en 6 JUNI W - Theater X nettheatrex.net/theatre/mt_pt7/FoF_all/1976a.pdf · 2011-01-06 · COUNT BASIE" - met swlngence negers SCRUB ME MAMMA WITH A BOOGIE BEAT - Walter Lantz ...

Melkwe

en 6 JUNI W

MAANPAG 7 JUNI

SPIEGELTENT FRIENDS ROADSHOW USA

MOVIES 19.45 2 1 . 4 5 20.00

22.00 u u r e n Romy S c h n e i d e r 0 0 . 1 5 u u r "DAY AT THE RACES", Marx B r o t h e

ABRAKADABRA

•L*IMPORTANT C'EST D'AIMER" met Kle

SPIEGELTENT u u r SELAKTA BALLOON BANO

22.00 u u r S A I L - J O Y A

VONDELPARK 9.00 u u r SONNY HAYES MAGIC FANTASY

MELKWEG a r k t r u i m t e

2 0 . 0 0 u u r k l e d i n g / o n t w e r p w o r k s h o p m

DINSDA6 8 JUNI 21.00 u u r PENTA THEATER 23.00 u u r NOEL REDDING BAND

i t e i n z

SPIEGELTENT 22.00 u u r STEVEN HENSEN - "The P u p p e t Man"

23.00 u u r ABRAKADABRA

LONDON MIME COMP.

PIRO 20.00 23.00

PARADISO FRIENDS ROADSHOW USA

MOVIES MIME TROUPE OF AMERICA 19.45

2 1 . 4 5 . -2 0 . 0 0 en " L'IMPORTANT C'EST 0'AIMER met Kl«

22.00 u u r e n Romy S c h n e i d e r 0 0 . 1 5 u u r "DAY AT THE RACES", Marx B r o t h e r s

W0ENSDAG9JUNI

VONDELPARK 14.30 u u r ABRAKADABRA - k i n d e r v o o r s t e l l i n g

SPIEGELTENT 18.00 u u r SONNY HAYES MAGIC FANTASY

MELKWEG m a r K t r u l m t e 1 9 . 0 0 u u r t a p d a n s w o r k s h c p m t h e a t e r z a a l 18.15 u u r p e r c u s s i e w o r k s h o p 2 0 . 0 0 u u r FOOLS JAMSESSION 24.00 u u r BLUE ROSE f o n t e l n z a a l

1 8 . 1 5 u u r J a z z - d a n s w o r k s h o p 2 2 . 0 0 u u r CHAOS - a b s u r d e c s a t e

it Henk F l i e r

met R a u l B j r n e t

2 1 . 0 0 u u r EMILE - g i t a r i s t a n g e r

BUGLE BOY BOOGIE" - t e k e n f i l m TAP HAPPY" - met s w i n g e n d e n e g e r s TWICE TWO" - met S t a n L a u r e l 1 O l i v e r H a r d y COUNT B A S I E " - met s w l n g e n c e n e g e r s SCRUB ME MAMMA WITH A BOOGIE BEAT -

W a l t e r L a n t z 'RED HOT RYTHM" - mat K l k o t h e K a n g a r o o 'BLUE B E L L G I R L S " - met s w i n g e n d e m u z i e k 'LOVE THAT PUP" - met Tom & J e r r y •THE IMPRACTICAL JOKER" - met B e t t y Boop 'LITTLE BOY BLUE" - W a l t e r L a n t z 'DAYS OF T H R I L L AND LAUGHTER" - c o m p i l a t i e f 1 1

p l l c h t e r s e n s c h u r k e n Z I J I S EEN H I J " - t r a v e r s t i e - f i l m •OP HET KANTJE AF" - met H a r o l d L l o y d 'CELLBOUNO" - v a n Tex A v e r y 'IN DE GEVANGENIS" - met M o n t e B a n k s 'GOING BYE BYE" - met S t a n L a u r e l &

O l i v e r H a r d y ( 1 9 3 4 )

t h

SHAFFY cone r t z a a l 2 0 . 3 0 u u r "HAUSER ORKATER z u l l e n z a a l 21.00 u u r ABRAKADABRA 23.00 u u r SONNY HAYES MAGIC FANTASY

s h a f f y z a a l 2 1 . 3 0 u u r MANUS TRIO - j a z z k a f e e 2 2 . 0 0 u u r STEVEN HENSEN - "The P u p p e t Man"

PARADISO 21.00 u u r PENTATHEATER 22.30 u u r THE GREAT SALT LAKE MIME TROUPE

MOVIES PIRO 19.45 e n

21.45 u u r 2 0 . 0 0 en "L'IMPORTANT C'EST D*AIMER" met K i t

2 2 . 0 0 u u r e n Romy S c h n e i d e r 0 0 . 1 5 u u r "DAY AT THE RACES", Marx B r o t h e r s

DONDERDAG10 JUNI

i t E r i c D a v i s

e n s d a g 9 J u n i 2 0 . 0 0 u u r e n s d a g 9 j u n i 2 3 . 0 0 u u r

SHAFFY 20.30 u u r HAUSER ORKATER met "Famous 23.00 u u r JAZZ-O-MATIC FOUR u i l e n z a a l

u u r TRIANGEL - f l g u r e n t h e a t e r AMSTERDAMSE MIMELIGA

21 . 0 0 u 23.00 u h a f f y z

2 2 . 0 0

23.00

INCUBUS CHAOS

EM I L E - g i t a

MOVIES

2.00 u u r e n Romy S c h n e i d e r 0 0 . 1 5 u u r "DAY AT THE RACES". M

JANGO

"L'IMPORTANT C'EST 0'AIMER"

VRIJDAG 11 JUNI SPIEGELTENT 4.00 u u r CHAOS

MELKWEG 21.00 u 23.00 u f o n t e i n

"GREAT SALT LAKE MIME TROUPE

DEAVID ALLEN BAND

18.15 22.00 24.00

t h e a t e r - b e w e g l n g s w BENITO GUTMACHER THEATRE SLAPSTIQUE

>rkshop met D i e

22.00 t h e e h u i s

WASO KWARTET - z i g e u n e r o r k e s t

2 1 . 0 0 u u r J E F F CAVANDER EN JAN JACOBS

20.00 u u r thema : N

VONDELPARK 21.00 u u r GRAZIE L L A MARTINEZ - "AND THE MAGIC DOLL..."

MOVIES 19.45 2 1 . 4 5 2 0 . 0 0 22.00 0 0 . 1 5

STEVEN HENSEN

"L'IMPORTANT C'EST D'AIMER" en Romy S c h n e i d e r "DAY AT THE RACES". Marx B r

MELKWEG 2T."00 u u r HAUSER ORKATER - " 23.00 u u r BOTS f o n t e l n z a a l

u r l n d i a s e d a n s w o r k s h o p met R a j a m a n i LONG GREEN THEATRE COMP. PIRO

22.00 uu 24.00 uu

h u i s 23.OC

20.00 22.00 24.00

B u r n s e n e n l g e t e k e n f i l m s met k l a s s i e k e m u z i e k

"MUSICAL MOMENTS BY CHOPIN"

- met Woody W o o d p e c k e r en Andy Pand* "ALLES OM DE DUBBELTJES" - met N e a l B u r n s •FIDDLE S T I C K S " - met F l i p t h e F r o g

M A N Y LACHT EN BABY HU I L T " - met N e a l B u r n "POET AND PEASANT" - met Andy P a n d a "HOT WATER'CZULKE L I E V E R T J E S " )

- met N e a l B u r n s "THE CATS CONCERTO" - met Tom 1 J e r r y t h e m a : h e t h u w e l l j k "HOU J E VAST" - met P o o d l e s "VERKEERDE REGIE" - met C h a r l e s P u f f y "HOE BESTAAT HET" - met J a c k D u f f y "DE DAPPERE SCHOONZOON" - met C h a r l e s K i n g t h e m a : J a c k D u f f y en t e k e n f i l m s u i t z i j n t l j "KOM OP DE FOTO" - met J a c k D u f f v " F E L I X ON MARS" - met F e l i x t h e C a t "DE KERSTKALKOEN" - met J a c k D u f f y • A L I C E EN DE HONDENVANGER" - met A l i c e

v a n Ub Iwe "HET KOSTBARE KUSSEN" - met J a c k D u f f y

SHAFFY 20.30 24.00

21.30 u 23.00 u s h a f f y ?

