Fashion Trendsetter Color Trends Vol

8/18/2019 Fashion Trendsetter Color Trends Vol

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Fashion Trendsetter Color Trends Vol. III | Spring / Summer

T R E N ! N E T R E N

T R E N T # R E E T R E N FCOPENHAGEN INTERNATIONAL FASHION FAIR

Fall/Winter 2007-08 TRENDS

SUAR!

Introduction

The season’s moods and trends


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"# $E %UIET

Aspire to calm, well-being and modern organic design

2# NEO WOR&

Play with seductiveness in an urban neo-uniform

'# ECLECTIC CHIC

Use humour and flair to take a new look at classics

(# RETRO FUTURE

!periment with soft tech and science fiction for a poetic future

INTRODUCTION

After years of "intage-oriented styles, the renewed focus on structure, shape and ultimately design,

witnessed over the past few seasons, continues togain momentum#$rom an attitude of passeist retreat we are now once again turning to future%

Tomorrow future, which is loosing its cold edge, will reintegrate reassuring values and beanimated with fantasy-futuristic energy%Tomorrow the refuse that overwhelms us, the notions of $air Trade and recycling will become prete!ts for heightened creativity% &ow more than ever, our yearning for colour and te!ture will enhance our vision of a future that

tended to be too virtual% 'rain, thickness, sheen, subtle harmonies and chromatic vibrations will bring more human touch%

(eanwhile, the everyday environment takes a pragmatic turn% $ashion codes are less complicate,messages are clearer% This season show its dual nature) there is time for tran*uillity, intimacy,

softness, for the simple poetry of functionality, but there is also a time for self-e!pression, personali+ation, breaking away from normality%

$E %UIET$ashion is calmer and worked with greater natural style% It is time to refocus on oneself% hapes aresimplified to get to the essentials% esign serves a well-being that now aims to be more pragmatic andstreet led%

COLOURS

A range with a predominance of coloured neutrals% hades of string, kraft paper, fawn and taupe beige%

.eally simple flannel, chin/, bluish and greenish grays% (oderni+ed with a washed blue or red accent%0ivened up with an occasional flash of snow white%

FA$RICSS)*t +r)te,ti)n% $oamback woollens, double faces, shearlings, felted chin/ cottons%


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S+)rt ,),))n% $ine scroopy featherweight padded nylons% (icro *uiltings% 1ulky but light cottondouble-weaves or organic cottons%

C..l ,)tt)n% 1rushed twills, velvety cottons, vintage moleskins, emeri+ed shirtweight twills and

flannelettes%S)*t ,1i,% 2ool3cashmere or wool3cotton broadcloths, wool flannels%Cit nit% $ine gauge, cashmere, merino wool, space dyed cotton3wool yarn% Plain 4erseys, chin/s,

tone-on-tone 4ac*uard motifs%C1ill-+r))* nit% 5rganic cotton, bamboo, soybean% &apped fleece, brushed , foamed, multi-layers 4erseys% 6eavy gauge knits, rustic wool, wool3alpaca% titchwork, two-tone graphic &ordic 4ac*uards%

$lrrin3% pot and camouflage prints imitating &ature%

WOENSWEAR

1aggy, fluid, supple and protective shapes, s*uare-cut for casual and citywear%

Sel*-+r)te,ti)n# Puffa coats% 770 parkas% nveloping 4ackets% Padded vests like crossovers or short

4ackets%Reall i4+le% 8over-up coats, kimono-cut 4ackets% .ectangular shift-style dresses% 0ong and shorttops and T-shirts to layer over leggings, slim or baggy pants% resses to drape and stretch with totalfluidity%

5)33in3 +irit% 6ooded sweats, ski-style or loose fluid leggings%

Detail

implified, wrap, drawstring and folded shapes% The supple comfort of dropped crotches for pants%6oods, turtlenecks, ring collars, incorporated scarf collars% 1uttonless closings%

A,,e)rie

Tote bags, ballet pumps with wide straps, ankle boots in soft leather and te!tiles to tie%

9uilted bags and belts, inflated shapes%

%ENS"E&ROter6ear% 1o!y duffle-coats% treamlined multi-pocket or multi-+ipper parkas% oft blousons withwide ribbing% Padded vests%

Sla,% upple, minimal finishings, concealed +ippers% 2hite 4eans%

S1irt% To treat like sweatshirts with striped ribbing and incorporated knit hoods%

&nit6ear% lim crew neck sweaters, colour contrast neckline or flatlock stitching% $ur-lined sweat blousons% 8hunky winter sport sweaters with mock turtleneck collars%

