EJ Catalogue

8/11/2019 EJ Catalogue

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Edward Burtynsky Chuck Close Gregory CrewdsonPhilipLorca DiCorcia Rineka Dijkstra Anthony GoicoleaNan Goldin Katy Grannan David Hilliard Zhang HuanDavid LaChapelle Loretta Lux Sally MannRyan McGinley Richard Misrach Tracey MoffattLuis Gonzalez Palma Matthew Pillsbury Angela StrassheimHiroshi Sugimoto Sam Taylor Wood Ruud van EmpelAngela West Charlie White

Edward Burtynsky Chuck Close Gregory CrewdsonPhilipLorca DiCorcia Rineka Dijkstra Anthony GoicoleaNan Goldin Katy Grannan David Hilliard Zhang HuanDavid LaChapelle Loretta Lux Sally MannRyan McGinley Richard Misrach Tracey MoffattLuis Gonzalez Palma Matthew Pillsbury Angela StrassheimHiroshi Sugimoto Sam Taylor Wood Ruud van EmpelAngela West Charlie White


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This is a fantastic opportunity for David and me to present a selection of contemporary photographs from our collection tothe people of Kyiv. We are inspired by the dedication of Victor Pinchuk and his foundation for devoting time and funds to makethe PinchukArtCentre a leading institution for contemporary art in Eastern Europe. The PinchukArtCentre serves to enlighten

and educate the Ukrainian and Eastern European community to art happening around the world today. We are very honoredto be a part of its inaugural year.

Contemporary art, like music, gives us the means by which we can share our thoughts on life, love, and humankind. It gives usthe opportunity to express our views on the present condition of our world in the hope of making us more compassionate beings.One of the things I love about the photographic medium is its ability to capture a moment. Allowing us the time to revisit thatmoment over and over. Giving us time to think and ponder its meaning. A photograph always means something anda contemporary photograph should reveal something about the culture in which we live.

The photographs in this exhibition include artists making statements about a variety of subjects including; identity, alienation, popculture, cultural barriers, our impact on the environment and the passage of time. Each artist has their own unique approach fromusing large format cameras and traditional darkroom techniques to involving highly sophisticated digitized computergeneratedimagery. For me, what's important is the final work and how it makes me think and feel.

Building collections has always been part of my character. I have always collected things that I enjoyed and that were importantto me. When I was a young, I started a collection of music records and sports and music magazines. I kept everything neat andmeticulously organized. Later when I had money to spend, I had a significant collection of Art Nouveau, fine automobiles,and other objects. But I would eventually tire of these things and sell them at auction. Although I still collect watches,contemporary art glass, and other items, I'm the most serious about my photography collection. Acquiring photographswill always remain an exhilarating thrill for me.

I started collecting photography in 1991 after leaving rehab. Being sober was like having a fresh new start at life. The firsttime I saw a fine art photograph was with the dealer David Fahey in the south of France. He showed me some Irving Penn'sand Horst P. Horst's. I was awestruck. In sixteen years, this initial excitement of seeing a great photograph has never waned.My collection now includes over 5,000 photographs spanning from rare vintage works of the 1920s to contemporary workof today.

For David and me, collecting photographs and paintings has become part of our daily life. We both spend time visiting galleriesand art shows around the world. We often have the chance to meet artists in our collection. Getting to know them personallybrings a better understanding of the work in our collection and enhances our appreciation. We surround ourselves with the artwe acquire, allowing us to see it and live with it daily. The art feeds our souls, inspires us, and fulfills our life. We hope that

through this exhibition, you too will share our enthusiasm for this fascinating medium.

Sir Elton John


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Dear guest,

For several years we have been exhibiting contemporary art in all its forms that exist. The Painted and the Drawn.

The Sculptured and the Constructed. The Created and the Imagined. And today we show only the Seen.

It is exactly so because photography is an art of the look. There is only reality and the human eye that see this. Everythingis real and due to that it is even less probable. It exists, but is difficult to explain.

Elton John came to Ukraine for the first time, brining along a part of his private collection of photographs, which is one of thebest in the world. That was the first time that the collection left the confines of his home. These are photographs. This is notby accident, seeing as Elton John is a person that emotes positive vibes and energy and leaves a trail of light after himself.All you have to do is remember the meaning of the word photograph "painted by light".

