David Dike Fine Art, 2015

DAVID DIKE FINE ART TEXAS ART AUCTIONAn Annual Tradition in Texas Art Since 1996

Saturday, January 24, 2015 at 1:00 PM

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2613 Fairmount Street • Dallas, Texas 75201 • Phone: 214-720-4044 • Fax: 214-720-4469Email: [email protected] • Website: www.daviddike.com

Hours: Monday – Friday 10:00AM – 5:00PM • Saturday 11:00AM – 4:00PMPlease contact the gallery for more information.

AUCTIONEER: LOUIS MURAD OF MURAD AUCTIONEERS • LOUIS MURAD TXS 13362

DAVID DIKE FINE ART, L.L.C.Presents an Auction of Texas Art • Saturday, January 24, 2015Auction bidding starts at 1pm CST

PREVIEW EVENT and ART TALKThursday, January 22, 5:30-8:00pm at Wildman Art Framing

Katie Robinson Edwards, Ph.D., curator at the Umlauf Sculpture Garden & Museum and author of the book: Midcentury Modern Art in Texas, 2014, UT Press and editorof Texas Modern, The Rediscovery of Early Texas Abstraction (1935-1965), 2007, TexasArt Books; will give a talk on Texas Art and its History, from the 1930’s to 1970’s.Edwards will also discuss some of the artists and pieces in the auction.

AUCTION TO BE HELD AT WILDMAN ART FRAMING1715 Market Center Boulevard • Dallas, Texas 75207

Auction Preview: The art may be viewed at Wildman Art FramingMonday-Friday, January 19-23, 9am-5pm

ONLINE BIDDINGOnline internet bidding available via LiveAuctioneers.com and Invaluable.com. Absentee and live phone bidding available. For the absentee/phone bid form and online internet bidding access, please visit: www.daviddike.com.

DAVID DIKE FINE ART TEXAS ART AUCTIONAn Annual Tradition in Texas Art Since 1996

Saturday, January 24, 2015 at 1:00 PM

The following, as amended by any posted notices, specific bills of sale or similar instruments relating to a transaction or oralannouncements during the sale, consti tutes the entire terms and conditions on which property listed in the catalogue shall beoffered for sale or sold by Murad Auctions, the auctioneer conducting the sale on behalf of any consignor for whom we act asagent. DDFAA (as subsequently defined) is not an auctioneer and is not conducting the auction or arranging any resultingtransaction. In these Conditions of Sale, “We” and “Our” refer to Murad Auctions.

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1. As used herein the term “bid price” means theprice at which a lot is sold to the purchaser and theterm “purchase price” means The aggregate of (a) thebid price, (b) A PREMIUM PAYABLE BY THE PUR-CHASER OF 17.5% of the hammer price (or 20.5% ifbidding via LiveAuctioneers.com online, or 22.5% ifbidding via Invaluable.com online) and (c) unless thepurchaser is exempt by law from the payment thereof,any Texas or local sales tax (or compensating use taxof another state) and applicable taxes. Murad Auctionshas been authorized by the consignor to retain, as partof our remuneration, the premium payable by thepurchaser.

2. On the fall of the auctioneer’s hammer, the highestbidder shall be deemed to have purchased the offeredlot, and title to the lot shall pass to the purchaser, inaccordance with all of the conditions set forth hereinand thereupon the purchaser (a) assumes full risk andresponsibility therefore (b) if requested will sign aconfirmation of purchase, and (c) will pay the purchaseprice in full in cash for all lots purchased. To preventmisdelivery and inconvenience in settlement of a pur-chase, no lot may be transferred. All property shall beremoved from our premises at the purchaser’s expenseimmediately following the sale. If not so removed wemay, as an accommodation to the purchaser, transferthe property to a public warehouse or other premisesunder our control or the control of DDFAA at the pur-chaser’s sole risk and expense. Each sale made pur-suant to these Conditions of Sale will be deemed toconstitute a grant of security interest by the purchaserto us in, and we may retain as collateral security forthe purchaser’s obligations to us or our assignee, anyof the purchaser’s property in our possession, and wemay apply against such obligations all monies held orreceived by us for the account of, or owing to, the pur-chaser. Each purchaser consents to the filing of pub-lic notices or our lien. Whenever the purchaser paysonly a part of the total purchase price for one or morelots purchased, we may apply such payments, in oursole discretion, to the lot or lots we choose. Paymentwill not be deemed made in full until we have col-lected all amounts due in cash or good funds repre-sented by cleared checks or cashier checks. If theforegoing conditions or any other applicable condi-tions herein are not complied with, in addition toother remedies available to us and the consignor bylaw, including but without limitation, the right to holdthe purchaser liable for the purchase price, we at ouroption may either (a) cancel the sale, retaining as liq-uidated damages all payments made by the purchaseror b) resell the property with a three day notice to theoriginal defaulting purchaser, and in such event thepurchaser shall be liable for the payment of any defi-ciency plus all costs and expenses of both sales, ourcommission at our standard rates, all other chargesdue hereunder, attorney’s fees and incidental dam-ages; or (c) take any measures it deems necessary. IfMurad Auctions must resell the property, the originaldefaulting purchaser will be held responsible for anydeficiencies in the purchase price, including any andall associated expenses including reasonable attor-ney’s fees, warehousing, commissions or any othercosts associated with the default. No actions by us orany third party before or after the auction shall bedeemed a waiver of any of the foregoing.

3. We reserve the right to withdraw any property atany time before the actual sale. Unless otherwise an-nounced by the auctioneer at the time of sale, all bidsare per lot as numbered in the catalogue and no lotshall be divided for sale.

4. The auction will be conducted by Louis MuradTXS 13362. We reserve the right to reject any bid

from any bidder. The highest bidder acknowledgedby the auctioneer shall be the purchaser. In theevent of any dispute between bidders, or in theevent the auctioneer doubts the validity of any bid,the auctioneer shall have sole and final discretioneither to determine the successful bidder or to re-offer and resell the article in dispute. If anydispute arises after the sale, our sales recordsshall be conclusive in all respects.

5. If we are prevented by fire, theft or any reasonwhatsoever from delivering any property to the pur-chaser, our liability shall be limited to the sum actuallypaid therefore by the purchaser and shall in no eventinclude any incidental or consequential damages.

6. Some lots are offered subject to a “reserve,” whichis an undisclosed minimum price below which the lotwill not be sold. If a lot is offered subject to a reserve,the auctioneer may implement such reserve by bid-ding on behalf of the consignor, whether by openingbidding or continuing bidding in response to otherbidders until reaching the reserve.

7. ALL STATEMENTS CONTAINED OR IN ANYBILL OF SALE, INVOICE OR ELSEWHERE, ORMADE BY THE AUCTIONEER, AS TO AUTHOR-SHIP, PERIOD, CULTURE, SOURCE, ORIGIN,MEASUREMENT, QUALITY, RARITY, PROVE-NANCE, IMPORTANCE, EXHIBITION AND LIT-ERATURE OF HISTORICAL RELEVANCE OR PHYSICAL CONDITION ARE QUALIFIEDSTATEMENTS OR OPINION AND NOT REPRE-SENTATIONS OR WARRANTIES. WE AND CONSIGNORS MAKE NO REPRESENTATIONAND WARRANTIES AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS, INCLUDING BUT NOT LIMITED TO, ANY REPRODUCTION RIGHTS IN THE PROPERTY.No employee or other agent of Murad Auctions, theauctioneer, David Dike Fine Art, L.L.C., Dike Man-agement, LLC, David Dike Fine Art Auction, DavidDike Fine Art or of David Dike (collectively “DDFAA”)is authorized to make on behalf or that of the con-signor any representation or warranty, oral or written,with respect to any property. Prospective biddersshould inspect the property before bidding to deter-mine its condition, size and whether or not it has beenrepaired or restored.

THE PURCHASER EXPRESSLY ACKNOWLEDGESAND AGREES THAT IN NO EVENT SHALL WEBE LIABLE FOR ANY DAMAGES INCLUDING,WITHOUT LIMITATION, ANY COMPENSATORY,INCIDENTAL OR CONSEQUENTIAL DAMAGES.IN NO EVENT WILL OUR LIABILITY OR THE LI-ABILITY OF DDFAA TO A PURCHASER EXCEEDTHE PURCHASE PRICE ACTUALLY PAID.

8. All deliveries will be shipped COD unless other-wise agreed to by purchaser and Murad Auctions. Ifpacking and handling of purchased lots is done by us,it is done at the entire risk of the purchaser. We arenot liable for any acts or omissions of carriers orpackers, including those we may recommend. Suchcarriers or packers may carry their own insurance andany claim for loss or damage should be addressed directly to them. No items will be shipped unless wespecifically agree to do so.

9. Unless prior arrangements have been made withMurad Auctions, there may be a seven day waitingperiod if purchasing artwork with a personal or com-pany check. To avoid delay of this sort, bidders areencouraged to prearrange check approval or establisha line of credit with Murad Auctions by calling (214)720-4044 no later than noon on Saturday, January 24,

2015. There will be no exceptions. Bank card pur-chases will be honored at our option.

10. These Conditions of Sale and the purchaser’s andour respective rights and obligations hereunder aregoverned by Texas law. By bidding at an auction,whether in person or by agent, telephone or othermeans, the purchaser or bidder agrees to be bound bythese Conditions of Sale and to consent to the exclu-sive jurisdiction of the state courts of, and the federalcourts sitting in, the State of Texas. All of our obliga-tions under these Conditions of Sale and the obliga-tions of purchaser to pay, are performable in Dallas,Dallas County, Texas.