Detail

6oods, detachable fur-lined hoods, high collars%.ounded seaming, tone-on-tone topstitching, thermofused interior edging in bright colours%

A,,e)rie

6at, scarf and gloves in knitted wool%esert boots, :air bag: trainers%

NEO WOR& Utility and workwear as ever; Uniforms and work gear are revisited and given chic, fun, retro or kitschtreatments; The raw industrial spirit is worked in a lu!ury version%

COLOURS

An intense palette, pigment-rich colours% .usset, burnt, tawny and leather colours, reddish brownscounterbalanced by cool shades of greenish grey, iron grey, tar, bottle green, uniform blue# patinatedand metallic%


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FA$RICS

Clai, re*eren,e% 8asual suitings, masculine mock plains, two-tone or coloured chin/ twills and

broadcloths, pronounced cavalry twills, in wool or cotton% (a!i corduroys%C1i, 6)r6ear% 8otton sateens, broken twills, tight weave gabardines, dense moleskins%All-+r+)e# 8oated plain weaves, rubberi+ed light canvas, authentic denims% 1iker leathers%

T1e retr) t),1# (icro prints, geometrics or overdyed florals in blouse weights%Patinate. nit% $ine gauge 4erseys in printed yarns, chin/ or recoloured with deliberately uneven orwashed-out dyes% In heavy gauge, fancy ribs in blended cotton3lwool, acrylic3wool%

WOENSWEAR

Uni*)r4 l)) % traight belted coats% 8lassic overcoats with well-proportioned shapes% urplus-styleworkwear 4ackets%

Retr) +irit% The importance of rounded, egg-shaped blousons, short over4ackets to wear with slender

tulip skirts% ungarees, cropped carrot-shape pants, winter shorts% lim 4eans% 8harming blouses%Patterns, colours and shapes are mi!ed%S4art )t.))r% 8asual, architectural and functional shapes% Protective trench coats, rain-slicker coats,heavy duty parkas, army 4ackets, biker 4ackets, dungaree dresses, heavy-duty sweaters%

%

Detail

Ad4ustable tabs, webbing, apron straps%(etal buckles, snaps, aged metal rivets%1ellows pockets, snap pockets%

A,,e)rie

Thick webbing belts% 0eather gloves with buckle cuffs%8onvertible strappy or +ipped bags%Intarsia 4ac*uard socks% .ubber boots%

ENSWEAR Oter6ear# 8ropped trench coats and double-breasted neo-reefers% $or weekend wear, oversi+e parkas, giant pockets, shoulder tabs%5a,e# Urban over4ackets, fitted shape, patch pockets% lim, multi-pocket workwear 4ackets% $leece-lined blousons% "ests between sportswear and citywear%

Pant% 0oose, revised with workwear details% &eo-carpenter style, workwear dungarees%

S1irt% $unctional, multi-pockets and multi-snaps% 8ollarless shirts%

S6eater% titchwork, chunky handmade-style cardigans, thick, shawl or +ipped collar sweaters%

Detail

Ad4ustable tabs, double rows of metallic snaps%laborate pockets, wide belt loops, horn buttons, fancy flaps%

A,,e)rieAged leather belts% Ankle boots in bleached and patinated leather%$unctional bags in canvas and worn grainy leather%

ECLECTIC CHICUnbridled imagination, offbeat classics% Anything goes when it comes to unconventional style and

humour% Influences are remi!ed in a lu!urious and cheap, masculine-feminine spirit, inspired by1ritish know-how%

COLOURS

legant and subtle darks, flannel grey, navy, burgundy, club green, mahogany, mi!ed together with chicin multicolor harmonies, or set off by eccentric accents to assert one


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FA$RICS

T1e it +irit% 8ombed suitings, fluid plains, muted stripes smooth, creased or crumpled in

cotton3wool% Two-tone neo-tweeds% 6erringbones% $lannels%Sil +re,i)ne% 2ashed silks, figured linings, satins, necktie 4ac*uards%$riti1 re4i% 2ool or cotton% Prince of 2ales, plaid, tartan and blanket checks, club stripes, with or

without shape memory stainless steel yarns% (i! all patterns% 8ombine shaggy coloured furs,corduroys, fleece and cottons printed with punk or grunge style tags;

Unal ,)tt)n% ip-dyed twills and denims to destandardi+e products%

S1irtin3% $lanneli+ed, embroidered and customi+ed checks% (asculine shirt stripes for women%Tra.iti)nal nit# In fine gauge, mini 4ac*uards like necktie patterns% (oss stitch, two-tone ribbing,Argyle 4ac*uards%