Welcome!

Viktor Pinchuk


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AN INSTINCTIVE EYE:A Selection of Contemporary Photographsfrom the Sir Elton John Collection

It has been seven years since Sir Elton John has allowed a significant exhibition of works from his photography collection tobe shown to the public. In 2000, the High Museum in Atlanta presented Chorus of Light: Photographs from The Sir Elton JohnPhotography Collection. This exhibition consisted of highlights of the collection with works from the 20th century to the present.It was the largest single exhibition ever undertaken by the High and the attendance for the exhibition set new records for themuseum. What Elton John and David Furnish found the most rewarding about this exhibition was that it brought in a new groupof visitors to the museum and it enlightened thousands to a new understanding and appreciation for photography. With thisexhibition of contemporary photographs, some acquired only months ago, Elton and David hope that the PinchukArtCentre willhave similar results and that the people of Kyiv will become equally passionate enthusiasts for the photographic medium.

In selecting photographs for his collection, Elton makes his decision with impulsively quick deliberation. Most collectors wouldnot have the daring to make acquisitions in this manner but Elton has an innate sensibility that allows him to make instinctivedecisions with confidence. This is not to say that both Elton and David are unaware of which artists are critically acclaimedor being touted by the art world at the moment. On the contrary, they are both quite well informed and in ways more intimatethan most collectors ever have the opportunity to be.

Elton's ease and confidence in acquiring photographs permits him to buy what he likes assertively. There is never any secondguessing or looking back. This acquisition style comes from a lifetime of being both an avid collector and an awareness of what'shappening in popular culture with music, film, fashion and art. Elton and David know what's going to be in vogue, long beforeyou and I have heard about it, read about, or seen it. You can say that Elton has an inner sense of knowing what is going tobe in style next. He is used to being the trendsetter. So by the time the populace is talking about it, he's already been there.In respect to acquiring contemporary photographs, this style of decisionmaking works exceedingly well. In the fastpaced worldof contemporary art, it seems like only moments before a relatively unknown artist becomes a worldly figure.

With the purchase of rare vintage photographs, the selection process is slightly different. One must consider the condition andquality of the photography as well as its rarity and provenance. Here we have the capability of reviewing and analyzing scoresof historical information on which artists are considered well established and what specific works of theirs are deemed significant.However, in the current frenzied photography market most collectors seem to be all after the same few artists. So we try to lookwhere other collectors are not. If a wellknown artist has a body of work that is being disregarded, than that's where we will startresearching. Or there may be an artist that should be considered more important but is still undervalued by the market.

Many times over, Elton has been successful in seeking out these "overlooked" gems, like with his early acquisitions of worksby Man Ray, Harry Callahan, and Irving Penn. In the end, though, it's the photograph itself that has to move and excite Elton.

With 5,000 photographs in the collection, The Sir Elton John Collection is recognized by many as one of the finest privatecollections of vintage, modernist and contemporary photographs. Although there are numerous themes running through thecollection as a whole, the collection is not confined to a set of rules dictated by a specific theme or subject matter.Many collectors find it meaningful to give their collection a specific focus by collecting solely on one theme, one artist, or timeperiod. For Elton and David, their collection is comparable to their lives. It's dynamic.

For the exhibition at the PinchukArtCentre, Elton and David decided to exhibit a select group of contemporary artists that theyare collecting more indepth. By showing multiple works by an artist, the viewer is able to get a better understanding andappreciation of that particular artist. (A separate handout with text about each artist and their work will be distributed during theexhibition.) The photographs in this exhibition address a variety of issues and the artists themselves are as diversified as thework. The photographs speak to issues of the environment, identity, youth, dreams, time, imaginary worlds and reality.Some rely on the conventional methods of photographing with camera, film and the darkroom. Others may use highly technicalcomputer programming to achieve their vision. In the end, the artist hopes that their creations will be meaningful and timeless.

We hope that this exhibition proves them right.

Jane JacksonDirectorSir Elton John Photography Collection


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A personal collection is distinguished from a museum collection by the fact that objects are collected by an individual whichdefine that persons' interests within the medium. The Sir Elton John Photography Collection has become one of the mostrespected private photography collections in the world. It is a true honour that the PinchukArtCentre is the first in Europe to host

a public exhibition of this collection. While the collection encompasses many works from the twentieth and twentyfirst centuries,this exhibition focuses on recent additions to the collection to reflect the ongoing commitment to collect work of living artists.

