Duc Dinh Portfolio 2013

DESIGN PORTFOLIODUC DINH

COMMERCIAL PROJECT

RESIDENTIAL PROJECT

HOSPITALITY PROJECT

BOUTIQUE SHOP PROJECT

PUBLIC PROJECT

LIGHTING FIXTURE

GRAPHICS

ABOUT ME

CONTENTS

KFC RESTAURANTRatana Plaza, Cambodia 2012COMMERCIAL PROJECT

Built Area: 128 m2

Ratana plaza, where diverse activities take place, has a very potential fast food de-mand. To make the best of the characteristic of the site, the KFC is designed to provide a fast dining service for the space users and to compete with the existing fast food stores. The solution for the new KFC is based on the key words: “fast” and “east”. The design will follow this keywords to create a fast dining atmosphere. By blending the ori-ental design elements into KFC contemporary style, it will create a symbolic design for KFC. The restaurant is designed for 2 groups of customer where primary are the visitors to the building. The secondary are the staffs working within the plaza and offices within the surrounding area who require fast take-away service.

SIGNAGE

ELEVATED INSERTION

ACRYLIC PANEL

CONCEPTThe aim of this project is to design the kfc fast food restaurant located at the corner of ratana plaza and hotel building. The objective is to propose an innovative solution to the kampu-chea food cor- poration who is the client. The design is to make kfc distinc-tive and make it the first kfc restaurant to break the standard kfc design. By incorporat- ing the western contempo-rary style and the ori- ental elements, the design get an inspiration from a new unique east-asia product that will make kfc compete better within the asian food market.

KFC FASTFOOD RESTAURANT

Secondary circulation

Staff circulation KITCHEN SPACE

STAFF ROOM / STAFF TOILET

KITCHEN SPACE

RECEPTION DESK / TAKING ORDER

SERVICE ISLAND / RACKS

BANQUET / BOOTH

ELEVATED AREA +450MM

BOOTH

BAR TABLE

OFFICE

CIRCULATION ANALYSISPrimary circulation

People who dine in or take away KFC products are always in a quick move-ment. From making orders to eating their meal, they do it very fast. And if the architectural aspect of the space is not obvious to them, they will certainly leave the store without noticing about the interior. The solution is to make ar-chitecture obvious to the customers that everything will hit their eyes when they step inside the space. By using level difference and large-size deco-rative objects, the architectural feeling will be delivered immediately to the space users. By using different levels of seating areas, it creates a sense of rhythm within the space, customers can “look” and be “aware” of things going on inside and outside of the space through the airy glass curtain. The seat-ing will also provide the privacy for each seating area.


FLOORPLAN SCALE1:100


WASH BASIN

ELEVATED SEATING

TEA BOX

S-A

S-B

SCALE 1:100 REFLECTED CEILING PLAN


FALSE CEILING

DOWNLIGHT

PENDANT BULB

PENDANT LIGHT

RECESSED CEILING LIGHT

LEGENDS

ELEVATION A SCALE 1:100

ELEVATION B SCALE 1:100


GLASS PANEL

TEABOX

WASHING BASIN


INTERIOR VISUALISATIONThe fast-food restaurant has to maxi-mize the use of seatings and circula-tion to achieve the best possible commercial goal, the income. In order to do this, the furniture (both fixed and movable) are arranged to the minimum standard to provide not only comfort-able seating positions but also con-venient moving circulation.



TUBE-HOUSESaigon, Vietnam 2012RESIDENTIAL PROJECT

Tropical weather and restricted built area are the two most distinguishing characters when building a house in Saigon. This city has a restricted land law provided by the na-tional unban development and the weather is humid and hot all-year-round. By under-standing this matter, this project proposes a solution to build a modern tube house for a family with 4 inhabitants. The tube-house advantage is to provide enough convenient spaces for all the activities and to fit not only the Vietnamese owner ’s traditional lifestyle but also his family ’s demands for a modern life within this vibrant city. By creating in and out air-ventilation and natural sunlight, this tube-house is an ideal living space for the occupants who have to live and work in Saigon, where noise pollution and super hot weather can affect livign quality.

