Top Banner
Ferrer Bassa: A Man of Mystery
16
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Ferrer Bassa

Ferrer Bassa: A Man of Mystery

Page 2: Ferrer Bassa

Background

• One of the most prolific artists who came from Catalonia region of Spain

• Although commissioned for many works, only few survive

– Major 2 surviving works…

• His fresco in Pedralbes

• His Book of Hours of Mary of Navarre

Page 3: Ferrer Bassa

Thesis

Although Ferrer Bassa is known for being a facet of Catalonian art in the middle ages, his most notable works: The Book of Hours for Maria of Navarre and St. Michael’s Chapel in Pedralbes are essentially Italian for clear employment of highly similar technique.

Page 4: Ferrer Bassa

Book of Hours

• 1342, King Pedro inquires for his wife Maria of Navarre to receive a book of hours in Valencia

– Siennese influence

• – Millard Meiss

• Use of ‘quatrocento’ figure

Page 5: Ferrer Bassa
Page 6: Ferrer Bassa

Basic Info about Pedralbes

• 1326, Elisonda de Moncado, Queen of Jaime II (crown of Aragon) created Pedralbes as a convent for the Poor Clares

• Her niece Francesca Saportella I of Pine, commissioned Bassa in 1346 to paint a fresco in St. Michael’s Chapel within

• The name comes from the Latin, ‘petras albas’ (white stones), which evolved into the Catalan ‘pedras albas’, named after the high quality of white stone used

Page 7: Ferrer Bassa

St. Michael’s Chapel (Pedralbes)

Page 8: Ferrer Bassa

Cont…

Page 9: Ferrer Bassa
Page 10: Ferrer Bassa

Notable scenes within Pedralbes

- St. Peter’s arrest

- Mary at the foot of the cross

- The descent of Nicodermos

- Expressiveness, personality, individualization

- Overall depicts “scenes from the life of Christ and Franciscan saints”

Page 11: Ferrer Bassa

Materials

• Azurite that has oxidized to malachite green

• Flesh tones were painted in lead white that has oxidized into black

• Known for smooth brush strokes,

– “diffusion without hardness or chromatic contrasts”

Page 12: Ferrer Bassa
Page 13: Ferrer Bassa

Giotto

Page 14: Ferrer Bassa
Page 15: Ferrer Bassa
Page 16: Ferrer Bassa

Sources

• Gibbs, Robert. "Ferrer Bassa and the Psuedo-Ferrer at Pedralbes." Apollo. 136. (1992): 226-232. Print.

• Guarro, Mariangela S. Ferrer Bassa: Les Pintures De La Capella De Sant Miquel Al Monestir De Pedralbes (Catalan Edition). Montserrat Mateu Taller Editorial, 1993. Print.

• Gudiol , and i B. S. Alcolea. Pintura tica Catalana. Barcelona: grafa, 1986. Print.

• King, Georgiana Goddard. "The Journey of Ferrer Bassa."Art Bulletin. 16.2 (1934): 116-122. Print.

• Museu Nacional D’Art de Catalunya’s Catalonia 1400 : The International Gothic Style exhibit publication

• Newton, William. "Pedralbes." Catholic Barcelona. 8 Feb. 2010. Web. 10 Apr. 2012. <http://catholicbarcelona.com/2010/02/08/pedralbes/>.

• Russell, P E. Spain: A Companion to Spanish Studies. London: Methuen, 1973. Print.• Stokstad, Marilyn. Medieval Art. Boulder, Colo: Westview Press, 2004. Print.• Pascual, Raquel. "PASION Y RESURRECCION EN LA PINTURA ALAVESA. (SIGLOS XIV-

XVI)." Artes Plasticas y Documentales. (1994): 69-119. Web. 10 Apr. 2012. <http://www.euskomedia.org/PDFAnlt/arte/12/12069119.pdf>.