The photographs in the exhibition and illustrated in this book were selected by Ms. Jane Jackson, Director of the Sir Elton JohnCollection, and myself as representing the best of the collection. While it was hoped that collectively these examples wouldelucidate a history of recent developments in twentyfirst century contemporary photography, their art historical context wasa secondary consideration. The primary criterion in the selection process was the quality of the individual images.

Together, these photographs not only document the strength of the Sir Elton John Collection, but reveal much about thecollecting interests of the collector, and how it has advanced Elton John's commitment to the field of photography. These artworks celebrate the extraordinary achievements of contemporary artists and the diversity and richness of art in this new century.

Peter DoroshenkoPresident

PinchukArtCentre, Kyiv

DirectorBaltic Centre for Contemporary Art, Gateshead


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Manufacturing #17, Deda Chicken Processing Plant, DehuiCity, Jiin Province, China, 2005

Chromogenic Dye Coupler Print61 x 94 cm

Edward Burtynsky

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Container Ports #8, Racine Port, Montreal Quebec, 2001Chromogenic Dye Coupler Print

124,5 x 150

Edward Burtynsky

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Shipbreaking #24, Chittagong, Bangladesh, 2000Chromogenic Dye Coupler Print

124,5 x 150

Edward Burtynsky

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Sir Elton John, 2000Digital Ink Jet Print

101,5 x 84 cm

Chuck Close

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Untitled (backyard romance), Summer 2004Digital CPrint mounted on aluminum

145 x 223,5 cm

Gregory Crewdson

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Untitled (bed of roses), Winter 2005Digital CPrint mounted on aluminum

145 x 223,5 cm

Gregory Crewdson

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Untitled (rug lady), 1999Laser direct Cprint

122 x 152,5 cm

Gregory Crewdson

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Untitled (sod man), 1999Laser direct cprint

122 x 152,5 cm

Gregory Crewdson

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Joe Reeves: 37 years old: San Fernando, CA, 199092Ektacolor Print

39 x 57 cm

PhilipLorca DiCorcia

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Last Supper, 1999Color CPrint

101,5 x 194,5 cm

Anthony Goicolea

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Poolpushers, 2001Chromogenic Dye Coupler Print

127 x 178

Anthony Goicolea

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Hotel Village, Room, Hamburg, 1992Cibachrome Print

51 x 66 cm

Nan Goldin

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Kim In Rhinestones, Paris, 1991Cibachrome Print

51 x 66 cm

Nan Goldin

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SelfPortrait in the Blue Bathroom, Berlin, 1991Cibachrome Print

51 x 66 cm

Nan Goldin

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Untitled (from the Poughkeepsie Journal), 1999CPrint

114,5 x 90 cm

Katy Grannan

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Dad, 1998Chromogenic Dye Coupler Print

101,5 x 228,5 cm

David Hilliard

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Making Boys Cry, 2001Colourcoupler print

58,5 x 137 cm

David Hilliard

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Spring Trainer, 2006Chromogenic Dye Coupler Print

58,5 x 137 cm

David Hilliard

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Susie Floating, 2003CPrint Mounted

203 x 61 cm

David Hilliard

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To Add One Meter to an Anonymous Mountain, 1995olourcoupler print

66,5 x 101,5 cm

Zhang Huan

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To Raise the Water Level in a Fishpond, Beijing, China, 1997olourcoupler print

66,5 x 101,5 cm

Zhang Huan

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Leonardo DiCaprio: American Dreams, 1995Fujicolor Crystal Archive Print

166,5 x 122 cm

David LaChapelle

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Tupac Shakur: Becoming Clean, LA, 1996Fujicolor Crystal Archive Print

168,5 x 122 cm

David LaChapelle

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Eminem about to Blow, New York, 1999Fugicolor Crystal Archive Print

169 x 122 cm

David LaChapelle

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Milo 1, 2004Illfochrome Print

25,5 x 25.5 cm

Loretta Lux

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Study of a Girl 1, 2002Illfochrome Print

25,5 x 25.5 cm

Loretta Lux

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The Hush, 2000Illfochrome Print

