibitionplanning documents that comprise notes taken during
studio visits reflectingconversations with artists who were
contributing pieces to the show. No traditional oralhistories or
transcripts were received by the Getty. Exhibition documentation
includesbrief notes on conversations with each of the following
artists and one or more digitalimages of their work(s) of art: Paul
Cotton, Eleanor Antin, Lowell Darling, HowardFried,Charles Gaines,
Lynn Hershman, Doug Huebler, Suzanne lacy, Fred Lonidier, ChipLord,
Tom Marioni, Paul McCarthy, James Melchert, Ed Ruscha, Darryl
Sapien, AllanSekula, Paul Kos, and Barbara Smith.Additional
information on this exhibition can be found on the PST website
athttp://www.pacificstandardtime.org/past/artinla/exhibitions.html.
http://www.getty.edu/research/library/using/interlibrary_loan.html
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Orange County Museum of Art: "State of Mind:
New California Art circa 1970," 2009-2011
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 28
Public discussions Mixed Materials2012.IA.002-shared
"Opening Day Artists' Talks," October 9, 2011Physical
Description: (Videorecording: 1 DVD)
Mixed Materials2012.IA.002-shared
"Student Night: Barbara Smith in Conversation with Juli Careon,"
October 20,2011
Physical Description: (Videorecording: 1 DVD) Mixed
MaterialsShared2012.IA.002;2012.IA.003-02
Exhibition planning notes, 2009-2010Physical Description: (1
CD)
Mixed Materials2011.IA.48-01
Printed ephemera: Press release, July 2011
Otis College of Art and Design: "Doin' It in Public:
Feminism and Art at the Woman'sBuilding (1973-1991)," 2009-2012
Physical Description: 2.2 Linear Feet(4 boxes: 46 optical discs
and 26 video tapes; 110GB)Original recordingsArchival originals (26
Mini DV tapes and 1 recordable MD) are housed in
box2012.IA.51-04.Access RestrictionsThe recordings held by the
Getty Institutional Archives exist solely in digital
format(transferred to the Archives on DVDs and original tapes). The
tapes act as archivaloriginals. The recordings are open to
researchers and are available online through theOtis College of Art
and Design YouTube channel
athttp://www.youtube.com/course?list=EC9BF2A6F540F23156&feature=plcp ArrangementVideos
are listed according to the spreadsheet sent by the creator. They
are groupedtogether thematically and then arranged by the last name
of the interviewee or thetitle/subtitle of the work.Scope and
ContentsMaterials primarily comprise video recordings of oral
history interviews and videocompilations collected or conducted by
the Otis College of Art and Design in conjunctionwith its
exhibition, "Doin' It in Public: Feminism and Art at the Woman's
Building(1973-1991)." A press release introducing the exhibition
explains that from "1973 to 1991the Woman's Building housed and
supported the creation of highly original works inperformance,
graphics, literature, video and visual arts, and presented some of
theleading women artists of the time, including muralist Judy Baca,
artist Betye Saar,performance artist Suzanne Lacy, comedian and
actor Lily Tomlin, and authors KateMillett and Alice Walker, among
others." According to the press release, the intention ofthe
exhibition and related public events was to "document,
contextualize and pay tributeto the groundbreaking work of feminist
artists and art cooperatives that were centered inand around the
Los Angeles Woman's Building in the 1970s and 1980s." The
exhibitionand related videos were part of Pacific Standard Time:
Art in L.A., a city-wide project thatfocused on Postwar (1945-1980)
art in Los Angeles.Additional information on this exhibition can be
found on the PST website
athttp://www.pacificstandardtime.org/past/artinla/exhibitions.html.