11. These Conditions of Sale shall bind the succes-sors and assigns of all bidders and purchasers andinure to the benefit of our successors and assigns. Nowaiver, amendment or modification of the termshereof (other than posted notices or oral announce-ments during the sale) shall bind us unless specifi-cally stated in writing by us. If any part of theseConditions of Sale is for any reason invalid or unen-forceable, the rest shall remain valid and enforceable.

12. As a service to those wishing to place bids, wemay at our discretion accept bids without charge inadvance of sale by telephone, or in writing on biddingforms available from us. “Buy” bids will not be ac-cep table; all bids must state the highest bid price thebidder is willing to pay. As noted above, a premiumpayable by the purchaser will be added to the bidprice. In the event identical bids are submitted, theearliest will take precedence. Absentee bids shall beexecuted in competition with other absentee bids, anyapplicable reserve and bids from the audience. Suc-cess ful absentee bids may not be acknowledged, butsale results and selling prices for any lot may be ob-tained by telephoning us during normal businesshours. We assume no responsibility for failure to exe-cute these bids for any reason whatsoever.

13. As a convenience to our clients, we furnish pre-sale estimates for all lots included in the catalogue.These are intended as an approximate guide to cur-rent market value, and should not be interpreted as aprice or as an appraisal. The final bid may well beless or more than any estimate printed.

14. EXCEPT AS EXPRESSLY PROVIDED ABOVE,ALL PROPERTY IS SOLD “AS-IS” AND NEITHERMURAD AUCTIONS, THE AUCTIONEER, DAVIDDIKE, THE DAVID DIKE FINE ART AUCTION,DAVID DIKE FINE ART, L.L.C. OR DIKE MAN-AGEMENT LLC, NOR THE CONSIGNOR NORTHE AGENT OF ANY OF THEM MAKES ANYREPRESENTATION OR WARRANTY, EXPRESSOR IMPLIES, AS TO THE TITLE, MERCHANT -ABILITY, FITNESS OR CONDITION OF THEPROPERTY OR AS TO THE CORRECTNESS OFDESCRIPTION, GENUINENESS, ATTRIBUTION,PROVENANCE OR PERIOD OF THE PROPERTYOR AS TO WHETHER THE PURCHASER ACQUIRESANY COPYRIGHTS OR OTHER INTELLECTUALPROPERTY RIGHTS IN LOTS SOLD OR AS TOWHETHER A WORK OF ART IS SUBJECT TO THEARTIST’S MORAL RIGHTS OR OTHER RESIDUALRIGHTS OF THE ARTIST.

15. All rights to this catalogue are reserved. Some ofthe images may be the subject of copyright or otherrights of the artist or owner. No part of this cataloguemay be reproduced without permission.

TERMS AND CONDITIONS of AUCTION

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A HISTORY OF RECORD AUCTION SALESat David Dike Fine Art Texas Art Auction:

Since the David Dike Fine Art Texas Art Auction started in 1996, auction sales have achieved the highest recorded auctionprices for specific Texas artists. Below are a few of the record-breaking sales that still hold as the record to date:*

*It is noted that there have been private sales that have surpassed these sales.

2002: Alexander Hogue, Pulliam Bluffs, Chisos Mountains, sold for $65,000.

2005: Charles T. Bowling, Trees, sold for $40,250.

2008: Kelly Fearing, Untitled, Lifters, sold for$34,500.

2008: H.O. Kelly, Sunday Morning, sold for $57,500.

2011: Paul Schumann, Harvesting Oysters, sold for $44,813.

2012: Reveau Bassett, End ofDay, Palo Duro Canyon (TheWagon), sold for $71,700.

2013: Ed Bearden, Rail Yard inSnow, sold for $47,000.

2014: Ben L. Culwell,New Testament, soldfor $24,675.

2013: Otis Dozier, Goat in aFlower Garden, sold for$47,000.

2013: William L. Lester, Alley,sold for $41,125.

2014: Alexandre Hogue,Swindletop and Spindletop,the pair sold for $50,250. A record sale for the lithographs.

2014: Julius Woeltz, Peregrination, sold for $23,500.

Lot 2PORTFOLIO: EVERETT SPRUCE

Everett Spruce. A Portfolio of Eight Paintings, I Blaffer Series of Southwestern Art. 1958

19 x 17

$400 - $800

Lot 1BOOK:

Painting in Texas, The Nineteenth Century, by: Pauline A. Pickney, introduction by Jerry Bywaters © 1967

Inscribed by the author: “For President andMrs. Johnson with best wishes, Pauline A.Pickney 12/7/67”

$150 - $300

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Lot 4PORTFOLIO: OTIS DOZIER

Otis Dozier. A Portfolio of Six Paintings, II Blaffer Series of Southwestern Art, University of Texas Press. 1952.

Forward by: John Palmer Leeper.

Prints of paintings include the following: Hopi Snake DanceLandscape with Sun & RainIndian Corn, Walpi, Swamp Night andPassage to the Sea

22 x 18

Inscribed by the artist: “To Eleanor & Karl Oviatt, My Friends, Otis Dozier May 19, 1961”

$200 - $300

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Lot 3BOOK/PORTFOLIO: TOM LEA

Tom Lea A Picture Gallery:Paintings & Drawings, 1968

$250 - $5003

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Lot 5JOSE CISNEROS(Am. 1910-2009)

6 ITEMS IN THIS LOT:

1) The Black Experience in the American Westoriginal print 23 x 15 ¼, signed lower right: Jose Cisneros

2) A hand written letter on the artist’s letterhead and dated Sept.16, 1971 accompanies the single print. It reads: “Dear Mrs.White: Carl Herzog forwarded me your request and your check.I wish to thank you for your patronage and hope that the draw-ing I have chosen will be to your satisfaction. I thought thiswould please you. The other is a gift. It’s a print from the spe-cial edition of the forthcoming book from Liveright Pub. Co. ofNew York “The Black Experience in the American West” editedby John Carroll. It depicts two Seminole-Negro Scouts in WestTexas in the late 1870s. Most cordially yours, Jose Cisneros.”

Four Original Prints:

3) Trailing the Longhorns

4) Goodnight – Loving Trail, 1866-1886

5) Chisholm Trail 1867-1884

6) Western Trail 1897edition 61/250, 15 x 20each original print is signedand numbered in pencil byJose Cisneros.

$500 - $1,000

T E X A S A R T A U C T I O N

Lot 6DOEL REED(Am. 1895-1985)

Villa de Santiago Mexico, (The Bells)

edition 21/50lithograph 10 3/4 x 12 1/2signed lower right: Doel Reed

$800 - $1,000

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Lot 7TOM LEA(Am. 1907-2001)

Santa Fe Bronze House, 1931

woodblock print 6 3/4 x 9 1/2signed lower right: Tom Lea 1931

$800 - $1,200

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Lot 8BOOK – ROBERT HENRI

The Art Spirit

by: Robert Henri © 1923 by J.B. LippincottCompany. In addition to the book are threeloose leaf sketches as follows:

Frank Klepper 6 x 9 5/8Florence McClung 5 x 8Everett Spruce 4 1/2 x 6Frank Reaugh, letter to Florence McClung

$200 - $300


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FRANK KLEPPER FLORENCE McCLUNG

FRANK REAUGH

EVERETT SPRUCE

Lot 9TOM LEA(Am. 1907-2001)

The Shining Plain

print on paper 12 x 14signed lower right: Tom Lea, El Paso

$400 - $800

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Lot 10PETER HURD(Am. 1904-1984)

Sermon from Revelations

lithograph 10 x 13 1/2signed lower right: Peter Hurd

$800 - $1,200

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Lot 11TOM LEA(Am. 1907-2001)

Trail Herd

print on paper 10 1/2 x 14signed lower right: Tom Lea

$400 - $800

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Lot 12MERRITT MAUZEY(Am. 1897-1973)

The Invasion

lithograph 9 1/2 x 11 3/4signed lower right: Merritt Mauzey

$800 - $1,200

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Memories

edition 25lithograph 10 x 12signed lower right: Merritt Mauzey

$800 - $1,20013


Cotton Oil Mill

edition 40lithograph 9 1/2 x 11 3/4signed lower right: Merritt Mauzey

$800 - $1,200

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Post Cutter, 10 Ed.

lithograph 14 x 11signed lower right: Merritt Mauzey

$800 - $1,200

Lot 19GENE KLOSS(Am. 1903-1996)

Late Sunlight on the Cliffs

etching 13 3/4 x 10 7/8signed lower right: Gene Kloss

$700 - $900

Lot 17REVEAU BASSETT(Am. 1897-1981)

Ducks, 1929

etching 4 x 6 3/8signed lower right: Reveau Bassett

$200 - $300

Lot 16PETER HURD(Am. 1904-1984)

The Sentinel, Santa Fe Trail

lithograph 13 x 19 1/4signed lower right: Peter Hurd

$1,000 - $2,000

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Lot 18DOEL REED(Am. 1895-1985)

Village

edition 13/25etching with aquatint 11 1/2 x 18signed lower right: Doel Reed

$1,000 - $2,000

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D A V I D D I K E F I N E A R T

Lot 20CHARLES TAYLOR BOWLING(Am. 1891-1985)

Docks

engraving 2 7/8 x 3 15/16signed across bottom: Chas. T. Bowling

$600 - $1,200

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Lot 24FLORENCE MCCLUNG(Am. 1894-1992)

Taos, New Mexico

woodcut 14 x 17signed lower right: Florence McClung

$600 - $1,200

Lot 23OTIS DOZIER(Am. 1904-1987)

Coal Chute

etching on paper 5 3/4 x 7

$800 - $1,000

Lot 21OLIN TRAVIS(Am. 1888-1975)

