DVOR ˇ ÁK & RACHMANINOFF SOUNDS OF SIMON & GARFUNKEL BEETHOVEN: SYMPHONY NO. 9 ROALD DAHL’S JACK AND THE BEANSTALK FEBRUARY - MARCH 2015 I ISSUE 5 wso.ca
DVORÁK & RACHMANINOFF
SOUNDS OF SIMON & GARFUNKEL
BEETHOVEN: SYMPHONY NO. 9
ROALD DAHL’S JACK AND THE BEANSTALK
FEBRUARY - MARCH 2015 I ISSUE 5
wso.ca
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F e b r u a r y – M a r c h 2 0 1 5 I O V E R T U R E 1
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MESSAGE FROM THE EXECUTIVE DIRECTOR
WSO concerts provide the opportunity to enjoy the riches of
hundreds of years of wonderful compositions, exceptionally
talented soloists, and, of course, the glory of the full orchestral
sound. Over the next weeks, we will hear the ever popular
songs of Simon and Garfunkel, hear and see the classic
musical film Singin’ in the Rain, experience the rich textures
and wonderful melodic lines of Rachmaninoff’s Third
Symphony, and on March 27th and 28th you can immerse
yourself in the wonders of Beethoven’s Ninth Symphony.
Every concert affords opportunities to explore new aspects of music we may have heard many
times before, or be introduced to new works that will delight us and afford us with sounds and
imagery that add depth and colour to our days. For me, each time a concert begins, I find
myself experiencing the music anew. We are so fortunate to have an orchestra of this calibre in
our community. We have the world of musical opportunities at our doorstep. We just need to
carve out that special time in our lives to make the musical experience our own.
Enjoy this lovely series of concerts, and if you want to find an enjoyable way to show your
support for the work of the WSO, please attend the WSO’s Spring Gala on April 23, 2015.
The theme this year is the glamour and glitz of the 1920’s. I encourage you to gather a group
of friends and make this event a very special occasion.
Trudy SchroederExecutive DirectorWinnipeg Symphony Orchestra
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: Nar
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Alexander Mickelthwate, Music DirectorGerman conductor Alexander Mickelthwate is renowned for his “splendid,richly idiomatic readings” (LA Weekly), “fearless” approach and “first-ratetechnique” (Los Angeles Times). Critics have noted Alexander’sextraordinary command over the Austro-Germanic repertoire, commentingon the “passion, profundity, emotional intensity, subtlety and degree ofperfection achieved” in Bruckner’s Symphony No. 7 as “miraculous” (AntonKuerti, 2011).
Following on from his tenure as assistant conductor with the Atlanta Symphony Orchestra,which he completed in 2004, Alexander Mickelthwate was associate conductor of the LosAngeles Philharmonic for three years, under the direction of Essa-Pekka Salonen. Now in hiseighth season as music director of the Winnipeg Symphony Orchestra, Alexander hassignificantly developed the orchestra’s profile through active community engagement andinnovative programming initiatives like the annual New Music Festival and the IndigenousMusic Festival. Chosen to perform at the Carnegie Hall Spring For Music Festival in New York,May 2014, due to “creative and innovative programming” (CBC Manitoba Scene), theorchestra was the only Canadian ensemble in the showcase. As well as significantlycontributing to the New Music Festival and Indigenous Festival, Alexander led the orchestra’sfirst out of province tour since 1979 to the National Arts Centre in Ottawa, launched theInternational Conducting masterclasses, the New Music Festival 2012 film project and played amajor part in the acoustic overhaul of the Centennial Concert Hall.
CONDUCTORS
Julian Pellicano, Resident ConductorIn the fall of 2014, Julian Pellicano began his second season as residentconductor of the Winnipeg Symphony Orchestra, where he leads theorchestra in a wide variety of programs throughout the year. He has workedwith the Orquestra Sinfonica de Porto Alegre (Brazil), Hartford SymphonyOrchestra, Eastern Connecticut Symphony, New Britain Symphony,Boston’s Dinosaur Annex Ensemble and Milwaukee's Present Music. Inaddition, Julian conducted the premiere of Martin Bresnick’s critically
acclaimed opera My Friend's Story at the International Festival of Arts and Ideas andconducted at Carnegie Hall with the Yale Philharmonia Orchestra. Recognized for his workwith living composers and transparent interpretations of contemporary works, he haspremiered over 40 new pieces and as an artist in residence at the Norfolk Chamber MusicFestival, he conducts the Norfolk Contemporary Ensemble. Julian has worked inmasterclasses with Kurt Masur, Peter Eötvös, Zsolt Nagy, Martyn Brabbins, Carl St. Clair,L’Orchestre Philharmonique du Luxembourg and the Royal Scottish National Orchestra. Heholds degrees from the Peabody Conservatory, the Royal College of Music (Stockholm), andthe Yale School of Music where he was awarded the 2008 Presser Music Award and the PhilipF. Nelson Award. Beyond his position with the Winnipeg Symphony Orchestra, Julian alsoserves as music director of the University of Manitoba Symphony Orchestra.
Photographer: Nardella Photography Inc.
F e b r u a r y – M a r c h 2 0 1 5 I O V E R T U R E 5
MUSIC DIRECTORAlexander Mickelthwate
RESIDENT CONDUCTORJulian Pellicano
FIRST VIOLINSGwen Hoebig, Concertmaster
The Sophie-Carmen Eckhardt-Gramatté Memorial Chair, endowedby the Eckhardt-Gramatté Foundation
Karl Stobbe, Associate ConcertmasterMary Lawton, Assistant ConcertmasterKarin AndreasenChris AnsteyMona CoardaHong Tian JiaJanet LiangSimon MacDonaldMeredith McCallumJulie SavardJun Shao
SECOND VIOLINSDarryl Strain, PrincipalElation Pauls, Assistant PrincipalKaren BauchKristina BauchElizabeth DyerRodica JeffreySusan McCallumTakayo NoguchiClaudine St-Arnauld† Jane Pulford
VIOLASDaniel Scholz, PrincipalAnne Elise Lavallée,
Assistant PrincipalLaszlo BarocziRichard BauchGreg HaySuzanne McKegneyMerrily PetersMike Scholz
CELLOSYuri Hooker, PrincipalLeana Rutt, Assistant PrincipalAlex AdamanMargaret AskelandArlene DahlCarolyn NagelbergEmma Quackenbush
BASSESMeredith Johnson, PrincipalAndrew Goodlett, Assistant PrincipalTravis HarrisonPaul NagelbergBruce OkrainecDaniel Perry
FLUTESJan Kocman, PrincipalMartha Durkin
PICCOLOMartha Durkin
OBOESBeverly Wang, PrincipalRobin MacMillan
ENGLISH HORNRobin MacMillan
CLARINETSMicah Heilbrunn, PrincipalMichelle Goddard
BASSOONSAlex Eastley, PrincipalKathryn Brooks
HORNSPatricia Evans, PrincipalKen MacDonald, Associate PrincipalJames Robertson
The Hilda Schelberger Memorial ChairCaroline OberheuMichiko Singh
TRUMPETSBrian Sykora, PrincipalPaul JeffreyIsaac Pulford
The Patty Kirk Memorial Chair
TROMBONESSteven Dyer, PrincipalJohn Helmer
BASS TROMBONEJulia McIntyre, Principal
TUBAChris Lee, Principal
TIMPANI**Brendan Thompson,
Acting Principal
PERCUSSIONFrederick Liessens, Principal
HARPRichard Turner, Principal
Endowed by W.H. & S.E. Loewen
ORCHESTRA PERSONNELMANAGERChris Lee
PRINCIPAL LIBRARIANRaymond Chrunyk
ASSISTANT LIBRARIANLaura MacDougall
*On Leave**Temporary Position† Dual Section Position
Please note: Non-titled (tutti) stringplayers are listed alphabetically and are seated according to arotational system.
Fred Redekop is the official PianoTuner and Technician of the WSO.
WINNIPEG SYMPHONY ORCHESTRA 2014-2015 SEASON
WE TAKE PEOPLE PLACES.BUT IT’S MUSICTHAT TRULY MOVES THEM.
OFFICIAL AIRLINE OF THE WINNIPEG SYMPHONY ORCHESTRA.
