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facts about colors

Apr 04, 2018

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    COLORS

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    Definition

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    ColorDerives from the spectrum of light

    (distribution of light energy versus

    wavelength) interacting in the eye with the

    spectral sensitivities of the light receptors.

    Mr. ROY G. BIV

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    A COLORISDESCRIBEDIN

    THREEWAYS:

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    Shade and tintare terms that refer to a variation of a hue.

    A hue produced by

    the addition of white.A hue produced

    by the addition of black.

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    Subtractive Color. When we mix colors using paint, or through theprinting process, we are using the subtractive color method.

    Subtractive color mixing means that one begins with white and ends

    with black; as one adds color, the result gets darker and tends toblack.

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    Additive Color. If we are working on a computer, the colors we see onthe screen are created with light using the additive color method.Additive color mixing begins with black and ends with white; as morecolor is added, the result is lighter and tends to white.

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    Primary Colors

    The next aspect to the color wheel is creating the

    secondary colors. These colors are placed in

    triangles above the corresponding primary colorcombination. This system of color mixing is known as

    the subtractive process, because the resultingsecondary color subtracts or absorbs even more

    waves from the white light than the first color did.

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    The secondary colors are:

    orange (mix red + yellow)

    green (mix yellow + blue)

    violet (mix blue + red)

    These secondary colors are also known as

    The final step to creating the 12 step color wheel will be to create a ring around the

    newly formed primary and secondary color form. Divided into 12 equal segments,

    the primary and secondary colors shall be repeated to their corresponding segment

    within the surrounding ring. This will leave a blank segment between every two

    colors. In these blank segments the tertiary colorswill be created.

    Secondary Colors

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    The are: yellow-orange, red-orange, red-

    violet, blue violet, blue-green, and yellow-green.

    The sequence of colors on the color wheel should

    resemble that of the rainbow.

    We can now use our color wheel as the basis to

    understanding color and color combination techniques.

    Tertiary Colors

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    In color theory, a is the choice of

    colors used in design for a range of media.

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    TYPESOF COLOR SCHEME

    Analogous:Colors that contain a common hue and are

    found next to each other on the color

    wheel, e.g., violet, red-violet, and redcreate a sense of harmony. Remember

    adjoining colors on the wheel are similar

    and tend to blend together. They are

    effective at showing depth.

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    TYPESOF COLOR SCHEME

    Monochromatic:One color. A monochromatic color scheme

    uses only one hue (color) and all values

    (shades or tints) of it for a unifying and

    harmonious effect.

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    TYPESOF COLOR SCHEME

    Neutral colors:Contain equal parts of each of the

    three primary colors - black, white, gray, and

    sometimes brown are considered "neutral".

    When neutrals are added to a color only the

    value changes, however; if you try to make

    a color darker by adding a darker color to it

    the color (hue) changes.

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    TYPESOF COLOR SCHEME

    Warm colors:Suggest warmth and seem to

    move toward the viewer and appear closer,

    e.g., red and orange are the colors of fire.

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    TYPESOF COLOR SCHEME

    Cool colors:Suggest coolness and seem to

    recede from a viewer and fall back, e.g.,blue and green are the colors of water and

    trees).

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    TYPESOF COLOR SCHEME

    Complementary:Two colors opposite one another on the

    color wheel, e.g., blue and orange, yellow and purple,

    red and green.

    When a pair of high intensitycomplements are placed side by side, they seem to

    vibrate and draw attention to the element Not all color

    schemes, based on complementary colors are loud

    and demanding -- if the hues are of low-intensity the

    contrast is not too harsh.

    Intensity can only be altered by mixing a

    color with its complement, which has the effect of

    visually neutralizing the color. Changing the values of

    the hues, adding black or white, will soften the effect.

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    TYPESOF COLOR SCHEME

    Triad:A color triad is composed of three

    colors spaced an equal distance apart on the

    color wheel. The contrast between triad colors

    is not as strong as that between complements..

    Primary - red, yellow, and blue

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    TYPESOF COLOR SCHEME

    Triad:Secondary - by mixing two primary colors,

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    TYPESOF COLOR SCHEME

    Triad:Intermediate - colors are created by mixing aprimary and a secondary: Red-orange, yellow-

    orange, yellow-green, blue-green, blue-purple,and red-purple.

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    TYPESOF COLOR SCHEME

    Triad:Split complements - the combination of one

    hue plus the hues on each side of its

    complement. This is easier to work with than astraight complementary scheme. It offers more

    variety, e.g., red-orange, blue, and green.

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    TYPESOF COLOR SCHEME

    Triad:Double complementary - two adjacent huesand their opposites. It uses four colors arranged

    into two complementary color pairs. Thisscheme is hard to harmonize; if all four colors

    are used in equal amounts, the scheme may

    look unbalanced, so you should choose a color

    to be dominant or subdue the colors.

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    Spatial Effects

    Balance and Proportion

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    SPATIAL EFFECTS

    Hues that are lighter at maximum saturation (yellows, oranges) appear larger

    than those that are darker at maximum saturation (e.g., blues and purples).

    Saturation is the relative brilliance or vibrancy of a color. The more saturated a

    color, the less black it contains.

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    BALANCEAND PROPORTION

    Generally speaking, less saturated or busily detailed areas will draw attention

    and therefore seem to carry more weight than highly saturated or visually

    simpler areas.

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    EMPHASIS

    An area in a work of art that attracts the viewers attention first. The element

    noticed first is called dominant; the elements noticed later are called

    subordinate.

