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Donatello •he masterfully uses linear perspective in the service of psychological realism •he constructs his work by paying careful attention to optical effects •his figures in both their expressions and/or their postures convey an emotional intensity that is unparalleled by any other sculptor
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Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.

Mar 26, 2015

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Evelyn Padilla
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Page 1: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.

Donatello•he masterfully uses linear perspective in the service of psychological realism

•he constructs his work by paying careful attention to optical effects

•his figures in both their expressions and/or their postures convey an emotional intensity that is unparalleled by any other sculptor

Page 2: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.

DonatelloPazzi Madonna1420-30sMarble, 75 x 70 cmStaatliche Museen, Berlin

Page 3: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.

DonatelloDavid (detail)c. 1430BronzeMuseo Nazionale del Bargello, Florence

Page 4: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.

DonatelloPietà1447-50Bronze, 58 x 56 cmBasilica di Sant'Antonio, Padua

Page 5: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.

DonatelloEquestrian Statue of Gattamelata1447-50Bronze, 340 x 390 cmPiazza del Santo, Padua

Page 6: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.

DonatelloEquestrian Statue of Gattamelata1447-50Bronze, 340 x 390 cmPiazza del Santo, Padua

Page 7: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.

DonatelloJudith and Holofernes 1455-60BronzePalazzo Vecchio, Florence

Page 8: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.

DonatelloJudith and Holofernes 1455-60BronzePalazzo Vecchio, Florence

Page 9: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.

Donatellodetail: Judith and Holofernes

1455-60

Page 10: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.

Donatellodetail: Judith and Holofernes

Page 11: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.

DonatelloSt Mary Magdalenc. 1457WoodHeight: 188 cmMuseo dell'Opera del Duomo, Florence

Page 12: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.
Page 13: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.

Donatellodetail of the Deposition from the Pulpit at San Lorenzo, FlorenceDeposition1465