25,5 x 25,5 cm

Loretta Lux

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Three Wishes, 2001Illfochrome Print

25,5 x 25,5 cm

Loretta Lux

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Triptych, 2004Gelatin Silver Print

127 x 304,8 cm

Sally Mann

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Falling Forward, 2005Chromogenic Dye Coupler Print

76 x 102 m

Ryan McGinley

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Dakota, 2004Chromogenic Dye Coupler Print

76 x 102 m

Ryan McGinley

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Untitled, 2005CPrint

76 x 102 m

Ryan McGinley

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Battleground Point #30, 1999Chromogenic Print

121,5 x 154,5 cm

Richard Misrach

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Golden Gate 9498 7:02amChromogenic Dye Coupler Print

94 x 122 cm

Richard Misrach

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Something More #1, 1989Cibachrome Print

96,5 x 123,2

Tracey Moffatt

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Something More # 8, 1989Cibachrome Print

96,5 x 123,2

Tracey Moffatt

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El Angel, 1993Handpainted silver gelatin print

91,5 x 91,5 cm

Luis Gonzalez Palma

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Dennis & Anamilia, BBC news Access Hollywood, 2003Archival inkjet print

76,5 x 101,5 cm

Matthew Pillsbury

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Tayna & Sartaj Gill, CSI Miami, 2002 (TV 02003)Archival inkjet print

76,5 x 101,5 cm

Matthew Pillsbury

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Eric Watson, Thursday, March 11th, 7:408:40 pm, Paris,2004

Pigment Print76,5 x 101,5 cm

Matthew Pillsbury

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Untitled, 2004Cprint

76,5 x 101,5 cm

Angela Strassheim

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Untitled, 2003CPrint

76,5 x 101,5cm

Angela Strassheim

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Ionian Sea, Santa Cesarea I, 1990Gelatin silver print

41,5 x 53,5 cm

Hiroshi Sugimoto

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Irish Sea, Isle of Man I, 1990Gelatin silver print

41,5 x 53,5 cm

Hiroshi Sugimoto

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Bram Stoker's Chair View V, 2005CPrint

122 x 96,5 cm

Sam Taylor Wood

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Bram Stoker's Chair View VI, 2005CPrint

122 x 96,5 cm

Sam Taylor Wood

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World #1, 2005Cibachrome/Dibond/Plexiglass

150 x 107cm

Ruud van Empel

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119 x 84 cm

Ruud van Empel

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150 x 107cm

Ruud van Empel

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105 x 150 cm

Ruud van Empel

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From "My Dad" Series, 2002Chromogenic Dye Coupler Print

61 x 76,5 cm

Angela West

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61 x 76,5 cm

Angela West

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61 x 76,5 cm

Angela West

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Ken's Basement, 2000Lightjet Chromogenic print mounted on plexiglass

91,5 x 152,5 cm

Charlie White

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. 19 #17, , , Jiin, , 2005

61 94

. 21 #8, , , , 2001 Dye Coupler 124,5 150

. 23 #24, , , 2000 Dye Coupler 124,5 150

. 25 , 2000 InkJet 101,5 x 84

. 27 ( ), 2004 C , 145 x 223,5

. 29 ( ), 2005C , 145 223,5

. 31 (, ), 1999 C , 122 152,5

. 33 (, ), 1999 C122 152,5

. 35 Brent Booth, 21, , , 199092Ektacolor 39 57

. 37 : 37 :, , 199092Ektacolor 39 57

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. 39 W, 1999, #13, 2000Fugicolor Crystal Archive

