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‘Simplicity is the ultimate form of Heather Bradley Design Context
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Page 1: Design context - possible final

‘Sim

plicity is

the ultimate fo

rm o

f so

phisticatio

n.’Heather BradleyDesign Context

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Simplicity:Introduction

‘Simplicity is the ultimate form of

sophistication.’

- Leonardo Da Vinci

Focussing on branding, publication

and exhibition design, this book

sets out to prove that less really is

more and that simplicity in design

really can add to the sophistication

and success of a project.There are, of course, different

elements of design to consider and

for that reason this book is split into

5 sections; concept, layout, colour,

pattern and finish.

This is not only an investigation, but

a large showcase of design that I

aspire to and so therefore will be

something that I find helpful and

can refer back to for inspiration in

the future.

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Section 1:

Concept

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Category:Concept

‘Many desperate acts of design

(including gradients, drop

shadows, and the gratuitous use

of transparency) are perpetuated in

the absence of a strong concept.’

- Noreen Morioka

This section contains a selection

of work showing how the use of

a simple concept can create an

exciting and successful piece of

design.

Concepts can sometimes be

overthought and therefore not

always realised by the viewer. This

section proves that the simple, and

sometimes more literate approach,

can create better results.

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Design:The Consult

Origin:Leeds, UK

Client:Stack Architects

Brand IdentityStationery

CategoryConcept

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Design:Moving Brands

Origin:London, UK

Client:All About Tea

Brand IdentityStationery

CategoryConcept

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Design:Hampus Jageland

Origin:Paris, France

Client:Edgeboard

Brand IdentityStationeryExhibition

CategoryConcept

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Design:Province Studio

Origin:Tomsk, Russia

Client:Emelyanovsky

Brand IdentityBusiness Card

CategoryConcept

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Design:Believe In

Origin:Exeter, UK

Client:Believe In

Brand IdentityStationery

CategoryConcept

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Design:Estudio Mentaw

Origin:Valencia, Spain

Client:Sandra Boils

Brand IdentityBusiness Cards

CategoryConcept

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Design:Manual

Origin:San Francisco,California

Client:Slice

LogoBrand IdentityExhibition

CategoryConcept

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Client:One

Brand IdentityStationerySignage

CategoryConcept

Design:DeparturesDesign

Origin:Cardiff, UK

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Section 2:

Layout

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Category:Layout

‘Perfection is achieved, not when

there is nothing left to add, but

when there is nothing left to take

away.’

- Antoine De St.Exupery

This section contains a selection

of work showing how simple grids

and clever use of typography and

hierarchy can make successful

design.

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Client:Willow Club

Brand IdentityStationery

CategoryLayout

Design:ExperimentalJetset

Origin:Amsterdam, The Netherlands

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Design:Made Thought

Origin:London, UK

Client:Grafik

PublicationEditorial

CategoryLayout

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Client:SEE

PublicationBinding

CategoryLayout

Design:Kutchibok

Origin:Cardiff, UK

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Design:Studio Newwork

Origin:New York

Client:Fiftytwo

Publication

CategoryLayout

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Design:Design Project

Origin:Leeds, UK

Client:Robert Horne Group

Publication

CategoryLayout

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Design:Made Thought

Origin:London, UK

Client:RavensbourneCollege

Promotion

CategoryLayout

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Design:Hunt Studio

Origin:Melbourne, Australia

Client:Process

Publicarion

CategoryLayout

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Design:Hunt Studio

Origin:Melbourne, Australia

Client:Process 4.5

Publicarion

CategoryLayout

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Section 3:

Colour

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Category:Colour

‘Using minimum number of colors

to achieve maximum result is a sign

of sophistication and compositional

discipline.’

- Zoltan Szabo

This section contains a selection

of work showing how the limited

use of colour can add to the

effectiveness of the design.

Colour can be overpowering, but

using it well can create a very high

impact.

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Client:Wordley

Brand IdentityStationery

CategoryColour

Design:Kutchibok

Origin:Cardiff, UK

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Design:Lundgren & Lindqvist

Origin:Gothenburg, Sweden

Client:Loft

Brand IdentityStationery

CategoryColour

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Design:Lundgren & Lindqvist

Origin:Gothenburg, Sweden

Client:Lundgren & Lindqvist

Brand IdentityStationery

CategoryColour

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Design:Peter & Paul

Origin:Sheffield, UK

Client:Jefferson Sheard Architects

Brand IdentityStationery

CategoryColour

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Design:Flink

Origin:Antwerp, Belgium

Client:Breins

Brand IdentityBusiness Cards

CategoryColour

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Design:Made Thought

Origin:London, UK

Client:Design MiamiExhibition

PromotionExhibition

CategoryColour

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Design:Studio Newwork

Origin:New York

Client:Robert Geller

Brand IdentityBusiness CardPromotionLook Book

CategoryColour

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Design:Mind Design

Origin:London, UK

Client:Tea

Brand IdentityStationeryInterior Design

CategoryColour

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Client:Mobilrabatten

Brand IdentityStationery

CategoryColour

Design:Lundgren & Lindqvist

Origin:Gothenburg, Sweden

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Design:Anti-ink

Origin:Oslo, Norway

Client:Dist

Brand IdentityStationery

CategoryColour

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Client:Willow Club

Brand IdentityStationery

CategoryColour

Design:Margaret IngaWiatrowski

Origin:New York

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Section 5:

Finish

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Category:Finish

It means you only include what

is necessary, and you make

necessary elements beautiful.

- Preston D Lee

This section contains a selection

of work showing how the use of

specialist print finishes can make a

piece of design.

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Design:Kutchibok

Origin:Cardiff, UK

Client:Fibre Arts Wales

Publication

CategoryFinish

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Design:Main Studio

Origin:Amsterdam, The Netherlands

Client:Francisco VanBenthum

Brand IdentityStationery

CategoryFinish

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Design:Cartlidge Levene

Origin:London, UK

Client:Stanton Williams

Brand IdentityStationeryPromotion

CategoryFinish

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Design:John Larigakis

Origin:Vancouver,Canada

Client:Henkell

Brand IdentityStationery

CategoryFinish

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Client:Envy

Brand IdentityStationery

CategoryFinish

Design:Why NotAssociates

Origin:London, UK

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Design:Kutchibok

Origin:Cardiff, UK

Client:Canolfan Addysg

Brand IdentityPromotion

CategoryFinish

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Design:Daniel Freytag

Origin:Edinburgh, UK

Client:London Collegeof Fashion

Brand IdentityPromotion

CategoryFinish

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‘Sim

plicity is

the ultimate fo

rm o

f so

phisticatio

n.’