Midnight Hour

charcoal on paper 7 3/4 x 10 1/4signed lower left: Olin Travis - 1920

$3,000 - $5,000

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Back of the Bull Ring

lithograph 10 x 12 1/2signed lower right: Florence McClung

$500 - $1,000

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Dallas, Little Mexico

lithograph 8 x 10signed lower right: Chas T. Bowling

$800 - $1,200

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Lot 28COREEN SPELLMAN(Am. 1905-1978)

Texas Oil Company

lithograph 3 3/4 x 4 3/4

$300 - $600


Cripple Creek, 1941

lithograph 8 1/4 x 11signed lower right: Florence McClung

$500 - $1,000

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Lot 27JERRY BYWATERS(Am. 1906-1989)

Ranch Hand and Pony

lithograph 9 1/2 x 13 3/8signed lower right: Jerry Bywaters

$1,000 - $2,000

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Lot 29EDWARD GUSTAV EISENLOHR(Am. 1872-1961)

The Open Gate, Dallas, 1933

edition 39/50, lithograph 8 x 10signed lower right: Edward G. Eisenlohr

$600 - $1,200

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Rural Homes

edition 11/35lithograph 7 x 11signed lower right: Edward G. Eisenlohr

$600 - $1,200

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Winter in the Brakes

edition 35lithograph 8 x 11 7/8signed lower right: Edward G. Eisenlohr

$800 - $1,200


The Barnyard, Dallas

edition 42/50lithograph 8 x 10signed lower right: Edward G. Eisenlohr

$600 - $1,200


North Texas Pastoral

lithograph 8 x 11 7/8signed lower right: Edward G. Eisenlohr

$800 - $1,200

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Chapel at Borne, March 1938

etching 10 x 13signed lower right: E.G. Eisenlohr

$1,000 - $2,000

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Live Oaks & Cabin, Marlin, November 2, 1932

lithograph 6 x 8signed lower right: E.G. Eisenlohr

$600 - $1,200

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Lot 39EVERETT SPRUCE(Am. 1908-2002)

Wild Place

edition 10/13lithograph 9 x 11 3/4signed lower right: Everett Spruce

$1,500 - $3,000

Lot 36MARY ANITA BONNER(Am. 1887-1935)

Untitled – Boat with red sail

hand colored etching 6 3/4 x 5signed lower right: Mary Bonner

$600 - $1,200

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Lot 40BERNHARDT WALL(Am. 1872-1956)

Rose Window, Mission San Jose, 1927

etching 8 3/4 x 6 3/4inscribed across bottom: To Maridel with best wishes, Bernhardt Wall, Nov. 14, 1937

$400 - $600

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Riders & Roosters, 1925

hand colored etching 9 1/2 x 9 1/2signed lower right: Mary Bonner ‘25

$4,000 - $6,000

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The Aloha

edition 11/25etching 13 1/2 x 5 3/4signed lower right: Mary Bonner; stamped lower left

$600 - $1,200

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Lot 44MICHAEL FRARY(Am. 1918-2005)

Buildings

edition 2/8lithograph 10 x 13 1/2signed lower right: Frary

$400 - $600

Lot 43CLINTON B. KING(Am. 1901-1979)

Storm

edition 43/50etching with mezzotint 7 x 9signed lower right: Clinton King

$600 - $1,200

Lot 42KELLY FEARING(Am. 1918-2011)

The Lifters, 1944

lithograph 6 7/8 x 6signed lower right: Kelly Fearing 1944

$600 - $1,200

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Lot 45JANET TURNER(Am. 1914-1988)

Snowy Owl, Tundra Series, NA Imp ‘98-‘99

serigraph, linocut, woodcut 29 x 22 1/4 signed lower right: Janet Turner, NA Imp ‘98-‘99

$500 - $1,000

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Lot 41JOSE ARPA(Am. 1858-1952)

Puenta de Sevilla en Carmona Spain

etching 12 x 9inscribed bottom right: For my Friend Mrs. E. Raba, Jose Arpa, San Antonio, TX 11/25

$1,500 - $2,500

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Lot 46BLANCHE MCVEIGH(Am. 1895-1970)

Furrows

edition 50etching with aquatint 6 7/8 x 8 7/8signed lower right: Blanche McVeigh

$300 - $60046

Lot 50ALEXANDRE HOGUE(Am. 1898-1994)

Aquaforms, 1956

edition 10/10lithograph 11 x 14signed across bottom: Alexandre Hogue, 1956

$1,000 - $2,000


Liberators, 1943

lithograph 11 1/2 x 15signed lower right: Alexandre Hogue 1943

$1,500 - $3,000


Prairie Dog, 1938

edition 45/150lithograph 7 3/4 x 5 1/2signed lower right: Alexandre Hogue 1938

$800 - $1,500

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Flower Lover

edition 4/25lithograph 13 x 14signed lower right: Alexandre Hogue

$4,000 - $8,000

From the Josephine Shannon Estate, Fort Worth, TX.

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On the Back Stretch, 1939

edition 1/150serigraph 9 1/2 x 18signed lower right: Alexandre Hogue

$2,000 - $4,00051


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Portrait

charcoal on paper 25 1/2 x 19signed lower right: F McClung

$1,500 - $3,000

Lot 54KATHLEEN BLACKSHEAR(Am. 1897-1988)

Portrait of Woman

charcoal on paper 10 1/2 x 9 1/4

$1,000 - $2,000

This drawing is from the Kathleen Blackshear Estate.


Korallion Triglyphs, 1962

edition 11/12serigraph 16 x 21 3/4 signed across bottom: Korallion Triglyphs11/12, Alexandre Hogue – Imp – 1962

$1,000 - $2,000

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Lot 56EMILIO GARCIA CAHERO(Am. 1897-)

El Paso, Plaza

watercolor on paper 4 x 6signed lower right: Cahero, El Paso

$1,000 - $2,000

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Cryptonymous, 1957

edition 6/16screenprint 14 x 18signed across bottom: Cryptonymous 6/16,Alexandre Hogue 1957, Imp.

$1,000 - $2,000

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Goat

pen and ink on paper 7 1/2 x 9 3/4signed lower right: Dozier ‘52

$800 - $1,200

Lot 59MELVIN CHARLES WARREN(Am. 1920-1995)

Four Sixes Ranch

graphite on paper 20 x 35signed lower right: Melvin Warren © 1980

$1,000 - $2,000

Lot 57JESSIE DAVIS(Am. 1887-1969)

Court House, Hillsboro, Texas

watercolor on paper 16 1/2 x 12 1/2signed lower right: Jessie Davis

$1,000 - $2,000

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Lot 58HAROLD MAPLES(Am. 20th Cent.)

Windmill & Bluebonnets, 1975

watercolor on paper 11 1/2 x 16signed lower right: Maples ‘75

$600 - $800

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Owl, 1987

lithograph 14 x 10signed lower right: Otis Dozier 87

$800 - $1,200

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Rooster

hand colored lithograph 21 x 29 1/2 signed lower right: Otis Dozier

$3,000 - $6,000

This is the only hand colored version of thislithograph that is known to exist.

64



Seagulls, 1958

ink, watercolor on paper 14 1/2 x 21signed lower right: Otis Dozier ‘58

$1,000 - $2,000

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Bahana from Reno, 1956

watercolor and encaustic on paper 10 3/4 x 8signed lower right: Dozier 56

$600 - $1,200

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Lobsters

ink, watercolor on paper 12 1/2 x 18signed lower right: Otis Dozier

$1,000 - $2,000

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Lot 69EDNA GERTRUDE COLLINS(Am. 1885-1968)

Mural Study, Oil Field Workers

watercolor on paper 10 x 8

$600 - $1,200

Collins oil field mural painted inthe Texas State Capitol, Austin,was destroyed in the course of a remodeling project.

Source: Big Spring Daily Herald,Big Spring Texas, August 10, 1944, page 13.

This painting may have been astudy for that mural.

Lot 66FRANK HILL CALDER(Am. 1890-1968)

Old House

watercolor on paper 11 x 13 1/2signed lower right: Frank Calder

$200 - $300

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Lot 67FRANK HILL CALDER(Am. 1890-1968)

Landscape

watercolor on paper 11 x 13 1/2signed lower right: Frank Calder

$200 - $300

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Lot 68EDNA GERTRUDE COLLINS(Am. 1885-1968)

Early Spring, Austin, Texas, c. 1940

watercolor on paper 9 1/2 x 13 1/2signed lower right: E. Collins

$300 - $600

Born in Toronto, Canada, Collins lived in Germany as a child before moving to Austinin 1901. She studied under Robert JeromeHill and attended the University of Texas,Austin. She also attended Sophie NewcombCollege, New Orleans, where she receivedinstruction from Ellsworth Woodward. Mov-ing to New York, Collins became a student ofKenneth Hayes Miller, Dimitri Romanowskyand Allen Tucker at the Art Students Leagueof New York. She spent two years in Europe.Collins returned to Austin where she workedthereafter, save for a short period when shemaintained a studio in Dallas (1925-26).

Collins taught privately in Austin. Her articleson art topics appeared in Art Digest and TexasOutlook. Collins died in Berkeley, California,while visiting her sister.

Source: Texas Painters, Sculptors andGraphic Artists, John and Deborah Powers.