21.30 23.00 k a f e e 22.00 23.00

HAUSER ORKATER

FABULOUS POODLES

' PENTA THEATER STEVEN HENSEN - "The P u p p e t Man"

- LONG GREEN THEATRE COMP. S E D A L I A FLOWER RAGTIME ORKEST

STEVEN HENSEN - "The P u p p e t Man"

GADI DE CLOWN

PARADISO 21.00 23.00 24.00

FRIENDS ROADSHOW USA • BAN

GALAGHER • L Y L E SONNY HAYES MAGIC FANTASY

ZATERDAG12JUNI

A r t i s t s

FRANK VERHOEFF

z i e v r i j d a g 11 J u n i 2 0 . 0 0 z i e v r i j d a g 11 J u n i 2 2 . 0 0

z i e v r i j d a g 11 j u n i 2 4 . 0 0

SHAFFY 20.30 22.00 z u i l e r

"SONNY HAYES MAGIC FANTASY GREAT SALT LAKE MIME TROUPE

21.00 u u r POWDER THEATRE 24.00 u u r A T T I C THEATRE

21.30 2 2 . 3 0 k a f e e 2 2 . 0 0 23.00

AMSTERDAMSE MIMELIGA PETER VAN GINKEL KWARTET - J l

HALF EN HALF - K a b a r

GADI DE CLOWN

l a M e l k w e g

PARADISO 21.00 u u r GRAZIE L L A MARTINEZ - "A nd t h e m a g i c d o l l .

2 2 . 3 0 u u r S A I L - J O Y A

23.30 u u r CHAOS 0.30 u u r S A I L - J O Y A

VONDELPARK MIMETROUPE OF AMERICA

MOVIES = I R 0

9.45 1.45

2 0 . 0 0 e n "L"IMPORTANT C'EST D'AIMER" met K l a 22.00 u u r e n Romy S c h n e i d e r 0 0 . 1 5 u u r "DAY AT THE RACES". Marx B r o t h e r s .

ZONDAG13 JUNI VONDELPARK 4.00 u u r SELEKTA BALLOON BAND

5.30 u u r FABULOUS POODLES

MELKWEG c h i l d e r w o r k s h o p met Max D i e

21.00 23.00 f o n t e i

HAUSER ORKATER

FABULOUS POODLES

22.00 u u r POWDER THEATRE 2 4 . 0 0 u u r MIME IMPRDVISATIE

t a u r a n t JAZZ-O-MATIC FOUR

c i n e m a 2 0 .00 22.00 24.00

z i e v r i j d a g 11 j u n i 2 0 . 0 0 u u r z i e v r i j d a g 11 J u n i 2 2 . 0 0 u u r z i e v r i j d a g 11 J u n i 2 4 . 0 0 u u r

SHAFFY

20.30 u s h a f f y

CRYSTAL THEATRE * BAND

1 " LUMIERE ET SON al

MIME TROUPE OF AMERICA

THEO LOEVENDIE KWARTET

20.30 2 2 ; 0 0 k a f e e 2 2 . 0 0 u u r J E F F CAVANDER EN JAN JACOBS 23.00 u u r EMILE

MOVIES IV.Ts u u r ™ * 20.00 2 2 . 0 0 00.15

"L'IMPORTANT C'EST D"AIMER" met K en Romy S c h n e i d e r "DAY AT THE RACES". Marx B r o t h e r s

f o t o v o o r p a g i n a : J a n j a a p Dekker l a y o u t : S t u d i o P r i m a i n de Nelkweg

FRIENDS ROADSHOW

F r i e n d s Roadshow i s a communal group o f p e o p l e brought t o g e t h e r w i h t one common i d e a - t o e n t e r ­t a i n . They have performed i n b a r s , i n t h e s t r e e t s c h u r c h e s , and r o c k f e s t i v a l s . They w i l l p e r f o r m anywhere t o r e a c h t h e p u b l i c . The company have brought q u i t e an a s s o r t m e n t of p e o p l e from around t h e w o r l d w i t h v a r i e d s k i l l s t o g e t h e r t o work as a team. M a g i c i a n s , c l o w n s , mimes, d a n c e r s , p u p p e t e e r s , a c r o b a t s and musi c i a n s who w i s h t o a p p e a l t o t h e p u b l i c not o n l y t o s p e c t a t e but a l s o t o p a r t i c i p a t e . F r i e n d s s i m p l y w i s h t o make f r i e n d s around t h e w o r l d . T h e i r show i s a v i s u a l f e s t i v e a f f a i r f o r young and o l d w i t h r e v o l v i n g s e t s and e x p l o d i n g s t a i r c a s e s . The whole show i s r o c k e d on t h r o u g h w i t h l i v e music from t h e F r i e n d s B i g Band. S p e c i a l g u e s t s a pperances by t h e F a b u l o u s F l y i n g Spumonie B r o t h e r s , h u n g a r i a n a c r o b a t s who r e ­c e n t l y appeared w i t h M i c h a e l S p a g e t t i ' s h R i n g C i r c u s . A l s o t h e r e i s a s p e c i a l magic s p e c t a l e performed by S w a n d i n i The G r e a t , E n g l a n d s f i r s t m a g i c a l duck and h i s a s ­s i s t a n t B e t s y Bunny. Othe r s p e c i a l a pperances i n c l u d e Rock B i l l y Rock Tommy and the B o r b o r s k i S i s t e r s , Mon -s u i r and Madame Z u c c i n i famous i m p r e s s i o n i s t s , and a t a g t h e am f r e n c h bread w r e s t l i n g match. The show i s produced and brough t t o you by B e r t and Ed d i e Snozze who were v e g i -t a r i a n b u t c h e r s u n t i l t h e y de­c i d e d t o p u l l up s t e a k s and get i n t o show b u s s i n e s s . A l l i n a l l i t s a f a s t paced r e v u e show t h a t i f you b l i n k you may mi s s a j o k e and o c c a s i o ­n a l l y t h e c a s t s t o p s so you

can c a t c h up on y o u r l a u g h t e r .

JANGO THE CLOWN

Jango t h e Clown i s a s e r i o u s c h a r a c t e r e s p e c i a l l y when he i s e x p l o r e d by h i m s e l f . Jango a p r o f e s s i o n a l clown p r e s e n t s a s e r i e s o f s k e t c h s i n mime, a c r o b a t i c s , dance, and song as a expose of t h e clowns mind and h e a r t . He t a k e s you on on a p e r s o n a l j o u r n e y o f p r i ­v a t e l a u g h t e r which i s c l o s e t o t h e s o u l and a l a u g h from t h e h e a r t .

maandag 20.00 uur S p i e g e l t e n t d i n s d a g 21.00 uur P a r a d i s o v r i j d a g 21.00 uur P a r a d i s o

4

CRYSTAL THEATRE

ABRAKADABRA A b r a k a d a b r a p r e s e n t s L.C.S.T.

A v i s u a l l y a i d e d l e c t u r e / d e m o n s t r a t i o n by the noted a u t h o r i t y on L.C.S.T.-prof-f e s s o r Von Dufus; i n c l u d i n g 4 e x p e r i m e n t s w i t h h i s new machine. The l e c t u r e / d e m o n s t r a t i o n l a s t s a p p r o x i m a t e l y 45 mi­n u t e s ; j u s t about l o n g enough t o f i n d out e v e r y ­t h i n g you always wanted t o know about L.C.S.T.

LUMIERE ETSON

DOGS "Dogs" i s a p l a y about murde­r e r s , v i c t i m s and f a t e . In a v i s u a l l y b i z a r r e s t y l e , w i t h a humorous and m e l a n c h o l i c t o n e , i t d e p i c t s a w o r l d i n which t h e underdog does not tr i u m p h o v e r i n j u s t i c e but

GREAT SALT LAKE MIME TROUPE

The G r e a t S a l t Lake Mime Troupe i s a v e r s a t i l e t e n nember company which i n c o r ­p o r a t e s the a r t s of Mime, Dance, Cl o w n i n g and Music i n i t s p e r f o r m a n c e . Through c o n t i n u a l e x p l o r a t i o n and im­p r o v i s a t i o n i n a wide range o f p e r f o r m i n g s i t u a t i o n s , t h e y have dev e l o p e d a un i q u e f l e x i b i l i t y w h ich a l l o w s them to o f f e r any t y p e o f show, making use o f any number o f p e r f o r m e r s and m u s i c i a n s . The Troupe makes use of c l a s s i c a l mime t e c h n i q u e s , but does so i n c o m b i n a t i o n w i t h Modern Dance and Clow­n i n g t o p r e s e n t a s t y l e t o ­t a l l y i t s own. The d i s c i p l i n e and i s o l a t i o n t e c h n i q u e s o f c l a s s i c a l mime a r e enhanced by t h e f l u i d i t y and e x t e n -

