1 Design and Production Chapter 14 Chapter Outline I. Chapter Key Points II. Visual Communication III. Print Art Direction IV. Print Production V. Television Art Direction VI. Broadcast Production VII. Effective Web Design Key Points • Explain how visual impact is created in advertising • List the principles of layout and explain how design is affected by media requirements • Describe how art and color are reproduced • Explain how the art director creates TV commercials • Identify the critical steps in planning and producing broadcast commercials • Summarize the techniques of Web design
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Design and Production
Chapter 14
Chapter Outline
I. Chapter Key PointsII. Visual CommunicationIII. Print Art DirectionIV. Print ProductionV. Television Art DirectionVI. Broadcast ProductionVII. Effective Web Design
Key Points• Explain how visual impact is created in
advertising• List the principles of layout and explain how
design is affected by media requirements• Describe how art and color are reproduced• Explain how the art director creates TV
commercials• Identify the critical steps in planning and
producing broadcast commercials• Summarize the techniques of Web design
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Visual Communication
• Grab attention• Stick in memory• Cement belief• Tell interesting
stories• Communicate
quickly• Anchor
associations
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Visual Impact• A picture in a print ad captures more than twice
as many readers as a headline does• Initial attention is more likely to turn into
sustained interest
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The Art Director
• In charge of thevisual look of themessage
• Most difficultchallenge istransforming aconcept into wordsand pictures
Illustrations and Photos• Photos
– The authenticity of photography makes it powerful
• Illustrations– Illustrations eliminate many details of a photo
• Excitement and drama in a television ad iscreated through the moving images
• Visual storytelling is important, even forabstract visual concepts
Video Graphics
• Stock footage• Crawl• Morphing
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Broadcast Production
Puts everything together toward the end of the filming or taping process;evaluates how to assemble scenes and which audio elements work best withthe dialogue and footage.
Editor
Orchestrates music for the various instruments and voices to make it fit ascene or copy line. The copywriter usually writes the lyrics or at least givessome idea of what the words should say.
Arranger
Writes original music and sometimes writes the lyrics along with the music.Composer
Has responsibility for the actual filming or taping, including scene length,who does what, how lines are spoken and the characters played; in TVdetermines how the camera is set up and records the flow of action.
Director
Takes charge of the production, handles the bidding and all productionarrangements, finds the specialists, arranges for casting talent, and makessure the expenses and bids come in under budget.
Producer
In TV, develops the storyboard and establishes the look of the commercial,whether realistic, stylized, or fanciful.
Art Director
Writes the script, whether it contains dialogue, narrative, lyrics,announcements, descriptions, or no words at all.
• Web pagesshould followthe same layoutrules as posters
• Web pages cancombineelements anddesign stylesfrom manydifferent media
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Action and Interaction
• Web advertisersare continuing tofind ways to makethe imagery moreengaging
• Regular sitevisitors should beable to customizethe site Visit The Site – www.ClimbMeru.com
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Discussion Questions
Discussion Question 1
• What are the differences between usingan illustration and using a photograph?
• Give an example of a product categorywhere you would want to use anillustration and another example whereyou would use a photograph.
• Explain why.
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Discussion Question 2
• What principles govern the design of amagazine ad?
• Collect two samples, one that you think isa good example of effective design andone that you think is not effective.
• Critique the two ads and explain yourevaluation based on what you know abouthow design principles work in advertisinglayouts.
Discussion Question 3
• Choose an ad from this textbook that you thinkdemonstrates a good layout with a clear visualpath.
• Take a piece of tracing paper, as we have donewith the Porsche ad in Figure 14.3, and convertthe key elements to geometric shapes to seewhat kind of pattern emerges.– Illustrate on your tracing how the eye moves around
the page.– Put an X on the dominant element on your tracing.
Discussion Question 4• One of the challenges for creative ad designers
is to demonstrate a product whose main featurecannot be seen by the consumer.
• Suppose you are an art director on an accountthat sells shower and bath mats with a patentedsystem that ensures that the mat will not slide(the mat’s underside is covered with tinysuction cups that grip the tub’s surface).– Brainstorm some ways to demonstrate this feature in
a television commercial.– Find a way that will satisfy the demands of
originality, relevance, and impact.
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Discussion Question 5• Think of a television commercial you have seen
recently that you thought was creative andentertaining. Then find one that you think ismuch less creative and entertaining.
• Analyze how the two commercials work tocatch and hold your attention.– How do the visuals work?– What might be done to make the second commercial
more attention getting?• You can also use online sources to find
commercials at www.adcritic.com and atwww.badads.org.
Discussion Question 6
• One approach to design says that a visual imagein an ad should reflect the image of the brand.
• Find a print ad that you think speaks effectivelyfor the personality of the brand. Now comparethe print ad with the brand’s Web site.– Does the same design style continue on the site?– Does the site present the brand personality in the