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Early Perspective Painting and the Beginnings of Projective Geometry
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Page 1: Early Perspective Painting and the Beginnings of Projective Geometry.

Early Perspective Painting and the Beginnings of Projective

Geometry

Page 2: Early Perspective Painting and the Beginnings of Projective Geometry.

The cone of visual rays has its vertex at the eye. A perspective painting is a section of this cone

by a plane.

Page 3: Early Perspective Painting and the Beginnings of Projective Geometry.

Devices

Page 4: Early Perspective Painting and the Beginnings of Projective Geometry.

But isn’t the perspective construction something to do with

vanishing points??

That seems like a different idea!

Page 5: Early Perspective Painting and the Beginnings of Projective Geometry.

The Tribute Money

Page 6: Early Perspective Painting and the Beginnings of Projective Geometry.

Perspective in The Tribute Money

Page 7: Early Perspective Painting and the Beginnings of Projective Geometry.

The Arnolfini Marriage

Page 8: Early Perspective Painting and the Beginnings of Projective Geometry.

Perspective in The Arnolfini Marriage

Page 9: Early Perspective Painting and the Beginnings of Projective Geometry.

Draw a square in perspective:

Page 10: Early Perspective Painting and the Beginnings of Projective Geometry.

Construction lines

Page 11: Early Perspective Painting and the Beginnings of Projective Geometry.

Horizontals

Page 12: Early Perspective Painting and the Beginnings of Projective Geometry.

Last construction line

Page 13: Early Perspective Painting and the Beginnings of Projective Geometry.

Why is this construction correct?

DE:BC = AE:AC = HE:GC

But BC = GC, so DE = HE

Page 14: Early Perspective Painting and the Beginnings of Projective Geometry.

A Pavimento

Page 15: Early Perspective Painting and the Beginnings of Projective Geometry.

…degraded square

Page 16: Early Perspective Painting and the Beginnings of Projective Geometry.

Diagonal construction

Page 17: Early Perspective Painting and the Beginnings of Projective Geometry.

Orthogonals

Page 18: Early Perspective Painting and the Beginnings of Projective Geometry.

Transverals

Page 19: Early Perspective Painting and the Beginnings of Projective Geometry.

A ‘degraded’ octagon

Page 20: Early Perspective Painting and the Beginnings of Projective Geometry.

A hexagonal well

Page 21: Early Perspective Painting and the Beginnings of Projective Geometry.

Heads

Page 22: Early Perspective Painting and the Beginnings of Projective Geometry.

The Baptism of Chris

Page 23: Early Perspective Painting and the Beginnings of Projective Geometry.

The flagellation of Christ

Page 24: Early Perspective Painting and the Beginnings of Projective Geometry.

Perspective in the Flagellation of Christ

Page 25: Early Perspective Painting and the Beginnings of Projective Geometry.

Paolo Uccello

Page 26: Early Perspective Painting and the Beginnings of Projective Geometry.

A misuse of perspective?

Page 27: Early Perspective Painting and the Beginnings of Projective Geometry.

Two pencils of lines

These are EQUIVALENT in projective geometry: one can be transformed into the other.

Page 28: Early Perspective Painting and the Beginnings of Projective Geometry.

The Ambassadors

Page 29: Early Perspective Painting and the Beginnings of Projective Geometry.

Art and optics

• A recent symposium considered the possibility that Renaissance perspective effects did not require geometrical construction after all! The suggestion is that artists used lenses and mirrors to project images, and trace them.

• http://www.artandoptics.com