Euro-Unit Catalog 2011.

Euro-Unit group is the legal successor of Euro-Unit d.o.o. company, which was established in 1990. Since 2007. it has grown into a group with sister companies based in this part of Europe as its members. The group’s main activity is selling mu-sical instruments and equipment, and in that segment it is a leading full range com-pany in this part of Europe. The central pillars of Euro-Unit’s business policy, such as quality, ISO certificates, fulfilment of warranty obligations, professional support and continuous education of employees are something upon which its founder and CEO, Mr Ivan Senčar, has insisted from the company’s early days in 1990.

Mostly recognized as Yamaha, Euro-Unit its general distributor for Lion Style, Bey-erdynamic, Orange, Gator, Selmer, Tycoon, Electriharmonix, Istanbul, Latin Percus-sion, Remo, Vic Firth, Rotosound and D’Andrea in that pat of Europe. Hohner, Ad-ams, Buffet Crampon, Shires, Melton, Strunal, Geber Alexander, La Belle, Červeny, Amati, Vandoren and other top quality brands in our assortment complete our full range offer.Collaborations with the worldwide renowned companies from this mar-ket segment, long-standing exclusive general agent contracts, as well as numerous successfully implemented projects affirm that our group has been recognised as a serious and reliable business partner in the demanding global market. This was again undoubtedly proved by numerous international prestigious awards, which we received beating the tough competition of international corporations.

2003. - Zlatna kuna Croatian Economic Chamber2003. - Yamahina Award for best Europian guitar dealer 2003. - WQC Star Award - Pariz2003. - CROMA Award for the best manager in Croatia (Mr. Senčar)2004. - Zlatna plaketa Općine Nedelišće - Award for best company in local com-munity2004. - WQC Star Award – New York2005. - 31. International Arch of Europe Award for Quality and Technology - Frank-furt2005. - New Millennium Award - Madrid2005. - Century International Quality Era Award - Geneva2006. - New Millenium Award - Pariz2006. - Gator Outstanding Acievment Award – Los Angeles2007. - Quality Crown - London2007. - Yamaha Award for outstending performance for Yamaha Commercial Audio2008. - Internacional Star Award for Lidership in Quality - Pariz2009. - Beyerdynamic Europian Award - best Europian dealer in 2008. Year2009. - International Star Award for Quality - Geneva2009. - Index DOP - Croatian Economic Chamber

Euro-Unit wins many other awards for contribution in culture, sport and ecology. Euro-Unit is today a middle sized company with about 35 employees, 12 stores, fleet, storages and a high-quality service. The placement of Euro-Unit centers over that part of Europe makes them easily accessible:

Participation at local and international specialized trade fairs enables us to provide good distribution of information on new products from our rich selection to all business partners and retail buyers, while at the same time this is a great opportu-nity for us to gather feedback which we then use to improve our offer and services so that they meet the wishes and needs of our buyers as much as possible.

Our modern web site at www.yamaha.hr or www.yamaha.me is a place where one can find new information added on a daily basis with an ongoing two-way com-munication between our buyers and us. Our own delivery services, together with the warehouse and our excellent supply of stock present advantages that enable our customers to test the products of their interest on the spot and gain insight into the qualities and features of the prospective buy through personal experience which is, after all, the crucial factor in choosing the right musical instruments and equipment.

The provision of our own repair services which are in compliance with all the rel-evant international certificates and standards, as well as a guaranteed offer of original spare parts complete the range of our services. Our warranties are in ac-cordance with all the relevant legislations of the countries in which we operate. We pride ourselves with the fact that we are already prepared to operate in compli-ance with the most severe European norms, which we have been implementing in our business on our own initiative. Designing, installation and maintenance of conference halls as a ‘’keys in hand’’ service completes our offer making it highly recognisable. And of course, we mustn’t forget to mention the service of renting musical equipment. The key product from our selection is a digital Yamaha stage audio system of 2X5000W with Beyerdynamic microphones and the rest of the required equipment.

