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Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position
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Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Dec 18, 2015

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Page 1: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position

Page 2: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Erwin Panofsky (1892-1968)Neoplatonic theory

of lightScholasticism = visual logic of Gothic church

Page 3: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Two “controlling principles” assimilated as “mental habits” by the architects

Reims Cathedral, Reims, France, 1211-90

I. Panofsky’s Gothic Architecture + Scholasticism thesis

Scholastic thought = Visual logic

1. manifestatio - elucidation or clarification

2. concordantia (Latin) – reconciliation, pattern for considering problems in relationship to conflicting authority of the past.

Question (quaestio) followed by:videtur quodsed contrarespondeo dicendum

wholeparts (partes)smaller partes

membraquaestiones (questions)

articuli (articles)

Page 4: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Thomas Aquinas, Summa Theologica (1265-74)

I. Panofsky’s Gothic Architecture + Scholasticism thesis

Scholastic mental habits best represented in structure of summas

Thomas Aquinas, Summa Theologica (1265-74)

1.

Page 5: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Scholastic treatise organization13th century

11th-century manuscript

Paleographer Robert Marichal, “L’écriture latine et la civilisation occidentale,” in L’écriture et la psychologie des peuples (Paris: A. Colin, 1963), 199-247.

1. Homology between Scholastic thought and graphic composition 1.

Page 6: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Robert Marichal, “L’écriture latine et la civilisation occidentale,” in L’écriture et la psychologie des peuples (Paris: A. Colin, 1963), 199-247.

1. Homology between architecture and scholastic calligraphy 1.

Page 7: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Amiens CathedralLast Judgment portal, 1220-35

Autun CathedralLast Judgment portal, 1130-35

1.2. Contrast: Pre-Scholastic habitus vs. Scholastic habitus

Page 8: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Romanesque:determinate and impenetrable

High Gothic:Delimits interior from exterior

Maria Laach Abbey, Germany Cologne Cathedral, Germany

3. Pre-Scholasticism and Scholasticism on faith and reason (Romanesque vs. Gothic)

Page 9: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Romanesque:determinate and impenetrable

High Gothic:Interior projected through exterior

Maria Laach Abbey, Germany Cologne Cathedral, Germany

3. Pre-Scholasticism and Scholasticism on faith and reason (Romanesque vs. Gothic)

Page 10: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Romanesque:variety of subdivisions

Cluny III

Gothic: uniform division and subdivision

2.4. Panofsky on Gothic unity

Page 11: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Gothic: uniform division and subdivision

Amiens Cathedral

2.4. Panofsky on Gothic unity

Page 12: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Romanesque Cathedral of St.-LazareAutun, France, 1120-46

Gothic Cologne CathedralCologne, Germany, 1248-1322

5. Scholasticism insists on a homologous arrangement of parts and parts of parts 3.

Page 13: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Romanesque Autun Cathedral Gothic Cologne Cathedral

5. Scholasticism insists on a homologous arrangement of parts and parts of parts 3.

Page 14: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Romanesque Autun Cathedral Gothic Cologne Cathedral

5. Scholasticism insists on a homologous arrangement of parts and parts of parts 3.

Page 15: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Marienkirche, Pirna (near Dresden), Germany, 1502-46, Late Gothic hall church

6. Gothic with a tendency toward all too unified space: Late Gothic hall churches 4.

Page 16: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Marienkirche, Pirna (near Dresden), Germany, 1502-46, Late Gothic hall church

photographed with Canon EOS 5D lens

4.6. Gothic with a tendency toward all too unified space: Late Gothic hall churches

Page 17: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Marienkirche, Pirna (near Dresden)

Gothic with a tendency toward unified space: Late Gothic hall churches 4.

Page 18: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Marienkirche, Pirna (near Dresden)Gloucester Cathedral, England

choir b. 1337

nave, 1502-46

4.6. Gothic with a tendency toward all too unified space: Late Gothic hall churches

Page 19: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Marienkirche, Pirna (near Dresden)

nave, 1502-46

“wild men” on the flying rib in apse

4.6. Gothic with a tendency toward all too unified space: Late Gothic hall churches

Page 20: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Images of Soissons Cathedral (France) after WWI – inspired Pol Abraham’s “illusionism”

7. Scholasticism vs. the ends of the spectrum (illusionism) 5.

Page 21: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Romanesque Durham (and Caen) began by saying something before being able to do it

Gothic Chartres singulariter voluti (Latin) independently vaulted arches

5.7. Scholasticism vs. the ends of the spectrum (structural rationalism)

Page 22: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Panofsky: visual logicmid 19th cen.: structural

rationalism

1854-68

Pol Abraham: illusionism

Façade of Cologne Cathedral, Germany

Soissons Cathedral (France) after WWI

7. Scholasticism vs. the ends of the spectrum 5.

Page 23: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Panofsky: visual logic(demonstrated in architecture)

Scholasticism: cognitive logicdemonstrated in summas

Thomas Aquinas, Summa Theologica (1265-74)

6.7. Scholasticism vs. the ends of the spectrum

Page 24: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Two “controlling principles” assimilated as “mental habits” by the architects

Reims Cathedral, Reims, France, 1211-90

Panofsky’s Gothic Architecture + Scholasticism thesis

Scholastic thought = Visual logic

1. manifestatio - elucidation or clarification

2. concordantia (Latin) – reconciliation, pattern for considering problems in relationship to conflicting authority of the past.

Question (quaestio) followed by:videtur quodsed contrarespondeo dicendum

wholeparts (partes)smaller partes

membraquaestiones (questions)

articuli (articles)

Page 25: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Panofsky’s Gothic Architecture + Scholasticism thesis

concordantia (Latin) – reconciliation, pattern for considering problems in relationship to conflicting authority of the past.

Question (quaestio) followed by:videtur quodsed contrarespondeo dicendum

videtur quod, sed contra, respondeo dicendum“it is seen that,” “but on the contrary,” “I answer saying that . . .”

Thomas Aquinas, Summa Theologica (1265-74)

Page 26: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Plans

Nôtre-Dame Laon Cathedral Amiens Cathedral

7.8. Concordantia and confusing and contradictory trends

Page 27: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Bourges Cathedral

7.

Amiens CathedralLaon Cathedral (as planned)

8. Concordantia and confusing and contradictory trends

Page 28: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

Nôtre-Dame Laon Cathedral

7.

Romanesque St.-Étienne, Caen

Early Gothic “reverting back (?) monocylindrical piers”

8. Concordantia and confusing and contradictory trends

Page 29: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

St.-Denis, Paris

St.-Nicaise, Reims, Francefaçade 1231 (destroyed)

Nôtre-Dame, Paris, south transept1258-60, by Jean de Chelles

9. Concordantia – Sic et non – and the rose window 8.

Page 30: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

9. Concordantia – Sic et non – and the rose window 8.

France: Strasbourg Cathedral Italy: Cathedral of Assisi, 1140-1253

Page 31: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

9. Concordantia – Sic et non – Rayonnant elevation 9.

Reims Cathedral

Page 32: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

9. Concordantia – Sic et non – Rayonnant elevation 9.

Reims Cathedral St.-Denis, Paris, nave

Page 33: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

10.

Page 34: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

1979 2005

Medieval history and contemporary theory

Page 35: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

20th-century theorists who began education as medievalists:

George BatailleJacques LacanPierre BourdieuRoland Barthes

Page 36: Evaluating Panofsky’s “Gothic Cathedral as Philosophical Edifice” Position.

1972; Eng. translation 1984