7-6 19.45 en 21.45 Movies 9- 6 14.30 Vondel en 21.00 10- 6 23.00 Melkweg S h a f f y

i s s y s t e m a t i c a l l y reduced and i n e x o r a b l y drawn towards doom by m e r c i l e s s f o r c e s w hich u l t i m a t e l y e l i m i n a t e him. The p l a y i s w r i t t e n by David G a l e and d i r e c t e d by H i l a r y W e s t l a k e and c o n t i n u e s t o d e v e l o p t h e Lumiere & Son tendency towards c o m b i n i n g humour w i t h t h e g r o t e s q u e i n a s u r r e a l i s t i c c o n t e x t .

zondag 20.30 uur S h a f f y

s i o n s c h a r a c t e r i s t i c o f t h e danc e r , as w e l l as t h e comic t i m i n g of t h e c l o w n . T h e i r p r o f i c i e n c y i n each o f t h e s e s t y l e s e x t e n d s t h e i r move­ment and communication pos­s i b i l i t i e s , and p r e s e n t s a new v i e w upon mime. T o u r i n g has become a way of l i f e f o r t h e company, woensdag 22.30 uur P a r a d i s o v r i j d a g 21.00 uur Melkweg z a t e r d a g 22.00 u u r S h a f f y

The C r y s t a l T h e a t r e o f t h e S a i n t was founded i n B r i s t o l i n 1971. The company has a l ­ways been a c o - o p e r a t i v e , and r e l i e d e n t i r e l y on i t s own s o u r c e s t o produce c r e a t i v e m a t e r i a l and cope w i t h the p r a c t i c a l i t i e s o f e x i s t e n c e . In the l a s t f o u r y e a r s they have w r i t t e n 14 p l a y s and t h e s e have been g i v e n i n some 300 p e r f o r m a n c e s . E l e ­ments o f f a r c e , s u r r e a l i s t pantomime and modern t e c h n o ­l o g y a r e f u s e d i n t o the work, and t h e y haven been c a l l e d 'avant g a r d e ' , but a r e a c t u a l ­l y concerned w i t h d i s c o v e r i n g f o r t h e m s e l v e s t h e o l d e s t p r i n c i p l e s o f drama. E v e r y performance i s an e x p e r i m e n t and the a u d i e n c e i s one d i ­mension t h a t changes e v e r y n i g h t . They b e l i e v e i n the concept of a c o l l e c t i v e sub­c o n s c i o u s , and the images t h e y use are drawn from the f u r t h e s t p a r t s of o u r memo­r i e s and e x p e r i e n c e , but the r e c o g n i t i o n o f t h e s e images by t h e i r a u d i e n c e , t h e i r w i l ­l i n g n e s s t o pay f o r uncom­f o r t a b l e s e a t s i n f r e e z i n g r e n t e d h a l l s , has s u p p o r t e d them, w i t h o u t s u b s i d i e s , f o r n e a r l y f i v e y e a r s .

IDEAS ARE ANIMALS The P l a y I d e a s , p h i l o s o p h i e s , n o t i o n s , r e l i g i o n s , c o n c e p t s , t h e o r i e s systems, t h o u g h t s - a l l are bo r n , l i k e us, w i t h the p r i n ­c i p l e of s u r v i v a l as t h e i r o n l y m o t i v e . A l l a r e s e l f -p e r p e t u a t i n g , s e l f - j u s t i f y ­i n g and e x i s t at the expense of a l l o t h e r m a t t e r . A l l have l o n g y e l l o w t e e t h and are dangerous. Ideas are a n i m a l s i s a b r i e f h i s t o r y of t h e w o r l d seen t h r o u g h t h e eyes o f a t a p e -r e c o r d e r and performed by a decadent c r i c k e t team.

zondag 21.00 uur

S h a f f y

MIME TROUPE OF AMERICA

MIMETROUPE i s a company o f mimes founded i n June, 1975. A f t e r a summer of i n t e n s i v e work, t h e Troupe p r e m i e r e d w i t h a mime a d a p t i o n of t h e m e d i e v a l m o r a l i t y p l a y Eve­ryman. The c r i t i c s c a l l e d t h e p r o d u c t i o n " c o m p e l l i n g " . A f t e r t h e run of Everyman, MIMETROUPE cha n n e l e d i t s e-n e r g i e s i n t o c o n c e n t r a t e d e x p l o r a t i o n o f o r i g i n a l and av a n t g a r d e mime forms as w e l l as i n n o v a t i v e s t y l e s of per f o r m a n c e . The end r e s u l t was a dynamic show, c a l l e d s i m p l y Mimetroupe.

d i n s d a g 19.45 en 21.45 Movies z a t e r d a g 21.00 uur V o n d e l p a r k zondag 20.30 uur S h a f f y

BENITO GUTMACHER

B e n i t o Gutmacher i s een jonge A r g e n t i j n s e a k t e u r . Le Monde s c h r e e f o v e r hem:"Een s o o r t gekke p r o f e e t , 'verdwaald' i n deze w e r e l d , s p e e l t h i j a l a A r t a u d a c h t e r e e n v o l g e n s : de d o o d s s t r i j d , de v e r d r u k k i n gen, de g e b o o r t e . H i j g e b r u i k t e n k e l e b r o k s t u k k e n van z i n n e n d i e z i c h h e r h a l e n en s t i l a a n v e r s t a a n b a a r worden: "Wat i s het d o e l " - "Neen, geen geweld", enz. Zowel met z i j n l i c h a a m a l s met z i j n stem, g e e f t h i j aan z i j n woorden a l hun b e t e k e n i s s e n , d r u k t h i j e r a l l e g e v o l g e n van u i t . Met een v o l s t r e k t e waarach-t i g h e i d d r i n g t h i j ons z i j n angst v o o r de dood op en z i j n meedogenloze k i j k op het l e -v e n j h i j b e z i t een v e r b l u f -f e n d meesterschap o v e r wat h i j z e g t . "

B e n i t o Gutmacher r e v e a l s t o us our t r u e f a c e . The a b s u r ­d i t y o f our l i f e i n a p a n t o ­mime of f o r c e f u l t r u t h . The hea t , the v i o l e n c e , the f o r c e t h e e x t r a o r d i n a r y work of t h i s young man, e l e c t r i f i e s us. B e n i t o Gutmacher g i v e s

TRIANGEL Het f i g u r e n t h e a t e r T r i a n g e l s p e e l t u i t s l u i t e n d v o o r v o l -wassenen en h e e f t een i n t e r -n a t i o n a a l r e p e r t o i r e . De v o o r s t e l l i n g e n b e s t a a n u i t een a a n e e n s c h a k e l i n g van k o r t e , t e k s t l o z e nummers met m a r i o n e t t e n , maskers, s t o k -en handpoppen, a f g e w i s s e l d door schimmenspel en demon-s t r a t i e s v o o r de k a s t van a l deze b e w e g i n g s t e c h n i e k e n . H i e r d o o r o n t s t a a t een con-t r a s t r i j k programma, dat z e e r v e r r a s s e n d op de t o e -schouwers i n w e r k t . Henk en Ans B o e r w i n k e l wonen

h i s whole meaning t o t h a t w h i c h we c a l l t h e t h e a t e r , t h a t i s an e n r i c h i n g commu­n i c a t i o n between t h e a c t o r and h i s a u d i e n c e ... How do we summanize more f u l l y t h i s human and a r t i s t i c i d e a l , by h i s own r e p l y : "Why don't we have a t h e a t e r i n t h e H i ­malayas? Because i n th e Hima­l a y a s t h e r e a r e no men."

v r i j d a g 22.00 Melkweg

GRAZIELLA MARTINEZ

A f t e r coming here t h r e e y e a r s ago and h a v i n g t h e o p p u r t u n i -t y t o p r e s e n t m y s e l f t h r o u g h my f i r s t program ' G i s e l l e To­morrow' , I f e e l i t was a good communication. Amsterdam i s a c a n c e r - c i t y . I am a c a n c e r t o o . Many t h i n g s make me f e e l happy here, l i k e t h e water e v e r y ­where around and r a i n i n g , t h e t i m e I f i n d here t o t h i n k and p e o p l e and p e o p l e . D u r i n g the t i m e here I d i d two p r o g r a m s : " F l o a t i n g B i r d " and "White Dreams". I hope you e n j o y e d i t . I don't want to t a l k about my past b e f o r e coming t o Amsterdam, because my head i s a l r e a d y i n t h e f u t u r e and t h e o n l y t h i n g I want t o remember i s my c h i l d ­hood .

