Design by Emily Flynn emily@emilyflynn.com | 914.646.0763 Thank you for previewing my portfolio! My name is Emily Flynn and I am an active freelance Graphic Designer/Art Director residing in Ulster Park, NY and I am currently available to work with new clients and projects. I have extensive experience creating flyers, logos, calendars, brochures, newsletters, posters, sales decks, short movies, and many more beautiful things. In addition, I am very competent with Photoshop, InDesign, Illustrator, Quark, Power Point, Dreamweaver, and other applications. Send me a line or give me a call to discuss any design needs you may have. Sincerely, Emily Flynn emily@emilyflynn.com 914.646.0763 Design by Emily Flynn emily@emilyflynn.com | 914.646.0763 Corporate identity for Drive Partners, a marketing company. Logotype for Blogio, a website that brings bloggers and marketers together. Urban Edge Realty needed a sophisticated logo. Logos
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My name is Emily Flynn and I am an active freelance Graphic Designer/Art Director residingin Ulster Park, NY and I am currently available to work with new clients and projects.
I have extensive experience creating flyers, logos, calendars, brochures, newsletters, posters, sales decks, short movies, and many more beautiful things. In addition, I am very competent with Photoshop, InDesign, Illustrator, Quark, Power Point, Dreamweaver, and other applications.
Send me a line or give me a call to discuss any design needs you may have.Sincerely,
• Fun Run/Walk with Michael Loeb• Pet Wellness Info Booth• Chair Massages• Time for Lyme Seminar• Cholesterol & Glucose Screenings• Blood Pressure Screenings• Body Composition Analysis
• Bone Density Screenings• Hearing Assessments• Lung Function Screenings• Outdoor Yoga & Tai Chi• Healthy Lunches All Week• Healthy Lunch BBQ, Friday July 15th
Anne StannerIn the early 1980s, I became intrigued with metal found objects (“objets trouvees”) as a means of recycling materials. I often in-corporated objects traditionally associated with women’s work, such as stove burners, sewing machines, and scissors. Many of these sculptures are masks, influenced by the sculpture of other traditions such as Native American, Tribal Africa, Asian, and early 20th century European.
Barbara Dorfman Unlike traditional tapestry, which is usually pictorial and 2-dimensional, I am embellishing the woven tapestry with texturally rich fibers, natural objects (shells, wood, porcupine quills), beads and found objects. I’m working on layering and bringing textures out into the third dimension. I am most interested in contrasts in texture and creating pieces that are organic, primitive, and speak to our natural spirit.
It’s that time again… Kingston Open Studios Tour 2008! And this year ASK has gathered an eclectic group of local artists for your touring pleasure. Those who do not have studios are graciously being housed for the day at Mike Piazza’s Shirt Factory, 77 Cornell Street. The tour commences at 11 am and closes at 5 pm, just before the First Saturday festivities. This includes “Selections from the Open Studios Tour” opening reception at ASK, 97 Broadway. One piece from each participating artist was chosen for the exhibit and will be on view during the month of October. A map of the city and artist biographies are available online at ASKforArts.org. Let’s meet the artists:
Carol Pepper-CooperI use a variety of media to create both representational and non-objective art. All my work is informed by that concept and also by my focus on flow. Later came im-ages regarding the flow of consciousness: the going in and out of dreams. Recently I have been developing paintings related to the flow of time passing.
Carolyn L. DickeyAs I pull from my interior file of images and sensations, glass allows me to express my inspiration in a way that I find more satisfying than any other medium I have worked with. The themes that I explore most frequently in my work are themes of joy, peace, tranquility, harmony and
the general complexity and exuberance of daily life.
Open Studios tour
Franz Heigemeir Presently I am fascinated by the cereus called “Queen of the Night.”That almost heroic way it shows itself by blooming unannounced in the middle of the night and then quickly dying vanishes, unobserved by most.Dramatic lighting, the contrast between night and day…and life and death.
Hester Keith The stylized figures I construct convey an emotional impact through the elaboration of body language, thus illustrating different mental states and emotional responses. To achieve this sentiment, body postures and extremities are exaggerated to stress a whole range of emotions. My intent is to expose the fragility of the human psyche and uncover a nonverbal language between viewer and the piece that is naturally understood.
A la Modigliani; Welded metal found objects; 27”h x 16”w x 3” d.
Elisa PritzkerThe inside-out series is about transformation. It implies the experience of going from one phase to another of one’s own existence, individually and socially. The series talks about any human changes within a context of environmental awareness.
