Top Banner
Inés, Rita, Silvia, M. Carmen, Lourdes y Carmen Drama in CLIL
29
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Drama colloquia port

Inés, Rita, Silvia, M. Carmen, Lourdes y

Carmen

Drama in CLIL

Page 2: Drama colloquia port

ROLEPLAYING

• Main strategy• Promotes to engage students and to deep understanding of

content, while developing language skills.• Requires:

– Understand content.– Thinking subtext.– To form text.

• ATTENTION… Drama is not theatre!!!!!!– It is based on finding words to communicate spontaneously. – OBJECTIVE: THE MESSAGE, NOT PERFORMANCE

Page 3: Drama colloquia port

BENEFITS1. Content-acquisition is enhanced.

2. Language-acquisition is appropriated to a variety of circumstances.

Page 4: Drama colloquia port

3. While Roleplaying:Students expressthemselves but separate from themselves.

BENEFITS

Page 5: Drama colloquia port

STRATEGY 1

Page 6: Drama colloquia port

TABLEAU

• It is a useful device.• It is less risky for students.• Words can be brought in as a

second step.• Tableau is also very useful with

students.• Students create still-life images or

frozen moments with their bodies.

Page 7: Drama colloquia port

LIFE CYCLE OF BUTTERFLIES

• The egg is a tiny, round, oval, or cylindrical object.

• The female attaches the egg to leaves.

Page 8: Drama colloquia port

• The caterpillar (or larva) is the long, worm-like stage of the butterfly or moth.

• As it grows, it sheds its skin four or more times so as to enclose its rapidly growing body.

Page 9: Drama colloquia port

• The chrysalis (or pupa) is the transformation stage.

• The chrysalis of most species is brown or green and blends into the background.

Page 10: Drama colloquia port

• The adult (or imago) is colorful butterfly or moth usually seen.

• The adults undergo courtship, mating, and egg-laying.

Page 11: Drama colloquia port

STRATEGY 2

Page 12: Drama colloquia port

Movement/word work

Movement is essential to develop skills social

and communication without words.

It is important that through the drama to

develop their feelings and emotions in

different situations.

It can be done by small groups and starting

games with music suitable for each situation.

Page 13: Drama colloquia port

For difficult situation this drama

By this I want to propose an activity that you will serve to act in comic from in moments or difficult situations.

Between 4 people of the class dramatize a

harrowing situation of your life.

Page 14: Drama colloquia port

STRATEGY 3

Page 15: Drama colloquia port

ROLE ON THE WALL-Students explore their understanding of

1. A character in a story2. A role they are creating

themselves

- Develop roleplaying- Tableau work

Page 16: Drama colloquia port

• Simple outline of a human being on a paper posted on the wall.

INSIDE:OUTSIDE:

CHARACTER’S PERSONALITY TRAITS

EMOTIONS

CHARACTER’S PHYSICAL TRAITS

CHARACTER’S ACTIONS

Page 17: Drama colloquia port

Activity: Role on the wall

• 4 groups 4 pictures

• INSIDE of the picture

• OUTSIDE of the picture

- Personality Traits- Date of birth- Names of family members, wife…

- Physical Traits- Employment- Where they live

Page 18: Drama colloquia port

STRATEGY 4

Page 19: Drama colloquia port

Talking Walls

It helps to:

• build personal connections (literature, history)

• explore feelings underlying a story

Page 20: Drama colloquia port

How?

• Students form a rectangle simulating they are the walls of a room.

• Think of a group of words that define the feelings or characterize the given role

• Teacher comes in and walk around.• Students star whispering their

feelings or selected words

Page 21: Drama colloquia port

Later:

• Debriefing• Analyze relation:

vocabulary - historical events • Brainstorm vocabulary (additional

roleplays) • No student´s statement is considered

right or wrong

Page 22: Drama colloquia port

Roleplaying:Eviction

• Banker• Policeman• Citizen supporting the eviction• Citizen against the eviction• Family affected• Judge• Neighbours • Facilitator= reporter

Page 23: Drama colloquia port
Page 24: Drama colloquia port

STRATEGY 4

Page 25: Drama colloquia port

QUESTIONING IN ROLE

This strategie consists on:- The student can interprete a role.

-The other students can be reporters questioning the character you are playing.

Page 26: Drama colloquia port

Activity Questioning in Role

• Four groups• An animal for each group• There are four animals

• Questions to help:Has it got hair?Has it got four pins?What does it eat?Where does it live?

Page 27: Drama colloquia port

STRATEGY 5

Page 28: Drama colloquia port

Writing in role

• Demands a high level of language competence.

• Teacher gives instructions and show the vocabulary.

• When there is a previous drama activity, students engage in the role.

“Now imagine yourself in a situation…”

Page 29: Drama colloquia port

CONCLUSION• Multidimensional approach to learning:

– Learning becomes for them easier to visualize and personalize content.

– Students’ use of language deepens.– Their vocabulary expands.– It helps to learning through communication

and interaction, co-construction meaning.

“DRAMA REALIZING”

IMPROVES

LANGUAGE, CONTENT & LEARNING SKILLS GOALS