Built Area: 232 m2

CIRCULATION AND VENTILATIONTaking the advantage of the natu-ral sunlight to bring in the warm light source to the interior. Using air in-out circulation to create air ventilation for the house. The aim of this circula-tion arrangement is to create the most possible and convenient movement for all the inhabitants within the house. This give the best access to all the space and services within the interior. The stair is designed to be in one corner to re-duce the space it may take and leave a straight-up circulation for the rooms.

TUBE-HOUSE SUNLIGHT DIAGRAMSAir in

Exhaust air OUT

OUT

OUT

OUT

IN

IN

IN

CIRCULATION DIAGRAMSSPACIAL PLANNING DIAGRAMSSUNLIGHT DIAGRAMS TUBE-HOUSE

SECOND FLOOR

FIRST FLOOR

GROUND FLOOR

SECOND FLOOR

FIRST FLOOR

GROUND FLOOR

SECOND FLOOR

FIRST FLOOR

GROUND FLOOR

PrimaryBedroomsSunlight

SecondaryLiving roomOpen space

Dining + Kitchen

Exhibition room

SUNLIGHT DIAGRAMS

INTERIOR PLANSSpacial design include 1 living room, 1 tea seating area (Which serves as an additional living area), 1 dining room , 1 kitchen, 1 exhibition room and 3 bedrooms. The concept is to create a modern yet brings simplicity of deco and materiality.

TUBE-HOUSE

LIVING ROOM DINING ROOM

KITCHEN

UP

UP

UP

NATURAL STONEGRAVEL

SEMI-GLOSS WOOD PLANKS

LIVING ROOM

STAIRS

TOILET

ELEVATED TEA SEATING

A

AA'

BB'

B

C ED

SEMI-GLOSS WHITE PAINTON ACOUSTIC CEILING FIN.

WOOD LAMINATEJANMI FIN.

CUSTOM SHELF (DINING)

6561

13500

2860

2-S

2-S 2-S S

2-S

2-S

S

0 1 3 5 0 1

DINING ROOM

KITCHEN

LIVING ROOM

STAIRS

LEGENDS

Spot light

Down light

Ceiling mount

Wall scone

Track lighting

SEMI-GLOSS WHITE PAINTON ACOUSTIC CEILING FIN.

2-S

2-S 2-S S

2-S

2-S

SS S S S

DETAIL A - GROUND FLOOR PLUMBING WORKSCALE

0 1 3 5

GROUND FLOOR PLAN SCALE 1:125

GROUND FLOOR RCP SCALE 1:125

BATHROOM 1WALKIN WALKIN

STAIRS

DN

BEDROOM 2

BATHROOM 2WALKINCLOSET

MASTER BEDROOM BEDROOM 2MASTER BEDROOM

STAIRS

GLASSCERAMIC TILESVARNISHED WOOD FLOOR

J K

EE'

FF'

CERAMIC TILES

S

S

SDS

S

SS

2-S

0 1 3 5 0 1

BATHROOM 1

WALKINCLOSET

STAIRS

BEDROOM 2

BATHROOM 2

MASTER BEDROOM LEGENDS

Lamp

Pendant light

Down light

Ceiling mount

Wall scone

STAIRS

GLASS

S

S

SDS

S

S

S

S

S

2-S

S

Cleaning hole withcopper cover

DETAIL B AND C - SECOND FLOOR PLUMBING WORKSCALE

0 1 3 5

TUBE-HOUSE

UP

BOOKSHELF

BEDROOM 1

BATHROOM 1WALKINCLOSET

EXHIBITION ROOM

EXHIBITION ROOM

PENDANT FIXTURE

STAIRS

CEMENT TILES

CC'

DD'