121 150

. 41 , , 26 , 1992colourcoupler 35 x 28

. 43 , 1999 C101,5 194,5

. 45 , 2001 Dye Coupler 127, x 178

. 47 Village, , 199251 66

. 49 , , 199151 66

. 51 , , 199151 66

. 53 , , , , 2003 C 122 152,5

. 55 ( , ), 1999C 114,5 90

. 57 , 1998 Dye Coupler 101,5 76,5

. 59 , 2001olourcoupler 58,5 46


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. 61 , 2006 Dye Coupler

58,5 46

. 63 , 2003CPrint Mounted51 61

. 65 , 1995olourcoupler 66,5 101,5

. 67 , , , 1997olourcoupler 66,5 101,5

. 69 : , 1995 CPrint166,5 122

. 71 : , , 1996Fugicolor Crystal Archive 168,5 122

. 73 , , 1999Fugicolor Crystal Archive 169 x 122

. 75 1, 2004Illfochrome 25,5 25,5

. 77 1, 2002Illfochrome 25,5 25,5

. 79 , 2000Illfochrome 25,5 25,5

. 81 , 2001Illfochrome 25,5 25,5


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. 83 , 2004 ,

1127 x 304,8

. 85 , 2005 Dye Coupler 76 x 102

. 87 (), 2004 Dye Coupler 76 x 102

. 89 , 2005C76 x 102

. 91 Point #30, 1999 121,5 154,5

. 93 9498 7:02am Dye Coupler 94 122

. 95 , #1, 198996,5 x 123,2

. 97 , # 8,198996,5 x 123,2

. 99 , 1993 , 91,5 91,5

. 101 , BBC Access , 2003Archival inkjet 76,5 101,5

. 103 , CSI , 2002 (TV 02003)Archival inkjet 76,5 101,5


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. 105 , , 11 , 7:408:40 pm, , 2004

76,5 101,5

. 107 , 2004C76,5 101,5

. 109 , 2003C76,5 101,5

. 111 , I, 1990 41,5 53,5

. 113 , I, 1990 41,5 53,5

. 115 V, 2005C122 96,5

. 117 VI, 2005C122 96,5

. 119 #1 ( ), 2005/Dibond/ 50 107

. 121 #11, 2005/Dibond/ 119 84

. 123 #14, 2006/Dibond/ 150 107

. 125 #5 ( ), 2005/Dibond/ 105 150


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. 127 , 2002 Dye Coupler

61 76,5

. 129 , 2002 Dye Coupler 61 76,5

. 131 , 2002 Dye Coupler 61 76,5

. 133 , 2000 Lightjet , 91,5 52,5


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Edward BurtynskyContainer Ports #8, Racine Port, Montreal Quebec,2001Chromogenic Dye Coupler Print

Edward BurtynskyManufacturing #17, Deda Chicken Processing Plant, DehuiCity, Jiin Province, China, 2005Chromogenic Dye Coupler Print

Edward BurtynskyOil Fields, #13, Taft, California, 2002Chromogenic Dye Coupler Print

Edward BurtynskyRock of Ages, No. 1, Active Section, E.L. Smith Quarry, Barre,Vermont,1991Chromogenic Dye Coupler Print

Edward Burtynsky

Shipbreaking #24, Chittagong, Bangladesh, 2000Chromogenic Dye Coupler Print

Chuck CloseSir Elton John, 2000Digital InkJet Print

Gregory CrewdsonUntitled (backyard romance), Summer 2004Digital CPrint mounted on aluminum

Gregory CrewdsonUntitled (bed of roses), Winter 2005Digital CPrint mounted on aluminum

Gregory Crewdson

Untitled (boy with hand in drain), 20012002Digital CPrint mounted on aluminum

Gregory CrewdsonUntitled (bud man), 1999Laser direct cprint

Gregory CrewdsonUntitled (flower beanstalk), 2001Digital CPrint mounted on aluminum

Gregory CrewdsonUntitled (rug lady), 1999Digital CPrint mounted on aluminum

Gregory CrewdsonUntitled (sod man), 1999Laser direct cprint

PhilipLorca DiCorciaBrent Booth, 21, Des Moines, Iowa, 199092Ektacolor Print

PhilipLorca DiCorciaGerald Hughes (a.k.A. Savage Fantasy), 27,SouthernCalifornia, 199092Ektacolor Print

PhilipLorca DiCorciaJoe Reeves: 37 years old:San Fernando, CA.;199092Ektacolor Print

PhilipLorca DiCorciaLondon Street, 1997Ektacolor Print

PhilipLorca DiCorciaRalph Smith; 21 years old Fort Lauderdale, Florida, 199092

Ektacolor Print

PhilipLorca DiCorciaRoy; in his twenties, Los Angelos, California, 199092Ektacolor Print