The list of our references includes business partners and completed projects ranging form radio and TV stations, for which we carried out numerous projects of digitalisation in the segment of professional digital and analogue audio sound management, to numerous sound control rooms, music studios, schools, concert and conference halls, churches, hotels, radio and television productions, theatres, equipping wind orchestras and other types of orchestras, cultural associations and many others. Successful completion of numerous local and international tenders is the best proof of our company’s competence and reliability. The continuous growth of the export segment of our business is the best indication of our tendency to expand our services and offers to the surrounding markets as well as to the demanding European market. With a desire to support projects of social value and benefit, over the years, Euro-Unit group has been sponsoring numerous first-rate cultural, sports, humanitarian and other events. Our cabinets are full of letters of thanks, charters, acknowledgements and similar documents.

We are particularly proud of the many international and Croatian acknowledge-ments of the highest rank kept on our shelves. These acknowledgements confirm that our business policy is going in the right direction, and prove that if you set your business priorities right, you can achieve success, regardless of the business environment in which you operate.

Best regardsEURO-UNIT team

ABOUT US

| 4 | EURO-UNIT group www.euro-unit.com - www.yamaha.hr - www.yamaha.me

Distribution area South-East Europe EURO-UNIT group - CROATIAT.Massaryka 2240 000 Čakovec

tel:+385(0)40 829 440fax:+385(0)40 829 400

EURO-UNIT CENTAR ČAKOVECT.Massaryka 2240 000 Čakovec

tel:+385(0)40 310 439

EURO-UNIT CENTAR ZAGREB Ilica 348

10 000 Zagrebtel:+385(0)1 3750 504

CLASSIC MUSIC GALLERYFrankopanska 24

10 000 Zagrebtel:+385(0)1 48 46 826

EURO-UNIT CENTAR OSIJEK Stjepana Radića 56

31 000 Osijektel:+385(0)31 211 013

EURO-UNIT CENTAR ZADAR Obala Kneza Branimira 4e

23 000 Zadartel:+385(0)23 318 052

EURO-UNIT MONTENEGRORimski trg 62

81 000 PodgoricaMontenegro

tel:+382(0)81 234 845

EURO-UNIT CENTAR SPLITZrinsko Frankopanska 68

21 000 Splittel:+385(0)21 315 760

EURO-UNIT CENTAR DUBROVNIKHvarska 46

20 000 Dubrovniktel:+385(0)20 312 495

EURO-UNIT CENTAR RIJEKA Vukovarska 7b51 000 Rijeka

tel:+385(0)51 215 212

EURO-UNIT CENTAR BJELOVARA.Hebranga 9

43 000 Bjelovartel:+385(0)43 225 300

EURO-UNIT MACEDONIAKej Dimitar Vlahov bb

1 000 Skopje - Makedonijatel: +389 2 313 627

www.euro-unit.com www.yamaha.hr www.euro-unit.me www.yamaha.me

professional music instruments, equipments & accessories

CONTENTS

EURO-UNIT group | 5 |[email protected] tel:+385(0)40 829 440 fax: +385(0)40 829 400

NAPOMENA: Euro-Unitov generalni katalog sadrži sve brandove za koje je naša grupacija autorizirani distrib-uter za određena područja distribucije. Za precizne informacije o dostupnosti pojedinih bran-dova za područje koje Vas interesira molimo da koristite kontakte navedene u ovom katalogu.