F e b r u a r y – M a r c h 2 0 1 5 I O V E R T U R E 7
Sounds of Simon and Garfunkel Paul Simon, Art Garfunkel (arr. Gregory Prechel)Homeward Bound Simon and Garfunkel (arr. Christopher J. Wills)The 59th Street Bridge Song (Feelin’ Groovy) Simon and Garfunkel (arr. Wills)All I Have To Do Is Dream Simon and Garfunkel (arr. Wills)I Am a Rock Paul Simon (arr. David Yackley)The Sounds of Silence Simon and GarfunkelCecilia Simon and Garfunkel (arr. Wills)Keep the Customer Satisfied Paul Simon (arr. Joel Pierson)Na Na Medley Kenner/Leka/DeCarlo/Frashuer/McCartney
(arr. Prechel)
- INTERMISSION -
Paul Simon in Concert (Medley) Paul Simon (arr. Prechel)All I Know Jimmy Webb (arr. Prechel)A Hazy Shade of Winter Simon and Garfunkel (arr. Wills)The Dangling Conversation Simon and Garfunkel (arr. Wills)America Simon and Garfunkel (arr. Wills)Scarborough Fair Paul SimonOld Friends/Bookends Simon and Garfunkel (arr. Wills)Bridge Over Troubled Water Simon and Garfunkel (arr. Wills)Mrs. Robinson Paul Simon (arr. Tim Berens)
Friday, February 20 8:00 p.m.Saturday, February 21 8:00 p.m.Sunday, February 22 2:00 p.m.
MUSICIANS IN THE MAKINGPre-concert performance on the Piano Nobile Friday, 7:15 p.m. Jacqueline Ryz Piano StudioSaturday, 7:15 p.m. Erica Schultz StudioSunday, 1:15 p.m. Desautels Faculty of Music Division of Preparatory Studies
Sounds of Simon & GarfunkelMichael Krajewski, conductor
AJ Swearingen, vocals
Jonathan Beedle, vocals
AIR
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AJ S
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Michael Krajewski, conductor Known for his entertainingprograms and clever humour,Michael Krajewski is a muchsought after conductor ofsymphonic pops. He is theprincipal pops conductor of
the Houston Symphony, the JacksonvilleSymphony Orchestra, the Atlanta SymphonyOrchestra and the newly appointed MusicDirector of The Philly Pops. With degrees fromWayne State University in Detroit and theUniversity of Cincinnati College- Conservatoryof Music, Michael furthered his training at thePierre Monteux Domaine School forConductors. He was a Dorati FellowshipConductor with the Detroit Symphony and laterserved as that orchestra’s assistant conductor. Hewas resident conductor of the FloridaSymphony and for eleven years served as musicdirector of the Modesto Symphony Orchestra.Michael lives in Orlando, Florida with his wifeDarcy. When not conducting he enjoys travel,photography and solving crossword puzzles.
AIR CANADA POPSSounds of Simon & Garfunkel
AJ Swearingen & Jonathan Beedle, vocalsAJ Swearingen and Jonathan Beedlehave been performing this remarkabletribute to the music of “Simon &Garfunkel” for more than a decadeand their sold out shows prove theeffect on their audiences is
undeniable. A chance meeting in 1991, in a local club inBethlehem, PA, brought these two talented artists together. A brief introduction and moments later they were blendingtheir voices as if they had been performing together for alifetime. AJ’s warm baritone and Jonathan’s soaring tenorcombine flawlessly to capture the essence and magic of“Simon & Garfunkel’s” sound of the early years inGreenwich Village. With a quiet stage and an acoustic guitar,AJ and Jonathan re-create the memories of the classic hitsand obscure songs of “Simon & Garfunkel.” Discover whyaudiences are cheering for this duo as they capture — themagic of “Simon and Garfunkel.”
EXTRA MUSICIANS:Laura MacDougall, flute; Tracy Wright, oboe; Jim Ewen,bassoon; Tony Cyre, percussion; Victoria Sparks, percussion; Donna Laube, keyboard; Joel Green, trombone
ARTIST BIOS
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Postlude: Song of Hope* Vincent Ho (b. 1975)
Concerto for Violin and Orchestra in A minor, Op. 53 Antonin Dvorák (1841-1904)
Allegro ma non troppo -
Adagio ma non troppo
Finale: Rondo giocoso, ma non troppo
- INTERMISSION -
Symphony No. 3 in A minor, Op. 44 Sergei Rachmaninoff (1873-1943)
Lento – Allegro moderato
Adagio ma non troppo – Allegro vivace – Tempo come prima
Allegro
Friday, February 27 8:00 p.m.Saturday, February 28 8:00 p.m.
Pre-concert chat on the Piano Nobile begins at 7:15 p.m.
Dvorák & RachmaninoffAlexander Mickelthwate, conductorNikki Chooi, violinLara Ciekiewicz, soprano*
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PROGRAM NOTESby James Manishen
Postlude: Song of HopeVincent Hob. Ottawa / 1975World premiere
“Postlude: Song of Hope wascommissioned by theWinnipeg SymphonyOrchestra to celebrate theopening of the CanadianMuseum for Human Rights.
With “human rights” as the theme, I drew myinspiration from two composers I have longadmired: Valentin Silvestrov and Arvo Pärt.Using them as my models, I decided to writea work that would represent my take on twomusical concepts: “postludialism” (asmastered by Silvestrov) and “Holyminimalism” (as associated to the music ofPärt). Throughout the work, there is anexpression of individual struggle thateventually leads to a spiritual awakening.During the second half of the piece, thesoprano emerges expressing sentiments ofhope and optimism for the future ofhumanity (text written by Chinese-Canadianwriter Lien Chao).”
Vincent Ho
Violin ConcertoAntonin Dvorákb. Bohemia / September 8, 1841d. Prague / May 1, 1904Composed: 1879, revised in 1880 and 1882First performance: October 14, 1883(Prague) conducted by Maric Anger withFrantisek Ondr’cek as soloistLast WSO performance: 2001; StanislawSkrowaczewski, conductor; James Ehnes, violin
By 1878 Dvorák had gainedinternational fame with hisSlavonic Dances, which,along with Smetana’s Mávlast of the same period,have come to personify the
Czech personality in symphonic music.Along with the acclaim came someprominent new friends: composers Lisztand Brahms, who recommended the youngDvorák to his publisher Simrock, plus theeminent violinist Joseph Joachim to whomBrahms dedicated his Violin Concerto andwho helped him in its construction thatsame year.
Simrock asked Dvorák to considerwriting a violin concerto of his own.Since Joachim had already done muchto establish the young composer’sreputation in Vienna and elsewherethrough performances of several ofDvorák’s chamber works, he offeredhis expertise on the fine points ofviolin technique and concerto designjust as he had done with Brahms.
Dvorák welcomed Joachim’s advice butthe violinist proved to be a demandingmentor, never showing anything morethan faint praise over the two-yearperiod of the work’s gestation. Thoughthe intention was for Joachim to givethe premiere, that never happened,nor did Joachim ever perform thework in public. The premiere fellinstead to Frantisek Ondr’cek a yearlater and was immediately successful.
The opening movement’s bolddetermination leads via a gentlewoodwind chorale to the tender andnostalgic second movement, one ofthe loveliest in Dvorák’s entire output.The finale is a boisterous rondo whosemain theme recalls the fiery furiantdance, its accents and melodyBohemian to the core.
Symphony No. 3Sergei Rachmaninoffb. Oneg, Russia / April 1, 1873d. Los Angeles, CA USA / March 28, 1943Composed: 1935-1936First performance: November 6, 1936(Philadelphia) conducted by Leopold StokowskiFirst WSO performance
By the timeRachmaninoff wasforced to leave hisbeloved Russianhomeland by the 1917Revolution, he had
completed his major catalogue oforchestral works: three pianoconcertos, two symphonies, asymphonic poem, two operas and hischoral symphony The Bells. Now hehad to earn a living abroad, for whichhe turned to his phenomenal skills asa pianist, undertaking annual tours inEurope and the United States tosupport his family. When performinghe would not compose. Whencomposing he would not perform, soit was not until 1927 that he found the
time to produce another orchestralwork, his Fourth Piano Concerto,which was poorly received andextensively revised later on.
Rachmaninoff waited until 1934 totry another orchestral work, thistime the splendid Rhapsody on aTheme of Paganini. Encouraged byits success, he decided that it wastime for a successor to his SecondSymphony of 1907.
By August of 1935 at his Swiss villaon Lake Lucerne, Rachmaninoffcompleted the first movement ofwhat would be his last symphony. ByJune 1936 he finished the wholework, exactly three decades after hisSecond Symphony.
The premiere went to LeopoldStokowski and the PhiladelphiaOrchestra, with whichRachmaninoff had a closeassociation since 1909 when hemade his American debut as a guestconductor. It was not well received,largely owing to the score’sRomantic nature felt as being out ofdate with the “moderns” of the time- Stravinsky, Schoenberg and othersentrenched in path-breakingmusical change. Rachmaninoffstood his ground though andreaffirmed his integrity: “I havemade intense efforts to feel themusical manner of today, but it willnot come to me,” he said.