PhilipLorca DiCorciaW, March 2000, #14,2000Fugicolor Crystal Archive Print

PhilipLorca DiCorciaW, September 1999, #13, 2000Fugicolor Crystal Archive Print

PhilipLorca DiCorciaWilliam Charles Everlove, 26 years old: Stockholm via

Arizna,199092Ektacolor Print

Rineka DijkstraBrighton, England, August 21, 1992Colour coupler print

Rineka DijkstraDubrounik, Croatia, July 13, 1996Colour coupler print

Rineka DijkstraHilton Head Island, S.C., USA, June 27, 1992Colour coupler print

Rineka DijkstraKolobreg, Poland, July 27, 1992Colour coupler print

List of artworks exhibited at PinchukArtCentre


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Rineka DijkstraKolobrzeg, Poland, July 26, 1992Colour coupler print

Rineka DijkstraLong Island, S.C, USA, July 1, 1993Colour coupler print

Rineka DijkstraLycee Hector Guimard, Paris, March 19, 1999Colour coupler print

Rineka DijkstraTiergarten, Berlin, June 7, 1998/2000Colour coupler print

Anthony GoicoleaI'll Show you Yours if You Show me Mine, 2000Color CPrint

Anthony GoicoleaLast Supper, 1999Color CPrint

Anthony GoicoleaPoolpushers, 2001Chromogenic Dye Coupler Print

Anthony GoicoleaPorn, 2000Color CPrint

Anthony GoicoleaSpit or Swallow, 1999

Color CPrint

Nan GoldinBridge over River, 1994Cibachrome Print

Nan GoldinDavid on my bed Wolfsburgh, 1997Cibachrome Print

Nan GoldinHotel Village, Room, 1992Cibachrome Print

Nan GoldinKim In Rhinestones, 1991Cibachrome Print

Nan GoldinMy Parents on the 50th Wedding Anniversary, 1989Cibachrome Print

Nan GoldinLil Laughing, 1996Cibachrome Print

Nan GoldinTommy in the Garden, 1989Cibachrome Print

Nan GoldinSelfportrait in Milagro, 1988Cibachrome Print

Nan GoldinSelfPortrait in the Blue Bathroom, Berlin, 1991Cibachrome Print

Nan GoldinSelfPortrait in bed with Siobhan, , 1990Cibachrome Print

Nan GoldinSiobhan at the Ahouse: #1, Provincetown, 1990Cibachrome Print

Nan GoldinSiobhan at the Ahouse: nude, Provincetown, 1990Cibachrome Print

Katy GrannanDee and Van, Prospect Park, Brooklyn, NY, 2003

CPrint

Katy GrannanJoline, Broad Top, PA, 2002Gelatin Silver Print

Katy GrannanMike, Hearthstone Motel, Upper Red Hook, NY, 2004Gelatin Silver Print

Katy GrannanUntitled (from the Poughkeepsie Journal), 1999CPrint

David HilliardDad, 1998Chromogenic Dye Coupler Print


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David HilliardHighway of Thought, 2004CPrint mounted on aluminum

David HilliardHis Problem with Pluarality, 1998CPrint mounted on aluminum

David HilliardMaking Boys Cry, 2001CPrint mounted on aluminum

David HilliardSpring Trainer, 2006CPrint mounted on aluminum

David HilliardSuper Heroes, 2004CPrint mounted on aluminum

David HilliardSusie Floating, 2003CPrint mounted to aluminum

David HilliardThe Widow, 2005CPrint mounted on aluminum

David HilliardThe Winter Months, 1994CPrint mounted on aluminum

Zhang HuanShanghai Family Tree, 2001

olour coupler print

Zhang HuanShanghai Family Tree, 2001olour coupler print








Zhang HuanTo Add One Meter to an Anonymous Mountain, 1995olour coupler print

Zhang HuanTo Raise the Water Level in a Fishpond, Beijing, China, 1997olour coupler print

David LaChapelleAmanda as Andy Wahrol's Liz Taylor, 2003Fujicolor Crystal Archive Print

David LaChapelleAndy Warhol, the Last Sitting, NY, 1987Fujicolor Crystal Archive Print

David LaChapelleElton John with feather boa, NY, 1997Fujicolor Crystal Archive Print

David LaChapelleEminem about to Blow, NY, 1999

Fujicolor Crystal Archive Print

David LaChapelleLeonardo DiCaprio: American Dreams, 1995Fujicolor Crystal Archive Print