WOENSWEAR

8lassics are reviewed and worn in decodified ways with new proportions and enlarged volumes%a,line/*e4inine% (ismatching city suits, broad-shouldered 4ackets, loose or baggy pants withopen pleats%E,,entri, l)) % 5versi+e coats, men


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An une!pected, slightly retro and aged range with beiges and ochres from old maps, ash browns andgreys, powdered orangy and pinky shades# harmoni+ed or in clashes with flashy and grating colours borrowed from the world of sport%

FA$RICS

D)le +r)te,ti)n% ouble-faced woollen fabrics, supple reversibles, soft techno carapace effects%

C1ill-+r))* te,1ni,al% (icro *uilting on multilayer cottons or silky polyesters% 1iodegradable padding%

C)4+a,t nit% tretch cotton fleece, 4erseys, interlocks%

R)31 6ar4t1% haggy, wild furs%Caal retr)% Thick leathers% .ugged cottons, compact twills, drills, ticking stripes% 2ith stretch to provide greater support% =inetic prints and 4ac*uards for shirting%Ne6 r)4anti,% 8hiffon, layered gau+e% 0ace knits, d/vor/, fluid, crepe 4erseys% 6eavy gauge Aranknits, cable, honeycomb stitches, bukky without weight%

WOENSWEAR

hell, supple, compact, ergonomic, casual or more feminine shapes%Str,tre.% 8arapace coats, shapely tailored 4ackets, cosmonaut blousons and over4ackets, with tube

pants or seamed knickers%In*late. 1a+e% $ancy micro or macro shapes and volumes for T-shirts and sweatshirts to wear with

body-sculpting bustier dresses%Unal *e4ininit% 8rumpled flowing petticoats, seamed fluid dresses to wear with Irish knitsweaters or little shell sweaters% Undersweaters in fine gauge knit%

Detail

eaming, insets%

Puffed, cropped cuff or elbow length sleeves%6igh, tunnel, stiff, straight and ring collars%

A,,e)rie

Tights and leggings in lace or te!tured knit%

(olded boots and gloves% 6elmet-shaped hat%Thick leather bo! bags%

ENSWEAR

5a,et# porty and smart, trapper and flying 4ackets and e!plorer anoraks, in cocoon and anatomicallydesigned shapes% Urban over4acket in technical materials%

9et% leeveless protection, retro ski look Sla,% lim fit, minimal ergonomics% &eo slacks with twisted seams% Pared-down 4eans with multiseaming%&nit6ear% weaters with high :neck brace-style? collars%

Detail

$ur trimmed hoods, detachable fur linings and collars%Padded reinforcement%8uts, seaming, insets, decorative topstitching on slacks%

A,,e)rie

oft sport shoes with buckles%

tudded bo!y bags%

Spring 2008 Colors


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T1e Free.)4 in D)in3 Ot1er6ie

LAUNCHING into a season marked by energy and difference.

Rediscovering a taste for the present,

anchoring onesef in reaity,

savo!ring the dynamic of the ephemera

and "oining in tomorro#$s time.

%eighting in connivances bet#een ne!traity and coo!r,

tasting the compementary aiances of nat!re and artifice,

of sport and !rban !niverses.

&ertiising affinities bet#een nat!ras and synthetics

shine and mattness

compacts and f!ids

stretch and transparency.

%aring to move o!t from the shado#s and savo!r fantasy.

'rightening #hat is tangibe,

i!minating emptiness,

h!manising the city,

soidifying contrasts,

provoking desire,

promoting the s!b"ective,

beieving in the po#er of creation.

(!mping onto the springboard to difference

and finding the freedom in doing other#ise.

A))*R+ING yo!rsef, and bringing the energy of coo!r into the ight of day. )avo!ring the !minosity of their

compementary and !nepected aiances, their bod and deicate coisions, their specific harmonies. A dense and

moving range of coo!rs in #hich to enveop and fa!nt yo!rsef, thanks to their partic!ar nat!re. As springboards to

vivacity, ne!tras position themseves as aies and not essentias. +hey m!tipy in n!ance, tone and va!e to gain in

neatness, and to find the acc!racy of coo!r associations. As rare and indispensabe p!nct!ations, darks !nderine

!minosity. +hey revea their constr!ctive restraint #ith precision, and combine in meas!red opposition. As vectors of

energy, brights initiate motion. +hey procaim their affirmed temperaments and position themseves as inciters of

contrasts, to stim!ate ne!tras and eniven soft tones. As dynamising sparks, acidic tones pay the roe of agitators.

+hey eat carity in coo!rs, and manifest their tangy freshness to !pset darks, activate ight shades and teasebrights. As an energising f!cr!m, yeo# inf!ses tones, brightening !p beiges, ightening greys and #ooing p!rpish

shades to incite grating compementarities.