Mixed Materials2012.IA.051-01
The Woman's Building History: Jerri Allyn, August 21,
2010Physical Description: (Duplication master: 1 DVD)
http://www.youtube.com/course?list=EC9BF2A6F540F23156&feature=plcp
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Otis College of Art and Design: "Doin' It in
Public: Feminism and Art at the Woman's Building (1973-...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 29
Mixed Materials2012.IA.051-01
The Woman's Building History: Betty Brown, January, 18,
2012Physical Description: (Duplicating master: 1 DVD)
Mixed Materials2012.IA.051-01
The Woman's Building History: Nancy Buchanan, April 17,
2010Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-01
The Woman's Building History: Sheila de Bretteville, January 4,
2010Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-01
The Woman's Building History: Carol Chen, Fall 2011Physical
Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-01
The Woman's Building History: Feminist Art Workers, November 14,
2009Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-01
The Woman's Building History: Anne Gauldin, 2010Physical
Description: (Duplicating master: 1 DVD)
Mixed Materials2012.IA.051-01
The Woman's Building History: Cheri Gaulke, 2010Physical
Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-01
The Woman's Building History: Betty Gordon, October 18,
2010Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-01
The Woman's Building History: Great Lady Rising, 2010Physical
Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-01
The Woman's Building History: Vanalynn Green, February 25,
2011Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-01
The Woman's Building History: Kirsten Grimstad and Susan Rennie,
March 13,2010
Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-01
The Woman's Building History: Susan King, March 13, 2010Physical
Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-01
The Woman's Building History: Eloise Klein Healy, January 31,
2010Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-01
The Woman's Building History: Michele Kort, February 20,
2012Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-02
The Woman's Building History: Leslie Labowitz, March 10,
2010Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-02
The Woman's Building History: Suzanne Lacy, February 25,
2011Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-02
The Woman's Building History: Los Angeles Women's Video Center,
November 14,2009
Physical Description: (Duplication master: 1 DVD)
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Otis College of Art and Design: "Doin' It in
Public: Feminism and Art at the Woman's Building (1973-...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 30
Mixed Materials2012.IA.051-02
The Woman's Building History: Bia Lowe, December 10,
2010Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-02
The Woman's Building History: Paula Lumbard, March 13,
2010Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-02
The Woman's Building History: Helene Ly, December 10,
2010Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-02
The Woman's Building History: Sue Mayberry, 2011Physical
Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-02
The Woman's Building History: Cynthia Marsh, 2010Physical
Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-02
The Woman's Building History: Deena Metzger, February 13,
2010Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-02
The Woman's Building History: Susan Mogul's Woman's Building,
2010Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-02
The Woman's Building History: Mother Art, March 13, 2010Physical
Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-02
The Woman's Building History: Linda Nishio, April 10,
2010Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-02
The Woman's Building History: Gloria Orenstein, Aigust 21,
2010Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-02
The Woman's Building History: Phranc, February 20, 2010Physical
Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-02
The Woman's Building History: Sisters of Survival, February 13,
2010Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-03
The Woman's Building History: Cheryl Swannack, February 20,
2010Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-03
The Woman's Building History: Linda Vallejo, April 10,
2010Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-03
The Woman's Building History: Waitresses, September 14,
2010Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-03
The Woman's Building History: Terry Wolverton, February 13,
2010Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-03
Judy Chicago and Suzanne Lacy in Conversation, March 5,
2007Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-03
Pioneers of the Feminist Art Movement: Bruria Finkel,
2011Physical Description: (Duplication master: 1 DVD)
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Otis College of Art and Design: "Doin' It in
Public: Feminism and Art at the Woman's Building (1973-...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 31
Mixed Materials2012.IA.051-03
Pioneers of the Feminist Art Movement: Gilah Yelin Hirsch,
August 16, 2011Physical Description: (Duplication master: 1
DVD)
Mixed Materials2012.IA.051-03
Pioneers of the Feminist Art Movement: Joyce Kosloff,
2011Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-03
Pioneers of the Feminist Art Movement: Rachel Rosenthal,
2011Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-03
Pioneers of the Feminist Art Movement: Barbara T. Smith,
2011Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-03
Pioneers of the Feminist Art Movement: Tribute to June Wayne,
2011-2012Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-03
Pioneers of the Feminist Art Movement: Ruth Weisberg,
2011Physical Description: (Duplication master: 1 DVD)
Mixed Materials2012.IA.051-03
Memories of the Woman's Building, October 15, 2011Physical
Description: (Duplication master: 1 DVD)Scope and ContentsFeaturing
Katya Biesantz, Kathleen Forrest, Chutney Gunderson, Ann Isolde,
MariaKarras and Marguerite Elliot, Jenay Meraz, Julia Paoli, Rha
Nickerson, and Laura Silagi.
Mixed Materials2012.IA.051-03
Still Doin' It: Fanning the Flames of the Woman's Building,
symposium, October 15and 16, 2011
Physical Description: (Duplication masters: 2 DVDs)GeneralVideo
features Sheila de Brettville, Susan E. King, Suzanne Lacy, Onya
Hogan-Finlay,Elana Mann, and Audrey Chan. Please note that Disc 1
is scratched, rendering the lastfive minutes of the Hogan-Finlay
lecture unreadable.
Mixed Materials2011.IA.48-01
Printed ephemera: Screenshots of exhibition webpages, 2011
-
Getty Foundation funded Pacific Standard Time oral histories,
Series I.2008-2012Pomona College Museum of Art: "It Happened
at Pomona: Art at the Edge of Los Angeles, 1969-1973," 20...
Finding aid for the PacificStandard Time: Art in L.A.Recordings,
2008-2012 IA40011
IA40011 32
Pomona College Museum of Art: "It Happened at Pomona: Art
at the Edge of LosAngeles, 1969-1973," 2008-2010
Physical Description: 0.2 Linear Feet(1 box: printed
material)ArrangementTranscripts were received in print. They are
arranged in alphabetical order by theinterviewee's surname.Access
RestrictionsRelease forms were not received from Brewster,
Ruppersberg, or Turrell; thosetranscripts are closed until such
time as the Getty receives permissions to provide accessto them.
All other transcripts received from Pomona College are available on
site at theGetty Research Institute.