David LaChapelleTupac Shakur: Becoming Clean, LA, 1996Fujicolor Crystal Archive Print

David LaChapelleAmanda as Andy Warhol's Marilyn, NY, 2002Fujicolor Crystal Archive Print

Loretta LuxBoy in a blue raincoat, no. 2, 2001Illfochrome Print

Loretta LuxMilo 1, 2004Illfochrome Print


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Loretta LuxStudy of a Girl 1, 2002Illfochrome Print

Loretta LuxThe Blue Dress, 2001Illfochrome Print

Loretta LuxThe Hush, 2000Illfochrome Print

Loretta LuxThe Troll, 2000Illfochrome Print

Loretta LuxThree Wishes, 2001Illfochrome Print

Sally MannTriptych, 2004Silver print with varnish

Sally MannUntitled #7, (Deep South Dark Glow), 1998/2000Gelatin Silver Print Toned with Tea

Sally MannUntitled Body Farm #18, 2000Gelatin Silver PrintPrinted by the photographer from the origianl wet plate collodion negative, archivally dry mounted, and finished with custommixedSoluvar varnish

Sally MannUntitled (Deep South 45: Lake), 1998/1999Gelatin Silver Print Toned with Tea

Sally MannUntitled (Georgia Landscape), 1996/97,Gelatin silver print

Sally MannUntitled (Georgia Landscape), 1997Gelatin silver print

Sally MannUntitled,( Manassas #1), 2000Gelatin Silver Print

Ryan McGinleyDakota (hair), 2004Chromogenic Dye Coupler Print

Ryan McGinleyFalling Forward, 2005Chromogenic Dye Coupler Print

Ryan McGinleyTree # 1, 2003Chromogenic Dye Coupler Print

Ryan McGinleyUntitled, 2005CPrint


Ryan McGinleyUntitled, 2005

CPrint


Richard MisrachBattleground Point #25, 1999Chromogenic Dye Coupler Print

Richard MisrachBattleground Point #30, 1999Chromogenic Print

Richard MisrachGolden Gate 7.15.1999 8:20 pmChromogenic Dye Coupler Print

Richard MisrachGolden Gate 9498 7:02amChromogenic Dye Coupler Print

Tracey MoffattSomething More #1, 1989Cibachrome Print


Tracey Moffatt

Something More #3, 1989Cibachrome Print


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Tracey Moffatt

Something More, #7, 1989Cibachrome Print


Tracey MoffattSomething More, #7, 1989Cibachrome Print

Tracey MoffattSomething More # 8, 1989Cibachrome Print

Tracey MoffattSomething More #9Gelatin Silver Print

Luis Gonzalez PalmaAnatomia de la Melancolia, 2002Handpainted silver gelatin print

Luis Gonzalez PalmaEl Angel, 1993Handpainted silver gelatin print

Louis Gonzalez PalmaFrame Included, 2000Handpainted silver gelatin print, gold leaf

Luis Gonzalez PalmaLPG 2000, 2000Handpainted silver gelatin print, Kodalith, embroideredbrocade

Luis Gonzalez PalmaMiedo, Nausea Y Deseo, 2000Handpainted silver gelatin print, embroidered brocade

Luis Gonzalez PalmaMS Exotica, 2002Handpainted silver gelatin print, gold leaf

Matthew PillsburyDennis &Anamilia BBC news Access Hollywood, 2003

Archival InkJet print

Matthew PillsburyTayna & Sartaj Gill, CSI Miami, 2002 (TV 02003)Archival InkJet print

Matthew PillsburyEric Watson, Thursday, March 11th, 7:408:40 pm, Paris, 2004Pigment Print

Angela Strassheim

Untitled, 2006Chromogenic Dye Coupler Print

Angela StrassheimUntitled, 2004Cprint

Angela StrassheimUntitled, 2006Cprint

Angela StrassheimUntitled, 2003CPrint

Angela StrassheimUntitled, 2006Chromogenic Dye Coupler Print

Hiroshi SugimotoBlack Sea, Oxuluce, 1991Gelatin silver printPrinted by the artist

Hiroshi SugimotoIonian Sea, Santa Cesarea I, 1990Gelatin silver printPrinted by the artist

Hiroshi SugimotoIrish Sea, Isle of Man I, 1990Gelatin silver printPrinted by the artist