I am g l a d t o p r e s e n t you now my l a s t c r e a t i o n "... And the Magic D o l l " . I w i s h t o be a b l e t o have f u n t o g e t h e r once more.

G r a z i e l l a . Met G r a z i e l l a M a r t i n e z , Shu-saku, Leo.

v r i j d a g 21.00 uur V o n d e l p a r k z a t e r d a g 21.00 uur P a r a d i s o

en werken i n een s t a t i g e b o e r e n h o f s t e d e t e Meppel, waar z i j t e v e n s de b e s c h i k -k i n g hebben o v e r een u n i e k z o l d e r t h e a t e r : t h e a t e r / g a l e -r i e H e s s e l i n g e n .

donderdag 21.00 uur S h a f f y

6

ANNIE STAINER "ANNIE STAINER i s e x t r a o r d i ­n a r y , she i s an a r t i s t whose medium i s her own body; she i s t h a t r a r e b i r d , a f e m a l e clown who i s a l s o g i f t e d mime, who i s a l s o a d a ncer w i t h a t a l e n t f o r e m o t i o n a l e x p r e s s i o n . She can h o l d an a u d i e n c e s p e l l b o u n d f o r a whole e v e n i n g w i t h a s o l o performance which i s e n t i r e l y her own.", a c c o r d i n g t h e G u a r d i a n . A n n i e s t u d i e d Dance a t the Martha Graham s c h o o l i n Lon­don, and Mime w i t h E t i e n n e Decroux i n P a r i s . F o r two y e a r s she was a l e a d i n g mem­be r o f t h e L i n d s a y Kemp Mime Troupe. She performed w i t h David Bowie i n h i s famous c o n c e r t s a t t h e Rainbow T h e a t r e , London. "MOON" i s the r e s u l t o f twc y e a r s s o l i t a r y p r e p a r a t i o n , and when i t was f i r s t p e r ­formed a t the E d i n b u r g h F e s t i v a l 1975, she r e c e i v e d a Scotsman F r i n g e F i r s t Award.

fools school Een b e l a n g r i j k a s p e k t van het f e s t i v a l i s het doorgeven van de e r v a r i n g en t e c h n i s c h e K e n n i s van de op dat o g e n b l i k i n Amsterdam aanwezige groepen V e l e van de medewerkende ak­t e u r s , m u z i k a n t e n en t e c h n i c i z u l l e n ook l e i d i n g geven aan een r i j k g e s c h a k e e r d workshop-programma i n de Melkweg en P a r a d i s o , gedurende de midday van maandag t o t en met v r i j d -dag van 1 t o t 6, beginnend op 7 j u n i . De workshops z u l l e n o.a. be-s t a a n u i t dans, mime, im-p r o v i s a t i e , muziek, g o o c h e l e n en c l o w n l e s s e n . De k l a s s e n z u l l e n ook meedoen aan het s t r a a t g e b e u r e n . Wees e r s n e l b i j , want omdat er maar 50 l e e r l i n g e n een p l a a t s kunnen k r i j g e n , i s het wie het e e r s t komt, het e e r s t m a a l t . De k o s t e n v o o r deze 2 weken l e s z i j n f 30,-, t e b e t a l e n

v r i j d a g 21.30 uur S h a f f y z a t e r d a g 22.00 uur Melkweg

Each y e a r d u r i n g t h e F e s t i v a l of F o o l s , t h e o r g a n i z e r s spon s o r an i n t e n s i v e t r a i n i n g t h e a t r e s e s s i o n ; The F o o l s -S c h o o l The S c h o o l c r e a t e s t h e s i t u a t i o n t o t a p t h e r e s o u r c e s of t h e v a r i o u s a r t i s t s and per f o r m e r s . S t r e e t p e r f o r m e r s , a c t o r s , mimes, and d a n c e r s from t h e v a r i o u s companies per f o r m i n g i n t h e F e s t i v a l donate t h e i r t i m e t o s h a r e t h e i r i n ­d i v i d u a l technque and e x p e r i e n ces t o t h o s e i n t e r e s t e d i n -

INCUBUS INCUBUS THEATRE COMPANY p r e s e n t s THE PICNIC LUNCHEON PARTY o r THE RISE AND FALL OF BRITISH IMPERIALISM

th e s t o r y of t h e i n c e p t i o n , h i g h w a t e r mark and e v e n t u a l d e s i n t e g r a t i o n of a g r e a t B r i t i s h i n v e n t i o n , L i b e r a l i s m t o l d t h r o u g h t h e e x p e r i e n c e s of t h r e e members of a g r e a t B r i t i s h f a m i l y , t h e Edgebas-t o n s of E s h e r . S t . E dgebaston, v i r g i n and m a r t y r b u r n t a l i v e by the Danes i n 976 AD g e n e r a l S i r Edgebaston F r e r e VC KGB, f o u n d e r and l e a d e r of the NEW LIBERAL PARTY, na­t i o n a l hero and t h e g r e a t e s t e n g l i s h m a n of h i s t i m e , 1876 AD.

Edwina G B a s t o n , Grade A p r i ­son guard and the l a s t l i b e ­r a l 2076 AD.

donderdag 21.30 uur S h a f f y

d i v i d u a l s . The s c h o o l b e g i n s t h i s y e a r on June 7 and t h e program and c o u r s e s a r e p r e s e n t e d monday t h r u f r i d a y a t the Melkweg from 1 p.m. t p 6 p.m. d u r i n g t h e two week p e r i o d o f t h e f e s t i v a l . P a r t i c i p a n t s a r e s e l e c t e d on a f i r s t come f i r s t s e r v e b a s i s , s i n c e t h e r e i s l i m i t e d e n r o l l e m e n t . The s c h o o l w i l l a c c e p t 50 s t u d e n t s t o p a r t i c i p a t e on a f u l l t i me b a s i s . I n s t r u c i o n w i l l i n c l u d e mime, p u p p e t r y a c r o b a t i c s , j u g g l i n g , f i r e e a t i n g , dance, i m p r o v i s a t i o n , s t u n t s , comedy, and r o l l e r -s k a t i n g . There w i l l a l s o be a c t i v e s t r e e t p a r t i c i p a t i o n by t h e c l a s s as p a r t of t h e f e s t i v a l . The s c h o o l r e ­g i s t r a t i o n f e e i s 30 g u i l d e r s o r % 10 t o be p a i d i n f u l l b e f o r e c l a s s e s s t a r t . I n t e r e s t e d p a r t i c i p a n t s can e n q u i r e about t h e s c h o o l by w r i t i n g t o F o o l s s c h o o l , Melkweg, L i j n b a a n s g r a c h t 234A Amsterdam, H o l l a n d .

7

P i r o has r e c e n t l y r e t u r n e d t o Amsterdam a f t e r a t o u r o f S w i t z e r l a n d ( i n c l u d i n g a v i s i t t o D i m i t r i ' s clown s c h o o l ) , I t a l y ( d i s c u s s i o n s w i t h t h e l i v i n g t h e a t r e ) , Germany (an i m p r o v i s e d dance c o n c e r t t o t h e i m p r o v i s e d music o f Gunter Hampel), and Denmark (performances w i t h t h e Emmelev Showband, workshops w i t h S o l v o g n e n and the i n h a ­b i t a n t s of C h r i s t i a n i a ) .

Save a b i g p l a c e i n y o u r head f o r me, I am a f o o l and I have many moods. Say t h a t I am a clown and I w i l l do a l i t t l e dance f o r you u n t i l I hear you say t h a t I am i n

s t e a d a d a n c e r . And when you have spoken t h i s I w i l l t u r n o f t h e music and t e l l you s t o r i e s , happy and sad u s i n g g e s t u r e s and e x p r e s s i o n s suspended i n moments and p l a c e s we have been t o g e t h e r and you might say y h a t I am t h e r e f o r a mime. I respond t o y o u r d e c i s i o n by a t t e m t i n g s t o r i e s about a l l o f us u s i n g words and c h a r a c t e r s and v e r s e . W h i l e I see t h a t you a r e d e c i d i n g t o c a l l me an

PIRO FRAGMENTS

" I t h i n k the w o r l d would be a much b e t t e r p l a c e i f a l l t h e i m p o r t a n t p o l i t i c a l de­c i s i o n s were made by p r e g ­nant women." " I t d o e s n't m a t t e r how i t i s , i t o n l y m a t t e r s how you see i t , because how you see i t i s how i t i s f o r you." " I t d o e s n't m a t t e r what I say, i t o n l y m a t t e r s what you hear, because what you hear w i l l be what you t h i n k I have s a i d , and i t might not have a n y t h i n g t o do w i t h what I have s a i d . " "There a r e r e a l l y o n l y two amounts of money a p e r s o n can have: none o r not enough." "A man must know something o f o y s t e r s b e f o r e he can see a p e a r l i n a g r a i n o f sand."