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Lot 71CHARLES HARVI ALTHEIDI(Am. 1874-1951)

Still Life 1922

oil on canvas 15 1/2 x 20signed lower right: Harvi Altheidi

$4,000 - $6,000

Lot 70POMPEO LUIGI COPPINI(Am. 1870-1957)

Kleberg Sisters – 3 items in this lot

Photographs of Lulu & Lillie Kleberg 5 x 8

Graphite drawing of Lulu Kleberg (Am. 1876-1953) 11 x 7, signed lower right: PL Coppini

Graphite drawing of Lillie Kleberg, (Am. 1883-1968) 11 x 7, signed lower right: PL Coppini

$2,500 - $5,000 (for the set of 3)

Pompeo Luigi Coppini was born and raised in Italy. He studied at theTechnical Institute and the Academy of Fine Arts, Italy; and had asuccessful career in Italy. He immigrated to New York in 1896 wherehe worked for the sculptor Alexander Doyle. He moved to San Antonioand executed the monument to the confederacy that now hangs in theTexas State Capitol in Austin. He also executed the Littlefield Foun-tain and associated sculptures located at U.T. Austin. He was thefounder of the Coppini Academy of Fine Arts.

Lillie and Lulu Kleberg were the daughters of Robert Kleberg, Jr.who managed and later owned the King Ranch in Burnett, Texas.

Lot 72MAURINE CANTEY(Am. 1901-1982)

Portrait of Farmer

oil on board 16 x 12signed lower right: Maurine Cantey

$1,500 - $3,000

Born in Fort Worth, TX Cantey studied at the Dallas Art Institute andunder George Luks in New York, NY. She exhibited at the AnnualTexas Artists Exhibition in the 1920s and 30s; at the Southern StatesArt League Annual Exhibition. Her art can be found in the Dallas Museum of Art’s permanent collection. She executed the Auditoriumcurtain mural and Acoustic Shell at Fair Park Auditorium in Dallas, TX.

Source: Texas Painters, Sculptors & Graphic Artists, by: John andDeborah Powers

72

71

70


Lot 76JON FLAMING(Am. 1964-)

Barber Shop

oil on masonite 13 x 10signed lower right: Jon Flaming

$1,500 - $3,000

Lot 73MAX BACHOFEN(Am. 1903-1987)

Landscape

oil on canvas 14 x 10 1/4signed lower left: Max Bachofen

$1,500 - $3,000

Lot 74JON FLAMING(Am. 1964-)

Abilene, Texas – Early Morning

oil on masonite 10 x 13signed lower left: Jon Flaming

$1,500 - $3,000

76

73

20

74

Lot 75WILLIAM ELLIOTT(Am. 1909-2001)

White Rock Lake, 1940

watercolor on paper 14 x 19signed lower left: William Elliott

$750 - $1,500

75


This painting was exhibited in theWilliam C. Elliott: Works from1931-1981, exhibition in Dallas,April 4-29, 2000.

21


Palo Duro Canyon

oil on canvas 12 x 16signed lower right: Olin Travis

$2,000 - $4,000

Lot 79FRED DARGE(Am. 1900-1978)

End of the Day

oil on canvasboard 12 x 16signed lower right: F Darge

$1,000 - $2,000


Rider on Horseback


$3,500 - $5,500

80

79

77



In the Shade, Possum Kingdom


$2,000 - $4,000

78


Old Barn

oil on canvasboard 12 x 16signed lower right: Reveau Bassett

$2,000 - $4,000Lot 81H.J. ALBRITTON(Am. 20th Cent.)

Texas Landscape with Prickly Pear Cactus, 1932

oil on canvas 20 x 16signed lower right: HJ Albritton 1932

$2,500 - $5,000

Aransas Pass and Corpus Christi painter.

Exhibited: Annual Southeast Texas ArtistsExhibition, Houston (1937); South Texas ArtLeague (1940); Corpus Christi Art Guild(1940); Corpus Christi Art Guild/SouthTexas Art League Joint Exhibition (1940).

Source: Texas Painters, Sculptors & GraphicArtists, by: John & Deborah Powers © 2000,Woodmont Books.

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81

22

Lot 84KATHRYN K. BACKSTROM(Am. 20th Cent.)

Southwest Landscape

oil on board 20 x 12 1/2

$600 - $1,200

84


House with Red Roof

watercolor on paper 4 1/2 x 6 7/8signed lower left: Reveau Bassett

$300 - $60082


23

Lot 88MAYZE BECKER(Am. 20th Cent.)

Farm Scene, 1946

oil on masonite 19 1/2 x 23signed lower right: Mayze Becker 46

$600 - $1,200

Lot 87ED CURRY(Am. 1918-)

Grain Silos

oil on board 28 x 22signed lower right: E Curry

$1,000 - $2,000

Lot 85RALPH WHITE(Am. 1921-2004)

Landscape

oil on board 22 x 30signed lower right: R White

$1,000 - $2,000

8887

85


Lot 86CYNTHIA BRANTS(Am. 1924-2006)

Boats

watercolor on paper 6 1/2 x 8signed lower right: C Brants

$600 - $1,200

86


Turtle Creek

oil on canvasboard 14 x 18signed lower right: Chas.T. Bowling

$15,000 - $20,000

Lot 89HUGO ALBERTO HERBECK(Am. 1923-2009)

Bluebonnets

oil on canvas 24 x 30signed lower left: Hugo Herbeck

$3,000 - $5,000

90

24

89

Lot 91DAWSON DAWSON-WATSON(Am. 1864-1939)

Prickly Pear Cactus

oil on canvas 7 x 10signed lower right: Dawson-Watson

$10,000 - $15,000

91


25


Owl on Egg

solid plaster 5 x 4 x 4signed lower right: Otis Dozier

$300 - $400

Lot 94VELMA DAVIS DOZIER(Am. 1901-1988)

West Texas Ranch House

pastel 10 x 12unsigned - a letter from the estate will be included

$800 - $1,200

Lot 92INEZ STAUB ELDER(Am. 1849-1991)

Dapple Path

oil on board 8 1/2 x 14signed lower right: Inez Staub Elder

$600 - $1,200

95

94

92



Arkansas Landscape


$6,000 - $12,000

93


Lot 97ALTIE SLIMP(Am. 1896-1966)

Peeling Apples

oil on canvas 20 x 16signed lower right: Altie Slimp

$1,500 - $3,00097

Lot 98EMILY GUTHRIE SMITH(Am. 1909-1986)

Lisa

oil on canvas 16 x 12signed lower right: Emily Guthrie Smith

$1,000 - $2,000

This painting was exhibited at the 18th AnnualTexas Painting and Sculpture Exhibition in 1956.

98

Lot 96ETHEL SPEARS(Am. 1903-1974)

Male Model

oil on canvas 28 x 24

$1,000 - $2,000

This painting is from the Ethel Spears Estate.

96

27

Lot 100PEGGY COOLON PETERS(Am. 20th Cent.)

San Antonio

oil on canvas 24 x 20signed lower right: Coolon Peters

$4,000 - $6,000

Lot 99RUTH DUNCAN(Am. 1908-2002)

Sketch of Arneson River Theatre, San Antonio

oil on board 8 x 10signed lower left: Ruth Duncan

$400 - $800

100

99


Lot 101JOHN WILLIAM ORTH(Am. 1889-1976)

Taxco Mexico

oil on canvas 30 x 22signed lower right: JW Orth, Taxco Mexico

$2,500 - $5,000

101

Lot 104ELMER L. BOONE(Am. 1883-1952)

Superstition Mountains & Cottonwood Trees

oil on canvas 12 x 16signed lower left: EL Boone

$1,000 - $2,000

Lot 102MARIE HAINES BURT(Am. 1881-1979)

Viewing the Gift

oil on board 35 x 22signed lower right: Marie Haines Burt

$20,000 - $25,000

104

102

28


Gold Tooth, Laughing Negress


$1,500 - $3,000

103


Lot 105LEWIS TEEL(Am. 1883-1960)

Spring in the Sacramento’s

oil on board 12 x 18signed lower left: Lewis Teel

$2,000 - $4,000

This painting was exhibited in the 2003 exhibition titled Neighbors:Texas Artists in New Mexico. The exhibition opened at Panhandle-PlainsHistorical Museum and then traveled to the Tyler Museum of Art. Thepainting was illustrated in American Art Review August 2003, page 125.

105

29

Lot 107ADRIAN BREWER(Am. 1891-1956)

Bluebonnets

oil on board 14 x 17signed lower right: Adrian Brewer 1925

$10,000 - $15,000

Lot 108BILL WARDEN(Am. 1927-1991)

Yellow Wildflowers

oil on masonite 12 x 16signed lower right: B. Warden

$600 - $1,200

Lot 106TOM BROWN(Am. 1859-1891)

Along the San Antonio, River, c. 1900

oil on board 8 1/2 x 16signed lower right: Tom Brown

$6,000 - $10,000

This painting was exhibited in Texas Impressionism:Branding with Brushstroke & Color, 1885-1935 atPanhandle-Plains Historical Museum.

109

Lot 110MINNIE HALTOM(Am. 1887-1976)

Texas Spring

oil on board 10 x 12signed lower right: Hollis Haltom

$1,000 - $2,000110

108

106


Lot 109ALICE CHILTON(Am. 1891-1978)

Prickly Pear Cactus in Bloom

oil on canvas 12 x 24signed lower right: Alice Chilton

$1,500 - $3,000

107

Lot 114CARL BENTON COMPTON(Am. 1905-1981)

The White Haired Beast

watercolor on paper 17 x 21signed lower right: C Compton

$7,000 - $12,000

This painting was exhibited at the Witte Museum.

Lot 111JOSEPH WILLIAM DAWLEY(Am. 1936-2008)

Hoffbrau

oil on canvas 19 1/2 x 20signed lower right: J Dawley

$1,000 - $2,000

114

30

111


Abstract Figures, paintings front and back

oil on board 36 x 21(A) signed lower right: J Dawley(B) signed lower left: J Dawley

$1,000 - $2,000

Dawley is exhibited in many collections across the U.S. andCanada. Dawley was invited by the White House to create theofficial 1994 Christmas card.