BÖSENDORFER 4-5YAMAHA 6 - 111BEYERDYNAMIC 112 - 161SELMER PARIS 162 - 173CONN - SELMER 174 - 187LUDWIG 188 - 189SHIRES 190 - 191GEBR. ALEXANDER 192 - 195ČERVENY 196 - 201MELTON 202 - 205BUFFET CRAMPON 206 - 207FOX 208 - 209B & S 210 - 211VANDOREN PARIS 212 - 213WITTNER 214 - 215HOHNER 216 - 249IVAN’S GUITARS 250 - 255ORANGE 256 - 265ELECTROHARMONIX 266 - 271ROTOSOUND 272 - 293SAVAREZ 294 - 299LA BELLA 300 - 303THOMASTIK INFIELD 304 - 305PIRASTRO 306 - 307D’ANDREA 308 - 313TYCOON 314 - 321SLAVONKA 322 - 322HARPSICORD 323 - 323FBT 324 - 335STRUNAL 336 - 341ADAMS 342 - 343MAJESTIC 344 - 347REMO 348 - 360ISTANBUL MEHMET 361 - 375PAISTE 376 - 393VIC FIRTH 394 - 395GATOR 396 - 413LION STYLE 414 - 425K & M 426 - 437





























































AUDIOGRAM 3The Yamaha AUDIOGRAM Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit, the AUDIOGRAM6 and AUDIOGRAM3 each bundle together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. As such, either package will in-stantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device. What’s more, setup is as easy as installing the bundled music-production application, CUBASE AI, on your computer and connecting the audio in-terface using the USB cable provided! You’re then ready to connect instru-ments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into CUBASE AI.

STREAMLINED AUDIO INTERFACE

USB

With a focus on simplicity and ease-of-use, the AUDIOGRAM3 delivers a compact audio interface complete with both a mono and stereo input channel. Providing maximum flexibility for re-cording from almost any audio source, the mono input channel features a combo-type connector that can be set for microphone or line level input, while the stereo channel has both phone and RCA connectors. Of course, as this interface is USB bus-pow-ered, it needs no external power supply and is an ideal solution for mobile applications.

DIRECT CONNECTION OF ELECTRIC GUITARS AND BASSES

With one touch of the MIC/INST select button, you can set the sensitivity of the AUDIOGRAM3 mono channel for direct con-nection of either microphones or instruments. When set to in-strument-level sensitivity, for example, you can directly record electric guitars, basses, and many other input devices. And all audio recorded using either of the MIC/INST settings can then be processed to give professional-sounding results using CUBASE AI’s built-in effects.HIGH-QUALITY MICROPHONE PREAMP

Also supporting microphone-level input, the AUDIOGRAM3 mono channel features a microphone preamp offering excellent

audio quality. And should you want to connect a condenser mi-crophone for higher-quality recordings, this channel can even be phantom powered. Regardless of what type of microphone you choose, however, the professionalmixer technologies integrated into this preamp will deliver perfect recordings every time.

STEREO CHANNEL FOR PRACTICALLY ALL SOUND IN-PUT DEVICES

With the AUDIOGRAM3, you also get a stereo input channel with both phone and RCA pin connectors that can be used to con-veniently connect not only synthesizers, portable keyboards, and electronic pianos, but also a diversity of other sound sources such as CD players, MD players, portable audio players, and even old record and tape players. Providing maximum flexibility for many different recording situations, the AUDIOGRAM3 even supports simultaneous recording of the instrument or vocal on the mono channel with the audio being input via the stereo channel. For ex-ample, you could easily use this feature to record yourself playing along to a CD or MD backing track or singing to a karaoke track created on a portable keyboard.











































































































































The 195 Fafner offers the best in a 5/4 size instrument. This tuba features a .846” bore for a huge sound with resonance and depth. The 18.89” bell offers a large sound with outstanding projection that will carry any ensemble.

5/4 Size.846” Bore18.89” Bell4 Rotary Valves

195 Fafner 4/4 BBb Tuba Regular

The Meinl Weston 25 4/4 BBb Tuba is a full sized instrument offers the rich resonant sound quality that is perfect for larger ensembles. The TU-25 has an even response, great intonation and quality construction to make this among the finest BBb Tuba available. The Meinl Weston 25 is available in lacquer finish.4 Front action rotary valvesKey of BBb.768” bore17.75” upright bell4 rotary valvesCase NOT included

25 4/4 BBb Tuba Regula

This instrument is capable of existing on two worlds. It is an excellent advanced student/intermediate horn and can also serve well as a professional in-strument in many cases. This compact 4/4 tuba has a decep-tively HUGE sound and great projection. With the recent change in the bell from 15.75” to 17.75” the depth of sound has increased nicely.