CHAOS "CHAOS", the t i t l e o f t h e show g i v e s some h i n t o f the e x u b e r a n t and s a t i r i c a l f a n ­t a s y p r o j e c t e d by J u s t i n Case and K a r i n A d i r . But t h i s i s a v e r y s p e c i a l k i n d o f chaos - one based on i n t e n s i v e t r a i n i n g i n mime under Jacques Lecoq i n P a r i s - and i n v o l v i n g s t r i c t c o n t r o l of e v e r y d e t a i l . J u s t i n Case p e r f o r m s a s p l e n d i d number w i t h t h e a i d of two props - a c h a i r made

o f m e t a l t u b i n g and a t e l e ­phone. When th e t e l e p h o n e r i n g s , h i s g r o t e s q u e c o n t o r ­t i o n s as he f l i n g s h i m s e l f about the s t a g e , e n t a n g l e d i n t h e t u b i n g of t h e c h a i r , a r e a j o v t o t o watch, b e i n g b o th l u d i c r o u s and l o g i c a l . K a r i n A d i r has c r e a t e d s e v e ­r a l i t e m s . In one she s a t i ­r i s e s a c o n c e r t p i a n i s t ma­k i n g r eady t o p e r f o r m , but t h e p i a n o i s a t i n y one and she ends by t r e a t i n g i t as a t y p e w r i t e r , making a p p r o p i a t e t y p e w r i t i n g n o i s e s . In a n o t h e r new i t e m she

a c t o r o r a poet I w i l l d i s ­t r a c t t o u w i t h a b i t o f j u g g l i n g , o r f i r e e a t i n g , o r maybe a f a l l , a t u m b l e , o r a t u r n . And I w i l l end by l o o k i n g a t you, l o o k i n g a t me, and you might n o t i c e I am l a u g h i n g a t a l l o f t h e l a b e l s , and you might r e c a l l t h a t I have t o l d you I am a f o o l , and I have many moods.

8-6 18.00 S p i e g e l t e n t 9-6 19.45 en 21.45 Movies

10-6 22.00 S h a f f y 12-6 24.00 Melkweg

p r e t e n d s t o chew bubble-gum and c r e a t e s an e x t r a o r d i n a r y S u r r e a l i s t i c e f f e c t when she s u g g e s t s t h a t she has some­how got i n s i d e an enormous bubble which she has blown. The two a r t i s t s d i f f e r from each o t h e r t o some e x t e n t i n s t y l e and temperament but t h e y share a s i m i l a r sense o f t h e r i d i c u l o u s and t h e i r ad­m i r a b l e sense o f t i m i n g en­a b l e s them to make t h e most o f each of t h e i r i n v e n t i o n s . 9-6 22.00 Melkweg 1 0 - 6 24.00

12- 6 23.30 P a r a d i s o S h a f f y 13- 6 19.45 en 21.45 Movies

8

THEATRE SLAPSTIQUE

T h e a t r e S l a p s t i q u e i s a come­dy t r o u p e t h a t uses and m i s u ­ses e v e r y t h e a t r i c a l s k i l l and c o n v e n t i o n f o r comic e f ­f e c t . The v a r i o u s s k i l l s o f the t r o u p e i n c l u d e : mime, mu­s i c , song, parody, dance, a c r o b a t i c s , t u m b l i n g , drama, i m p r e s s i o n s , stage combat, sound e f f e c t s , l i g h t e f f e c t s , c l o w n i n g , w o r d p l a y , j u g g l i n g , b u s i n e s s w i t h p r o p s , e t c .

What makes t h i s show more than a b r i l l i a n t s e r i e s of s k e t c h e s a p a r t from i t s r e ­c u r r e n t theme, i s i t s c o n c e r n w i t h t h e i d e a o f t h e a t r e . The t e x t , though i n g e n i o u s , i s n e v e r c o n t r a p u n t a l : i t s humour i s i n d e e d based on

j r e a d f u l and b e a u t i f u l word­p l a y , which a t t i m e s a t t a i n s L i n g u i s t i c f a n t a s y of a h i g h Drder. But t h i s i s not t h e Dackbone of the show. The slements t h a t r e a l l y h o l d i t t o g e t h e r a re music and move-nent. D e t e r Wear - d e a t h - d e f y i n g a c r o b a t , e n g l i s h e x c e n t r i c & ^ i n g o f b u s i n e s s .

P e t e r Bumstead - a l i a s "Mr. Mus i c o " . The m u s i c a l H a r l e ­q u i n and v e n t r i l o q u i s t s dum­my . M i c h a e l Gimpel - t r u m p e t i n g clown, b a j o i s t 8 master of v e r b a l r u p t u r e .

v r i j d a g 24.00 uur Melkweg

POWDER THEATRE

Powder T a l e s by t h e Powder T h e a t r e ; w i t h : Anne Lecou-v r e u r , R i c a r d o Mosner, Ruben A l t e r i o , P r i s c i l l a D r o u l l e r s and t h e R a b b i t Conejo Snow.

The p l a y i s a c o l l a g e of d i f ­f e r e n t a d v e n t u r e s and t a l e s (comedy, t r a g e d y , magic, h o r ­r o r , f o l k l o r e f r o m l a t i n a-me r i c a n m y t h o l o g y ) . P u z z l e of images; noisy-mime; w i t h l i v e m usic ( s a x , c l a r i n e t t e , sounds) and e n r e g i s t a t e d music ( p o p u l a r , c l a s s i c , r e l i g i o u s , f o l k , j a z z - r o c k ) ; t e x t s ; p a i n ­t i n g ; masks; s p i t - f i r e ; a c ­t i o n s w i t h t h e p u b l i c ; dance and i m p r o v i s a t i o n . O n i r i c , b a r r o q u e and g r o t e s ­que e p i s o d e s ; r i d i c u l o u s and

b l a c k humour s t r i p "comix", Romance and war, i n f a n t i l i s m and m o n s t r u o s i t y . A c o l o u r ­f u l c a r i c a t u r e of t h e " T h e a t r e "

z a t e r d a g 21.00 uur S h a f f y zondag 22.00 uur Melkweg

SONNY HAYES SONNY HAYES MAGIC FANTASY I t i s a group o f a r t i s t s who come t o g e t h e r f o r c e r t a i n shows. They i n c l u d e d a n c e r s , mime a r t i s t s , m a g i c i a n s , co­medians and m u s i c i a n s . At the moment t h e group c o n s i s t s of t h r e e p e o p l e . Sonny Hayes - F i n e a r t g r a ­d u a t e , ex-snake-charmer, ex f i r e d i v e r .

E l G e r i a t r i c o - A broken down p r o f e s s i o n a l f a i l u r e . He i s s t i l l a l i v e d e s p i t e a t t a c k s by dogs.

Mary de L a i n e - She i s con­v i n c e d she i s t h e o n l y s t a r i n t h e show. An ex model and masseuse. W h i l s t our show i s an a n a r ­c h i s t i c comedy we r e t a i n much of t h e d i s c i p l i n e and h i g h s t a n d a r d s of p r e s e n t a ­t i o n of th e more t r a d i t i o n a l f o rms o f t h e a t r e . The i l l u ­s i o n used i n t h e magic show a r e o f the h i g h e s t q u a l i t y , a l l costumes, p r o p s , e t c . h i g h l i g h t t h e e s s e n t i a l g l a ­mour o f th e message.

9- 6 18.00 S p i e g e l en 23.00 10- 6 19.00 Vo n d e l p a r k S h a f f y 11- 6 24.00 P a r a d i s o

P e t e r Bumstead - a l i a s "Mr. Mus i c o " . The m u s i c a l H a r l e ­q u i n and v e n t r i l o q u i s t s dum­my . M i c h a e l Gimpel - t r u m p e t i n g clown, b a j o i s t 8 master of v e r b a l r u p t u r e .

v r i j d a g 24.00 uur Melkweg

POWDER THEATRE

Powder T a l e s by t h e Powder T h e a t r e ; w i t h : Anne Lecou-v r e u r , R i c a r d o Mosner, Ruben A l t e r i o , P r i s c i l l a D r o u l l e r s and t h e R a b b i t Conejo Snow.

