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Due Friday March 30th
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Due Friday March 30th. Let us begin with the question, Why study Rock and Roll? One might reply somewhat flippantly, “Because it’s there!” But the question.

Jan 05, 2016

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Page 1: Due Friday March 30th. Let us begin with the question, Why study Rock and Roll? One might reply somewhat flippantly, “Because it’s there!” But the question.

Due Friday March 30th

Page 2: Due Friday March 30th. Let us begin with the question, Why study Rock and Roll? One might reply somewhat flippantly, “Because it’s there!” But the question.

Let us begin with the question, Why study Rock and Roll? One might reply somewhat flippantly, “Because it’s there!” But the question deserves a more thoughtful answer.

First, we must realize that rock and roll is basically and primarily a musical style. It utilizes the same musical elements (rhythm, pitch, dynamics, form, timbre, etc.) found in all styles of music. How these ingredients are combined, in what proportions and with what characteristics, defines rock as a distinct musical style.

As with all musical styles, there are some good examples, some bad examples and a lot in between. It is as inaccurate to say that all rock is bad as it is to say that all classical music is good. Such musical value judgments should rest not a total style per se, but on how creatively and skillfully the musical creator uses the musical resources appropriate to the specific style.

But rock and roll us more then just a musical style. It is an extremely important and influential social factor. When the final figures are in from the second half of the 20 th century, rock will undoubtedly prove to be the single most potent economic factor in the multibillion-dollar music industry. Musically, rock has influenced the music we hear on television, in the films, and in commercials. It has influenced jazz, church music, classical music, and even it’s own ancestors: rhythm and blues and country western. Socially, rock culture’s influence has been witnessed in hairstyles, clothing, language, lifestyles, and politics. In other words,. Any historian of the last half of the 20th century must devote significant consideration to rock and roll being one of the primary forces in our society as a whole (socially, culturally, economically, politically, and musically). Any force that has that kind of impact on society deserves study

History of Rock and Roll 6th Edition It’s History and Stylistic Development

Page 3: Due Friday March 30th. Let us begin with the question, Why study Rock and Roll? One might reply somewhat flippantly, “Because it’s there!” But the question.

• Bridge between Jazz and Rock• Pop Music• Country and Western• Rhythm and Blues• Overview of the 50’s

• Choose one early group considered to be influential in the crossover to early rock• Write a one page paper on that groups history and influence on the style

Group

Individual

Page 4: Due Friday March 30th. Let us begin with the question, Why study Rock and Roll? One might reply somewhat flippantly, “Because it’s there!” But the question.

http://hs.riverdale.k12.or.us/~hfinnert/exhib_06/josephh/paper.html

http://asweknowit.ca/evcult/USBlues.shtml

http://liraproductions.com/jazzrock/htdocs/histhome.htm

http://www.menziesera.com/origins_of_rock/origins_of_rock.shtml

http://rockhall.com/education/inside-the-classroom/rockin/roots/

Pop, Country Western, and Rhythm and Blues

Page 5: Due Friday March 30th. Let us begin with the question, Why study Rock and Roll? One might reply somewhat flippantly, “Because it’s there!” But the question.

http://www.goldminemag.com/article/1940s-musicians-laid-the-cornerstone-for-rock-n-roll

http://rock-n-roll.40s-50s.info/en/index.html

http://www.digitaldreamdoor.com/pages/best_songs50s.html

http://library.thinkquest.org/5944/50sRock.html

http://www.oswego.edu/academics/colleges_and_departments/departments/music/classes/MUS_117/poprock_50_60.pdf