Definition three Aesthetics Function: noun 3. A particular theory or conception of beauty or art.

Definition three

AestheticsFunction: noun3. A particular theory or conception of beauty

or art.

Beauty…

• “the qualities that give pleasure to the senses.”

• “characteristic of a person, place, object or idea that provides a perceptual experience of pleasure, meaning or satisfaction.”

Art…

• “The product of creative human activity in which materials are shaped or selected to convey an idea, emotion, or visually interesting form.”

Art and Beauty…

• Socrates and Plato- art was an imitation of nature/reality.

• Supported the Objective Approach, that Beauty is a matter of fact.

• Ex. If a statue is beautiful, then someone who does not like does not merely have different taste, they are actually wrong.

• Selectivity (important event in artist’s life)• Clarity (purpose, must be intelligent and Clear)• Integration (relationship to the “degree” of beauty present)

Subjective Approach

• Subjective art on the other hand, is an interpretation of the artist, his mood, his feeling, his dream, his passion, his vision; it is a state of his mind.

• Tends to identify the beautiful with that which pleases the observer.

Subjectivism

• Supported by 18th Century Philosopher David Hume.

• We are not born with knowledge, we learn from experience.

• Therefore, by using our senses we then develop the notion of what is beautiful.

• However our judgments on beauty are personal ones.

• Art is a “matter of taste.”

Is there a purpose to Art?

• Nietzsche believed that the purpose of art was metaphysical.

• Focused on myths that involved death and destruction.

• Believed that unhappiness is actually good for human beings.

• Focuses us to have courage and strive toward greater accomplishments.

• It is better to be sad and deep than to be happy and superficial.

For example

Da Vinci Kandinsky

Another approach is to say that “art” is basically asociological category, that whatever art schools andmuseums and artists get away with is considered artregardless of formal definitions.

Eduardo Juantegui

Aesthetic theories provide different answers to these

questions:

What makes something a work of art? What do we learn from it?

What value does this work have?

Basic Aesthetic Theories:

1. Representation (imitation, realism, mimesis) 2. Expressionism (emotionalism)3. Formalism4. Communication of moral and religious ideas5. Symbolic (non-verbal) communication6. Instrumentalism 7. Institutionalism

Representation (imitation, realism, mimesis):

The essence of art is to picture or portray reality. Good art mirrors the world, imitating nature or some ideal form.

Martin Johnson Heade, Thunderstorm at the Shore, c. 1870-1871, oil on paper mounted on canvas attached to panel 15 3/4 x 23 3/4 in. Carnegie Museum of Art, Howard N. Eavenson Memorial Fund

Expressionism (emotionalism):

The essence of art is expression of the inner emotions, feelings, moods, and mental states of the artist. Good art effectively and sincerely brings these inner states to an external objectification.

Both Aristotle and Nietzsche both agreed that artists should be

concerned with how their works will affect their audience.

Willem de Kooning, Woman VI, 1953Oil on canvas

Formalism: The essence of art is “significant form” - lines, shapes, colors, and other formal properties of the work; representation, expression, and other subject matter are irrelevant. Good art uses formal elements to trigger an “aesthetic emotion” in sensitive observers.

Donald Judd, Untitled, 1974, Stainless steel and Plexiglas8 x 194 1/2 x 14 in. Carnegie Museum of Art, Purchase: gift of Mr. and Mrs. Charles Denby, by exchange

Communication of moral and religious ideas:

The essence of art is the communication of important moral and religious values from the artist to the observer. Good art is a form of sincere communication by the artist that “infects” the observers with those important moral ideas.

Simon Bening, St. Gertrude de Nivelles, from the Hours of Cardinal Albrecht of Brandenburg (1490-1545), Archbishop and Elector of Mainz c. 1522-1523, opaque water-based paint mounted on board 7 x 5 in. Carnegie Museum of Art, Bequest of Howard A. Noble

Symbolic (non-verbal) communication: The essence of art is the

communication of important ideas and other knowledge through symbolic (non-verbal) languages. Good art communicates its meaning effectively through this non-verbal language.

Jacob Ochtervelt, Lady with Servant and Dog, c. 1671-1673, oil on canvas, 27 1/8 x 22 7/8 in. Carnegie Museum of Art, Henry Lee Mason Memorial Fund

Instrumentalism: The essence of art is its usefulness in helping us to comprehend and improve our overall life experiences. Good art is always a means to some important end.

Romare Bearden, Pittsburgh Memories, 1984, collage on board, 28 5/8 x 23 1/2 in. Carnegie Museum of Art, Gift of Mr. and Mrs. Ronald R. Davenport and Mr. and Mrs. Milton A. Washington

Institutionalism:

Andy Warhol, Brillo Soap Pads Box, 1964, silkscreen ink and house paint on plywood, 17 x 17 x 14 in. ©AWF

Art is determined by status conferred upon it by the institutions of the art world not by an observable property in the artwork itself.

Barry Le Va, On Corner - On Edge - On Center Shatter (Within the Series of Layered Pattern Acts), 1968-1971, twenty sheets of glass 59 x 79 in. ( 91 x 150 x 201 cm) Carnegie Mellon Art Gallery Fund

Review

3 definitions for aesthetics:

1. a particular taste for, or approach to, what is pleasing to the senses--especially sight;

2. a branch of philosophy dealing with the nature of art and beauty;

3. a particular theory or conception of beauty or art.