A chant-like “motto” theme thatreturns in later movements opens thework, followed by a blare of brassleading to a doleful theme in thewoodwinds. The molto cantabilesecond theme (cellos) is one ofRachmaninoff’s signature “big tunes.”A finely argued development sectionfollowed by a return of the “motto”brings the movement to a close.
The second movement has asharply-tanged scherzo enclosed in arapt Adagio. The finale powersforward with Rachmaninoff’s typicalenergy. After its two themes areheard comes a fugato with thespectre of the “Dies Irae” ascounterpoint. As the work closesone hears the “motto” themeworked in as the “ghosts” aredispelled in triumph.
Veuillez vous adresser au service des abonnés ou consulter le site www.wso.ca pour la traduction en français.
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Nikki Chooi, violin Canadian violinist, Nikki Chooi has beendescribed as, “a model of taste and tonalrefinement” (Boston Globe) and “vigorousand colorful” (New York Times). The FirstPrize Winner of the 2013 Michael Hill
International Violin Competition and a Laureate of the2012 Queen Elisabeth International ViolinCompetition, his many engagements have includedperformances as soloist with the Winnipeg Symphony,Edmonton Symphony, Santa Cruz Symphony,Malaysian Philharmonic, National Orchestra ofBelgium, and the Auckland Philharmonia. His recitalengagements have taken him to the Vancouver RecitalSeries, Debut Atlantic Recital Tour, Canadian NationalArts Debut Series, Caramoor Rising Stars Series,Australia’s Musica Viva Series, and La Monnai"Concertini" in Belgium.
An avid chamber musician as well, Nikki hasperformed in many international festivals including theMarlboro Music Festival, the Ravinia Festival, theDresden Music Festival in Germany, and the MontrealChamber Fest. In the 2014-2015 season, he will betouring with Musicians from Marlboro.
MASTERWORKSDvorák & Rachmaninoff
Lara CiekiewiczA native born Winnipegger, sopranoLara Ciekiewicz will be heard thisseason as Liu in Manitoba Opera’sTurandot with additional engagementsfor Orchestre Sherbrooke’s Messiah,
the premiere of a new work by Vincent Ho for theWinnipeg Symphony and three appearances forSalute To Vienna in the Unites States. Highlights of the 2013-2014 season included Nellie in SouthPacific for Pacific Opera Victoria, Messiah with theWinnipeg Symphony, Musetta in La Bohème forManitoba Opera, and Lisa in Das Land DesLächelns for Toronto Operetta Theatre. She is analumna of Atelier Lyrique de L’Opéra de Montréaland the Merola Program of the San Francisco Operaand holds degrees from the University of Manitobaand McGill University.
EXTRA MUSICIANS:Laurel Ridd, flute; Caitlin Broms-Jacobs, oboe; Sharon Atkinson, clarinet; Allen Harrington, bassoon;Jim Ewen, bassoon; Tony Cyre, percussion; Victoria Sparks, percussion; Byron Wood, percussion;Donna Laube, keyboard; Erik Hongisto, trombone
ARTIST BIOS
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Film CreditsCASTGene Kelly...................... Don LockwoodDonald O’Connor............ Cosmo BrownDebbie Reynolds.............. Kathy SeldenJean Hagen .................... Lina LamontMillard Mitchell ................ R.F. SimpsonCyd Charisse .................. Dancer Douglas Fowley .............. Roscoe Dexter Rita Moreno .................... Zelda Zanders
Film Courtesy of Warner Bros. Entertainment Inc.
Original Film Release Date: 11 April 1952 (USA)Runtime: 103 min
Production CreditsProducer: John GobermanMusic Preparation: Larry Spivack
Original orchestrations reconstructed by: John Wilson, Paul Campbell and Andrew Cottee
The producer wishes to acknowledge the contributions and extraordinary support of John Waxman(Themes & Variations).
A Symphonic Night at the Movies is a production of PGM Productions, Inc. (New York) andappears by arrangement with IMG Artists.
Friday, March 13 8:00 p.m.Saturday, March 14 8:00 p.m.Sunday, March 15 2:00 p.m.
MUSICIANS IN THE MAKINGPre-concert performance on the Piano Nobile Friday, 7:15 p.m. Manitoba Conservatory of Music & Arts Ukulele EnsembleSaturday, 7:15 p.m. Canadian Mennonite UniversitySunday, 1:15 p.m. Gina Wedel Studio
DINNER & A SYMPHONY3-course Dinner starts at 5:30 p.m., Saturday I Concert at 8:00 p.m.American Cuisine
SCREENPLAY BYAdolph GreenBetty Comden
DIRECTED BYGene Kelly (Director and Choreographer)Stanley Donen
PRODUCED BYArthur Freed
MUSIC BYNacio Herb Brown (songs)Arthur Freed
Singin’ in the Rain -Film with Orchestra
Julian Pellicano, conductor
Patricia Ward Kelly, host AIR
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Pops Series Sponsor:
Presenting Media Sponsor:
Patricia Ward Kelly, hostBiographer and film historian Patricia Ward Kelly is the widow of Gene Kelly. She has worked as a writer at a film production
company, as a contributing scholar for the authoritativeNorthwestern/Newberry Writings of Herman Melville,and as a freelance journalist. She and Kelly met at theSmithsonian in 1985, when he was the host/narrator for a television special for which she was a writer. Soonafter, he invited her to California to write his memoirs, ajob for which she recorded his words nearly every day forover ten years. They were together until his death in 1996.Currently, she serves as Trustee of The Gene Kelly ImageTrust and Creative Director of Gene Kelly: The Legacy, acorporation established to commemorate Kelly’s artistryworldwide. She lives in Los Angeles and is completing the book about her late husband. Her one-woman show Gene Kelly: The Legacy An Evening With Patricia WardKelly is currently on tour in the U.S. and abroad. For more information, please go to www.genekelly.com.
EXTRA MUSICIANS:Allen Harrington, alto saxophone 1; Neil Watson, alto saxophone 2;Curtis Bamford, tenor saxophone 1; Ken Gold, tenor saxophone 2;Andrew Klasson, baritone saxophone; Cathy Wood, clarinet; SharonAtkinson, clarinet; Tony Cyre, percussion; Victoria Sparks, percussionDonna Laube, keyboard
AIR CANADA POPSSingin’ in the Rain -Film with Orchestra
ARTIST BIOS
1 6 O V E R T U R E I F e b r u a r y – M a r c h 2 0 1 5
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A p r i l – M a y 2 0 11 I O V E RT U R E 7F e b r u a r y – M a r c h 2 0 1 5 I O V E R T U R E 1 9
Te Deum Anton Bruckner (1824-1896)
Te Deum: Allegro (chorus and soloists)
Te ergo: Moderato (soloists)
Aeterna fac: Allegro (chorus)
Salvum fac: Moderato – Allegro (soloists and chorus)
In te, Domine, speravi: Mässig bewegt (soloists and chorus) –
Fuge: Im gleichen gemässigten Tempo (soloists and chorus)
- INTERMISSION -
Symphony No. 9 in D minor, Op. 125, “Choral” Ludwig van Beethoven (1770-1827)Allegro ma non troppo, un poco maestosoMolto vivace – Presto – Molto vivaceAdagio molto e cantabileFinale, with soloists and chorus:
Presto – Allegro ma non troppo – Vivace –Adagio cantabile – Allegro – Allegro assai
Friday, March 27 8:00 p.m.Saturday, March 28 8:00 p.m.
Pre-concert chat on the Piano Nobile begins at 7:15 p.m.
Beethoven’s 9th
Alexander Mickelthwate, conductorJoni Henson, sopranoElizabeth Turnbull, mezzo-sopranoSteven Tharp, tenorStephen Hegedus, bass-baritoneWinnipeg Philharmonic Choir, Yuri Klaz, directorMennonite Festival Chorus, Rudy Schellenberg
and Janet Brenneman, co-directors
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PROGRAM NOTESby James Manishen
Te DeumAnton Brucknerb. Ansfelden / September 4, 1824d. Vienna / October 11, 1896Composed: 1881 and 1883-1884First performance: January 10, 1886(Vienna) conducted by Hans RichterLast WSO performance: 1987; HenryEngbrecht, conductor
Bruckner’s ninesymphonies naturallydraw us to a perceptionof a composer longsteeped in orchestralexperience, especially
the mature symphonies of Nos. 4through 8 composed within his mostfertile creative period of 1874-1884. ButBruckner early on had excelled inliturgical choral music well before heever set anything for orchestra,producing among other choral piecesseven masses and culminating with theTe Deum of which he was immenselyproud.
Though of equivalent scale to thesymphonies, the Te Deum reflects thehumble yet transcendent expression ofBruckner’s immutable faith in God.“When God finally calls me and askswhat I have done with the talent Hegave me,” Bruckner once said, “I will present Him with the score of my Te Deum, and hope He will judge memercifully.”