F GH I

POLISHED CONCRETE

S2-S

S

2-S

SS

S

0 10 1 3 5

BEDROOM 1

BATHROOM 1

WALKINCLOSET

EXHIBITION ROOM

PENDANT FIXTURE

STAIRS

LEGENDS

Spot light

Down light

Ceiling mount

Wall scone

POLISHED CONCRETE

S2-S

S

2-S

S

S

S

SS

0 1 3 5

FIRST FLOOR PLAN SCALE 1:125

FIRST FLOOR RCP SCALE 1:125

SECOND FLOOR PLAN SCALE 1:125

SECOND FLOOR RCP SCALE 1:125

SECTIONS

TUBE-HOUSE

SOUTH SECTION SCALE 1:125

TUBE-HOUSE

NORTH SECTION SCALE 1:125

LIVING ROOM

TUBE-HOUSE

TUBE-HOUSE

DINING ROOM

EXHIBITION ROOM

TUBE-HOUSE


ELEVATION B SCALE 1:100

ELEVATION F SCALE 1:100

ELEVATION G SCALE 1:100

ELEVATION H SCALE 1:100

ELEVATION I SCALE 1:100

ELEVATION J SCALE 1:100

ELEVATION K SCALE 1:100

TUBE-HOUSE

INTERIOR ELEVATIONS

KITCHEN DESIGN

TUBE-HOUSE

30mm WHITE SEMI-GLOSSLAMINATE ON PLYWOODCOUNTER TOP

20X80 WOOD TOP STRIP

40X80 WOOD SLEEPERS

15mm WHITE SEMI-GLOSSLAMINATE ON PLYWOOD TOEKICK

IKEA MODEL 501.323.76ZINC HINGE

20mm LAMINATEPLYWOODBASE SHELF

8020

15 40

3020

15mm STAINLESS STEELIKEA TYDA MODEL

101.767.44DOOR HANDLE

IKEA MODEL501.323.76ZINC HINGE

15mm WHITE SEMI-GLOSSLAMINATE ON

PLYWOOD DOOR

15mm WHITESEMI-GLOSS

LAMINATE ONPLYWOOD DOOR

15mm STAINLESS STEEL IKEA TYDAMODEL 101.767.44 DOOR HANDLE


15mm WHITE SEMI-GLOSSLAMINATE ON PLYWOODOVERHEAD CABINETBOTTOM



150

15 20

80

150

3090

151542

542

530

030

025

025

5

40X80 WOOD SLEEPERS


15mm WHITE SEMI-GLOSS LAMINATEON PLYWOOD ADJUSTABLE SHELF

10mm HARDBOARD BACKING

10mm HARDBOARD BACKING

20X40 WOOD SPACER

15mm WHITE SEMI-GLOSS LAMINATEON PLYWOOD TOEKICK


MICROWAVE

520

265

FINISH CABINETINTERIOR W/ WHITELAMINATE LINER

80

400

20mm LAMINATE PLYWOODBASE SHELF

IKEA MODEL 501.323.76 ZINC HINGE

2300


30mm WHITE SEMI-GLOSS LAMINATE ON PLYWOOD COUNTER TOP

20X40 WOOD SPACER

20X40 WOOD SPACER

30mm WHITE SEMI-GLOSSLAMINATE ON PLYWOODCOUNTER TOP


40X80 WOOD SLEEPERS

15mm WHITE SEMI-GLOSSLAMINATE ON PLYWOOD

TOEKICK


20mm LAMINATEPLYWOODBASE SHELF

8020

15 40

3020

15mm STAINLESS STEELIKEA TYDA MODEL

101.767.44DOOR HANDLE

IKEA MODEL501.323.76ZINC HINGE

15mm WHITE SEMI-GLOSSLAMINATE ON

PLYWOOD DOOR

25

DETAIL 2SCALE 1:2



15

DETAIL 1SCALE 1:2

35

DETAIL 3SCALE 1:2



15mm WHITE SEMI-GLOSSLAMINATE ON PLYWOODOVERHEAD CABINETBOTTOM



150

15 20

80

150

030

9015

15

30mm WHITE SEMI-GLOSSLAMINATE ONPLYWOOD COUNTER TOP

20X80 WOODTOP STRIP

55

DETAIL 5SCALE 1:2

15mm WHITESEMI-GLOSSLAMINATE ONPLYWOODDRAWER FACE

15mm STAINLESSSTEEL IKEATYDA MODEL101.767.44DRAWER HANDLE

DRAWER SLIDES

20 15

1530

65

DETAIL 6

10mm PLYWOOD DRAWER BOX

SCALE 1:2

30mm WHITE SEMI-GLOSSLAMINATE ONPLYWOOD COUNTER TOP

10mm PLYWOODDRAWER BOX

10mm PLYWOODDRAWER BACK

10mm PLYWOODHARDBOARD BACK


20x80 WHITE SEMI-GLOSSLAMINATE ON PLYWOODBACKSLASH

20X40 WOOD SPACER

WALL 10mm PLYWOODDRAWER BACK