The p l a y i s a c o l l a g e of d i f ­f e r e n t a d v e n t u r e s and t a l e s (comedy, t r a g e d y , magic, h o r ­r o r , f o l k l o r e f r o m l a t i n a-me r i c a n m y t h o l o g y ) . P u z z l e of images; noisy-mime; w i t h l i v e m usic ( s a x , c l a r i n e t t e , sounds) and e n r e g i s t a t e d music ( p o p u l a r , c l a s s i c , r e l i g i o u s , f o l k , j a z z - r o c k ) ; t e x t s ; p a i n ­t i n g ; masks; s p i t - f i r e ; a c ­t i o n s w i t h t h e p u b l i c ; dance and i m p r o v i s a t i o n . O n i r i c , b a r r o q u e and g r o t e s ­que e p i s o d e s ; r i d i c u l o u s and

b l a c k humour s t r i p "comix", Romance and war, i n f a n t i l i s m and m o n s t r u o s i t y . A c o l o u r ­f u l c a r i c a t u r e of t h e " T h e a t r e "

z a t e r d a g 21.00 uur S h a f f y zondag 22.00 uur Melkweg

ATTIC THEATRE ATTIC THEATRE i s an o r g a n i s a ­t i o n o f a c t o r s , m u s i c i a n s , d a n c e r s and a r t i s t s p r o f e s ­s i o n a l and amateur, w o r k i n g m a i n l y as a community-based t h e a t r e . ATTIC was formed i n 1969 i n London, and worked f o r two y e a r s a t such venues as The Roundhouse, The P l a c e , The C o c k p i t T h e a t r e , and t h e Oval House. ATTIC w i l l p e r f o r m t h r e e p l a y s :

"JUDAEUS" - a mime - music -

dance programme w i t h a c a s t

of 9 p l u s a band of 4. Judaeus s i t s a l o n e , an o l d man at t h e end of h i s l i f e . O b j e c t s and mementos evoke memories, f a d e d images o f the p a s t . C a l l e s t o t h e p r e s e n t , perhaps f o r t h e f i n a l t i m e , t h e c r e a t u r e s of h i s mind de­mand t h e i r h e a r i n g . Through h i s r e v e r i e e l e m e n t a l f i g u r e s of f i r e , e a r t h , a i r and w a t e r p e r f o r m t h e dance of l i f e and d e a t h , c o n t r o l ­l i n g the o l d man and h i s me­mo r i e s . "IT'S STILL L I F E ! " a mime and music show w i t h a c a s t of 3 p l u s a band of 4. A s a t i r i c a l l o o k i n mime and music a t th e development o f

a new s t u d e n t a t an a r t c o l ­l e g e t o h i s f u l l f l o w e r i n g as an a r t i s t .

"COCK-A-HOOP" an i m p r o v i s e d p l a y w i t h a c a s t of 4. An e x p l o r a t i o n of t h e Comme-d i a d e l ' A r t e s t y l e o f impro­v i s e d t h e a t r e - s t o c k c h a r a c ­t e r s w o r k i n g on a b a s i c p l o t . S e t i n Verona i n 1620, we f o l l o w H a r l e q u i n i n h i s a t ­tempts t o win the b e a u t i f u l Columbine from the c l u t c h e s of t h e l o v e s i c k but dangerous C a p i t a n o S p e t z z f a r .

z a t e r d a g 24.00 uur

S h a f f y

THE FABULOUS POODLES

The l i n e - u p o f t h i s raunchy band f e a t u r e s Bob Beckingham on v i o l i n , m a n d o l i n + v o c a l s . Bryn Burrows - drums, Bobby S u f f o l k on e l e c t r i c p i a n o , R i c h i e C. Ro b e r t s o n - bass + v o c a l s and Tony de Meur - vo­c a l s , g u i t a r , u k e l e l e + ha r ­monicas . The F a b u l o u s P o o d l e s a r e u n i ­que e n t e r t a i n e r s who s u c c e s -f u l l y manage t o win o v e r an a s t o u n d i n g range of a u d i e n ­ces I So c o n f i d e n t a r e we o f t h e i r a b i l i t i e s , t h a t we have t o come up w i t h a Poodle s l o g a n - " I f they don't s l a y 'em -don ' t pay them! ! '. "

A r e a d e r ' s l e t t e r i n The New M u s i c a l E x p r e s s : Much has been w r i t t e n i n the p o p u l a r p r e s s c o n c e r n i n g groups o f m u s i c i a n s who da­mage - and i n some cases d e s t r o y - h o t e l rooms and

even t h e i r own e q u i t m e n t . I would j u s t l i k e t o p o i n t out t h a t not a l l contempora­r y m u s i c i a n s a c t i n t h i s manner - i n f a c t my band "The F a b u l o u s P o o d l e s " t r y to make a h a b b i t of d e c o r a ­t i n g and g e n e r a l l y impro­v i n g the s t a t e of h o t e l rooms we v i s i t . Je a l w a y s pack a few t i n s of 'Magicote' and a c o u p l e o f s t u r d y b r u s h e s when we ' h i t -t h e - r o a d ' , and a n o t h e r com­mon p r a c t i c e f o r us i s t o r e p a i r our a m p l i f i e r s on st a g e ; t h i s has s i n c e become

a h i g h spot o f our a c t . S h o u l d we be a c c o s t e d by any of the breed known a s ' g r o u -p i e s ' , we p o l i t e l y show them t h e e r r o r o f t h e i r ways and sometimes o f f e r them mo­ney t o purchase s w e e t i e s . We s p o r t s e n s i b l e h a i r c u t s and b o w - t i e s , and I j u s t hope our b e h a v i o u r w i l l a c t as an example t o o t h e r more i l l u s t r i o u s combos. ANTHONY DE MEUR, F i n c h l e y , London.

donderdag 23.00 uur Melkweg

WASO KWARTET

Het WASO KWARTET o n t s t o n d nog geen j a a r g e l e d e n . Ze hebben r e e d s v e e l s u c c e s -v o l l e c o n s e r t e n gegeven i n F r a n k r i j k , H o l l a n d en hun re-s i d e n t i e B e l g i e . Het r e p o r -t o i r e van d i t semi z i g e u n e r k w a r t e t i s de zogenaamde HOT CLUB THE FRANCE JAZZ A l a DJANGO REINHARDTI

B e h a l v e deze z e e r swingende j a z z , welke WASO op f a b e l a c h t i g w i j z e v e r t o l k t , s p e e l t het k w a r t e t (op v e r z o e k ) op even v i r t i o z e w i j z e r a s e c h t e t s i a n g e en f l a m e n g o ' s .

Koen de C o u t e r ( k l a r i n e t , v i o o l - g u i t a a r FAPPY LAFERTIN ( s o l o - g u i t a a r Flamenco J.C. WICKLE ( b e g e l e i d i n g s -g u i t a a r - zang) MICH. VERSTRAETEN ( bass)

v r i j d a g 22.00 uur Melkweg

10

BOTS B o t s i s muziek. Muziek, d i e n i e t verward mag worden met k a b a r e t , want zo g r a p p i g z i j n w i j nu ook weer n i e t . W i j ma-ken popmuziek en z i n g e n d a a r -b i j onze m o e r s t a a l , opdat wat w i j t e v e r t e l l e n hebben v o o r i e d e r e e n zo b e g r i j p e l i j k mo­g e l i j k overkomt. B o t s b e z i n g t wat B o t s b o t s e n d voorkomt. B o t s m u z i e k . A l l e d a a g s e , u i t het l e v e n gegrepen w a a r h e i d , v o o r z o v e r deze w a a r h e i d be-s t a a t . K i j k , popmuziek h e e f t z i c h de l a a t s t e t i e n j a a r o n t w i k k e l d t o t een k o n s u m p t i e - a r t i k e l en een g e i j k t k o m m e r s i e e l m i d d e l om de massa ( = a r b e i -d e r s , = l o o n a f h a n k e l i j k e n , = t e l e u r g e s t e l d e n , =werklozen, =onderdrukten] t e b e r e i k e n . Daaronder kan v e r s t a a n worden v e r s l a v e n , z o e t houden, i n d o k -t r i n e r e n , s p e k u l e r e n op a l dan n i e t v a l s e s e n t i m e n t e n , o p v r o l i j k e n , ontmoedigen, v e r loochenen en nog v e e l meer van d i t s o o r t s c h i j n b a a r men-s e l i j k e geneugden. De ge v o l g e n z i j n dan ook b o t s e n d . Welnu, b o t s m u z i e k kan ook een m i d d e l z i j n om mensen i e t s t e v e r t e l l e n o v e r hun e i g e n be-s t a a n . En h i e r en d a a r o v e r de k a p i t a l i s t i s c h e , dus a u t o -r i t a i r e v e r h o u d i n g e n , d i e het b e p a l e n . B o t s w i l l i e f d e o v e r -brengen, n i e t door o v e r de

i d e a l e l i e f d e t e z i n g e n , maar door j u i s t d i e s i t u a t i e s t e b e z i n g e n , d i e de l i e f d e t u s -sen mensen i n de weg s t a a n . Verwacht e c h t e r van B o t s geen s t a r r e m u z i e k - i d e o l o g i s c h e p r i e t p r a a t . Wij z u l l e n geen

e n k e l e m o e i t e doen om ons p o p - v e r l e d e n t e ontkennen o f t e negeren. W i j maken pop van smart t o t r e v o l u t i o n a i r en r o c k van hard t o t s o f t .