Bruckner’s long delayed acclaim wasgrowing in 1881 when he composed thefirst draft of the Te Deum. Completionof his Sixth Symphony and work on theSeventh (in which he uses two quotesfrom the Te Deum) plus teaching andorgan duties prevented him fromfinishing the work until March 1884.
The Vienna premiere conducted byHans Richter was a success andBruckner was acclaimed, recognitionthat continued through theapproximately 30 performances thework received during Bruckner’slifetime. Te Deum was the last of his
music Bruckner was to hear. At aperformance on January 12, 1896 theaged, infirmed composer was carried toand from the hall where he received atremendous farewell ovation from theViennese audience.
So often applied to Bruckner’ssymphonies is the expression“cathedrals in sound.” Te Deum reflectsthat too, with a mastery of choralwriting and grand architectural designthat yields the composer’s lifelong faithin God both recognizably andmemorably in a syntax all his own.
Symphony No. 9Ludwig van Beethovenb. Bonn / December 17, 1770d. Vienna / March 26, 1827Composed: 1822-1824First performance: May 7, 1824(Vienna), conducted by Michael Umlaufunder the composer’s supervisionLast WSO performance: 2013;Alexander Mickelthwate, conductor
Beethoven had lovedSchiller’s Ode to Joyever since firstencountering it in1793. At 23, the youngcomposer was so
inspired by the poem’s message ofbrotherhood and universal love, hebecame a Freemason, vowing thatthere must be a way to be able to makea musical setting to infuse even greateremotional weight to Schiller’s text forall to feel and be inspired by. It tookBeethoven quite some time – threedecades, in fact, plus hundreds ofrevisions, stops and starts and anobvious internal focus of staggeringproportions. The majestic NinthSymphony was the result, for many, the penultimate timeless happeningin all art.
Beethoven had completed the Seventhand Eighth Symphonies by 1812 andimmediately decided on his nextsymphony, the first idea being theselection of the key of D minor. TheNinth’s original material began in 1815with sketches for the Scherzo secondmovement. In 1818 he consideredadding a choral movement, but only as
a song within the slow movement.Ill health and the immense MissaSolemnis came Beethoven’s way, sothe Ninth was only sporadicallytouched on for the next fouryears. In 1822, Missa was finishedand its influence was to pervadethe Ninth’s dramatic andpsychological narrative, thoughthe Ninth was to be more acelebration of Schiller’s strivingsthan religious declamation.
Beethoven then received acommission from the LondonPhilharmonic Society for the newsymphony but continued towrestle with how he would includeSchiller’s text. All but the finalewas completed. What to do to capoff the work?
“I have it! I have it!’’ he shouted. Arecitative was to be the device,recalling fragments of what comesbefore in the symphony andbridging the gap to the famoustheme introduced unadorned bythe cellos to be forever lodged inthe subconscious of all who wouldhear the work then, now andforever.
The premiere on May 7, 1824 wasa triumph. The totally deafBeethoven had conducted butdidn’t know when the applausehad begun. Police had to maintainorder in the erupted house.Beethoven was so overwhelmed heslept in the same clothes he worethat evening.
One can look at the Ninth frominnumerable perspectives, clearlyits musical revelations, the finale’sultimate anthem of freedom orthe Ninth’s overall influencetoward Romantic expressionism.But it’s the immediacy of thismasterpiece that registers moststrongly - the ongoing asks to lookinward at one’s feelings andoutward to how they shouldimpact all else. An invitation to, asChopin said about Beethoven“embrace the universe with thepower of his [our] spirit.’’
Veuillez vous adresser au service des abonnés ou consulter le site www.wso.ca pour la traduction en français.
A p r i l – M a y 2 0 11 I O V E RT U R E 7F e b r u a r y – M a r c h 2 0 1 5 I O V E R T U R E 2 1
Joni Henson, sopranoSoprano Joni Henson is one ofCanada’s most thrilling youngperformers on both the opera andconcert stage. Her current seasonincludes Fricka in Das Rheingold for
Pacific Opera Victoria, Britten’s War Requiem inVictoria and Beethoven’s Symphony No. 9 with theWinnipeg Symphony. The Canadian CompanyEnsemble alumna recently appeared as Senta inDer Fliegende Holländer for Calgary Opera,Elisabetta in Don Carlos for Vancouver Opera andAlice in Falstaff for Pacific Opera Victoria. Concertcredits include Beethoven’s Symphony No. 9 withthe National Arts Centre Orchestra, VancouverSymphony and the Detroit Symphony, Mahler’sSymphony No. 8 with Orchestre Metropolitain duGrand Montreal with Nézét-Séguin in Montrealand Ottawa, Mahler’s Symphony No. 2 with theCalgary Philharmonic and Opera Galas for theColorado and Fairfax Symphonies. She is foundingmember of Casa Diva and returns to the COC ascover artist for the roles of Ortlinde and Gerhildein Die Walküre.
Elizabeth Turnbull, mezzo-sopranoHailed by the critics as “arevelation,” with “controlledpassion and glistening presence,”Elizabeth Turnbull’s many andvaried credits include appearances
with major orchestras and opera companies.Recent operatic performances have includedLyubija in the European and Canadian tours ofSvadba, Zita in Gianni Schicchi (CalgaryOpera), Olga in Eugene Onegin (Opera LyraOttawa), and Emilia in Otello (Dallas,Edmonton). Concert performances haveincluded Verdi’s Requiem (Edmonton), Das Liedvon der Erde (Edmonton, Victoria, and Toronto),Mozart's Requiem (Vancouver), Messiah(National Arts Centre) and Bach's St. MatthewPassion (Edmonton). Most recently, she was Ruthin Calgary Opera’s Pirates of Penzance, and thePage in Salome for Edmonton Opera. TheAlberta native is Instructor of Voice at theUniversity of Alberta’s Department of Musicand her discography includes CDs for Toronto'sBach Consort, the Ukrainian Art Song Projectand a collection Irish and Scottish Songs.
MASTERWORKSBeethoven’s 9th
Steven Tharp, tenorSteven Tharp has gained worldwiderecognition and acclaim as a singer ofremarkable versatility in repertoirespanning many centuries and styles.Opera News has praised the "bel
canto flexibility and sweetness" of his voice, whileThe New Yorker has described his voice as “strong,free, and forward in tone, verbally sure, lyrical inutterance.” His appearances have included Verdi’sRequiem and Schubert Songs in Prague under theauspices of the Defiant Requiem Foundation;Britten’s Serenade for Tenor, Horn, and Strings withJacaranda Music; Bach’s St. Matthew Passion withthe Orquestra Sinfónica Nacional de Mexico; andVerdi’s Requiem with the Winnipeg Symphony. Hehas joined the voice faculty of the University ofMissouri-Columbia.
Stephen Hegedus, bass-baritoneA prize-winner in the New YorkOratorio Society competition,Stephen Hegedus’ recentengagements include Messiah withthe Houston, San Antonio and
Edmonton symphonies; the title role in Mozart’sLe nozze di Figaro for Teatro Municipal deSantiago; Albert in Werther for Opéra deMontréal, Leporello in Don Giovanni forVancouver Opera; and Masetto in DonGiovanni with Orchestre Métropolitain dugrand Montréal. Last season included OperaAtelier’s Persée at Versailles, Bach’s Magnificatwith Orchestra symphonique de Québec andDie Schöpfung for the Elora Festival. His currentschedule includes Bernstein’s A Quiet Place withNagano and Orchestre symphonique deMontréal, Mozart’s Requiem with the VancouverSymphony, Messiah at the National Arts Centrein Ottawa and the Vancouver Chamber Choir,concerts with Les Violons du Roy andBeethoven’s Symphony No.9 and Haydn’s DieSchöpfung with the Winnipeg Symphony.Hegedus holds a Master of Music degree(University of Toronto) and is a graduate ofAtelier lyrique de l’Opéra de Montréal.
ARTIST BIOS
Winnipeg Philharmonic Choir, Yuri Klaz, director
Now in its92nd season,the WinnipegPhilharmonicChoir has awell-earned
reputation for excellence. A choral trademark forthe City of Winnipeg, the Phil’s repertoire covers abroad range of music focusing on major choral withorchestral accompaniment including oratorios,masses and choral symphonies. Priding itself onpremiering original music, the Phil hascommissioned works by composers from bothManitoba and across Canada. The choir hascaptivated audiences in Toronto, Vancouver andNew York’s Carnegie Hall.
Under Maestro Yuri Klaz, the Phil provides musiclovers of all ages a subscription series of threeSunday afternoon concerts, bringing new life tosome of the world’s finest choral works that aredramatic, profoundly moving and alwaysentertainingly full of heart.