80

15mm WHITE SEMI-GLOSS LAMINATEON PLYWOOD TOE KICK

54 DETAIL 4

SCALE 1:2

15mm PLYWOODDRAWER FACE

10mm PLYWOODDRAWER BOTTOM

40X80 WOOD SLEEPERS

20mm LAMINATEPLYWOOD BASE

80

D-1

D-2

D-3

720

720

1020

720 600 590 360 210

400

400 720

B

C

17

DISHWASHER

2700

1020 720 720 400

400

850

600

850

S-1

850

425

400

2700

425

300

720 600 590 360 210400 720

OVEN

MICROWAVE

300

14

2300

SLIDINGDOOR

SLIDINGDOOR

400

850

600

850

400

1160 1155

CERAMICTILE FINISH

WHITELAMINATE

FIN. ONGYP PANEL

MIRROR

CERAMICTILE FINISH

A

ELEVATION E SCALE 1:75

ELEVATION C SCALE 1:75

ELEVATION D SCALE 1:75

FLOOR PLAN SCALE 1:75 FLOOR PLAN SCALE 1:25 DETAIL 1 SCALE 1:10

DETAIL 2 SCALE 1:10

DETAIL 3 SCALE 1:10

TUBE-HOUSE

SHADOW OF ANGKORSiem Reap, Cambodia 2013HOSPITALITY PROJECT

As the original Haussmann’s plan is such an inspiring and accurate system to develop the design concept for this hotel renovation.The harmony, efficiency and hygienic envi-ronment inspired the new design functions and aesthetics to follow and create a con-cept that is based on these elements. The concept is to transform the old hotel interior into a more luxury yet modern accommodation provider for tourists but to preserve and restore the original elements which is the main attraction of the town. The finished project will lead the guests through different experience of space and time, to take them through a journey of time by using classical elements blending the contemporary interior. The space functions and circulation will be efficiently planned based on the Haussmann’s concept. The new space will provide an inviting and hygienic atmosphere by allowing natural air to travel in and out. To take the guests out of the heat of In-dochina and welcoming them into a refreshing artificial environment within the hotel by integrating water features as a connection between exterior and interior and also evaporative cooling system.

Built Area: 1134 m2

THE HAUSSMAN PLAN CONCEPTHaussmann plan was about planning the city into a geometric grid, with new streets running east and west, north and south dividing the city into sections, bringing symmetry to the city, opening of broader street for traffic and fresh air to travel through. The town of Siem Reap was built based on Haussmann’s theory of geometric and symmetrical aesthetic where the main areas such as Old Market and the French Quar-ter are clearly located and divided following the grid lines. Also streets are wide-opened to allow air circulation and sunlight to enter, creating a hy-gienic living environment.

SHADOW OF ANGKOR

SHADOW OF ANGKOR

ADJACENCY DIAGRAM

OLDMARKET

FLOOR PLANS

SHADOW OF ANGKOR

The design of the following plans are stricty arranged by the haussman con-cept that the grid system control the whole spatial design.