In 1977, Dawley opened his own gallery: The Joseph DawleyGallery in Cranford, New Jersey. Five full-color books havebeen published about his art, the latest having been publishedin 1987 and titled: Seeing and Painting the Colors of Nature.

113


Moet, Still Life

oil on board 24 x 30signed lower right: J Dawley

On Reverse: Untitled, Bull with Banderillassigned lower right: J Dawley

$1,000 - $2,000

112


31

Lot 117E.M. BUCK SCHIWETZ(Am. 1895-1984)

Davis Ruins, 1960

ink and watercolor on paper 13 x 17signed lower right: EM Schiwetz 60

$2,500 - $5,000

This lot includes the book:Paintings and Drawings byE.M. Schiwetz, introductionby: Leon Hale.

Lot 115FREDERICK CARTER(Am. 1925-2010)

Shrimpers at Graymas

oil on canvas 20 x 30signed lower right: Frederick Carter

$1,000 - $2,000

Galveston, TX native, Frederick Carter was a prolific artist,commissioned to illustrate several book covers and paintingsfor collectors across the country. He served in WWII, attendedA&M University and graduated from the Franklin School ofProfessional Art in New York, 1949. He lived in El Paso forover 40 years, and during that time was commissioned topaint across the state. He was drawn to return to the oceanand painted coastal subject matter that reminded him of hisGalveston upbringing. His paintings have been exhibited inthe Dallas Museum of Fine Arts; Houston Museum of FineArts; Witte Memorial Museum, San Antonio; Isaac DelgadoMuseum of New Orleans; National Arts Club of New York;the National Academy Galleries of New York.

117

115


Lot 116EVERETT SPRUCE(Am. 1908-2002)

West Texas

mixed media on paper 16 x 19 1/2signed lower right: Spruce

$2,000 - $4,000

116

Lot 119MARY CRANFILL CURTIS(Am. 1925-)

Night Haven, High Port Bay – Boat Docks & Tanglewood, 1964

oil on masonite 18 x 24signed lower left: Mary Curtis 64

$1,000 - $2,000

Lot 118ELEMBER TOMASH(Am. 1914-1977)

Two Figures


$1,500 - $3,000

119

32

118 Lot 120DAVID ADICKES(Am. 1927-)

The Wall

oil on canvas 12 x 15 1/2signed lower left: D Adickes

$1,500 - $3,000

120


Lot 121STELLA SULLIVAN(Am. 1924-)

Queen of Hearts, 1977

serigraph 21 3/4 x 17 3/4signed lower right: Stella Sullivan

$1,000 - $2,000

121

33

Lot 123CLINTON B. KING(Am. 1901-1979)

Gladiolus, 1957

oil on canvas 43 x 20signed lower right: Clinton King 57

$2,000 - $4,000123


Lot 124DAVID ADICKES(Am. 1927-)

Eagle

oil on canvas 24 x 21signed lower right: Adickes

$4,000 - $6,000

124

Lot 122DAVID ADICKES(Am. 1927-)

Still Life with Leaves

oil on masonite 30 x 13 1/4signed lower right: Adickes

$750 - $1,500

This painting was in the Mr. and Mrs. O’Neil Ford Collection.O’Neil Ford (Am. 1905-1982) was a renowned American architect and was the leading mid-20th century builder inTexas and in the Southwest.

122

Lot 125LUCIE HARRIS LOCKE(Am. 1904-1989)

Smoke Stacks, Corpus Christi, TX

oil on canvasboard 12 x 16signed lower right: Lucie Locke 1940

$1,500 - $3,000

34

125

Lot 126ELLA K. MEWHINNEY(Am. 1891-1962)

Bluebonnet Landscape

oil on canvas 13 x 17signed lower left: Ella K Mewhinney

$8,000 - $12,000

126


35

Lot 128ELOISE POLK MCGILL(Am. 1868-1939)

Mission Scene

oil on board 13 x 15signed lower right: EP McGill

$1,000 - $2,000

Lot 127FRANZ STRAHALM(Am. 1879-1935)

Texas Landscape

oil on canvas 20 x 30signed lower right: Franz Strahalm

$2,000 - $4,000

128

127


Lot 129CARL HOPPE(Am. 1897-1981)

Untitled – Field of Pinks & Oaks, 1954

oil on canvas 20 x 24signed lower right: Hoppe 54

$2,000 - $3,000

129

Lot 133FORREST C. BESS(Am. 1911-1977)

Untitled Still Life

oil on board 20 x 16signed lower left: FB

$10,000 - $20,000


Prickly Pear Cactus, San Antonio, TX

oil on board 11 x 17signed lower right: EP McGill

$3,000 - $6,000


Bluebonnet

oil on board 12 3/4 x 14signed lower right: EPM

$1,000 - $2,000

133

131

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130

Lot 132EMMA RICHARDSON CHERRY(Am. 1859-1954)

Magnolia Blossoms, c. 1930

oil on canvasboard 16 x 20signed lower right: E. Richardson Cherry

$2,500 - $5,000

132


37


Church

oil on canvas 22 x 24signed lower left: Ethel Spears

$2,500 - $5,000


Lot 134DONALD VOGEL(Am. 1917-2004)

Park Scene

oil on board 18 x 24signed lower right: Vogel

$2,000 - $4,000

136

134



School House


$2,000 - $4,000


135

Lot 138MAURIN MOON(Am. 20th Cent.)

Wind Machine

encaustic on paper 16 x 24signed lower right: Maurin Moon

$3,500 - $5,500

Lot 137KATHRYN HAIL TRAVIS(Am. 1894-1972)

Calipso Serenade, New Orleans, LA

oil on canvas 24 x 30signed lower right: Kathryn Hail Travis

$4,000 - $8,000

138

38

137


39


Spanish American Cemetery, Oct. 1946 – Jan. 1947

oil on masonite 24 x 30signed lower left: F McClung

$18,000 - $25,000

Written on Reverse: Spanish American Cemetery, Oct – Jan 1947; Solo Show – April 1947.

139


Lot 142ROBERT WOOD(Am. 1889-1979)

Spring Hues

oil on canvas 25 x 30signed lower right: Robert Wood

$25,000 - $35,000

Lot 140PAUL RODDA COOK(Am. 1897-1972)

Bluebonnets

oil on canvas 12 x 18signed lower left: Paul Rodda Cook

$5,000 - $8,000

Exhibited in the exhibition “Neighbors: TexasArtists in New Mexico” in 2003 opening at thePanhandle-Plains Historical Museum thentraveling to the Tyler Museum of Art.

142

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140


Evening off the Babcock Road


$5,000 - $8,000141


41


Texas Landscape


$20,000 - $30,000

143


Paul Rodda Cook was a Borne, TX native and attended the University of Texas. He studiedpainting with Hugo David Pohl in San Antonio and later in Taos under Walter Ufer and LeonGaspard. After that time he traveled to New England and studied with Hermann Dudley Murphy,Charles Rosen, Lowell Birge Harrison and Henry Lee McFee. He lived and worked in San Antonio until the 1940s and later lived in Taos, NM; Houston, TX and San Miguel de Allende,Mexico. Cook’s paintings can be found in the following collections: Stark Museum of Art, Orange,TX; Witte Museum, San Antonio; San Antonio Art League.

This painting was acquired by Minnie Bryant and Britain Rice Webb of San Antonio in 1916and has remained in the same family since that time; and is from Mr. and Mrs. Britain Webb’sgrandson’s collection, current.

Britain Rice Webb was a lawyer and wrote for the Fort Worth Star Telegram before moving the family to San Antonio in 1916. The Webbs purchased this painting, along with the JulianOnderdonk, Spanish Oaks, Medina Valley, Lot 164 in this auction while living in San Antonio’sLaurel Heights neigborhood. Britain was a banker, oil man and rancher before he retired to Ari-zona and passed away. Minnie Webb retained the remaining collection and passed away in SanAntonio in 1970.

Lot 145DAWSON DAWSON-WATSON(Am. 1864-1939)

Prickly Pear Cactus 1938

oil on canvas 21 x 16signed lower right: Dawson-Watson 38

$18,000 - $25,000

Lot 144PAUL R. SCHUMANN(Am. 1876-1946)

Cross Mountain

oil on canvas 16 x 22signed lower right: Paul R. Schumann

$14,000 - $18,000

This painting was exhibited in Texas Impressionism:Branding with Brushstroke & Color, 1885-1935 atPanhandle-Plains Historical Museum.