MASTERWORKSBeethoven’s 9thARTIST BIOS
Mennonite Festival Chorus, Rudy Schellenberg and Janet Brenneman, co-directorsThe Canadian Mennonite University Chorus combine’s two ofCMU’s premiere ensembles, the CMU Women’s Chorus (JanetBrenneman, conductor) and the CMU Men’s Chorus (RudySchellenberg, conductor). These auditioned choirs are comprisedof students from a variety of academic programs at CMU andperform regularly in worship and in concert across Manitoba.Known for their innovative programming, energy, and enthusiasm,these choirs perform demanding repertoire that represents theircommitment to exploring a global context in close relation to themusic of their Christian heritage and faith. Together, the CMUWomen and Men’s choirs host the annual CMU ChoralConnections and can be heard regularly on Golden WestBroadcasting throughout southern Manitoba. Past performanceswith the WSO include the the world premiere of T. PatrickCarrabre’s Creation Stories, Alfred Schnittke’s Faust Cantata SeidNuchtern und Wachet, Christos Hatzis’ Sepulcher of Life, GlenBuhr’s Symphony No. 3, John Tavener’s Requiem, KrzysztofPenderecki’s Seven Gates of Jerusalem, and Giya Kancheli’s Styx.
EXTRA MUSICIANS:Laura MacDougall, principal flute; Laurel Ridd, flute;Jim Ewen, contra bassoon; Keith Dyrda, trombone; Tony Cyre, percussion; Victoria Sparks, percussion
2 2 O V E R T U R E I F e b r u a r y – M a r c h 2 0 1 5
Each year, the WinnipegSymphony Orchestra andMusic for Young Children work together to present pre-concert activities at theWSO’s Great-West LifeConcerts for Kids series.Presenting two to four activitiesat every concert, MYC is anintegral part of engaging childrenin music-making through a range ofactivities such as crafts, rhythmensembles and movement. Throughthis unique partnership the WSO isable to offer high-quality educationalactivities to our younger patrons.
To celebrate MYC’s 35th anniversarythis year, Olivia Riddell, Presidentand International Director and herhusband David, Vice-President &COO will also be attending theperformance of Jack and theBeanstalk on March 29th.
The WSO is grateful for the supportof the MYC teachers, and would liketo thank them for their hard workand dedication. Together, we areworking to engage children in musicand engage them in the world oforchestral music!
Music for Young Children teachers
THANK YOU
“The partnership between Music for Young Children®
and the WSO is one that makes me incredibly proud.Each time I hear and see how BOTH the WSO and MYCManitoba Coordinator, Marilyn Unrau – and our MYCteachers, constantly work together and THINK aboutsupporting one another, it’s just incredible. My gratitudeand pride cannot be measured. I only wish that allcommunities across Canada could benefit as the Winnipeg(and surrounding areas) are.”
Olivia RiddellBA (Arts), RMT, MYCCPresident & International Director of MYC
“Music for Young Children is so fortunate to be able topartner with the WSO. As a music teacher, I am thrilled topromote and encourage our MYC families to attend theWSO Concert for Kids as it is an opportunity to furtherenrich their musical experience. My students have attendedmany concerts and have also participated in theMusicians in the Making. I am most grateful to the WSOfor our partnership and look forward to offering many moreyears of MYC pre-concert activities which benefit allchildren attending the concerts.”
Suzanne Myskew, MYCCMYC® Teacher – Winnipeg, MB
DDIIDD YYOOUU KKNNOOWW??Music for Young Children teachers volunteer their time to run pre-concert activities at each of the WSO’sConcerts for Kids shows. MYC teachers volunteer countless hours per year for WSO related events. TheWSO and MYC host a tent each year at the Teddy Bears’ Picnic, reaching picnic-goers with music andsong. There are 50 MYC teachers in more than 20 communities in Manitoba and Northwestern Ontario.
GREAT-WEST LIFE
CONCERTS FOR KIDS
Pre-concert activities
A p r i l – M a y 2 0 11 I O V E RT U R E 7F e b r u a r y – M a r c h 2 0 1 5 I O V E R T U R E 2 5
Story by Roald Dahl
Adapted by Donald Sturrock
Score by Georgs Pelécis
Produced by Dandi Productions
Pre-concert Activities 1:00 p.m.Sunday, March 29 2:00 p.m.
GREA
T-W
EST
LIFE
CO
NCER
TS F
OR K
IDS
Pre-Concert Activities Partner:
Concerts for Kids Series Sponsor:
C O N C E R T S F O R
Thank you to Long & McQuade for providing instruments as part of the Instrument Petting Zoo at each concert.
Roald Dahl’s
Jack and the BeanstalkJulian Pellicano, conductorDandi ProductionsPerformers:
Doug McKeagBraden Griffiths Allison LynchMarcy Lannan
CONCERTS FOR KIDSRoald Dahl’s Jack and the Beanstalk
Dandi Productions – Calgary, CanadaDandi Productions has beencreating and touring symphonyorchestra concerts for youngaudiences since 1997. The companyproduced the North American
Premieres of three of Roald Dahl’s fully-orchestrated concert-stories: Little Red RidingHood, Jack and the Beanstalk and Snow Whiteand the Seven Dwarfs; and produced the worldpremieres of three more original concerts: TheTwins and the Monster, The Mysterious Maestro;and Symphonic Sorcery – The Music of HarryPotter. In the past three years, Dandi has expandedits performing market beyond North America toGreat Britain, South East Asia and Australia. Thecompany now has a global audience stretchingfrom Manchester, UK to Perth, Australia.
EXTRA MUSICIAN:Allen Harrington, bassoon
ARTIST BIOS
2 6 O V E R T U R E I F e b r u a r y – M a r c h 2 0 1 5
Sistema Winnipeg is based on these guiding principles:
• Social Change• Inclusion & Accessibility
• Artistic Excellence• Teamwork & Community Building
• Intensity• Leadership Development
MICHAEL NESBITT
Funders & Sponsors:
The Winnipeg Symphony Orchestra (WSO) and its partners in theeducational and philanthropic community are excited to be part of an innovative program called Sistema Winnipeg that seeks to affect social change through the pursuit of musical excellence.
The mission of Sistema Winnipeg is to promote the collectivepractice of music through symphony orchestras in order tohelp children and young people achieve their full potentialand create social change in their community. It is aninclusive after-school orchestra program that focuses onchildren with the fewest resources and greatest need, and isdelivered at no cost to participants. Inspired by thesuccessful El Sistema model originating in Venezuelamore than 40 years ago, Sistema Winnipeg is in its fourth year with 110 students in Grades 1-6.
In many ways, the orchestra is a reflection of a thriving community. The orchestra focuses on working together, beingresponsible to others, commitment, mentorship, personal and group responsibility, and more. It can offer students a sense of identity and ownership, as well as a creative outlet.
A Program of the Winnipeg Symphony Orchestra
Changing our World through Music: Play Your Part
Your Gift Makes a Difference!With your support, the WSO will continue to
enrich our city and community with world-classsymphonic music and innovative programs. You can give a tax-deductible donation to
Sistema Winnipeg by visiting www.wso.ca.
www.sistemawinnipeg.caSistema Winnipeg is a partnership between:
> Check out full musician profiles at www.wso.ca
WSO MUSICIAN PROFILESPhotographer: Nardella Photography Inc.
Chris AnsteyViolin
Joined WSO: 2005Hometown: St. John's, NL
What is your favourite book? The Lord of the Rings by J.R.R. Tolkien
What is your favourite movie?Star Wars
What is your most memorable moment performingwith the WSO? Mahler’s Symphony No. 9 with Andrey Boreyko.
Where did you receive your musicaltraining/education? Memorial University ofNewfoundland and The Glenn Gould Professional School in Toronto.
Alex Eastley Principal Basson
Joined WSO: 2007Hometown: Born nearMontreal, grew up inCalgary
What is your most memorable moment performingwith the WSO? Two come to mind. One is ourperformance in Carnegie Hall last May. Another isperforming Mozart's Sinfonia Concertante withMicah Heilbrunn, Patty Evans and Bede Hanley.
What musician/artist had a profound influence on you?My former teacher, Stéphane Lévesque, principalbassoon of the Montreal Symphony Orchestra.Wonderful musician and teacher. I can still rely onhim for advice whenever I'm in need!
What is your guilty pleasure? Potato chips!
Where did you receive your musicaltraining/education? University of Toronto, CurtisInstitute of Music and McGill University.
Paul JeffreyTrumpet
Joined WSO: 2007Hometown: Toronto, ON
What is your favourite book? Whatever I'm reading with my kids!
What is your favourite movie? Judging from thenumber of times I've seen it, it must be Frozen.