Key of BBb.748” bore15.75” upright bell4 rotary valves

18 Handy 4/4 BBb Tuba Regular

The Meinl Weston HoJo 4 Front Action Piston Valve BBb Tuba was developed with the cooper-ation of famed jazz tubist How-ard Johnson. The HoJo Piston Valve Tuba features a smaller bore that works well for upper register work for jazz or as an in-strument for the doubling bass trombonist. The HoJo BBb Front Action Piston Valve Tuba is avail-able in lacquer finish.

HoJo BBb Front Action Piston Tuba Regular

Meinl Weston has developed the HoJo model series as a Heritage Model with famed jazz tubist Howard Johnson, based on his 60’s Mahillon Belgium Tuba. The smaller bore of this tuba works well for jazz and for a doubling instrument for bass trombone players. These tubas are easy to handle and work well in a vari-ety of performance venues.

Key of BBb17.3” upright bellCase NOT included.669” bore4 top action piston valves

2011T HoJo BBb 4 Valve Top Action Tuba Regular

Don’t be fooled by the compact size of this F-Tuba. It has a great sound that will carry well be-cause of the straight bore and the smaller nature of the instru-ment. Ideal as a solo or quintet instrument, the 182 has enough presence to handle symphonic parts as well.

Key of F, 3/4 size.689” bore13.8” bell and 31.1” tall5 rotary valvesCase NOT included

182 F Tuba Regular


The Meinl Weston 2141 Eb tuba is an amazing instrument. At a 5/4 size with 5 rotary valves, this horn can produce a very strong sound in all registers. The 17.25” bell adds extra resonance to the sound for even more power and projection.

Key of Eb.768” bore17.3” upright bell5 rotary valvesCase NOT included

2040 5 Rotary Valve Eb Tuba Regular

The Meinl Weston 2141 Eb tuba is an amazing instrument. At a 5/4 size with the large valve set this horn can produce a very strong sound in all registers. The 17.25” bell adds a lot of resonance as well. Add to this the 5 valve features and you have an unbeatable combina-tion.Bell: 17.25”Bore: .748”, with 5th valve bore of .768”Case: Sold separatelyKey: EbSize: 5/4Valves: 4 front action piston valves, thumb activated 5th rotary valve

2141L Eb Tuba Regular 2141L- Lacquer

In cooperation with famed tuba player Warren Deck, Meinl Weston developed a small pis-ton valve F-Tuba, the 2182. This tuba offers a .689” bore that appears with unique response, compact and flexible playing and with an uncompromising volume in the deep registers.

Key of F.708” bore15” upright yellow brass bell5 rotary valvesCase NOT included

2182 F Tuba Regular

The Meinl Weston 45P Series 5 Valve 6/4 Professional F Tuba is one of today’s best F tubas. The Meinl Weston 45SLP (45P) has the sound of the highly sought after Ger-man F tubas with a .748” to .787” graduated bore coupled with an improved low register and piston valves allows this tuba to meet the needs of both the soloist and the orchestral player. This tuba is en-dorsed by players such as Jeffrey L. Funderburk, University of Northern Iowa, Samuel J. Pilafian, Arizona State University, and Warren Deck, formally of the New York Philhar-monic Orchestra.

45P F Tuba Regular 45Slp Lacquer

This full-sized tuba is small in ap-pearance but surprising due to the power and projection of the sound emitted. This is an ideal instrument for general playing, especially if you own only a single tuba or need a high quality instrument for the un-predictable demands of freelancing. This instrument is at home as a solo instrument, in chamber music, in av-erage-sized orchestras, or lighter or-chestral repertoire. The piston valves feature oversized valve buttons for ease of use and the highest quality piston valves on the market today. This instrument was designed in co-operation with Sam Pilafian.