z a t e r d a g 23.00 uur Melkweg

FRANK VERHOEF

Ik s p e e l 6 en 12 s n a r i g e g i -t a a r , a k o e s t i e s en e l e k t r i e s , met v o e t b a s en drumpedalen en mondorgel. Meest e i g e n muziek en t e k s t e n met r o c k , rhythm and b l u e s i n v l o e d e n . In 1965 l e e f d e i k i n de f o l k -

c l u b s van Londen - s p e e l d e e r v e e l met g i t a r i s t John. P e a r s e . Terug i n H o l l a n d met de popgroep " C i r c u s " en de " L i v i n g K i c k F o r m a t i o n " . In 1970 s t a a t z a n g e r met v e r -gunning i n U t r e c h t . S i n d s d i e t i j d v o o r j o n g e r e n c e n t r u m s , f e s t i v a l s , workshops, i n r i c h -t i n g e n , enz.

z a t e r d a g 23.00 uur Melkweg

BLUE ROSE A Dutch-American music group weaving parody, dance and mime i n t o t h e i r songs. L e i l a , J o a n i e , L i n d a & Penny, and t h e i r s l e a z y sidemen (messrs. Goodman, Seaman, R o b e r t o s , D i v i n g Duck David and ...The Rhythm Phantoms 1) w i l l t a k e you on i n d e s c r i b a b l e j o u r n e y s ... t o e n c h a n t i n g H a w a i i , t h r o u g h t h e t e r r o r s o f t h e High S c h o o l Hop, and a c r o s s t h e b u r n i n g d e s e r t i n s e a r c h of a brown-eyed man. A 10 t e n - c o u r s e f e a s t f o r eyes and e a r s I 1

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11

NOEL REDDING P u l s a t i n g , d r i v i n g , pounding, the Noel Redding Band has been t e a r i n g up t h e B r i t i s h I s l e s . Though t h e N o e l Redding Band has o n l y been t o g e t h e r s i n c e e a r l y 1975, t h e members o f t h e group a r e no newcomers t o t h e p e r f o r m i n g c i r c u i t . In 1966 Noel teamed up w i t h drummer H i t c h M i t c h e l l and an a t t h e time unknown s o u l s e a r c h i n g American g u i t a r i s t t o f o rm The J i m i H e n d r i x Ex­p e r i e n c e . Redding and M i t c h e l l gave t h e band a h i g h l y - s t y l i ­zed B r i t i s h f l a i r , and i t was i n t h e U n i t e d Kingdom t h a t t h e l e g a c y began. Redding p l a y e d a t hunderous bass t h a t echoed f e r o c i o u s ­l y w h i l e J i m i s o l o e d and d i d h i s magic t o the- g u i t a r . N o el d i d t h e b a c k i n g v o c a l s , some, some a r r a n g i n g and so­me s o n g w r i t i n g b e f o r e s p l i t ­t i n g a f t e r H e n d r i x ' t h r e e r o c k - c l a s s i c s "Are you expe­r i e n c e d ? , A x i s B o l d as Love and E l e c t r i c L a d y l a n d " . D u r i n g t h e l a s t y e a r of The E x p e r i e n c e , Redding had o r ­g a n i z e d h i s own band, F a t t M a t t r e s s . He r e c o r d e d one album and h a l f of a second b e f o r e d i s a p p e a r i n g from t h e music b u s i n e s s and g o i n g i n ­to s e c l u s i o n . For the p a s t f i v e y e a r s , Noel has been r e a s s e s s i n g

h i s m u s i c , h i s v a s t p r o f e s ­s i o n a l e x p e r i e n c e and h i s p e r s o n a l l i f e . Now he i s back on bass and a l s o h a n d l e s l e a d v o c a l s and rhythm g u i t a r . E r i c B e l l , a n a t i v e o f B e l ­f a s t , has been r e c r u i t e d from T h i n L i z z y t o p l a y l e a d g u i ­

t a r . K e y b o a r d i s t D avid C l a r ­ke has been on the B r i t i s h parade s i n c e 1964. Rounding out t h e N o e l Redding Band on drums i s L.T. Sampson.

donderdag 23.00 uur

Melkweg

DAEVID ALLEN

Born i n Melbourne, A u s t r a l i a . In e a r l y s i x t i e s , moved t o P a r i s where he f r a t e r n i s e d and c o l l a b o r a t e d w i t h w r i ­t e r s Lawrence F e r l i n g h e t t i , Gregory C o r s o , A l l e n G i n s b e r g and W i l l i a m B u r r o ughs as w e l l as h a v i n g h i s own p o e t r y p u b l i s h e d . W h i l e s p e n d i n g p e r i o d s of r e ­s i d e n c e i n C a n t e r b u r y and M a j o r c a , met Mike R a t l e d g e , R o b e r t Wyatt and K e v i n Ayers w i t h whom he formed S o f t Machine.

L e f t t h e groep when he was r e f u s e d t o r e - e n t e r England

i n 1968. R e t u r n e d t o P a r i s and p l a y e d w i t h l a r g e num­be r s o f p e o p l e . Out o f t h i s , and A l l e n ' s s o l o albums "Magic B r o t h e r , M y s t i c S i s ­t e r " and "Banana Moon", emerged Gong. He l e f t t h e group i n A p r i l 1975 and r e t u r n e d t o M a j o r c a where he began c h a s i n g t h e e v e r - d i m i n s h i n g h o r i z o n of h i s e p i c - l e n g t h P l a n e t Gong book.

When he saw E u t e r p e - a group o f M a j o r c a - b a s e d Spa­n i s h m u s i c i a n s - g i v e a c o n c e r t he was so i m p r e s s e d by them t h a t he i n v i t e d them to c o l l a b o r a t e .

DEAVID ALLEN & EUTERPE PEPE MILAN, m a n d o l i n a , charango, a c c o u s t i c g u i t a r s , g l o c k e n s p i e l ANA CAMPS, v o c a l s TONI PASCUAL, moog, s t r i n g s keyboard, g u i t a r TONI ARES, c o n t r a b a s TONI TREE FERNANDEZ, g u i t a r s DEAVID ALLEN, v o c a l s , g l i s s a n d o , s o l o g u i t a r

v r i j d a g 23.00 uur Melkweg

JACK DUFFY Aangezien e r volgende week een groot a r t i k e l over Jack Duffy komt, z a l i k me beper-ken t o t het geven van een ko r t e inhoud van enige van z i j n f i l m s d i e deze week ge-d r a a i d worden.

v r i j 11, zat 12, zon 13 j u n i 22.00 u. "HOE BESTAAT HET", met v e r d e r : Neal Burns, Vera Steadman, W i l l i a m I r v i n g . Jacks neef w i l met een dan-seres trouwen. Jack w i l e r een s t o k j e voor steken door z e l f met haar (Vera Steadman) te trouwen. H i j k i e s t e c h t e r het verkeerde meis,je u i t , dat hem nu aan z i j n trouw-