What is your most memorable moment performingwith the WSO? A. Carnegie HallB. My first concert as a member of the trumpetsection (Berlioz's Symphonie Fantastique).C. Copland’s Symphony No. 3
What musician/artist had a profound influence onyou? My parents. They are both professionalmusicians who showed me where hard work cantake you.
Simon MacDonaldViolin
Joined WSO: 1999Hometown: Victoria BC
What is your most memorable moment performingwith the WSO? It’s a tie between Carnegie Hall in2014 and Mahler’s 9th with Andrey Boreyko.
What musician/artist had a profound influence on you? All of my wonderful colleagues.
What is your guilty pleasure? SportsCentre on infiniteloop in the morning - but it is much harder to watchwith a one-year-old in the house!
Where did you receive your musicaltraining/education? Victoria, Boston and Montreal.
2 8 O V E R T U R E I F e b r u a r y – M a r c h 2 0 1 5
F e b r u a r y – M a r c h 2 0 1 5 I O V E R T U R E 2 9
Location: Viscount Gort Hotel1670 Portage Avenue,Winnipeg, MB
Date: March 22, 2015
Time: 10:30 am
Featuring the Icelandic Music with:Peter John Buchan (Tenor)Travis Harrison (Double Bass)Leana Rutt (Cello)
Silent Auction and Door Prizes
Tickets: $65.00 (Partial Tax Receipt)
Tickets available at the Music Stand at WSO Concerts or call Margaret at (204) 489-0938
The Women’s Committee of the
WINNIPEG SYMPHONY ORCHESTRA
presents
Our Place,or Yours...
Premium catering for your corporate,wedding and private dining events. Host your special occasion in our venuelocated in the historic Grain ExchangeBuilding or allow us to cater to you in the comfort of your own home.We would be delighted to be of service!
620 - 167 Lombard Avenue I 204 478 5264 I [email protected]
1948-51 Hon. Mr. Justice J. T. Beaubien1951-53 Mr. J. M. Sinclair1953-55 Mr. Digby Wheeler1955-57 Mr. W. D. Hurst1957-58 Dr. Hugh H. Saunderson1958-61 Mr. E. W. H. Brown1961-62 Mr. David Slater1962-64 The Hon. Mr. Justice Monnin1964-65 Mr. Norman J. Alexander1965-67 Mr. R. W. Richards1967-69 Mr. W. R. Palmer1969-71 Mr. E. J. Smith1971-73 Dr. M. M. Pierce1973-74 Mr. H. S. Brock-Smith1974-76 Mr. Allan G. Moffatt1976-78 Mr. Julian D. T. Benson1978-79 Mr. John L. Buckworth1979-80 Mr. N. Roger McFallon1980-81 Mr. John F. Fraser1981-82 Mr. William W. Draper1982-83 Mr. John O. Baatz
1983-84 Mr. Andrew D. M. Ogaranko, Q.C.1984-86 Mr. Harold Buchwald, Q.C.1986-88 Mr. Michel Lagacé1988-90 Mr. William H. Loewen1990-92 Mrs. Julia DeFehr1992-94 Mr. Gordon Fogg1994-96 Mrs. Helen Hayles1996-97 Mr. Anthony Brookes1997-98 Mrs. Helen Hayles1998-99 Mr. William NorrieFeb 1999-May 1999 Mr. William LoewenJun 1999-2000 Mr. Bruce MacCormack2000-Feb 03 Mr. Roger KingMar 2003-Dec 2003 Ms. Patti SullivanDec 2003-Jan 2005 Mr. Wally Fox-DecentJan 2005-Jul 2006 Ms. Carol BellringerJul 2006-Nov 2006 Mr. Harvey Pollock (Interim President)Dec 2006-Jun 2007 Mr. Brendan MacDougall2007-2012 Ms. Dorothy Dobbie2012-present Mr. Timothy E. Burt, CFA
PRESIDENTS OF THE WINNIPEG SYMPHONY ORCHESTRA
3 0 O V E R T U R E I F e b r u a r y – M a r c h 2 0 1 5
The WSO gratefully acknowledgesthe following companies whosegenerous support helps to ensuremusical enrichment within ourcommunity. Thank you!
Podium $20,000 +The Council for Business and
the Arts in CanadaJohnston Group Inc.
Resident Artist $10,000 - $19,999The DistilleryQualico
Principal Chair $5,000 - $9,999Canon Canada Inc.Carlyle Printers, Service
& Supplies Ltd.Terracon Development Ltd.The Standard Life Assurance
Company of Canada
Assistant Principal Chair $2,500 - $4,999Cambrian Credit UnionJ.K. Investments Ltd.
Orchestra Chair $1,000 - $2,499B. A. Robinson & Co.
Ltd./Robinson Bath CentreBison TransportDurango Construction Inc.Long & McQuade Musical
InstrumentsMTS AllstreamUrbaninkWinmar Property Restoration
Music Stand $500 - $999Coghlan's LimitedCrosier Kilgour & Partners Ltd.E.H. Price LimitedGalsworthy Holdings Ltd.Hub International STRATA
Benefits ConsultingInterGroup Consultants Ltd.Peerless Garments LPPollard Banknote LimitedRed River Cooperative Ltd.True Value Hardware & V. & S.
Dept. Stores
RiserUnder $500A. Akman & Son Ltd.Con-Pro Industries Canada Ltd.Mid West Packaging LimitedPatill/St. James Insurance
FoundationsThe WSO gratefully acknowledgesthe following foundations:Aqueduct Foundation - Inga and
Anna Storgaard FundBrandon Area Community
FoundationBruce and Catherine Jones Fund,
the Winnipeg FoundationBurton A. and Geraldine L.
Robinson FundC.P. Loewen Family Foundation Inc.Elizabeth B. Armytage FundFoundation for Choral Music in
ManitobaGeorge Warren Keates Memorial
FundHouston Family of Bradwardine
Fund, the Winnipeg FoundationJames Thompson Memorial Fund
in Trust of WSOJohn and Carolynne McLure FundLeslie John Taylor Fund, the
Winnipeg FoundationLutz Family FoundationMarjory Alexander Graham &
Family Fund Marjory Stewart McLaren FundNita Eamer Memorial FundSylvia & Robin Cowan FoundationThe Noreen & Robert Allen
Charitable TrustThe Pollard Family FoundationProgram for the Enrichment of
French in EducationPerce & Elizabeth Schirmer
FoundationRBC FoundationRichardson Foundation The Tallman FoundationThe Winnipeg FoundationThe Winnipeg Foundation
- Dr. Peter & Geraldine SpencerFund
True North Jets FoundationUnited Way of Greater Toronto
The Legacy Circle exists torecognize the following patronswhose foresight ensures that theWSO plays on for all Manitobans for generations to come. The WSOgratefully acknowledges LegacyCircle members for their plannedfuture gift to the WSO.
Lucienne BlouwLorraine & Gerry CairnsGreg Doyle & Carol BellringerEthel & Joe KarrMichel D. LagacéG. E. LoewenS. E. LoewenW. H. LoewenDr. Brendan MacDougallCarolyn & Nathan MitchellLesia PeetEdward Fisher & Lyse RémillardTannis M. RichardsonTrudy SchroederJune SlobodianMuriel Smith
Edith A. Toews & Dr. Helen A. Toews
Robin Wiens & Émilie Lagacé-Wiens
Donn K. Yuen2 Anonymous
The Maestro’s Circle exists torecognize those special patronswhose significant philanthropyfurthers the musical artistry ofthe WSO. Thank you!Honourary ChairAlexander Mickelthwate, Music Director
Platinum Baton $25,000 +Bill & Shirley Loewen*
Silver Baton $5,000 - $9,999James GibbsMichael Nozick & Cheryl
AshleyConcertmaster's Bow $2,500 - $4,999Gail Asper & Michael PatersonTimothy & Barbara BurtPierce & Amy CairnsBill & Margaret FastAudrey F. HubbardKevin & Els Kavanagh*Dr. Brendan MacDougallDrs. Eleanor & Grant MacDougallJohn Mansfield & Pam Simmons*Judy & Ken MurrayDiane Payment & Roxroy WestFrank & Jeanne PlettLawrie & Fran PollardDr. Diane RamseyDr. Donald S. Reimer
& Mrs. Anne ReimerHartley & Heather RichardsonTannis M. Richardson*Ian R. Thomson & Leah R. JanzenMr. Richard TurnerProfessor A.M.C. Waterman
Black Tie $1,500 - $2,499Ms. Sandra AltnerAubrey & Dr. Linda AsperMr. Jim BarrettMorley & Marjorie
Blankstein C.M., O.M.Mrs. Lucienne BlouwBrenlee Carrington Trepel
& Brent TrepelDoneta & Harry BrotchieMr. & Mrs. John & Bonnie
BuhlerHerb & Erna BullerMs. Patricia ChaychukIn Memory of Robert M.