2145 CC Professional Tuba Regular

The reaction to the recent launch of the new Meinl-Weston F-Tuba has been nothing short of phe-nomenal. These horns PLAY! A big sound coupled with excellent intonation make this the horn the competition will need to beat.

Case: Sold separatelyBore: .767”; 3rd valve: .807”; 4th valve slide graduated bore: .807” - .846”Size: 6/4Key: FBell: 16.5” lacquered yellow brassValves: 5 rotary valves

45 SLZ 6/4 F Tuba Regular


Developed in cooperation with Mel Culbertson, this 6/4 tuba is based on the successful F-Tuba 45S-LP, but is more oriented towards the Euro-pean taste with its 6 valve setup. It features a .748” Bore with a .787” 4th Valve Bore and .767” 5th and 6th Valve Bore in a 4 front action large piston and left hand 5th (long wholestep) and 6th (long halftone) rotary valve design. It also features a 2nd valve slide trigger for easy into-nation adjustment.

Titan 6 Valve F Tuba Regular

The 5450 THOR is an outstand-ing all-round instrument with a lot of “hammer” sound. Devel-oped in cooperation of Jens Bj rn-Larsen, formally of the Radio Symphony Orchestra Kopenha-gen, the Thor features a 17.71” bell for great resonance plus 4 steel piston valves and thumb activated 5th rotary valve along with a .748” (.787” 4th valve and .807” 5th valve) for excel-lent action and a solid low regis-ter with a huge sound

5450 THOR CC Tuba Regular 5450-S Silver

A smaller version of the War-ren Deck model 2165, the 2155 has the same features but in a 5/4 body. This allows the play-er more flexibility in what the horn can do and the ensembles where it will fit the best.

Bell: 17.5”Bore: .748” - .787” (valves 1-4) 5th valve is .807”Key: CCSize: 5/4Valves: 5 valves; 4 front action piston valves and thumb acti-vated 5th rotary valve

2155 CC 5/4 Tuba Regular

The famous Warren Deck 6/4 Meinl Weston tuba. This instrument is a very large, full symphonic tuba. It possess a tremendous yet beauti-ful sound with great projection, and strength (when needed). You really have to play this horn to be-lieve how great it is.

Case: Sold separatelyValves: 4 piston (large valve) and thumb activated 5th rotorBore: .748” - .787”, 5th valve .807”Size: 6/4Bell: 19.69” Heavyweight lacquered yellow brassKey: CC

2165 CC 6/4 Tuba Regular

The Meinl Weston 2000 Hand-made 5/4 CC Tuba features “handmade” bows made of sheet metal, based on the popu-lar Meinl Weston 2155 design. The 2000 CC Tuba features spe-cial engravings of Manhattan on the bell. This Warren Deck model features 4 piston steel valves (Big Valve) plus a 5th thumb activated rotary valve. The Meinl Weston 2000 Handmade CC Tuba is avail-able in silver plate finish.

2000 Handmade CC Piston Tuba Regular

The 6450 CC Tuba was developed together with Alan Baer, tubist with the New York Philharmonic Orches-tra, who played on Gronitz and Mirafone instruments, but needed a large orchestral CC-Tuba that would exhibit the flexibility to create an immense amount of sound without sacrificing core or clarity. It features a .748” bore with a .787” 4th valve bore and a .846” 5th valve bore plus a 18.89” upright bell. It also features bows and slides that are machine made using hydraulic molds for consistency and are slightly heavi-er metal than the handmade Baer Tuba.