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    UNITY

    Allows the viewer to see a combination of elements, principles, and media as a

    whole. Unity is created by harmony, simplicity, repetition, proximity, and

    continuation. For example, you could use the repetition of a color scheme to

    unify a composition.

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    MOVEMENT

    Color can create a sense of movement. When the values in a work jump quickly from very

    high-key to very low-key, a feeling of excitement and movement is created. When all of

    the values are close together the work seems much calmer. When you want to create

    movement with color remember to use values of pure hues as well as those of tints and

    shades. Movement creates the illusion of action or physical change in position.

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    RHYTHM

    The use of repeated elements to create the illusion of movement. Visual

    rhythm is perceived through the eyes, and is created by repeated positive

    spaces separated by negative spaces. There are five types of rhythm: random,

    regular, alternating, flowing, and progressive.

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    Color Effects (Architectural Implications)

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    Physiological Effects

    Mystics have long held we emanate a colored glow, or aura,which is thought to effect the state of a person's health and

    spirituality. Today, chromotherapy is used to heal with colors. Thisform of treatment dates back thousands of years to the ancient"color halls" of Egypt, China, and India. A more prominent use ofcolor therapy occurs in environmental design (the effect of coloron health and behavior).

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    Emotional Effects

    The actual emotional effect of a specific color in an artwork

    depends partly on its surroundings and partly on the ides

    expressed by the work as a whole. To be surrounded by blue

    lighting in an installation is quite different from seeing a small

    area of blue in a larger color context. For many of us the

    emotional effects of art may be difficult to articulate.

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    Local and Expressive Color

    There are two opposite ways of using color in representational

    art. At one extreme is the local color - the color that something

    appears from nearby when viewed under average lighting

    conditions. We think of the local color of a banana as yellow, for

    example. At the other end of the extreme is the expressionistic use

    of color, whereby artists use color to express an emotional rather

    than a visual truth.

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    REDthe warmest and the most energetic color of the spectrum. Red is

    associated with love thus it is he color of Valentine s Day. It couldalso mean danger which is why most warning labels, emergency exit

    and stop signs come in red. Red represents anger, speed, violence

    and strength.

    Red is said to raise blood pressure or increaseyour heartbeat. Redwould not be ideal for hospitals, prisons or psychiatric wards.

    The Chinese believe that red symbolizes luck and celebration. It is

    used from birthdays to weddings.

    For the Indians, red is the color of purity.

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    Blue

    Blue means calm and tranquility. It may mean peace, stability, and harmony.

    Blue is also the color of trust, truth, confidence, security, cleanliness, order, cold,

    water, sky and loneliness.

    Blue reduces ones appetite, slows the pulse rate and lowers your temperature.

    Blue is also commonly used for business because it communicates reliability and

    trustworthiness.

    The Chinese associate blue with immortality. In Colombia blue is associated with

    soap. For the Hindus, it is the color of Krishna. The Jews believe blue is a holy

    color. In the \middle East, blue is the color of protection. These may be the

    reasons why blue is considered t be the safest global color.

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    green

    The color of nature. It represents the environment, good health, luck, youth,

    vigor, spring, fertility, envy, inexperience or misfortune.

    The coolness of green soothes, calms and is said to have great healing powers.

    Surgeons wear green in most operating rooms.

    In India, green is the color of Islam. It also has religious significance for Catholics

    in Ireland. In some tropical countries, green may mean danger.

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    yellow

    Yellow is happiness, idealism, joy, imagination, hope, summer. Sunshine, gold,

    dishonesty, cowardice, illness and inspiration.

    The yellow rose symbolizes friendship. Asian see yellow as sacred and imperial.

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    black

    The color of power, sexuality, sophistication, elegance, wealth, fear, evil, depth,

    sadness, remorse and death. In fashion, black is a favorite color. It is associated

    with formality and class. Clothes also look more expensive when they come in

    black.

    Black is said to be the absence of light or color.

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    orange

    Orange is an energetic color. It is probably the most attention-getting color. This

    is why most warning signs come in orange. It also means warmth, balance,

    enthusiasm, vibrance and flamboyancy.

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    purple

    Purple is the color of royalty, spirituality and nobility. It also represents wisdom

    and mystery. Wizards in fairy tales often wear purple. Purple may also mean

    arrogance, cruelty and enlightenment.

    Purple is also associated with creativity.

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    white

    When colors come together in perfect balance, we see white. It is the color if

    purity, simplicity, cleanliness, precision, innocence, birth, winter, snow and good.

    In visual representations of good and evil, white is usually associated with the

    good guys.

    In Japan, white carnations signify death. The Chinese likewise see white as a

    color for mourning.

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    Color as an integral part of perceptual system whichhelp us to:

    Identify and define objects in space;

    Acts as signaling device which is evidence of

    certain conditions and;

    Conveying information about the

    surroundings.

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    Uses of color and lighting in

    building:1. To give direction2. To warn or call attention to an object or event

    3. To modify or change structure4. To establish a desired environment5. For sheer physical relief6. Simply for pleasure or enjoyment7. To arouse human instinct (psychological)

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    Color serves many aestheticpurposes in the design of thebuilding, namely:

    It creates an atmosphere

    It suggests either unity or diversityIt expresses character of materialsIt defines formIt affects proportionsIt brings out scaleIt gives a sense of weightIt projects value in physical propertiesIt brings out composition/organization of structures.

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