Nick Kozak I first began this series of work in Taiwan using an absolute minimum of found objects. I was originally attracted to disposable soup spoons for their banality and simplicity. Yet, as I work with them it has become clear to me that while they are not brilliant individually, their accumulation gives them substance. The object is enlightened from repetition, similar to Buddhist monks repeating mantra and finding solace in the selfless echo.
Katia Gushue My working process is a synthesis of drawing, painting and photography. I use my camera as a sketchbook, to record the wild places that I visit, from the redwood forests of California to the Shawangunk Ridge in my own backyard. My original photographs form the basis of my work. I take dozens of shots on location and select the ones that have the qualities I seek in conveying a sense of place. I then draw and paint the images onto canvas or paper using charcoal, pencil or oils.
Ditto I am honored to be a constant artistic expression of the great creator in my paintings, photographs and illustrations. It connects me to spirit… to all that is. I have always been drawn to the beauty of nature. My goal is not to reproduce the exact signature of the divine but to feel the delicate rhythms, extract the inherent shapes and curves and hear the core message that calls to me. With this whisper I create a dance of my own on the canvas, in my photography and digital illustrations.
#3 from the series: “I Have a Story to Tell”, 16” x 20”, cotton warp, wool, Afri-can mask, waxed linen, and clay beads.
Deep into the well, 32” x 24”, Mixed Media
Misty Woods, 11” x 14”, Mixed Media
Inside-Out 11 (2008), Mixed techniques + resins, 6” x 8”
Cross River Fine Art Cross River Fine Art represents twelve watercolorists from varying walks of life who have joined together to display their diverse, yet unique painting styles. The artists live and work in the Hudson River Valley and many of their paintings, whether they be still-lifes, botanicals or landscapes, reflect the beauty and sensibility of the region. Artists include: Barbara Bergin, Ellen Crimmins, Claudia Engel, Hana Gordon, Ginger Grab, Betsy Jacaruso, Jim McFarland, Nathan Milgrim, Otto Miranda, Judith Pedatella, Elaine Ring, and Francoise Ursat. “Blue and White Vase,” watercolor, Claudia Engel
Gathering 2008, Stoneware. This is a collection of small wall mounted sculptures spanning 7’ x 4’
Ouroboros, Soup spoons,12”x10”x10”
Todd Samara Well-known and much-admired, Todd Samara has lived in the Hudson Valley for almost 30 years, observing the landscape and its inhabitants and transforming them with paint into works of great emotional intensity.
ArtWorks
October, 2008
4
ASK EvEntS
October, 2008
ArtWorks 5
ASK EvEntS
”Moonlight” 2006 oil on canvas 30”x38”
More artists’ statements on pages 7 & 16.
Anne StannerIn the early 1980s, I became intrigued with metal found objects (“objets trouvees”) as a means of recycling materials. I often in-corporated objects traditionally associated with women’s work, such as stove burners, sewing machines, and scissors. Many of these sculptures are masks, influenced by the sculpture of other traditions such as Native American, Tribal Africa, Asian, and early 20th century European.
Barbara Dorfman Unlike traditional tapestry, which is usually pictorial and 2-dimensional, I am embellishing the woven tapestry with texturally rich fibers, natural objects (shells, wood, porcupine quills), beads and found objects. I’m working on layering and bringing textures out into the third dimension. I am most interested in contrasts in texture and creating pieces that are organic, primitive, and speak to our natural spirit.
It’s that time again… Kingston Open Studios Tour 2008! And this year ASK has gathered an eclectic group of local artists for your touring pleasure. Those who do not have studios are graciously being housed for the day at Mike Piazza’s Shirt Factory, 77 Cornell Street. The tour commences at 11 am and closes at 5 pm, just before the First Saturday festivities. This includes “Selections from the Open Studios Tour” opening reception at ASK, 97 Broadway. One piece from each participating artist was chosen for the exhibit and will be on view during the month of October. A map of the city and artist biographies are available online at ASKforArts.org. Let’s meet the artists:
Carol Pepper-CooperI use a variety of media to create both representational and non-objective art. All my work is informed by that concept and also by my focus on flow. Later came im-ages regarding the flow of consciousness: the going in and out of dreams. Recently I have been developing paintings related to the flow of time passing.
Carolyn L. DickeyAs I pull from my interior file of images and sensations, glass allows me to express my inspiration in a way that I find more satisfying than any other medium I have worked with. The themes that I explore most frequently in my work are themes of joy, peace, tranquility, harmony and
the general complexity and exuberance of daily life.
Open Studios tour
Franz Heigemeir Presently I am fascinated by the cereus called “Queen of the Night.”That almost heroic way it shows itself by blooming unannounced in the middle of the night and then quickly dying vanishes, unobserved by most.Dramatic lighting, the contrast between night and day…and life and death.