6450 Alan Baer 6/4 Production CC Tuba Regular


451/451S Compensating Euphonium Regular 551S Silver Pro Compensating Euphonium Regular

each of these cases is cus-tom made to fit any Meinl-Weston / Melton Tuba

Aluminum Flight Case

available for most of the Meinl-Weston / Melton Tubashere shown is a case for F-Tuba 45

molded ABS Cas

available for all Meinl-Weston Tubasdesigned to fit the instrument individually for maximum protectionheavily padded, with shoulder straps

Gig Bags

This Harness style strap connects easily to Melton / Meinl-Weston Tubas to in-crease comfort and reduce weight on the body.Can be used standing or sit-ting down.

Tuba Strap


The Meinl Weston 551S Pro Com-pensating Euphonium is an excel-lent choice for the advanced player. The 551S features a very big, warm sound with 4 Stainless steel pis-ton valves (3 top and 1 side) with a large shank mouthpiece receiver. The Meinl Weston 551S is silver plated with gold plated top and bottom valve caps to makes it look as good as it sounds.Meinl Weston offers this improved professional model that is another step up from their popular model 451. The rede-signed bell provides for all around optimal intonation, especially on the 3rd and 6th partials.

The Meinl Weston 451S Com-pensating Euphonium offers great intonation, flexibility, and control in all resisters with a rich tone. The 451S euphonium fea-tures four Monel valves with a 3 top and 1 side action design with a compensating feature to bring the lower register in tune.

.590”-.630” bore11.8” upright bell4 Stainless steel valves (3 Top + 1 Side Action)Includes case and large shank mouthpiece

Key: Bb and APitch: 440/442 (2 barrels)Barrel length: 66/65 mmSilver plated keyworkEb lever (standard)Low F correction keyRaised C#/G# tone hole (A clarinet only)Caps on tenonsGT and cork padsRods in stainless steelAdjustable thumb restNew, perfectly crafted bore designRevolutionary keyworkBC1150L - BbBC1150GL - Bb Green LineBC1250L - ABC1250GL - A Green Line

Tosca clarinetKey: Bb and ALine materialPitch: 440/442 (2 barrels)Barrel length: 66/65 mmSilver plated keyworkEb lever (standard)Caps on tenonsGT padsRods in stainlessAdjustable thumb restHigh precision boreUndercut tone holesPointed needle springsBC1139L - BbBC1139GL - Bb Green LineBC1239L - ABC1239GL - A Green Line

Festival clarinet

Key: Bb and AAvailable in woodPitch: 440 (2 barrels)Barrel length: 66/66VSilver plated keyworkEb lever (standard)Raised C#/G# tone hole (A clari-net only)GT padsRods in stainless steelAdjustable thumb rest

BC1131LV - BbBC1231LV - A

Vintage clarinet

Key Bb and APitch A 440 / 442Bore: Upper joint Poly-cyndrical, lower joint and bell conicalPoly-cylindric borePower forged silver keywork, preplated in copper and finished in silver plate18 keys and 6 rings (Auxiliary Eb lever)Undercut toneholesStainless steel rods and pivot screwsBlue needle springs

BC1106L-2-0 BbBC1206L-2-0 ABC1507-2-0 EbBC1507G-2-0 Eb Green LineBC1607-2-0 CBC1407-2-0 D

RC Prestige clarinet

An excellent professional instrument, the 1183 Bass Clarinet is equally well suited for the concert band or the sym-phony orchestra. The 1183 Bass Clari-net produces a rich, well centered tone that blends easily with an ensemble

Key: BbRange to low Eb2 part neckPower forged, silver-plated keywork

PRESTIGE bass clarinet

The rich, dark sound of the Buffet Cram-pon Contra Alto Clarinet blends beautifully within a clarinet section. An excellent foun-dation for a woodwind section, the Contra Alto clarinet creates beautiful textures when mixed with bassoons and bass clarinets

Key EbRange to low EbPower forged keywork, silver-plated19 keys, 7 plateau.

