www Eve Words & m A Base “Let Th The PraiseCharts Worship Band Series is a uniq These arrangements are geared towards a cont medium-sized orchestra. The core parts (rhyth Parts included Lead Sheet (SAT) – for worship leader and vocal t Rhythm – a more detailed chart for keyboard, gu Core Worship Band instrumental parts (writ Trumpet 1-2 Alto Sax Trumpet 3 (double Trombone 1-2 Tenor Sax 1-2 (dou Additional Orchestral parts (these en Bass Trombone/ Bari Sax (doubl Horn 1-2 (Frenc Flute/Oboe 1-3 Clarinet (double Individual string Strings (Synth) – Rhythm section: The Rhythm part is for the section play or drummer) with all the specific rhythms and chords nece arrangement. The Lead Sheet is a combination rhythm and the vocalists, worship leader, or rhythm player needing mo Piano, Vocal part includes a full piano part in “songbook fo comfortable with playing from a chord chart. When playin band the pianist would be advised to simplify this part in o the way". Vocals: We include both an SAT Lead Sheet and a SATB V When using the SAT part (soprano/alto/tenor), the bariton the melody (soprano) down an octave – any exceptions are When the part is written in unison, the men should sing it may be done as a solo. This method provides a contempor to-learn fashion. Written with core brass Written as a section Written as a section To contact us: Email feedback@ praisecharts.com or call (800) 695-6293 w.praisecharts.com erlasting God music by Brenton Brown and Ken Riley Arranged by Dan Galbraith d on the popular recording from the album e Praises Ring: The Best Of Lincoln Brewster” que and growing series of arrangements by some of today temporary “R&B horns” praise band sound, but at the sam m, vocals, and brass) may be enhanced with the other pa d in the PraiseCharts Worship Band Serie team Piano/Vocal (SATB) – includes written-out itars, and drums. Ac. Guitar – modified Rhythm part in appro tten as a section): s Alto Sax) ubles Trombone) hance the arrangement, but the Worship Band parts ma /Tuba Percussion 1,2 (Timp es Bass Trombone) ch Horn) es 3 rd Flute) g parts - Violin, Viola, Cello-Bass (note, all multi-note parts are – string reduction for keyboards yer (pianist, guitarist, essary for the d vocal chart meant for ore vocal cues. The ormat” for those not ng with a complete order to "stay out of Vocal/Piano score. ne/basses should sing e listed on the score. down one octave or it rary sound in an easy- Alternate keys: There is at least one accommodate either a keyboard-based the orchestra a more playable key, or to accessible if necessary. Other notes: Rehearsal numbers are “3”, providing the easy use of finger sig want to make impromptu changes durin verse of the song, “2” is the chorus, and there are exceptions. When a section is arrangement, it is labeled “1a” or “2a”, clearly notated to facilitate these impro instrumental part includes Lyric Cues to place. A note on brass stylings: For most title interpreted with jazz articulations and infl been notated very carefully to aid the play y’s top new arrangers. me time are scalable up to a arts in any combination. es piano part and SATB vocals opriate capo keys ay also stand alone): pani, Bells, Sus. Cym., etc) divisi) alternate key included to band or a guitar-based band, to give o make the vocal range more given in the form of “1”, “2”, and nals by the worship leader who may ng worship. Normally, “1” is the d “3” is a bridge or other section, but s repeated in its entirety later in the etc. All endings and repeats are omptu changes. Finally, each o aid the player in keeping their es, the brass parts should be ections in mind. They have yer in this interpretation. This arrangement has been created to synchronize with the Integrity iWORSH!P DVD series. DVD F – Song 2
28
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Transcript
www
Eve
Words & m
A
Base
“Let Th
The PraiseCharts Worship Band Series is a uniq
These arrangements are geared towards a cont
medium-sized orchestra. The core parts (rhyth
Parts included
Lead Sheet (SAT) – for worship leader and vocal t
Rhythm – a more detailed chart for keyboard, gu
Core Worship Band instrumental parts (writ
Trumpet 1-2
Alto Sax Trumpet 3 (double
Trombone 1-2 Tenor Sax 1-2 (dou
Additional Orchestral parts (these en
Bass Trombone/
Bari Sax (doubl
Horn 1-2 (Frenc
Flute/Oboe 1-3
Clarinet (double
Individual string
Strings (Synth) –
Rhythm section: The Rhythm part is for the section play
or drummer) with all the specific rhythms and chords nece
arrangement. The Lead Sheet is a combination rhythm and
the vocalists, worship leader, or rhythm player needing mo
Piano, Vocal part includes a full piano part in “songbook fo
comfortable with playing from a chord chart. When playin
band the pianist would be advised to simplify this part in o
the way".