Hester Keith The stylized figures I construct convey an emotional impact through the elaboration of body language, thus illustrating different mental states and emotional responses. To achieve this sentiment, body postures and extremities are exaggerated to stress a whole range of emotions. My intent is to expose the fragility of the human psyche and uncover a nonverbal language between viewer and the piece that is naturally understood.
A la Modigliani; Welded metal found objects; 27”h x 16”w x 3” d.
Elisa PritzkerThe inside-out series is about transformation. It implies the experience of going from one phase to another of one’s own existence, individually and socially. The series talks about any human changes within a context of environmental awareness.
Nick Kozak I first began this series of work in Taiwan using an absolute minimum of found objects. I was originally attracted to disposable soup spoons for their banality and simplicity. Yet, as I work with them it has become clear to me that while they are not brilliant individually, their accumulation gives them substance. The object is enlightened from repetition, similar to Buddhist monks repeating mantra and finding solace in the selfless echo.
Katia Gushue My working process is a synthesis of drawing, painting and photography. I use my camera as a sketchbook, to record the wild places that I visit, from the redwood forests of California to the Shawangunk Ridge in my own backyard. My original photographs form the basis of my work. I take dozens of shots on location and select the ones that have the qualities I seek in conveying a sense of place. I then draw and paint the images onto canvas or paper using charcoal, pencil or oils.
Ditto I am honored to be a constant artistic expression of the great creator in my paintings, photographs and illustrations. It connects me to spirit… to all that is. I have always been drawn to the beauty of nature. My goal is not to reproduce the exact signature of the divine but to feel the delicate rhythms, extract the inherent shapes and curves and hear the core message that calls to me. With this whisper I create a dance of my own on the canvas, in my photography and digital illustrations.
#3 from the series: “I Have a Story to Tell”, 16” x 20”, cotton warp, wool, Afri-can mask, waxed linen, and clay beads.
Deep into the well, 32” x 24”, Mixed Media
Misty Woods, 11” x 14”, Mixed Media
Inside-Out 11 (2008), Mixed techniques + resins, 6” x 8”
Cross River Fine Art Cross River Fine Art represents twelve watercolorists from varying walks of life who have joined together to display their diverse, yet unique painting styles. The artists live and work in the Hudson River Valley and many of their paintings, whether they be still-lifes, botanicals or landscapes, reflect the beauty and sensibility of the region. Artists include: Barbara Bergin, Ellen Crimmins, Claudia Engel, Hana Gordon, Ginger Grab, Betsy Jacaruso, Jim McFarland, Nathan Milgrim, Otto Miranda, Judith Pedatella, Elaine Ring, and Francoise Ursat. “Blue and White Vase,” watercolor, Claudia Engel
Gathering 2008, Stoneware. This is a collection of small wall mounted sculptures spanning 7’ x 4’
Ouroboros, Soup spoons,12”x10”x10”
Todd Samara Well-known and much-admired, Todd Samara has lived in the Hudson Valley for almost 30 years, observing the landscape and its inhabitants and transforming them with paint into works of great emotional intensity.
Daily Freeman & the Arts Society of Kingston Present
Al Jaffer: “Senior Seminar helped me break down the barriers I created around
myself. I now see myself as a visual artist.”
Kingston High School Senior Art students are
“In Pursuit”
Also at ASK this Month:
Cosmic Blooms New Paintings by Franz Heigemeir
FREE | Includes Kingston Gallery Guide June 2008
ASK EvEntS
May, 2008
ArtWorks 5
ASK Building Project Gains Momentum:
ASK Welcomes WSDG as Architect
by Richard Wixom
As most people know who have walked
through the green doors at ASK (97
Broadway) on a First Saturday, there is a
second floor of about 3000 square feet that
has been part of the ASK vision since ASK
purchased the building from the City on May
2005. The second floor has always been
envisioned as an intimate theatre space at
the back, with a classroom / seminar room
occupying the generously-daylit space up
front. Plans include bathrooms for the use of
upstairs audiences, and the Board has made
the installation of an elevator and provision
of full universal access an important
development goal. Visitors have generally
been told that this will all come to pass
“someday” or “in the next few years”.