PRESTIGE contra-alt clarinet


Well seasoned, selected Grenadilla woodSilver plated keys (gold plating upon special order)Full conservatory systemFrench fingering systemUpper joint - cork padsLower joint - GORE-TEX® and cork padsBell - GORE-TEX® pad3rd octave keyFork FDouble G#Double EbDouble D trill keyLeft F leverLow Bb resonance keyAb/Bb trill keyConnection Bb/C key right hand, adjusting B/C key on model 3643”

Professional semi-automatic oboe BC3613

Full conservatoire semi-automatic systemF keyGrenadilla woodAdjustable thumb restPitch 441/443Silver plated keyworkGold plated keywork on orderCaps on tenonsG.T. & cork padsTrill key C# and DTrill key B / C# lowDouble left F keyDouble G# + Eb3rd octave key

Professional English horn BC4713

Student full-automatic oboe BC4057 Simplified semi-automatic oboe BC4011

Professional bassoon BC5613 Alto saxophone 400 Series

Key: CThird octave keyConservatory modelFull-automaticFrench fingering systemSelected grenadilla woodLuracast lined boreSilver plated keyworkFork F, double G# + C#, double G# + Eb, double C# trill key, left F lever, low Bb reso-nance keyAdditional B/C# connection and modified C# key

Key: C441/ 443 HzSimplified conservatory modelSemi-automaticFrench fingering systemGrenadilla woodLuracast lined boreSilver plated keywork2nd octave key, fork F, double G# and Eb key

RC boreRosewood of RioKey CDouble C# key at the thumb“Croissant” keyKey guard of low D keySilver plated keysCast spatulasStainless steel screwsSkin padsMetal tenon ringsSilver plated straight bocalAdjustable strap string

Eb intermediate/professional alto saxophoneFrench style designed by artists/educatorsBrass matte or lacquer finish (pic-tured)Hand engraving on key cups, bell, bow, body and neckPisoni pads with metal resonatorsDouble arms on low C, B, Bb keys for better feel and stability in low reg-isterReinforced spatula bracingRibbed constructionMother of pearl key buttonsHigh F# keyDeluxe backpack style case


The demand for power by modern orchestras prompted the introduction in 1991 of the Mod-el 601 bassoon, which featured thicker walls than earlier designs. This results in longer, larger, more resonant tone holes, and a tone quality that is bigger, yet slightly less concen-trated than the short or long bore models. The Model 601 is the longer version and is slightly flatter with a warmer tone quality. It is some-what more work to play, but it delivers more power when pushed, yet can easily handle soft attacks. It was designed and developed under the supervision of Alan Fox in conjunction with prominent bassoonists in major symphony or-chestras. Like all Fox bassoons, it features free-dom of response, intonation, tonal quality, and projection that will satisfy the requirements of the most discriminating performers.

MODEL 601 - FOX BASSOON

The demand for power by modern orchestras prompted the introduction in 1992 of the Model 660 bassoon, which featured thicker walls than earlier designs. This results in longer, larger, more resonant tone holes, and a tone quality that is bigger, yet slightly less concentrated than the short or long bore models. The Model 660 is the shorter version and is pitched slightly high-er with a more open tone quality. It is some-what more work to play, but it delivers more power when pushed, yet can easily handle soft attacks. It was designed and developed under the supervision of Alan Fox in conjunction with prominent bassoonists in major symphony or-chestras. Like all Fox bassoons, it features free-dom of response, intonation, tonal quality, and projection that will satisfy the requirements of the most discriminating performers.