145

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144


43

Lot 146PORFIRIO SALINAS(Am. 1970-1973)

Fence Line at Bandera

oil on board 12 x 16signed lower right: Porfirio Salinas

$13,000 - $18,000

146



Bluebonnet Landscape, 1938

oil on board 12 x 24signed lower right: Robert Wood 38

$12,000 - $18,000

147


Morning Mist

oil on canvas 16 x 20signed lower right: Paul R. Schumann

$15,000 - $20,000


Spring in Texas Hills, 1940

oil on canvas 28 x 36signed lower left: Robert Wood 1940

$25,000 - $35,000

150

44

148


Landscape with Yucca

oil on canvas 12 x 16signed lower left: Porfirio Salinas

$5,000 - $8,000

149


45


Colorful Cottonwood

oil on canvas 24 x 36signed lower right: Robert Wood

$6,000 - $12,000

151



Bluebonnet Landscape at Sunset

oil on canvas 12 x 8signed lower right: Robt Wood

$12,000 - $18,000

152

Lot 155ROLLA S. TAYLOR(Am. 1871-1970)

Mission Concepcion

oil on canvas 12 x 16signed lower right: Rolla Taylor

$8,000 - $12,000


Mission Espada

oil on board 7 x 9signed lower left: R Wood

$1,500 - $3,000

155

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153


Mission Concepcion

oil on canvasboard 8 x 10signed lower right: Rolla Taylor

$1,000 - $2,000 154


Mission in Mexico, 1925

oil on canvas 20 1/2 x 16signed lower right: Rolla Taylor, Mexico 1925

$6,000 - $12,000

156


47

Lot 157AUDLEY DEAN NICOLS(Am. 1885-1941)

Desert Road

oil on canvas 12 1/4 x 20signed lower left: Audley Dean Nicols

$10,000 - $20,000

157


Audley Dean Nicols was a native of Pittsburgh, PA but his love of the desert landscape even-tually drew him to settle later in El Paso, TX. Nicols studied at the Art Students League ofNew York and at the school of the Metropolitan Museum of Art under Edwin Howland Blash-field, Kenyon Cox and Henry Siddons Mowbray. He first traveled to the El Paso desert aftersuffering health problems. From there he painted the deserts of Texas, New Mexico and Ari-zona. After these visits, he returned to El Paso as a permanent resident.

The following writing is from a piece written by the Guyens Printing Company of El Paso, TX:

“From his El Paso base, Nicols launched a prolific production of desert landscapes whichbrought him world fame and fortune, which he never really sought.

He came particularly well-known for the exact portrayal of the strong clear light peculiar to thedesert southwest. Experts insist that no other artist has even approached him in this category.At the height of his career when his work was in great demand, he made a practice of working onthree paintings at once in a given locale in order to catch the exact lighting he wanted for each.He claimed that the illumination he wanted for each of his paintings existed for perhaps no morethan 15 minutes during the day. Therefore, he would work on an early morning scene, a mid-dayscene and evening scene simultaneously.

And he captured the myriad and detailed colors of the desert as no other artist has been able to,probably because his love made them more visible. Nicols once wrote: ‘The so-called gray of thedesert is a mistake. The desert is everything but gray. There are clean fresh blues in the skies,pinks and yellows in the sunset, opalescent purple, rose and lavender in the distant mountains,dull greens of every shade in the vegetation, and reds and yellows in the rocks and earth… butnever gray. And there is no flower more vivid in color than the gaudy, waxen blossom of the cactus… pale lemon, pink, bright yellow, violent magentas.’”

This painting is an excellent example of Nicols great attention to the atmosphere, light andcolor of the natural earth, flora and the bright blue desert sky.

Lot 159JULIAN ONDERDONK(Am. 1882-1922)

Bridge to the Woods

oil on canvas 13 3/4 x 20signed lower right: Julian Onderdonk

$15,000 - $25,000


Spring Morning

oil on panel 5 x 7signed lower left: Julian Onderdonk

$6,000 - $12,000159

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158


Sunset Landscape

oil on board 6 x 9signed lower right: Julian Onderdonk

$10,000 - $15,000

This lot also includes a title page of a bookfrom Julian Onderdonk’s personal librarycollection. The title page: Selections fromConfucius & Mencius, by: Dr. Legge. Thepage is signed by: Julian Onderdonk.

160


49


Bluebonnets, c. 1940

oil on canvas 25 1/4 x 30 1/4signed lower left: P Salinas

$25,000 - $45,000

161


Bastrop, TX native Porfirio Salinas is one of Texas’ most prolific and renowned early Texas impressionist painters. He lived in San Antonio and painted the surrounding Texas hill countrythroughout his lifetime.

This particular painting is an excellent example of his early work, painted circa 1940. In thebook The Life of Porfirio Salinas, written by: Mrs. Porfirio Salinas she states: “Porfirio wasconsidered unconventional because he painted landscapes in their natural form and color, justas he saw and felt them.” Salinas does just that in this painting. The bluebonnets are paintedin different blue and violet tones due to the dappled sunlight breaking through the trees andundulating hill shadows. There are also varying shades of green in the tree leaves from thenatural light shining through. This painting shows Salinas’ early hand through the delicatebrushwork.

Salinas was an acclaimed artist in his lifetime and many collectors including: CongressmanSam Rayburn, J. Frank Dobie, President Lyndon Johnson and Governor John Connally ownedhis landscape paintings.

Lot 163FRANK E. KLEPPER(Am. 1890-1952)

Washday, c. 1930

oil on canvas 24 x 24signed lower right: Klepper

$10,000 - $20,000

Provenance: Collection or Mr. and Mrs.George Palmer, Dallas, TX, current.

Lot 162ANNA KEENER(Am. 1895-1982)

Down on the Rita Blanca

oil on board 12 x 14signed lower right: Anna Keener

$5,000 - $8,000

Exhibition History:

Anna Keener: Southwest Regionalist, Panhandle-Plains Historical Museum, September 13, 2014 – February 1, 2015.

The Lost Colony: Texas Regionalist Paintings, Museum of the Big Bend, Sul Ross University, Alpine, Texas, September 10, 2011-January 29, 2012.

Celebrating Early Texas Art: Treasures from Dallas-Ft. Worth Private Collections, Fort Worth Community Arts Center, February 14-March 26, 2005.

Women Artists of Santa Fe, Panhandle-Plains Historical MuseumNovember 6, 2004-February 20, 2005.

163

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162


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Spanish Oaks, Medina Valley, Southwest Texas, 1915

oil on canvas 25 x 30signed lower right: Julian Onderdonk

$200,000 - $300,000

164


This painting was acquired by Minnie Bryant and Britain Rice Webb of San Antonio in 1916.The Webbs were neighbors of Onderdonk in the Laurel Heights neighborhood and visited Onderdonk’s home and acquired this, and several other paintings by him. This painting has remained in the same family since that time; and is coming out of Mr. and Mrs. Britain Webb’sgrandson’s collection, current.

Britain Rice Webb was a lawyer and wrote for the Fort Worth Start Telegram in Fort Worth, TXbefore moving the family to San Antonio in 1916. The Webbs purchased this painting, along withthe Paul Rodda Cook, Texas Landscape in this auction (Lot 143). Britain was a banker, oil manand rancher before he retired to Arizona and passed away. Minnie Webb retained the remainingcollection and passed away in San Antonio in 1970.

In 1915, when this painting was executed, Onderdonk was responsible for assisting in acquisi-tions for the Dallas Museum of Arts American Holdings, art chosen from the State Fair. Thisrole was necessary for Onderdonk to support his family, he longed to paint: “I wish that I couldhave time to devote one month to doing nothing [but] work out of doors with a free mind…”This painting must represent a vital release for Onderdonk. Spending time in a different area,exercising himself to paint a refreshing landscape.

Lot 165CARL G. IWONSKI(Am. 1830-1912)

Pair of Portraits:

Portrait of Woman in Blue

oil on canvas 11 x 8 1/2signed lower right: CG Iwonski 1855/7

Portrait of Girl in Pink

oil on canvas 11 x 8 1/2signed lower right: CG Iwonski 1854

$8,000 - $12,000

165


Iwonski was born in Germany in 1830 and moved to the Unites States viaGalveston in 1845 with his family and became a naturalized citizen. Helived in New Braunfels and later San Antonio. During the Civil war hesketched troops in the south Texas area. From 1866-1970 Iwonski andartist, Herman Lungkwitz ran a photography studio in San Antonio. In1871 he took a sabbatical and studied art at the Berlin Academy of Art.These two portraits, likely mother and daughter, are excellent examplesof Iwonksi’s adept skills as a painter.

53

Lot 166ROBERT JENKINS ONDERDONK(Am. 1852-1917)

Market at Cuernevaca, Mexico, 1911

oil on board 8 x 11signed lower left: RJ Onderdonk

$40,000 - $50,000

166


Lot 167ROBERT JENKINS ONDERDONK(Am. 1852-1917)

Landscape, 1900

oil on canvas 16 x 20signed lower right: RJ Onderdonk 1900

$15,000 - $25,000

Exhibited at the Dallas Museum of Art, March 23-July 20, 2008. DiscoveringTexas: The Works of Robert Jenkins Onderdonk. This exhibit was presented as a complement to Bluebonnets and Beyond: Julian Onderdonk, AmericanImpressionist.

167

Lot 165-AJULIAN ONDERDONK (Am. 1882-1922)

Bluebonnets, San Antonio, Texas 1921

oil on panel 8 x 10signed lower right: Julian Onderdonk

$60,000 - $80,000

165-A

Lot 169WADE LYTTON JOLLY(Am. 1909-1976)

Floral Still Life

oil on canvas 20 x 24signed lower left: Jolly

$3,000 - $6,000

Lot 168MICHAEL FRARY(Am. 1918-2005)

Still Life Bouquet

oil on masonite 24 x 18signed lower right: Frary

$6,000 - $8,000

169

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168 Lot 170SARAH SHANNON STEEL(Am. 1920-1996)

Still Life, c.1940

watercolor on paper 15 x 17signed lower left: Sarah Shannon

$600 - $1,200

Sara Shannon Steel (1920-1996),a member of the Ft. Worth Circle,exhibited in the Ft. Worth localshow in the 1940s where she wonHonorable Mention in 1943. Accepted for the Texas Generalin 1945. More recently the Ft.Worth Library Centennial show in2001 and the Amon Carter Inti-mate Modernism show in 2008.Gave up painting after the 1940s.In later years devoted herself tofiber arts and jewelry making.