MONTE BANKS Begonnen onder z i j n eigen naam - Mario B i a n c h i - kreeg h i j pas echt een kans toen Warner B r o t h e r s b e s l o t e n ko-medies t e maken. Het waren weliswaar low-budgetcomedies, maar toch greep h i j de g e l e -genheid met beide handen aan. Reeds v&drdat h i j van B u l l s Eye Comedies o v e r s t a p t e naar Warner Bros had h i j z i j n naam veranderd i n Monte Banks. H i j speelde een en t h o u s i a s t e jongeman d i e b i j n a a l t i j d i n m o e i l i j k h e d e n zat door de p e r v e r s i t e i t e n des levens. Aangezien z i j n f i l m s s l e c h t g e d i s t r i b u e e r d werden, g i n g h i j van Warner Bros naar Fox en van Fox naar Grand-Asher, waar h i j v e r s c h i l l e n d e j a r e n z i j n eigen komedies sc h r e e f en r e g i s e e r d e . In deze f i l m s komt het echte k a r a k t e r van de Monte Banks d i e we ons heri n n e r e n , naar voren. De en t h o u s i a s t e en onstuimige jongen d i e e n i g z i n s i n toom gehouden werd door z i j n v e r -l e g e n h e i d , had v e e l over-wicht over z i j n verscheidene v r o u w e l i j k e t e g e n s p e l e r s . Z i j n handelsmerk was het triomferende s l o t van de f i l m , na een enorm groot aan­t a l k l e i n e m i s l u k k i n g e n .

wo 9, do 10 j u n i 23.00 u.

b e l o f t e w i l houden....

v r i j 11, zat 12, zon 13 j u n i 24.00 u. "K0M OP DE FDT0", met verder Eddie Baker, W i l l i a m I r v i n g . M i n i s t e r Ixhaken (Jack D.) s t a a t erom bekend dat h i j n i e t graag g e f o t o g r a f e e r d w i l worden. Nu i s e r een meisje dat graag een baantje a l s f o t o g r a f e w i l hebben b i j een k r a n t . Ze w i l a l s binnen komertje een f o t o van m i n i s ­t e r Ixhaken i n l e v e r e n . Twee mannelijke c o l l e g a ' s bakken haar e c h t e r een poets, door Ixhaken te v e r t e l l e n dat een a n a r c h i s t e hem met een a l s camera vermomd p i s t o o l naar het leven s t a a t . . . .

v r i j 11, zat 12, zon 13 j u n i 24.00 u. "HET K0STBARE KUSSEN" met verder o.a. W i l l i a m I r v i n g Er worden juwelen i n een kussen g e s t o p t , dat naar de wasserette gaat...

NEAL BURNS Neal Burns begon i n 1914 voor de A l C h r i s t i e s t u d i o t e werken en heeft het g r o o t s t e g e d e e l t e van z i j n c a r r i e r e daar doorgebracht. De A l C h r i s t i e s t u d i o maak-te komedies d i e zeer v e r -s c h i l l e n d waren van de Mack Sennett komedies, d i e v e e l a l op e f f e c t e n werkten met mod-der, v e e l a c h t e r v o l g i n g e n en t a a r t e n s m i j t e n . A l C h r i s ­t i e daarentegen g e b r u i k t e een komische s i t u a t i e , met het d a g e l i j k s e leven a l s achtergrond. De C h r i s t i e komieken waren zeer t r o t s op hun produkten en de r e l a t i e s tussen hen leken v e e l meer op d i e van een grote f a m i l i e dan b i j andere s t u d i o ' s . In 1915 maakte Neal Burns §6n komedie per week, t e r w i j l h i j e x c e n t r i e k e types neer-z e t t e van W a l l s t r e e t k l e r k t o t een armoedige neger. Daarna begon h i j s c e n a r i o s t e s c h r i j v e n want daar was dringend behoefde aan. In 1916 ging h i j weer t o n e e l s p e l e n , omdat de f i n a n c i e l e s i t u a t i e b i j C h r i s t i e nogal p r e c a i r was. Maar aan het eind van het t o n e e l s e i z o e n keerde h i j weer naar C h r i s t i e t e r u g . H i j was 66n van de weinige echte t o n e e l s p e l e r s d i e n i e t u i t de v a r i ^ t e ' afkomstig wa­ren. In de t w i n t i g e r j a r e n

kreeg h i j een s e r i e aange-boden waarin h i j de s t e r zou z i j n . Hoewel h i j d i e n i e t z e l f r e g i s e e r d e , had h i j toch wel bepaalde eigen idee§n, d i e h i j er ook door-d r u k t e . De meest t r a g i s c h e gebeur-t e n i s u i t z i j c a r r i e r e was toen C h r i s t i e door Paramount werd overgenomen, d i e de f i l m s a l l e e n maar g e b r u i k t e om hun programma's op te v u l l e n . H i j kreeg de genadeslag toen het g e l u i d z i j n i n t r e e deed. Het f e i t , dat h i j een goede stem had en een goed t o n e e l -s p e l e r was, was vreemd genoeg n i e t van b e t e k e n i s voor Paramount. En zo ra a k t e h i j , a l s zovele van de s t e r r e n van de stomme f i l m , i n de v e r g e t e l h e i d .

v r i j 11, zat 12, zon 13 20.00 u. en 24.00 u.

DEG0UDEN TIJD VAN DE TEKENFILM

"Ze maken ze n i e t meer z o a l s vroeger" i s wat t e k e n f i l m s b e t r e f t een gevl e u g e l d woord Inderdaad l i g t de grote t i j d van de t e k e n f i l m s voor 1956, toen Tex Avery b i j Walter Lantz wegging en voor de r e ­clame begon te werken. Fan-t a s t i s c h e tekenaars a l s Max en Dave F l e i s c h e r , Pat S u l l i ­van, Ub Iwerks en v o o r a l Tex Avery z i j ~\ of dood of ze m.a-ken geen t e k e n f i l m s meer. A l l e e n mensen a l s W i l l i a m Hanna en Joe Barbara z i j n nog steeds b e z i g , maar d i e z i j n , z o a l s Tom Steen eens z e i met Tom S J e r r y g r o o t ( s ) geworden en met de F l i n s t o n e s weer k l e i n . Wat tegenwoordig op TV en i n de bioscopen vertoond wordt z i j n meestal zeer krakkemik-k i g , v i a de computer g e a n i -meerde poppetjes. Of er wordt i n de bioscoop een

(oude) normaal-beeld f i l m vertoond d i e op breedbeeld wordt g e p r o j e c t e e r d zodat b i j v o o r b e e l d b i j Bugs Bunny d r i e k w a r t van z i j n oren en z i j n voeten afgesneden wordt Wat U deze week te z i e n k r i j g t , z i j n t e k e n f i l m s met o.a.: Kiko the Kangaroo

(van o.a. Ub Iwerks) B e t t y Boop

(van Max en Dave F l e i s c h e r ) Tom & Terry

(van Hanna & Barbara) Woody Woodpecker

(van Walter Lantz) F l i p the Frog

(van o.a. Ub Iwerks) F e l i x the Cat

(van Pat S u l l i v a n ) A l i c e i n Dreamland

(van o.a. Ub Iwerks) Andy Panda

(van Walter Lantz) D i t z i j n h e el andere teken­f i l m s dan d i e van Walt D i s ­ney. N i e t s van het z o e t e -l i j k e , v e r r e van dat. Nee, wei n i g d i a l o o g , w e i n i g v e r -h a a l , maar boordevol a k t i e . En sommige f i l m s z i j n zeer s a d i s t i s c h , z o a l s b i j v o o r ­beeld de Tom & J e r r y teken­f i l m s , waar a l t i j d v e e l

klappen v a l l e n . Edoch, ze kunnen eenvoudig n i e t kapot, dus a l s ze een s t r i j k i j z e r , brandkast of piano van de 25-ste v e r d i e p i n g op hun hoofd k r i j g e n , worden ze e e r s t zo vl a k a l s v l o e i p a p i e r . w a a r n a ze gewoon weer opstaan. Ub Iwerks maakte minder wrede f i l m p j e s ; h i j i s dan ook b i j Walt Disney begonnen waar h i j o.a. de e e r s t e Mickey Mouse-films en - s t r i p s en de s e r i e A l i c e i n Cartoonland maakte (_*1927). Begin d e r t i g e r j a r e n begon h i j met F l i p the Frog en l a ­t e r met K i k o the Kangaroo. Reeds i n 1934 maakte h i j het k l e u r e n t e k e n f i l m p j e "Don Quichote" dat U v o r i g e week kon bewonderen. Wat zeer b e l a n g r i j k was (en i s ) b i j t e k e n f i l m s , was de muziek. F a n t a s t i s c h e muziek d i e de s f e e r i n 3 seconden kon veranderen van een w i l d e t o t een r u s t i g e , romantische s f e e r . Hetgeen nodig was, want het volgende moment was er een geheel andere s i t u a t i e op een geheel andere l o k a t i e . A l l e t e k e n f i l m s z i j n i n zwart-w i t . Waarom, kunt U volgende week l e z e n .

A l deze f i l m s d r a a i e n i n de cinema van de Nelkweg