Introduced in 1968, the short bore model of instruments features a tone quality that is more “open” than the long bore. It is voiced to permit the performer to open up and “sing” in solo register, and its tone quality lends itself to solo performance. It was designed and de-veloped under the supervision of Alan Fox in conjunction with prominent bassoonists in ma-jor symphony orchestras. Like all Fox bassoons, it features freedom of response, intonation, tonal quality, and projection that will satisfy the requirements of the most discriminating performers


Introduced in 1968, the short bore model of instruments features a tone quality that is more “open” than the long bore. It is voiced to permit the performer to open up and “sing” in solo register, and its tone quality lends itself to solo performance. It was designed and de-veloped under the supervision of Alan Fox in conjunction with prominent bassoonists in ma-jor symphony orchestras. Like all Fox bassoons, it features freedom of response, intonation, tonal quality, and projection that will satisfy the requirements of the most discriminating performers


Originally designed by Hugo Fox, for 27 years principal bassoon of the Chicago Symphony Orchestra, the long bore design can be identi-fied by a very warm “round” tone, evenly bal-anced, with excellent intonation throughout the entire range. It is the most secure design and its tone quality fits well into both cham-ber music and orchestral bassoon parts. It was redesigned and developed in 1970 with higher resonance levels under the supervision of Alan Fox in conjunction with prominent bassoon-ists in major symphony orchestras. Like all Fox bassoons, it features freedom of response, in-tonation, tonal quality, and projection that will satisfy the requirements of the most discrimi-nating performers.

MODEL l - FOX BASSOON

Originally introduced in 1965, the Fox Mod-el IV bassoon’s long bore design can be identified by its very warm “round” tone, with even balance and excellent intonation throughout the entire range. The secure acoustical design and the durable body ma-terial make this an economical choice for schools, university music programs, and in-dividuals seeking a second instrument. Bud-get conscious purchasers of a first instru-ment also find this a popular choice.

MODEL lV - FOX BASSOON


Introduced in 1994, the Renard 240 (short bore) features a tone quality that is more “open” than the long bore. It is voiced to permit the performer to open up and “sing” in solo regis-ter, and its tone quality lends itself to solo per-formance. Frequently chosen by aspiring bas-soonists, it has also been utilized in symphony orchestras around the world

MODEL 240 - THE RENARD ARTIST

Introduced in 1972, the Renard 220 (long bore) can be identified by a very warm “round” tone, evenly balanced, with excellent intonation throughout the entire range. It is the most se-cure design and its tone quality fits well into both chamber music and orchestral bassoon parts. Like all long bore designs, it features an intonation guarantee that makes it very popular with students and schools.

MODEL 220 -THE RENARD ARTIST

Introduced in 1971, the Renard Model 222 bassoon’s long bore design can be identified by its very warm “round” tone, with even bal-ance and excellent intonation throughout the entire range. The reasonable price and durable wooden body make this instrument a popular choice for new bassoonists and school music programs looking to add a wooden bodied in-strument to their bassoon section.

MODEL 222 - THE RENARD ARTIST

Originally introduced in 1965, the Renard Mod-el 41 bassoon’s long bore design can be identi-fied by its very warm “round” tone, with even balance and excellent intonation throughout the entire range. The reasonable price, the secure acoustical design (and the intonation guarantee that come with it), along with the durable body, make this a very popular choice for school music programs and beginning bas-soonists.

MODEL 41 - RENARD POLYPROPYLENE BASSOON

Originally introduced in 1965, the Renard Mod-el 51 bassoon’s long bore design can be identi-fied by its very warm “round” tone, with even balance and excellent intonation throughout the entire range. Like the Model 41, this instru-ment has a durable body and secure acousti-cal design. In addition, this model features a compact key mechanism that makes it a popu-lar choice for middle school music programs, those starting on bassoon at a young age, and beginning players with smaller hands.

MODEL 51 - RENARD POLYPROPYLENE BASSOON

Originally introduced in the early 1960s, the Fox Model III bassoon’s long bore design can be identified by its very warm “round” tone, with even balance and excellent into-nation throughout the entire range The se-cure acoustical design and the durable, cos-metically pleasing body make this a popular choice with military groups, university mu-sic programs, schools, individuals seeking a second instrument, and first time buyers interested in a high level of acoustical and cosmetic refinement combined with dura-bility.

MODEL lll - FOX POLYPROPYLENE BASSOON















































































































































































































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