That indeterminate time-frame has
become more definite with the hiring of the
Walters-Storyk Design Group of Highland,
New York to oversee the realization of the
second floor space. WSDG is headquartered
in Highland, New York but works world-wide
to provide acoustic design and treatment
to some of the world’s most renowned
performance spaces (like Jazz at Lincoln
Center, for example). WSDG will be working
closely with the ASK Board to translate the
vision into a complete design. At that point
all it will take is time and money (quite a bit
of it) to get the job done. The Board has total
confidence in WSDG to deliver a compelling
and appropriate design, and believes that
the design will be the key to kick-starting
the fundraising phase of the project. That
brings us, of course, to the May 10th Gala,
a wonderful opportunity to turn out for a
great party and support ASK and the start of
the theatre fundraising campaign. The Board
invites everyone to see the initial renderings
and plans for this exciting community
space, and to follow the design process as it
evolves into built-out space. (See page 16 for
more on the Gala.)
The following brief summary appears on
the WSDG website (www.wsdg.com), as
part of a discussion about the major role
WSDG played in designing for the unique
musical needs of jazz musicians like Wynton
Marsalis in the Jazz at Lincoln Center spaces.
(Yes, WSDG was a primary consultant on
that job, and many others world-wide.) Here
is a brief introduction to WSDG; I can only
recommend a visit to their website to see
more, as it is truly a fascinating presentation.
I am confident that everyone will come away
with the feeling that the ASK Arts Center is
in the best of hands.
From the WSDG website
“About Walters-Storyk Design Group (WSDG)
Walters-Storyk Design Group (www.wsdg.
com) has designed over 1,400 production
and performance facilities in the U.S.,
Europe, the Far East and South America.
Their credits range from the original Jimi
Hendrix Electric Lady Studios (New York) to
Synchrosound in Kuala Lumpur, Malaysia,
and Argentina’s Circo Beat Studios. Recent
projects include: film composer Carter
Burwell’s Tribeca NY studio, a facility for
recording artist Paul Winter, the cutting-
edge Interlochen, Michigan, Public Radio
complex, thirteen/WNET NY’s new 5.1
audio suite, Tim Mosley’s new Timbaland
Studios, Aerosmith’s just completed Vindaloo
Studios, a personalstudio for Tracy Chapman,
GTRK Kultura a large-scale radio broadcast/
recording studio complex in Moscow and,
the recently opened Allaire destination
studio in upstate NY which has already
hosted such artists as David Bowie and
Norah Jones.” We will keep ASK members up to date via
ArtWorks and the E-newsletter. And if you’re
not yet a member: well, you definitely need
to become one in order to track this process
and get behind one of the most dynamic arts
organizations in the Hudson Valley.
ASK EvEntS
ExEcutIvE DIREctoR’S MESSAGE
ArtWorks
May, 2008
2
Arts Society of Kingston
97 BroadwayKingston, nY 12401
845.338.0331www.askforarts.org
ASK President .......Katharine McKenna
ASK Executive Director .........................Vindora Wixom
ArtWorks Editor ..........Richard Wixom
ArtWorks Art Director ...............................Emily Flynn
ArtWorks technical Support ...Henry Lowengard
Ask Gallery Guide
Manager .............................Jean Haines
How to SubmitPlease e-mail all editorial submissions
Daily Freeman & the Arts Society of Kingston Present
Hudson Valley Arts Guide November 2008
Sonya Landau, Danielle Neu, Meredith French, Zahra Malkani, Emily Patnaude, Glenna Broderick, Alison Wilder, Robert Lumsden, Jen Overstreet, Max Drzewinski, Sara Lynch-Thomason, John Borthwick, Paige Mead, Fiona Cook, Jacob Braff, Saralee Gallien, Maia Dart, Jane Moseley, Joseph Verrill, Sydney Schrader, Benjamin Kane, Margot Becker, Brittany Rode
Seats New York features:• 150 seating plans to New York metro area theatres,
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Jodé Susan Millman
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Coverupdate 7/11/02 6:02 PM Page 1
Buying Your Seats OnlineThanks to the Web, the box office is now right on yourdesktop. The SEATS seating plans give you the webaddresses for all of your favorites venues.
When you order your ticket on-line or by phone here areticketing terms to help you understand the ticketing system:
Face value: This is the price that is determined andcharged for your ticket by the promoter, venue, or artist.Facility charge: A fee that is collected on behalf of thevenue (however, not all venues charge a facility charge). Convenience charge: A fee that varies from event toevent, and supports your access to web, phone and kioskservices virtually 24 hours a day. Handling fee: This is the charge for filling yourticket order, maintaining it on the system, andarranging for shipping.Delivery fees: Telecharge: free email tickets and will call. Standard mail is flat fee. Ticketmaster: freestandard mail and will call. Nominal charge for emailtickets. Expedited Delivery (both): sliding scaledepending upon how quickly you want your tickets. Tickets by email: Your tickets can arrive via email forprinting from your own computer. Your ticket will bescanned at the gate, you’ll be admitted and have a greattime. So click, print, and your ticket is on the way.Will-call: Your tickets are available to be picked up atthe venue box office, on the day of the event, startingone hour before the curtain time. For security purposes,the original purchasing credit card and a valid ID will be used to confirm your name on the will-call list.