ChipmanMr. David ChristiansonJan & Kevin CoatesJames Cohen & Linda
McGarva-Cohen
De Fehr FoundationJohn & Gay DochertyDorothy DobbieGreg Doyle and Carol
BellringerMarten & Joanne DuhouxDouglas C. Everett,
Chairman, DomoGasoline CorporationLimited
Ilse & Philipp EnsMs. Barbara Filuk*Mr. Alan Freeman
& Dr. Radhika DesaiArnold & Myra FriemanDr. & Mrs. Albert D. FriesenBert & Lee Friesen FoundationDr. & Mrs. Percy Goldberg*Joanne Gudmundson &
Brian OlesonDrs. Daya & Chander GuptaMr. & Mrs. Kerry HawkinsPeter JessimanDerek & Mary JohannsonRichard & Carol JonesMichael & Glenna KayDr. Terry Klassen &
Ms. Grace DueckMr. Sotirios KotoulasMr. Rob KowalchukPaul LeinburdDr. Judith LittlefordGraham & Suzie LountJackie Lowe and Greg TallonDr. David LyttleIn Memory of David MannElaine & Neil MargolisBrent MazurMaestro Alexander
MickelthwateRon & Sandi MielitzDr. Michael Nelson &
Dr. Selena FriesenWayne & Linda PaquinMr. & Mrs. W.B. ParrishLesia PeetDr. Beryl Peters &
Dr. Blair PetersHarvey I. Pollock Q.C.Dr. Bill Pope & Dr. Elizabeth
Tippett-Pope*Dr. & Mrs. Brian PostlMr. & Mrs. G.V. PriceJohn & Violet RademakerJim & Leney Richardson*Mrs. Shirley RichardsonMr. Rick Riess &
Mrs. Jean CarterSanford & Deborah RileyOlga & Bill RunnallsMr. Terry SargeantTrudy SchroederCheryl & Lorne SharfeJimmy & Morse SildenWinnifred SimJack & Elaine SineMuriel SmithDudley & Eleanor ThompsonSusan Glass & Arni ThorsteinsonDr. & Mrs. Eric VickarMr. Curt VossenEdward & Irene WarkentinDon & Florence WhitmoreKlaus & Elsa WolfDr. & Mrs. Klaus Wrogemann
* Founding Members
WSO SUPPORTERS
F e b r u a r y – M a r c h 2 0 1 5 I O V E R T U R E 3 1
3 2 O V E R T U R E I F e b r u a r y – M a r c h 2 0 1 5
Friends of the WSO helpsupport the WSO’s artisticprograms each season.Thank you!
Honourary ChairGwen Hoebig, Concertmaster
Symphony $600 - $1,500Gorden Andrus & Adele KoryMargaret-Lynne & Jim AstwoodMs. Margaret BarbourDoris & Burton BassLen & Mary BatemanDavid & Gillian BirdLorraine & Gerry CairnsJohn Corp & Mary Elizabeth
McKenzieMiss O. DilayCarrie FergusonRobert & Linda GoldDr. & Mrs. W. L. GordonBruno GossenMarianne JohnsonJune & Lawrence JonesChristina & Alan KowalecMillie & Wally KroekerW.K. LabiesDouglas MacEwanGord & Sherratt MoffattMs. Valerie MollisonTerence & Violeta MooreMrs. Marina Plett-LyleLevi & Tena ReimerJim & Pat RichtikMr. Bob TallmanDr. & Mrs. Willem T.H. van OersRaymond & Shirley Wiest1 Anonymous
Concerto $300 - $599All Charities CampaignJudy & Jay AndersonMs. Margaret BarbourCheryl & Earl BarishMonty & Mary-Claire BellMr. & Mrs. C.R. BettsHelga & Gerhard BockMr. Jim BrackenSheila & David BrodovskyMr. & Mrs. F. BuckmasterCanadahelps. OrgGail CarruthersRoss M. CleeveMs. Julie CollingsDr. & Mrs. David ConnorBarbara CookDennis & Ruth CrookGary & Fiona CrowEsther and Hy DashevskyFrank & Agnes DefehrBeverley & Fred Dyck
Helene DyckKathleen & David EsteyMarcia Fleisher & Kelly
MacDonaldMr. Lloyd FriedmanJim & Betty Anne GaynorPenny GilbertMrs. Catherine GordonC. M. GreenwoodMs. Debbie GrenierPatricia GuyDr. Don & Jerri HallMary & Gregg HansonMr. & Mrs. Allan &
Audrey HarburnAgnes HechterDaniel Heindl
& Eugene BoychukMr. & Mrs. J.K. HollandNumber Ten
Architectural GroupRobert JaskiewiczMr. Leroy M. JohnsonDrs. Keith & Gwyneth JonesKoren & Leonard KaminskiJ. Gartner & L. KampeasNora KaufmanBrian KellsMr. & Mrs. Burton J. KennedyDr. I. KinizsiSusan & Keith KnoxT.G. KuceraMs. Francoise Lesage &
Mr. Ken MillsTed & Wanda LismerJames & Pat LudwigAndrew LutzDr. & Mrs. John &
Natalie MaybaNola M. McBurneyMrs. Maureen McIntoshMrs. E. Louise McLandressMargaret Moroz, in Memory
of Ben MorozVera MorozDrs. Kenneth & Sharon MouldBonnie & Richard OlfertCarole & Cameron OslerShelley Parham & David SmithMr. & Mrs. David & Wanda PikeDonna & Ian PlantLois AndersonCarolynne PresserRosemary PriorFred & Carolyn RedekopJ. ReichertMs. Iris ReimerDonald & Karen RossJudge & Mrs. Charles &
Naida RubinF.E. SandersonBarbara ScheunemanHans & Gabriele SchneiderMerrill & Shayna ShulmanJohn & Linda SmithBrenda StandingCurtis & Lorane Steiman
Murray & Loretta SteinbartDr. Lea StogdaleSusan & Kerr TwaddleMr. Robert VinebergJesse VorstPat WalkerMs. Donna WebbJohn & Diane WeselakeHerbert & Shirley WildemanElma & Charles WilsonRobert & Rosalie WoodHarry & Evelyn WrayZita & Mark Bernstein Family
Foundation11 Anonymous
Serenade $150 - $299Ross & Doreen AdamsonTrish Allison-SimmsMr. Robert Baragar, in Memory
of Mary Louise BaragarDick & Minnie BellMr. & Mrs. Edwin BethuneMr. & Mrs. A.K. BoltonPaul & Doreen BromleyMr. Chris BrownMrs. Jane BulliedSel & Chris BurrowsRev. Msgr. Michael BuyachokMrs. Mary C. CampbellLawrie CherniackRon ClementDr. & Mrs. Andrew & Pamela
CookeMrs. Joyce CooperIrene & Robert CorneTed & Margaret CuddyJudy & Werner DanchuraMs. Linda DanielsBob & Alison DarlingRobert McDowallMiss Anne DefehrMr. & Mrs. Gordon DingmanIn Memory of Graham DixonSally R. DowlerMr. & Mrs. W. EastonGeorge B. EliasNobu EllisEva EndersJohn & Martha EnnsJohn B. & Katie EppMs. Ursula ErhardtMargaret E. FaberMargaret & Bob FergusonDr. Nelma FettermanMr. & Mrs. D.C. FinnbogasonDoug & Phyllis FlintMargaret FollettArnold & Christa FroeseHarold & Alice FunkEileen GeorgeMr. Donald GrahamLarry & Susanne GreerDr. Hilary Grocott &
Ms. Shivaun BergKelsey Hargreaves
Beth & Raymond HarrisNora HarveyJane HayakawaJack & Elsie HignellBob & Biddy HiltonCarol Hitchon, in Memory of
Mary Louise BaragarMr. & Mrs. J.K. HollandSonia & Harvey HosfieldHelmut & Dorothy HuebertMrs. Joan M. HunterRudy & Gail IsaakDavid JacobsonTerry & Shirley JamesMs. Marilyn KapitanyHenry Katz, in Memory of DenaMs. Heather KirkhamMr. Ray KohanikMrs. Marion KornMs. Janet KuchmaElaine & Patrick LaMonicaMr. Norman LeathersMrs. Donna LeechMrs. Myrna H. LevinOwen Lewis, in Memory of
Eric T. LewisRose & Dick LimMr. Gordon P. LinneyJim MacNair, in Memory of MaeDr. & Mrs. A.G. MacrodimitrisBarbara MainRuth MayDavid and Francesca McBeanRobert McDowellD. McKayMr. & Mrs. Jim &
Terri McKercharMr. James A. McKinleyMr. & Mrs. Sheldon McLeodGlen MeadNathan & Carolyn MitchellSylvia MitchellMargaret & Fred MooibroekMr. Peter MorganMargaret MorseMrs. E. J. NebbsGeorge & Gladys OelkersMs. Pat PhilpottMr. Rick PinchinBlumie PortnoyPhyllis Portnoy & Rory EganDon & Carol PoulinTim Preston & Dave LingMrs. Nell ProvincianoReynold & Esther RedekoppMrs. Eleanor RiachJohn & Wendy RussellDr. & Mrs. Alvin &
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May 8,9 I 8:00 pmAlexander Mickelthwate, conductorNobuyuki Tsujii, piano
Beethoven: Piano Concerto No. 5 “Emperor”Shostakovich: Symphony No. 5
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Shirley Ann & Louis SimkulakDavid & Lorraine SmithMs. Brenda SniderGordon & Darby SpaffordMrs. B. Rae Spear, in Memory
of R.P. SpearGary & Gwen SteimanBonnie Hoffer-Steiman &
Lionel SteimanMargaret & Hartley StinsonDr. V. Marie StorrieDr. & Mrs. David SwatekDr. & Mrs. John TaylorTom & Lori ThomasJune & Lorne ThompsonMs. Marilyn ThompsonC. & R. ThomsenDr. J.M. TrainorNeil & Carol TrembathMelissa WeselakeMyra Joan WolchKarin WoodsMr. John Yarema13 Anonymous
Prelude $75 - $149P. AchtemichukKaeren AndersonMr. Philip AshdownAllan & Rochelle BakerRosemary & David BarneyRobert BartonMs. D BeavenDianne BeavenFlorence BellAudrey BelyeaTed Bock & Liane ChalmersKeith & Marnie BollandShirley BookFrances BoothBrian & Bev BornNorma BortoluzziMrs. Jean M. BradleyMrs. Ruth BredinLorne & Rosada BrideMr. Robert BriercliffeMiss Dorothy BroomhallMr. E. BrownMr. Ross BrownleeMs. Carol BudnickMs. Donna CarruthersCarol A. CasselsIan & Marie Chalmers,
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Mary Louise Baragar14 Anonymous
Leave a Legacy by making adonation to the WSO’sEndowment Fund. Managed bythe Winnipeg Foundation since1959, the fund has grown invalue to just over 6.4M. Giftsto the fund ensure longtermfinancial support for theorchestra. Thank you!