170


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Lot 173JOSEPHINE MAHAFFEY(Am. 1903-1982)

Still Life

watercolor on paper 28 x 19signed lower right: JM

$800 - $1,200


Jitterbuggers, 1939

watercolor on paper 20 3/8 x 16 1/2signed lower right: K Fearing

$4,000 - $6,000

Exhibited at the Amon Carter Museum of American Art exhibition: Intimate Modernism: FW Circle Artists in 1940s, February – May , 2008.

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171



Still Life


$800 - $1,200172


Portrait of Betsy Collier

oil on canvas 28 x 22signed lower right: JM

$1,500 - $3,000

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174

Lot 175BETSY COLLIER(Am. 20th Cent.)

Portrait of Josephine Mahaffey

oil on canvas 42 x 36signed lower right: Betsy Collier

$1,500 - $3,000

175


57


Basket of Tomatoes

oil on canvas 22 x 30signed lower right: JM

$1,500 - $3,000


Interior Scene


$1,000 - $2,000


Fort Worth Viaducts

watercolor on paper 21 1/2 x 29signed lower right: JM

$1,000 - $2,000

179

176


Montgomery Ward, Fort Worth, TX


$1,000 - $2,000

177

178


Lot 181BROR UTTER(Am. 1913-1993)

Tulips, 1974

watercolor on paper 30 x 22signed lower right: Bror Utter 74

$2,000 - $4,000

Lot 180BILL BOMAR(Am. 1919-1990)

Still Life

watercolor on paper 22 x 14signed lower right: Bill Bomar

$1,500 - $3,000

181

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180

Lot 182PAT STEEL(Am. 1920-2014)

Sunset # 1, 1955

oil on canvas 16 x 12signed lower right: Pat Steel

$600 - $1,200

182


Lot 183PAT STEEL(Am. 1920-2014)

Untitled, 1955

acrylic on paper 29 x 23

$600 - $1,200

183

Steel first started painting while attendingclasses with Samuel P. Zeigler at T.C.U. inthe ‘30s. He continued producing paintings,sculpture and photography throughout hislife while pursuing a career in advertising asa copywriter in N.Y.C., and after his retire-ment in Dallas. Lifelong friends with severalof the Ft. Worth Circle artists including hiswife Sara Shannon Steel. Largely unexhibitedbut won a 3rd place prize in the 1946 Ft. WorthArt Association local show.

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Lot 187EMILY GUTHRIE SMITH(Am. 1909-1986)

The Bug Cage

pastel on paper 7 x 10signed lower right: Emily Guthrie Smith

$600 - $1,200


Still Life

oil on canvas 38 x 21 1/2 signed lower right: BB

$4,000 - $8,000

187

184



Taos, New Mexico c, 1940

watercolor on paper 18 x 24signed lower left: Bill Bomar

$3,000 - $6,000

This painting was purchased from Dutch Phillipsin Fort Worth in 1995 by the present owner.

186

William Wells “Bill” Bomar was born in Fort Worth in 1919, he died in Clovis, NM in 1990. This partic-ular painting came out of a private collection in New Mexico. Bomar was a prominent Fort Worth Schoolartist, known for his abstract, semi geometric compositions that incorporate natural elements in dramaticlandscapes and surrealistic worlds. Bomar received instruction from Sallie Blythe Mummert and in wa-tercolors from Joseph G. Bakos in Santa Fe. He studied at the Cranbrook Academy of Art and studiedwith John Sloan (1942) while he was there. He also received instruction from Amedee Ozenfant and HanzHofmann. Bomar has an impressive exhibition history including: Annual Fort Worth Local Artist Show inthe 1940s; a solo show at the Dallas Museum of Art in 1948; Texas Contemporary Artists Show in 1952 at M. Knoedler & Co. in New York; a solo show at the Laguna Gloria, Austin in 1952; Whitney Museum of American Art, 1958; and a solo retrospective at the Old Jail Center, Albany, TX in 1999. His worksare found in the following public collections: Dallas Museum of Art; Guggenheim Museum; Modern ArtMuseum, Fort Worth; Museum of Fine Arts, Houston and The University of Texas at Austin.

Source: Midcentury Modern Art in Texas, by Katie Robinson Edwards, © 2014, UT Press.

Lot 185BROR UTTER(Am. 1913-1993)

Flora and the Satyr

watercolor on paper 13 1/4 x 9signed lower right: Bror Utter

$1,500 - $3,000

185

Lot 188DAVID BROWNLOW(Am. 1915-2008)

Women Trying on Hats

oil on masonite 36 x 24signed lower left: David Brownlow

$4,000 - $8,000

188

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Lot 189DAVID BROWNLOW(Am. 1915-2008)

Waterfall

oil on masonite 35 x 47signed lower left: David Brownlow

$4,000 - $8,000

From the Josephine Shannon Estate, Fort Worth, TX

189


Brownlow started creating art at the age of fivein Fort Worth, TX. He studied art under Mar-garet Littlejohn and Patti East. He experi-mented with knives and wire as painting toolswhich lead to his thick textured and exactinglines. Henry B. Caldwell, former directorof the Fort Worth Art Center commented:“Brownlow’s painting has vigor and a pre-cious of touch that separates it sharply fromthe contemporary happenchance school. Hiswork has strength with an underlying appealfor order; his concern with space and colorholds fascination to both the traditional aswell as abstract painting.”

Jerry Bywaters, the director of the Dallas Mu-seum of Art, had the following to say aboutBrownlow’s work: “Colors, however subtle,play a greater part; the cool and calculateddesigns of the past give way to greater free-dom in the act of execution and a direct formof expressionism is in command….”

Brownlow’s work has been collected by: BobHope, Winthrop Rockefeller, Edward Marcus,Charles Tandy, Angus Wynn and Ralph Bellamy. His paintings can be found in thefollowing permanent collections: SmithsonianInstitute, Dallas Museum of Art, Modern Art Museum of Fort Worth, the Beaumont Art Museum and The Worchester Museum,Massachusetts.

61


Untitled – Monk, 1962

pastel on paper 22 x 14 1/2signed lower right: Kelly Fearing

$3,000 - $6,000

190



I Know From What Distant Time, 1958

oil on canvas 18 x 28signed lower left: Kelly Fearing

$3,000 - $5,000191

Lot 194STEPHEN THOMAS RASCOE(Am. 1924-2008)

Iron Bridge, 1959

oil on masonite 22 x 24 3/4signed lower right: S Rascoe

$1,000 - $2,000

This painting was part of “Last of the Iron Bridge” series. It was also part of the DallasMuseum of Fine Arts’ rental program. Rascoe studied at the University of Texas and receivedhis BFA and MFA in painting from the Chicago Art Institute 1951. He exhibited his workat Knoedler Gallery: Texas Contemporary Artists, 1952 among many other Southwestern regional art shows. His paintings can be found in the following collections: Houston Museumof Fine Arts and the Dallas Museum of Art.

Lot 192ROBERT P. GORDY(Am. 1933-1986)

Study for Desert Nights, 1973

ink on paper 12 x 17signed lower left: R Gordy 73

$1,000 - $2,000

194

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192

Lot 193XAVIER GONZALES(Am. 1893-1993)

Rooftops

oil on canvas 16 x 20signed lower right: XG

$3,000 - $6,000193


This lot is accompanied by the book: Robert Gordy,Paintings & Drawings 1960-1980, by Gene Baro,New Orleans Museum of Art, 1981.

Gordy studied at Louisiana State University. He ex-hibited the Institute of Contemporary Art, Philadelphia,PA; the Isaac Delgado Museum of Art; the New Or-leans Museum of Art; Whitney Museum of AmericanArt; Phyllis Kind Gallery, Chicago; Fine Arts Galleryof San Diego and the Brooklyn Museum to name a few.

He was greatly influenced by Matisse; this paintinglends itself to the Matisse cut-outs. Also influencedby Picasso, his rendering of the figure is reminiscentof the figures in Picasso’s famous painting, Bathers bya River, 1916-17. This work executed in 1973 conveysthe cutting edge pop-art style of the period.

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Lot 196DICKSON REEDER(Am. 1912-1970)

Abstraction

oil on masonite 26 x 20

$800 - $1,200

Lot 195BILL REILY(Am. 1930-)

West Texas Mountain

oil on masonite 30 x 40signed lower right: Bill Reily

$2,000 - $4,000

196

195


Lot 199RALPH WHITE(Am. 1921-2004)

Sky

watercolor on paper 21 x 29signed lower right: R White

$1,000 - $2,000

Lot 197WILLIAM LESTER(Am. 1910-1991)

Landscape Interior, 1971-1972

oil on canvas 38 x 48signed on reverse: WM Lester 1971-1972, Landscape Interior

$12,000 - $18,000

This painting is illustrated on page 13 of MidcenturyModern Art in Texas, byKatie Robinson Edwards © 2014; University of TexasPress. Edwards comments on this piece: “One of thechronologically latest workshere, this image representsLester’s continued evolutionas he merges interior with exterior in a brightly huedpalette characteristic of his1960s and 1970s work.”

199

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197

Lot 198ZANNE HOCHBERG(Am. 1921-2001)

Abstraction No 1, 1960

oil on canvas 50 x 40signed lower right: Z Hochberg

$1,500 - $3,000

Provenance: Zanne Hochberg estate.

198


65T E X A S A R T A U C T I O N

200

Lot 200FRANCES NAIL(Am. 20th Cent.)

