EDU12HCL - History of Children’s Literature Week 5 – Lecture 2 The Affecting and Instructive History of Chapbooks for Children as developed particularly.
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EDU12HCL - History of Children’s LiteratureWeek 5 – Lecture 2
The Affecting and Instructive
History of Chapbooks for
Childrenas developed particularly
byMr. John Newbery,
printer and booksellerof the Bible and Sun in St. Paul’s Churchyard London
For there to be Children’s Literature, there must be:• Children• Literature
• Children – the concept of childhood, the recognition that children have needs, interests and capacities that are different to adults
• Literature – the conscious creation of literary material specifically for those needs, interests and capacities.
References
Townsend, J.R. (1996) Written for Children: an outline of English-Language Children’s Literature. 6th ed. London: Scarecrow Press. (“Part One: before 1840”)
Jackson, M. (1989) Engines of Instruction, Mischief and Magic: children’s literature in England from its beginnings to 1839. Lincoln: University of Nebraska Press
Shavir, Z. (1986)The poetics of Children’s Literature [online] Chap. 1 The notion of childhood and texts for the childChap. 7. Stratification of a system. Available: http://tau.ac.il/~zshavit/pocl/seven.html
University of Pittsburgh (2005) The Elizabeth Nesbitt Room Chapbook Collection [online] Available: http://www.library.pitt.edu/libraries/is/enroom/
The first successful commercial publisher for children
• Son of a farmer• Became owner of a printing business in his 20s by
marrying the widow of the previous owner
• Moved to London 1743, • Published A Little
Pretty Pocket Book in 1744
• Aimed at newlyprosperous middleclass and their values
John Newbery 1713-1767
Recognized several important commercial points:• Must appeal to the child• But do not contradict the values of the parent• Included giveaways and special offers – e.g. ball,
pincushion, free editions from his shop – with apparent educational or benevolent purpose
• Constant and regular “penetration” of the market – build expectations of audience, and brand loyalty
• Have pictures
John Newbery 1713-1767
• Also sold patent medicines – Dr James Fever Powder – and used the books to promote it
• Mixed the audiences and “hooks” astutely – adventure and fantasy to interest the children, morals and education to please the parents
• Established and kept reputation for enthusiasm and best interests of children
• Mixed with leading literary figures• USA’s Children’s Book of the Year award is the
Newbery Medal
Goody Two Shoes
Goody Two Shoes
• Typical mixture of fantastic adventure and moral lessons
• Bit of “Shrek”-like tongue in cheek attribution – See the original manuscript in the Vatican at Rome, and the cuts by Michael Angelo
• Story drew on Cinderella (prohibited for a time) and was adapted by other authors, even for adults
The idea of a child
• Children traditionally viewed as “little adults”• Survival problems - infant mortality rate,
economic survival etc.• Philosophy and definition - the big change post-
Renaissance/Reformation:• Adam vs Baby Jesus
- the child is the “Pure form” of a person• Adam - the essential sinner, the natural tendency to
“go bad”, has to be dragged back to the Good, conscious choices
• Baby Jesus - essentially innocent, natural tendency to joy and play, has to be protected from Evil, gradual training
The idea of a child
1693: John Locke’s Thoughts concerning Education
The mind at birth is a blank page upon which the lessons of life are to be impressed.
Therefore, a child …• Has a distinctive nature that is NOT adult• Has a need for protection against the evils of the
world• Has a need for nurture and support• Should be gradually trained, and allowed to
discover• Should be allowed a time for innocent joys and
play
Thus, children’s literature …
• Should be different to adult literature• Should reflect those elements of a child and
childhood: innocence and joy, protection and nurture, gradual learning
• So Newbery’s, and the other early books, mix childish fantasy (often drawn from folk and fairy
tales) serious moralising (as warning and teaching) dressed up in a format designed for “little”
readers: size, pictures, language, giveaways, etc.
Little Red Riding Hood
Compare Perrault’s “Little Red Riding Hood” and Grimm’s “Rotkäppchen”
• Perrault (late 1600s) • Written for adults, ambiguous and ironic tone,