Eugene Boychuk & Daniel Heindl
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Donald
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WeselakeAlan WisemanWomen's Committee of the
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5 Anonymous
Conmoto
Festival donors help to ensurethe artistic excellence of theWSO’s New Music Festival.Thank you!
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3 8 O V E R T U R E I F e b r u a r y – M a r c h 2 0 1 5
Chaplin’s own musical score performed LIVE with the Winnipeg Symphony Orchestra
Julian Pellicano, conductor
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Share the Music is a uniqueoutreach initiative of the WSOthat allows economicallydisadvantaged children andtheir families to attend WSOperformances. Thank you forhelping to Share the Music!
Greystone Managed Investments Inc.Shelley ChochinovM and G CrielaardMr. Denzil FeinbergKevin & Els KavanaghMs. Irene LesniakMs. Susan RosnerM ScheunemanShare the MusicMs. Brenda SklarBette Jayne Taylor, in Honour
of Her BirthdayRoss & Bette Jayne TaylorMyrna and Noah Weiszner
Sistema Winnipeg is a free daily after-school orchestraprogram that enriches the lives of children and youngpeople with the fewestresources and the greatest need. Your support makes adifference in the everyday lives of these children.Thank you!
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of Ben MorozKim MortonDr. Gwenna MossMs. Lucy NykolyshynIn Memory of Ron OswaldAddie PennerRuth Carol & Len PodheiserPortsmouth Retirement ResidenceMr. & Mrs. Thomas PrescottMr. David ProcnerDr. David PunterVal RaberMs. Debra RadiIn Honour of Debra RadiMr. Carl RadimerMarilyn & John RaeMrs. Barbara RempelDavid and Joan RewBetty RossLynn SaundersNicola SchaeferMs. Janet SchubertMargaret SchefferMs. Selma ShearerClarice ShellSistema Winnipeg OrchestraWilma SotasMs. Barbara SparlingMs. Dorothy StephensWilliam StewartSt George's Anglican ChurchSturgeon Heights Music Parent
AssociationSweet SilverDr. Laura E. TargownikMary and Robert ThomasS.Thompson Designs Inc.Thomson Duprey FundMs. Phyllis A. C. ThomsonNeil & Carol TrembathJudith & Francisco ValenzuelaAnonymous, in Memory of Susan
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Philanthropy ProgramNicole & Graham WordenLibby Yager and Billy Brodovsky13 Anonymous
F e b r u a r y – M a r c h 2 0 1 5 I O V E R T U R E 3 9
OUR DISTINGUISHED PATRONSHis Honour the Honourable Philip S. Lee C.M., O.M.
Lieutenant Governor of ManitobaThe Honourable Greg Selinger,
Premier of ManitobaHis Worship Brian Bowman,
Mayor of the City of WinnipegMr. W.H. Loewen & Mrs. S.E. Loewen,
WSO Directors Emeritus
WOMEN'S COMMITTEE EXECUTIVESylvia Cassie, PresidentWinnifred Warkentin, Vice-PresidentShirley Loewen, Past PresidentIsobel Harvie, TreasurerTracey LeClair, Secretary
TRUDY SCHROEDER, EXECUTIVE DIRECTOR
EXECUTIVE OFFICELori Marks, Confidential Executive Assistant
FINANCE & ADMINISTRATIONJohn Bacon, Director of Finance & AdministrationSandi Mitchell, Payroll & Accounting AdministratorLeanne Plett, Accounting & Administrative Assistant
DEVELOPMENTJoanne Gudmundson, Director of DevelopmentCarol Cassels, Development ManagerJeremy Krahn, Business Development OfficerShenna Song, Development CoordinatorCaroline Murphy, Telefunder, Donations & Raffles
SALES & AUDIENCE SERVICESRyan Diduck, Director of Sales & Audience ServicesDesiree La Vallee, Box Office CoordinatorTheresa Huscroft, Group Events RepresentativeKena Olson, Patron Services RepresentativePatron Services Representatives (p/t):
Phil Corrin Chelse McKeeMeg Dolovich Crystal SchwartzRachel Himelblau Stephanie Van NestMelissa Houston
BOARD OF DIRECTORS
ALEXANDER MICKELTHWATE, MUSIC DIRECTOR
ARTISTICBramwell Tovey, Conductor LaureateJulian Pellicano, Resident Conductor
ARTISTIC OPERATIONSJean-Francois Phaneuf, Director of Artistic OperationsJames Manishen, Artistic Operations AssociateEvan Klassen, Production ManagerSheena Sanderson, Stage ManagerChris Lee, Orchestra Personnel ManagerRay Chrunyk, Principal LibrarianLaura MacDougall, Assistant LibrarianLawrence Rentz, Stage Supervisor
EDUCATION & OUTREACHTanya Derksen,Shannon Darby, Education & Outreach CoordinatorBrent Johnson, Community Outreach CoordinatorKari Chastko, Education & Sistema Coordinator
MARKETING & COMMUNICATIONSNeil Middleton, Director of Marketing & CommunicationsSarah Panas, Marketing & Communications CoordinatorMatt Brooks, Multimedia CoordinatorS. Thompson Designs Inc.
Timothy E. Burt, CFAPresident
Richard Turner1st Vice President
Terry Sargeant2nd Vice President
Rob KowalchukTreasurer
Michael D. KayCorporate Secretary
Sandra AltnerJohn BalsillieLucienne BlouwSylvia CassieArlene DahlMarten Duhoux
Alan FreemanDaniel FreidmanDr. Daya GuptaGregory HayMicah HeilbrunnRobin HildebrandPeter JessimanMaureen KilgourSotirios Kotoulas Dr. Eleanor MacDougallAlexander Mickelthwate,
Ex-officioDr. Michael NelsonTrudy Schroeder, Ex-officioDr. Ian ThomsonCurt Vossen
OFFICIAL AUDITORS Deloitte LLP
WSO BOARD & STAFF 2014-2015 SEASON
WSO ADMINISTRATION OFFICE:Richardson BuildingSuite 1650 – One Lombard PlaceWinnipeg, MB R3B 0X3Phone: 204.949.3950Fax: 204.956.4271wso.ca
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GROUP EVENTS:Phone: [email protected]
WINNIPEG SYMPHONY ORCHESTRA TICKET INFORMATION
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The WSO is a chartered non-profit organization operated by a voluntary Board of Directors.