Selected readings from The Portable Harlem Renaissance Reader • W. E. B. Du Bois, “Returning Soldiers” (1919) • Alain Locke, “The New Negro” (1925) • Langston Hughes, “The Negro Artist and the Racial Mountain” (1926) • W. E. B. Du Bois, “The Criteria of Negro Art” (1926) • Sterling Brown, “Odyssey of Big Boy” • Claude McKay, “If We Must Die” (1919) • Claude McKay, “The White House” (1922) • Claude McKay, “The Negro’s Friend” • Langston Hughes, “The Negro Speaks of Rivers” (1921) • Langston Hughes, “Negro” (1926?) • Langston Hughes, “Elevator Boy” (1925) • Countee Cullen, “Heritage” (1925) • Zora Neale Hurston, “Drenched in Light” • Eric Walrond, “The Wharf Rats” • Georgia Douglas Johnson, “Old Black Men”
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Selected readings from
The Portable Harlem Renaissance Reader
• W. E. B. Du Bois, “Returning Soldiers” (1919)
• Alain Locke, “The New Negro” (1925)
• Langston Hughes, “The Negro Artist and the Racial Mountain” (1926)
• W. E. B. Du Bois, “The Criteria of Negro Art” (1926)
• Sterling Brown, “Odyssey of Big Boy”
• Claude McKay, “If We Must Die” (1919)
• Claude McKay, “The White House” (1922)
• Claude McKay, “The Negro’s Friend”
• Langston Hughes, “The Negro Speaks of Rivers” (1921)
• Langston Hughes, “Negro” (1926?)
• Langston Hughes, “Elevator Boy” (1925)
• Countee Cullen, “Heritage” (1925)
• Zora Neale Hurston, “Drenched in Light”
• Eric Walrond, “The Wharf Rats”
• Georgia Douglas Johnson, “Old Black Men”
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