GROUND FLOOR PLAN SCALE 1:200

FIRST FLOOR PLAN SCALE 1:200 SECOND FLOOR PLAN SCALE 1:200

SHADOW OF ANGKOR

SHADOW OF ANGKOR

REFLECTED CEILING PLANS

GROUND FLOOR RCP SCALE 1:200

SHADOW OF ANGKOR

FIRST FLOOR RCP SCALE 1:200 SECOND FLOOR RCP SCALE 1:200

SHADOW OF ANGKOR

ELEVATION

EXTERIOR ELEVATION SCALE 1:175

SHADOW OF ANGKOR

SECTIONS

SECTION A SCALE 1:175 SECTION B SCALE 1:175

SHADOW OF ANGKOR

BEDROOM DESIGN

SHADOW OF ANGKOR


CORNICE DETAILS SCALE 1:20 SUITE RCP SCALE 1:125

SUITE FLOOR PLAN SCALE 1:125

SHADOW OF ANGKOR

BAR COUNTER DESIGN

SECTION C SCALE 1:40

NORTH ELEVATION SCALE 1:75

CORNICE DETAILS SCALE 1:75

BAFFLE DETAIL SCALE 1:5

STEEL SUPPORT TRAY SCALE 1:5

SHADOW OF ANGKOR

RECEPTION

CEILING DETAIL D-3 SCALE 1:30BOOTH SEATING DETAIL D-1 SCALE 1:30

CEILING DETAIL D-2 SCALE 1:30

SHADOW OF ANGKOR

RENDERS

SHADOW OF ANGKOR

EYE STORE{hnom Penh, Cambodia 2013BOUTIQUE PROJECT

Eyeglass is the product that my boutique will display and sell. They are including sun-glasses, frames for medical glasses and the contact lens. There would be an entrance that lead the users into the space and the ar¬rangement of the displays will take them with a tour around the interior space which allows them to have a look at all the products and access to the specific product if that specific user want to purchase. There are basi¬cally 2 main groups that are potential: young adults and adults de-manding medical glasses,young adults and adults demanding fashionable contact lenses, frames and sunglasses. The first group will spend more time on the eye frames and contact lens but the second group will spend more time on the sunglasses. For the function, there will be an eye examination room for checking eye status. After having a look at the favourite pieces, there will be a mirror near the display so the clients can try them on and compare straight away.

Built Area: 32 m2

CONCEPT

As an optical store, the only one eye store will have to stand out within sorya mall after being built. Considering the eyewear as a con¬temporary fashion product, the signage has to be unique that will distinguish itself from the ad-jacent cloth shops and food shops. The logo has to be eye-catching and represents the modern factors of the eyestore products. But yet the logo has to be kept to the most simplicity which will enhance its modern charac-teristic. “eye” - very basic and easy to understand, the word eye speaks up for everything that this store sell, every thing covering for the eye. The 2 round circles in equal size and connected by the big “y” shaping the eye¬glass figure. Is easy to understand and mean-ingful. Also the analo¬gus steelblue colour mixed with carolina blue from light to dark is to represent the translu-cency and purity of a piece of glasses, but not to be as fragile as it looks but as strong as steel.

EYE STORE

FACADE NOT TO SCALE ISOMETRICAL DIAGRAM NOT TO SCALE

INTERIOR ELEVATION NOT TO SCALE EXTERIOR ELEVATION NOT TO SCALE

EYE STORE

DRAWINGS

SHELTERING SKIN{hnom Penh, Cambodia 2013PUBLIC PROJECT

In the 2020s, smoking is extremely prohibited in public all around the world. This is a new era when humanity starts to consider sustainability as a fact of a new healthy life-style for them. Smoking is supposed to be an unacceptable act in front of other people. Even though there is an enormous number of past smokers have quitted their smoking habits, there are still quite a few numbers use cigarettes as a stress reliever. In order to give these people a “skin” to have their private time to smoke, the shelteringskin is designed to accommodate one or two human beings at the same time. A man will be locked in his own place with a “skin” to cover himself from being seen by the public.

THE FORMAL DIAGRAMSthe project considers the natural char-acteristic of the jellyfish to generate the furniture aesthetics. the creature body is made of 3 main layers called epi-dermis, mesogloea and gastrodermis which cover its inner parts and gen-erate transparency making it invisible within the water environment. the invis-ibility of this creature is applied into the design of the “skin” covering the inhab-itant inside.