TRENDZOOM™ Forecast S/S 2008 p!bished - &ebr!ary /001 - 23 pages 415644-7+his compete #omens#ear forecast is packed #ith origina, detaied CA% sketches,providing print ideas, coo!r !sage and stying inspiration for a #omen$s areas. Accessorydesigns add the finishing to!ches to every trend.

FUTURIST 6 a space6age vision of the f!t!re.UR!ES"UE 6 kitsch foras in sa!cy designs.#URIT$ 6 red!cing designs to the bare minim!m.

E%CESS 6 ornamenta and decorative are key b!886#ords.S$NT&ETIC 6 "eans and sports#ear #ith a f!nky t#ist.

http://www.fashioninformation.co.uk/members/2007/8765.htmhttp://www.fashioninformation.co.uk/members/2007/8765.htmhttp://www.fashioninformation.co.uk/members/2007/8765.htmhttp://www.fashioninformation.co.uk/members/2007/8765.htm


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Fas'ion colo(rs )or !eat'er Spring/S(**er 2008

+he c!rrent edition of the +&L Coo!r +rends 9 &ashion Inspirations cataog!e for the spring:s!mmer

/004 season deas #ith the nat!ra theme fo#ers. +he ne# fashion trends bring !s a ret!rn to nat!re ino!r homes and on o!r bodies. ;rints of eaves and fo#ers mied together stand o!t strongy in the!niverse of the &ashion )ystem.

Colo(r consi+eration , c'ic -

Let


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Colo(r consi+eration classicLets have f!n #ith contrasts inspired by abstract painting, #here many coo!rs seem nat!ra, b!t are

not. Un!s!a coo!rs and combinations met into one another, paying !pon f!t!ristic and egoogican!ances. A harmony contamined by eectronics, #ith something chemica bended in to transformcoo!rschemas, #ith po#dery and noct!rna shades.


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Colo(r consi+eration cas(alLets rea #ith faded, amost invisibe coo!rs, contaminated #ith shades ifted from nat!re. A coo!rrange that gives a fase sense of sec!rity, #ith its ne!tra tones that take shape and stife the brightercoo!rs, di!ting one another. An intimate and peasant sense of harmony, enivened #ith ight andopaescent effects> #ith soft and deicate n!ances.


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Spring / Summer 2008

'(

#ere is )our top *0 +olor predi+tions ,rom &nne Tel,ord ,rom Ne- or Fashion "ee. #eidilum sa)s1 that in ,ashion one da) )ou3re in1 the ne4t da) )ou3re out 5ut -hen it +omesto +olors6 their popularit) shi,ts -ith the +ultural -inds. Colors +ome into prominen+e ,romde+ade to de+ade dri7en 5) in,luen+e ranging ,rom the state o, e+onom) to -orld politi+sand +ultural phenomena6 these ,a+tors e4amined 5) the +olor e4perts1 and the prismthrough -hi+h the) are 7ie-ed is the -orld o, ,ashion.

Ne- or ,ashion designers are ,lourishing in a season o, ne- 5eginnings1 using surprisingneutrals -ith inno7ati7e splashes o, +orals1 )ello-s and purples to +reate a spring in5loom. Tarragon is the ,reshl) +ut stem to the 5lossoming shades o, s-eet Stra-5err) I+e1

-arm olden &pri+ot and 7iolet6in,used #oll)ho+. Ca,9 Cr:me is the ri+h1 +ream) +ontrastto the serenit) o, +alming S) ;lue or the deli+iousness o, re,reshing rapemist.

The )ello- glo- o, gleaming reen Sheen and the 5lushing 5eaut) o, diaphanous Sil7er


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this vision are functional te!tiles, which are designed in consideration of both the

environment and the human body, and considered to be key in the creation of fashion

in DE% (s 2atanabe is well *ualified to e!plore this field, having worked with some

of $rance and apan’s top trend forecasters%

@@%>am B @D%>pm% Ccological fashion in the D@st century,? by (s% (asako 5ka of5ka (asako esign 5ffice, apan% apanese manufacturers have for some years been

concentrating on developing yarns and fabrics with Gecology’ as the theme% This

seminar will introduce these products and how fashion can best use these ecological

products%

D%pm B >%pm% C1odywear colour futures for pring 3 ummer DE,? by (r

(ichael 0eow of the IT1 Publications, U=% This seminar will outline trends in

styles, colours and fabrics for active and bodywear, including lingerie, underwear,

swimwear and sportswear%

>%>pm B J%>pm% CImpulses of ummer DE,? by (s% 1randice 8hau of 8arlinInternational, 6ong =ong% (s% 8hau will give a presentation of the season on colours,

fabrics and consumer points%

Fashion Trendsetter1 online ,ashion and +olor ,ore+asting -e5site1 announ+ed the release o, theSpring/Summer 2008 +olor trends as t-o editions> Vol.02 and Vol.0?.