Vocals: We include both an SAT Lead Sheet and a SATB V
When using the SAT part (soprano/alto/tenor), the bariton
the melody (soprano) down an octave – any exceptions are
When the part is written in unison, the men should sing it
may be done as a solo. This method provides a contempor
to-learn fashion.
Written with core brass
Written as a section
Written as a section
To contact us:
Email
feedback@
praisecharts.com
or call
(800) 695-6293
w.praisecharts.com
erlasting God
music by Brenton Brown and Ken Riley
Arranged by Dan Galbraith
d on the popular recording from the album
e Praises Ring: The Best Of Lincoln Brewster”
que and growing series of arrangements by some of today
temporary “R&B horns” praise band sound, but at the sam
m, vocals, and brass) may be enhanced with the other pa
d in the PraiseCharts Worship Band Serie
team Piano/Vocal (SATB) – includes written-out
itars, and drums. Ac. Guitar – modified Rhythm part in appro
tten as a section):
s Alto Sax)
ubles Trombone)
hance the arrangement, but the Worship Band parts ma
/Tuba Percussion 1,2 (Timp
es Bass Trombone)
ch Horn)
es 3rd
Flute)
g parts - Violin, Viola, Cello-Bass (note, all multi-note parts are
– string reduction for keyboards
yer (pianist, guitarist,
essary for the
d vocal chart meant for
ore vocal cues. The
ormat” for those not
ng with a complete
order to "stay out of
Vocal/Piano score.
ne/basses should sing
e listed on the score.
down one octave or it
rary sound in an easy-
Alternate keys: There is at least one
accommodate either a keyboard-based
the orchestra a more playable key, or to
accessible if necessary.
Other notes: Rehearsal numbers are
“3”, providing the easy use of finger sig
want to make impromptu changes durin
verse of the song, “2” is the chorus, and
there are exceptions. When a section is
arrangement, it is labeled “1a” or “2a”,
clearly notated to facilitate these impro
instrumental part includes Lyric Cues to
place.
A note on brass stylings: For most title
interpreted with jazz articulations and infl
been notated very carefully to aid the play
y’s top new arrangers.
me time are scalable up to a
arts in any combination.
es
piano part and SATB vocals
opriate capo keys
ay also stand alone):
pani, Bells, Sus. Cym., etc)
divisi)
alternate key included to
band or a guitar-based band, to give
o make the vocal range more
given in the form of “1”, “2”, and
nals by the worship leader who may
ng worship. Normally, “1” is the
d “3” is a bridge or other section, but
s repeated in its entirety later in the
etc. All endings and repeats are
omptu changes. Finally, each
o aid the player in keeping their
es, the brass parts should be
ections in mind. They have
yer in this interpretation.
This arrangement has
been created to
synchronize with the
Integrity iWORSH!P
DVD series.
DVD F – Song 2
Drums, El. Gtr. pulses only
B5
Medium Rock
Strength will rise as we wait
1x - add E.G. 8th note crunches2x - E.G. on melody with vocals
B5 Bsus
1 Verse
4up - on the Lord. wait up - on the Lord, we will wait up - on the Lord.
B5
7Strength will rise as we wait
1x - Add bass2x - sim.B5 Bsus
up - on the Lord. wait up - on the Lord, we will wait
10up - on the Lord. Our God,
B5 BD# E
You reign
BD# E
for - ev - - - -
F# G#m
er;
F#
14our Hope,
BD# E
our strong
BD# E
De - liv - - - -
F# G#m
er - er.cued note 2xo
F#
18You are - the ev -
Driving rockB2 Chorus
er - last - ing God, the ev -
E
22er - last - ing God. You do
G#m
7
not faint, You won't grow
E
26wear - y. You're the de - fend -
B
er of the weak. You com -
E
Key: BLead Sheet
Everlasting God(based on the recording from the album "Let The Praises Ring: The Best Of Lincoln Brewster") Brenton Brown & Ken Riley