SHELTERING SKIN

SHELTERING SKIN

CONCEPT

LIGHTING SEATING+LEANING THE “SKIN”

The Sheltering skin works as a smoking space for one or two human beings. The interior space provides limited ac-tivities that the user can only stand and lean on the wall surface. Somewhat un-comfortable but yet much more hurting their feelings. The user is doing an im-proper action which has to be isolated from the view of society. Taking an inspi-ration from the natural characteristic of the Jellyfish, the design is to create the “Invisibility” for the user who is smoking inside. The person is vanished from sight of others. Being locked in the space, user is to suffer isolation and guilt from smoking. the smokers will have to walk their way down to a tunnel and climb up into the shelter to smoke which is not very convenient. By incoporating organic language and ergonomics consideration, the final design will be a new solution for a non-smoking environ-ment that encourage smokers to quit their habits and reduce dramatically the CO2 emission into the environment.

Computer generated abstract lines show the organic form capture from the movement of the jellyfish. the space between each layer has lighting to create-brightness that the inhabitants will be hardly seen

The back for seating and leaning stimulate the move-ment of jellyfish tentacles which moving smoothly up and down in a stable condition that create the flow and connection for the seating and leaning inhabitants.

Generated fom the the jelly fish bodystructure, the tortuos layers turning into organic from to cover the inhabitants.

SHELTERING SKIN

SHELTERING SKIN

THE “SKIN”

GLOWING CELL{hnom Penh, Cambodia 2013LIGHTING PROJECT

The project aim is to create a decorative floor lamp that intends to remind space us-ers to appreciate the most basic nature of life and aprreciate life itself. The light fixture creates shadow texture when it glows in the dark and spashes the cell patterns onto the surrounding environment. The play with splashing shadows from different distance on each different areas will create a continuous and natural textures. The fixture top allows a rectangular beam to splash up onto the wall and ceiling to create a ambient lighting over the space, balancing the light distribution.

CONCEPT+ Based on the initial precedent im-ages of bionic cell structure

+ The form generated from the natural characteristic of the cell

+ Forming the cell-skin using ACRYLIC that splashes light when lit-up

+Diffused acrylic layer to create con-tinuous ambient light over the space.

GLOWING CELL

GLOWING CELL

180 300

120

300

GRAPHICS STYLES

Compilation of selected graphics works since 2010 until 2013.

ABOUT ME

I am a young and passionate designer who can work ef-fectively and responsibly individually as well as in a team. Meet deadline on time.Quick learner. Flexible. Skilled with computer softwares. Stay up-to-date.

Great graphics ability. Familiar with Adobe Creative Suite Experience with Autocad, 3ds Max and Sketchup.Experience in Digital Fabrication and Laser Cutting for model making.

Passionate with tropical architecture and designed envi-ronment.

AutoCad

3ds Max

Sketchup

Photoshop

Illustrator

InDesign

Microsoft Office

PERSONAL DETAILSFull name

Civil statusGender

D.O.B

DINH THANH DUC

SingleMale

November 15th 1991Vietnamese

[email protected] (Mother toungue ) English (Fluent)

(+84) 93 403 3883

No. 71, Street 27, Tan Quy Dong Resident, Tan Phong ward, district 7

NationalityCurrent address

Mobile phoneEmailLanguages

Wellington College 2009Certificate of exellence - First in subject ESOL

EDUCATION

Raffles International College 2011-2013

Victoria University of Wellington 2010-2011

Award by Vietnam Government 2009

Award by NZQA 2009

Wellington College 2007-2009

Advance Diploma of Interior Design

First year in interior architecture

Award for outstanding international student

New Zealand University Entrance

NCEA Level 1,2,3

EXPERIENCE

Phnom Penh, Cambodia 2012

Shadow of Angkor Hotel, Siem Reap, 2012

Second hand clothes shop, Hanoi, Vietnam

Took part in interior design proposal for clinic & apartment complex

Interior design proposal for Hotel renovation (Also as a studio project)

Shelves design and built to final product

COMPUTER SKILLS

THANKYOU.

Duc Dinh Portfolio 2013

Documents

kfc fast food restaurant

new kfc

standard kfc design

kfc products

kfc contemporary style

kfc distinctive

symbolic design

fast dining service