For the summer 20081 t-o di,,erent stories and ,our su5 trend +ards are prepared ,or ea+h +olortrends.

Spring/Summer 2008 +olor trends Vol.02 ha7e all the strongest hues ,or the summer regardingthe 5rightest -hilst darest +olor tones ,reshened 5) split +omplements.

Vol.0? is mu+h more lie a +and) store. Colors reminding o, e7er)one3s +hildhood -hile eepingup the pins and 5lues s+reaming out> It3s a ;o)@ or It3s a irl@.

Le Cuir à Paris - Trends Summer 2008

?e present yo! here#ith a previe# of the trends for s!mmer /004. +hey #i be f!rtherdeveoped in the net edition of L* CUIR A ;ARI).

+he +rend Gaery$s fashion information for );RING6)U@@*R /004 is reevant to a

segments of the eather market> ready6to6#ear, decoration, foot#ear, eather goods andgoves.

Elegances)!mmer /004 describes an intimate, in#ard6ooking #ord foc!sed on the body. It con"!res !pa person f! of ambivaent eegance, #ith contrasting or m!t!ay s!pportive !aities. Aperson fascinated by contemporary art #ho takes inspiration from digita photos, videoehibitions, concept!a instaations, vegeta design and and art. A #ay of s!cking in nat!reand spitting it o!t as a concept!a manifesto. A dream of #e6being and h!manised design. Aperson abe to reconcie etremes, from the mon!menta to the moec!ar, from theostentatio!s to the a!stere. ?e invite yo! to step into this ambig!o!s #ord and discover itsmany !aities.

Discreet an+ (colic%iscreet, they eat traditiona craftsmanship to give ne# va!e to modernity, and adopt a ne#


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reaed attit!de #hich combines charm and modesty #ith creativity. '!coic, they praise theret!rn to high !aity basics, timeess cassics, and reinvent fashion that is easy to #ear b!tsophisticated. In to#n or co!ntry, they !nch aro!nd a f!t!ristic kitchen tabe made frometerna materias and add a dash of hot ketch!p to their steamed organic vegetabes.

Cle.er an+ C(rio(s

+hey have dreamed of or visited fara#ay ands and have soaked !p a kinds of eotica. +heys!perimpose images of #id nat!re and !rban technoogy to no!rish their handicrafts. Landart sets the tone and feeds their cross6c!t!ra eoticism. +hey invent hyper6reaity and !tra6nat!re and !se synthetic imagery to transfig!re the ordinary. +hey respect traditions andadapt kno#6ho#. +hey are their o#n fashion designers, s#athe themseves in heavy fabrics,hammer eather and meta and pie on eaborate ornaments.

Free an+ rtisticUp to the min!te, they fit from one sho# to another captivated by design and avant6gardearchitect!re. &ascinated by active sports and #e being, they c!tivate a reaed sey attit!de.+hey p!nge into feverish nights and gamoro!s cocktais s#inging their gided or f!orescentpink accessories. +hey are addicted to brands and ogos, ove !!ry codes, one6off piecesand specia attention. )h!tting bet#een Los Angees, 'ase, @iami and %!bai, they are theiro#n fashion directors, c!stomise their sports bags, drop the hoods of their metaic roadstersand spra# on their streamined ac!ered sofas.

Mat'e*atical an+ Drea*@athematicians, chemists, engineers and poets have invented feibe, trans!cent materias 6eastic, s!ppe fabrics mindf! of skin. +hey dream of chrysaises and membranes s!spendedin space. +hey epore the sky map and the ocean foor to design a creat!re in parenthesis,hoding its breath, ight and immateria. +hey imagine b!bbe shapes, peated coroas, andp!ffy, infated siho!ettes. Lit !p by optica fibres and !mino!s crystas.

CO!OUR RN1E S(**er 2008+he ho!rs string o!t aong a bea!tif! s!mmer day. +he ha8y coo!rs of eary morning are

foo#ed by the s!nny h!es of !nch in the open air.+he b!ish shades of the siesta ho!r give #ay to the fashy, arty, fo#ery coo!rs of a fren8ieddance on the sand. At ast, the day dra#s to a cose, p!nges into deep night p!nct!ated by charred bro#ns andstriped #ith !mino!s fashes.

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