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F. SCHUBERT. Adagio in E. (Vogrich)

-- Menuetto in Bm. (Rubinstein)

-- Scherzo in B~. (Posthumous)

G. F. HANDEL. Dead Marrh from "Saul."(Hoffman)

G. F. HANDEL. Aria con Variazioni from

Suite in Dm. (Billow) 60

-- Gigue in Gm. (Bulow) 60

-- Air and Var., "Harmonious Blacksmith."(Billow) 50

JOS. HA YDN. Andante con Variazioni in Fm.~.~ 50

-- Fantasia in C. (Billow) 90

-- Rondo in A. 50

J. N. HUMMEL. Rondo in E~. Op. 11 50

W. A. MOZART. Adagio in Bm. and Gigue inG. (Klee)

-- Fantasia in Cm. (Billow)

-- F...antasia in Dm. (Klee)

-- Fantasia and Fuga in C. (Klee)

-- Fantasia in C (from Fantasia and Sonata).(Lebert)

-- Pastorale varie. (Parsons)

-- Romanw in A~. (Klee)

-- Rondo in D. (Klee)

-- Rondo in Am. (Klee) .

-- Rondo d la Turque (from Sonata in A)

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J. S. BACH. Fantasia in Cm. (Bulow)

-- 2 Gavottes from an English Suite:

No. 1 in Dm. (Bulow)

No. 2 in -Gm. (Bulow)

-- 12 Little Prelwies. (Reinec."

-- Prelude in C

-- Prelwie in Cm.

-- Prelwie and Fugue in Am. (Vogrich)

PH. EM. BACH. Solfegietto in Cm.(With an Arrg'f for Left Hand Solo ad h'b.)

L. v. BEETHOVEN. Album/>'-"" Fur Elise"

-- Andante from Sonata Op. 1"1, 1'10. Z

-- A ndante in F. (Lebert)

-- 3 Bagatelles from Op. 33:

No.1 in E~

No.2 in C

No.6 in D

-- Nouvelle Bagatelle in Gm.

-- Minuet from Sonata Op. 49, No.2

-- Rondo in C. Op. 51, No.1. (Lebert)

-- Rondo in G. Op. 51, No.2. (Lebert)

-- Rondo a Capriccio. Op. 129. (Billow)

J. B. CRAMER. Le petit rien

CH. CZERNY. Toccata in C. Op. 92. (Mas>kowski)

J. L. D USSEK. Les Adieux. Rondo. (Lebert)

-- La Chasse. (Lebert)

-- Consolation. Op. 62. (Lebert)

-- La Matinee. (Lebert)

-- Sonata in B~. Op. 9, No.1. (Scharfenberg)

.JOHN FIELD. Rondo in E~. (Billow)

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Bach

Just Published

Handel

Selected and Edited by ED"'~IN HUGHESWith Biographical Sketches by CARL ENGEL

Vol. l-BACH Vol. 5-BEETHOVEN Vol. 9-SCHUMANNVol. 2-HANDEL Vol. 6-SCHUBERT Vol. to-CHOPINVol. 3-HAYDN Vol. 7-WEBER Vol. ll-GRIEGVol.4-MOZART Vol. 8-MENDELSSOHN Vol.12-TSCHAIKOWSKY

Mendelssohn

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The MASTER SERIES, intended for the"young in years" but equally suitable forolder folks "young in technique," differs fromremotely similar series as expressed in thefollowing sentence:

Every number of the contents waspenned especially for the piano by itscomposer. Each is given in its abso­lutely origJnal form without modifica­tion save for a slight shortening hereand there.-It is the piece exactly as itwas first composed. Needless to say, the

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The Series is not all of one particular gradeof difficulty, simply because most of thecomposers did not write specific "chiidren'.!Jpieces" as did, for example, Schumann andTschaikowsky. Each volume is a reliableintroduction to the individuality and charac­teristic style of the master in question, andmay be taught as such.

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"Chop;"