Hiroshi SugimotoMediterranean Sea, La Ciotat 2, 1989Gelatin silver printPrinted by the artist

Hiroshi SugimotoNorth Atlantic Cliffs of Moher 2, 1989Gelatin silver printPrinted by the artist

Hiroshi SugimotoSea of Japan, OKI V, 1987

Gelatin silver printPrinted by the artistHiroshi SugimotoTyrrhenian Sea, Amalfi, 1990Gelatin silver printPrinted by the artist


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Sam Taylor WoodBram Stoker's Chair View V, 2005CPrint

Sam Taylor Wood

Bram Stoker's Chair View VI, 2005CPrint

Ruud van EmpelWorld #1 (Girl in White Dress), 2005Cibachrome/Dibond/Plexiglass

Ruud Van EmpelWorld #11, 2005Cibachrome/Dibond/Plexiglass





Ruud van EmpelWorld #5 (Boy's head arising from the water of a Lily Pond),Cibachrome/Dibond/Plexiglass


Angela WestFrom "My Dad" Series, 2002Chromogenic Dye Coupler Print

Angela WestFrom "My Dad" Series, 2002Chromogenic Dye Coupler Print

Charlie WhiteHighland Park, 2000Lightjet Chromogenic print mounted on plexiglass

Charlie WhiteInland Empire, 1999LightJet Chromogenic Print mounted on plexiglass

Charlie WhiteKen's Basement, 2000Lightjet Chromogenic print mounted on plexiglass

Charlie White

LA Fitness, Hollywood, 1999Lightjet chromogenic print mounted on plexi withgloss laminate


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Acknowledegements

The following copyrights apply, courtesy of the artist and as noted:

Copyright Edward Burtynsky, courtesy Flowers, London (p. 1923)

Copyright Chuck Close (p. 25)

Copyright Gregory Crewdson, courtesy Luhring Augustine, New York (p. 2733)

Copyright PhilipLorca Dicorcia, courtesy Pace/MacGill Gallery, New York (p. 3539)

Copyright Rineka Dijkstra (p. 41)

Copyright Anthony Goicolea (p. 4345)

Copyright Nan Goldin (p. 4751)

Copyright Katy Grannan, courtesy Greenberg Van Doren, New York (p. 5355)

Copyright David Hilliard (p. 5763)

Copyright Zhang Huan (p. 6567)

Copyright David LaChapelle, courtesy Tony Shafrazi Gallery, New York (p. 6973)

Copyright Loretta Lux (p. 7581)

Copyright Sally Mann, courtesy Gagosian Gallery (p. 83)

Copyright Ryan McGinley (p. 8589)

Copyright Richard Misrach, courtesy Fraenkel Gallery, San Francisco (p. 9193)

Copyright Tracey Moffatt (p. 9597)

Copyright Luis Gonzalez Palma (p. 99)

Copyright Matthew Pillsubury, courtesy Bonni Benrubi Gallery, New York (p. 101105)

Copyright Angela Strassheim, courtesy Marvelli Gallery, New York (p. 107109)

Copyright Ruud Van Empel (p. 119125)

Copyright Angela West, courtesy Jackson Fine Art, Atlanta (p. 127131)

Copyright Sam Taylor Wood, courtesy Jay Jopling/ White Cube, London (p. 115117)

Copyright Charlie White (p. 133)


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CuratorsJane Jackson, Director of the Sir Elton John Photography CollectionPeter Doroshenko, President of the PinchukArtCentre

EditorOlexandre Solovyov, Curator of the PinchukArtCentreTranslationNazar KudrevskyDesignwww.karandashdesign.com

PinchukArtCentreDmitry Logvin, DirectorClaire Staebler, Artistic DirectorHalyna Stakhurska, Project ManagerEvgene Solonin, Collection ManagerVictoria Pavlenko, Irina Nikitina, Administrative Assistants

2a, Basseyna Str, Bessarabska square, Kyiv, Ukrainetel. +38 (044) 590 08 58www.pinchukartcentre.orgemail: [email protected]


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, , PinchukArtCentre

, PinchukArtCentre www.karandashdesign.com

PinchukArtCentre , , - , , , ,

, , , . , 2. +38 (044) 590 08 58www.pinchukartcentre.orge-mail: [email protected]


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