Where Else Can You Buy Your Seats?Box OfficesThe Box office telephone numbers you need to purchaseyour SEATS are indicated on each SEATS seating plan.
To avoid additional fees, buy your tickets in person andin advance at the venue’s box office. However, purchasing tickets at the box office often adds a charge, since most places use a computer ticket brokering system.
Ticket Concierge
17
Buying Your Seats By Phone
TICKETMASTERwww.ticketmaster.comLocal telephone numbers for Ticketmaster outlets are:New York (212) 307-7171Long Island (631) 888-9000Westchester (845) 454-3388
TELECHARGE (212) 239-6200www.telecharge.com
TICKET CENTRAL (212) 279-4200www.ticketcentral.org
TICKET WEB (800) 965-4827www.ticketweb.com
THEATERMANIA (212) 352-3101www.theatermania.com
SMARTTIX.COM (212) 868-4444www.smarttix.com
Other Helpful NumbersAMEX Gold Card 800-NOW-AMEX Broadway Inner Circle (212) 307-4599Broadway Premium (212) 220-0500Broadway Performing Arts (212) 307-4100Disney on Broadway (212) 307-4747MSG Hotline (212) 307-5554NBA 800-4NBA-TIX MSG/Radio City Hotline (212) 307-1000Spanish Language (212) 307-4757
U.S. Open 866-673-6849WNBA Hotline 877-WNBA-TIX Yankees Hotline (212) 307-1212
Tick
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16
Base Ticket Price $115
Anatomy of a ticket
Facility Fee(Included)
$2
Handling Fee $2.50 (box office or e-mail)
Telecharge Fee $6.75Mailing: $4 standard mail,
$19 two-day delivery
Extra Charges:
Intropagesbleed_57 5/14/08 4:06 PM Page 16
8th Av
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7 t h A v
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8th Av
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Delacorte Theater
7th Av
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6th Av
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W 58th St
W 56th St
W 55th St
W 54th St
W 53rd St
W 52nd St
W 51st St
W 50th St
W 49th St
W 48th St
W 47th St
W 46th St
W 45th St
W 43rd St
W 44th St
W 41st St
W 40th St
W 39th St
W 57th St
W 42nd St
Aven
ue Of
The A
meric
as
Broad
way
Broadway
Columbus Circle
2
1
Grand Central
Radio City
TimesSquare
TKTS
PORT AUTHORITY
42
41
44
1
2
345
6
54
52750
98
1011
13
45
15
12
20 19 1817
2122
29
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maptipout 4/15/08 8:55 AM Page 341
160East/West Village Map #78
Lucille Lortel Theatre121 Christopher Street // New York, NY [between Bleecker & Hudson]
Ticket Central: (212) 279-4200 [www.lortel.org]
A11
111
010
910
810
710
610
510
410
310
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1A
97
53
1B
111
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24
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68
97
53
1C
111
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C2
46
810
97
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111
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D2
46
810
97
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1E
111
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E2
46
810
97
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46
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97
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111
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G2
46
810
97
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111
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46
810
97
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111
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810
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M
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A,C,E,B,D,F,V to W4th/Wash. Sq.
M8, M10
Apple West 11th Garage: 222 W. 11th [*disc with tix]3 Sherdian Sq. [bet. Bleecker & W. 4th Sts.]
$$$$
$$$
2 4 6 8 10 12 14 1611 9 7 5 3 1 A
2 4 6 8 10 12 14 1611 9 7 5 3 1 B
2 4 6 8 10 12 14 1611 9 7 5 3 1 C
2 4 6 8 10 12 14 1611 9 7 5 3 1 D
2 4 6 8 10 12 14 1611 9 7 5 3 1 E
2 4 6 8 10 12 14 1611 9 7 5 3 1 F
2 4 6 8 10 12 14 1615 13 11 9 7 5 3 1 G
15 13 11 9 7 5 3 1 H
The McGinn/Cazale Theatre (Second Stage Theatre)2162 Broadway 4th Floor // New York, NY [Between 76th & 77th]
Box Office: (212) 246-4422 [www.2st.com]
1,2,3,to 72nd
M5, M7, M11, M72, M104
Rapid Parking: 254 West 79th StreetCentral Parking: 214 West 80th Street