Golden in the Heydays, 1973

acrylic on canvas 58 x 48

$1,000 - $2,000

202

201



oil on canvas 60 x 70signed: Z Hochberg

$2,000 - $4,000

201-A

Lot 201-AZANNE HOCHBERG(Am. 1921-2001)


oil on canvas 48 x 36signed upper right: Z Hochberg

$1,500 - $3,000

Zanne Hochberg was born in Rochester, NY and studiedat the University of Florida. She then came to Dallas andwas one of the first women to graduate from SouthernMethodist University with a Masters in Fine Art. She wasmost influenced by the abstract expressionist painters of the mid-20th century like Jackson Pollock, Willemde Kooning, Franz Kline, Robert Motherwell and HelenFrankenthaler. Her paintings can be found in the per-manent collections of the Dallas Museum of Art; theNational Museum of Women in the Arts, Washington,D.C; Blanton Museum of Art, Austin, TX; WinthropUniversity Gallery, Rock Hill, SC; and the Mulvane ArtMuseum, Washburn University, Topeka, KS.


Untitled, 1970

mixed media on tinted paper 12 x 9signed lower right: Z Hochberg

$600 - $1,200


Run Turkey, Run, 1968

oil on canvas 30 x 40signed lower right: Otis Dozier ‘68

$12,000 - $18,000


Texas House and Barn, 1937

graphite on paper 11 x 8signed lower right: Dozier 1937

$1,000 - $2,000

204

203


Otis Dozier played a major roal in the Dallas art scene in the 1930’s to his death. He studied and later taught painting and drawing at SouthernMethodist University. He also taught at the Dallas School of Creative Artsand at Dallas Museum of Fine Arts. He was a prolific artist; he painted theTexas landscape, most prominently the West Texas landscape. This could be attributed to the influence of his early art studies under Frank Reaugh who often took his students on sketching trip to paint plein air landscapes in theplains of West Texas. His subject matter also includs the critters of Texas, be it the goat, turkey or owl. He also frequently traveled to New Mexico to paint landscape and culture.

He was widely exhibited in his lifetime across the Southwest. His art can be found in the following permanent collections: Blanton Museum, Austin,TX; Panhandle-Plains Historical Museum, Canyon; Dallas Museum of Art;the Modern Art Museum of Fort Worth; Museum of Fine Arts Houston; McNayMuseum, San Antonio; Witte Museum, San Antonio; Metropolitan Museum of Art, New York and the Whitney Museum of American Art, New York.

67


West Texas Landscape, 1984

oil on canvas 30 x 36signed lower right: Otis Dozier ‘84

$9,000 - $12,000

205



Village on Hill, 1964

oil on canvas 30 x 36signed lower right: Otis Dozier

$15,000 - $25,000

206

Lot 209ED BEARDEN(Am. 1919-1980)

Summer Rainstorm, 1951

oil on masonite 25 x 32signed lower left: Ed Bearden 51

$10,000 - $15,000

Lot 207JAMES STOVALL MORRIS(Am. 1898-1973)

Some People Like Small Paintings

oil on canvas 34 x 16signed lower left: Morris

$1,000 - $2,000

Morris is the illustrator of twobooks written by Aurora Lucero-White Lea who wrote folklore inSouthwest. This painting is from theEstate of James Stovall Morris.

209

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207

Lot 208JAMES STOVALL MORRIS(Am. 1898-1973)

Untitled

oil on masonite 18 x 24

$1,500 - $3,000

This painting is from the Estate of James Stovall Morris.

208


69

Lot 211BARNEY DELABANO (Am. 1926-1997)

Plant in Orange, 1956

oil on masonite 24 x 16signed lower left: Delabano 56

$2,000 - $4,000

This painting is directly from the Barney Delabano Estate.

Lot 210DEFORREST JUDD(Am. 1919-1993)

Stump Caddo Lame 1954

oil on masonite 20 x 28signed lower right: DeForrest Judd

$12,000 - $18,000

This painting was part of the art rental program at the Dallas Museum of Fine Art in 1954. The original sticker is on the back of the painting.

211

210


Lot 212DEFORREST JUDD(Am. 1919-1993)

Acoma

oil on masonite 24 x 30signed lower left: DeForrest Judd

$4,000 - $8,000

212


DeForrest Judd’s children took music lessons at an instructor’s home here in Dallas. The instructor exchanged lessons for Judd’s paintings. This painting came directly from the musicinstructor’s collection.

71


Primitive Fantasy, 1955

oil on canvas 34 x 44signed on reverse: WM Lester, Primitive Fantasy, 1955

$5,000 - $10,000

213



White Fence, 1944

oil on masonite 24 x 30signed on reverse: WM Lester 1944

$10,000 - $15,000

214

Lot 215WARD LOCKWOOD(Am. 1894-1963)

Golden Passage, 1958

oil on canvas 38 x 48signed lower right: Lockwood

$15,000 - $25,000

215


This painting was exhibited in the 1968 Ward Lockwood Retrospective at the Amon Carter Museum of American Art.The exhibition sticker is on the back of the painting.

Studying at Pennsylvania Academy and in Paris, Lockwooddeveloped a talent for several forms of modernist painting.Moving to Taos in 1926, Lockwood, along with his friendsKenneth Adams, John Marin and Andrew Dasburg, began totake the painting of the region in a more modernist direction.Lockwood himself painted in Cubist, Expressionist, Surrealistand Constructivist style while in Taos.

His paintings can be found in the following collections: AmonCarter Museum of American Art; Dallas Museum of Art; theDeYoung Museum, San Francisco; Delaware Art Museum;Denver Art Museum; Fine Arts Museums of San Francisco-Legion of Honor; the Blanton Museum; McNay Art Museum;Metropolitan Museum of Art; Museum of Modern Art, NewYork; New Mexico Museum of Art and the San Francisco Museum of Modern Art to name a few.

73

Lot 217DAVID MCMANAWAY(Am. 1927-2010)

The Constable, 1965

oil on canvas 48 x 42signed lower right: David McManaway 65

$8,000 - $12,000

Lot 216ROSALIND B. LOGUE(Am. 20th Cent.)

Prairie Fire

oil on canvas 32 x 38signed mid right: Rosalind Logue

$600 - $1,200

Exhibited at the Dallas Museum of Fine Art.

217

216


Lot 218CECIL LANG CASEBIER(Am. 1922-1994)

Patterns, Old House, 1957

oil on masonite 30 x 48signed lower right: C Casebier 57

$2,000 - $4,000

218


Cecil Casebier was a Texas artist born March 22, 1922 in Fort Stockton, and died April 19, 1996in San Antonio. He was known for portrait, still-life paintings and murals as well as mosaics andstain-glass designs including 18 stained glass windows for St. Luke’s Episcopal Church in SanAntonio, Texas. He graduated from the University of Southern California and did graduate work atthe University of Texas. He served as Faculty Chairman of the Art Center, San Antonio, Texas.

75


Reclining Dancer, 1963

oil on canvas 40 x 48signed lower right: Cecil Casebier ‘63

$2,000 - $4,000

219



Sea Shelter, 1964

oil on masonite 20 x 30signed lower right: CL Casebier ‘64

$2,000 - $4,000220

Lot 223ANCEL NUNN(Am. 1929-2000)

Boy in the Sand with Hand, 1985

acrylic, egg tempera on board 30 x 36signed lower right: Ancel Nunn 1985

$6,000 - $8,000


The Dwellings of Naiads, 1993

acrylic on paper 26 x 36signed lower right: Ancel Nunn, 1993

$3,000 - $6,000

223

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221


Bright & Early Coffee & Tea #5

oil on masonite 12 x 24signed lower right: Ancel Nunn

$3,000 - $6,000

This painting was exhibited in the AncelNunn’s solo exhibition at Tyler Museum in1997. The original exhibition sticker is onthe back of the painting. This painting is alsoillustrated in the book: Ancel E. Nunn, ATimeless World by: Ancel Nunn, publishedby the Tyler Museum in 1972. In the book,Nunn explains the subject matter of thispainting and writes: “The traveling signpainter could paint a variety of Bright andEarly signs, depending upon the locate andera. He probably referred to them by number– this one could have been #5. The painterwould travel from stop to stop (perhaps in aconverted Model A pickup), painting hissigns in exchange for painting the rest of thefarmer’s barn, or the store owner’s name onthe front of the store. You can almost tracethis man’s journey thirty years later as hemoved across the countryside spreading hisform of art.”

222


77

Lot 225HIRAM DRAPER WILLIAMS(Am. 1917-2003)

Black Snake, 1962

oil on paper laid on board 29 x 25signed lower left: HD Williams

$1,500 - $3,000


Chair, 1985

oil on board 48 x 48signed lower right: Ancel E. Nunn 1985

$8,000 - $12,000

225

224


Lot 226BEN L. CULWELL(Am. 1918-1992)

Just Before Sundown on a Dog Day of Summer inLove, c.1974

oil & lacquer on masonite 35 x 56signed lower right: Blc

$15,000 - $20,000226

Lot 227TOM LEA(Am. 1907-2001)

Horse, 1976

watercolor on paper 18 x 17 1/2signed lower right: Tom Lea ‘76

$12,000 - $24,000

78

227

Lot 228TOM LEA(Am. 1907-2001)

El Guitarron, 1961

watercolor on paper 17 x 13signed lower left: Tom Lea 1961

$3,000 - $6,000228


79

Lot 229PERRY NICHOLS(Am. 1911-1992)

Mural Study, Cattle Drive

mixed media on paper 3 x 18 7/8

$1,000 - $2,000

230

229


Lot 230PERRY NICHOLS(Am. 1911-1992)

Untitled, Horses, 1957

watercolor on paper 21 1/2 x 29signed lower right: Perry Nichols

$1,500 - $3,000

Lot 232ADELE BRUNET(Am. 1871-1963)

Contemplation, c. 1930

oil on canvas 30 x 24signed lower right: A Brunet

$10,000 - $15,000

This painting was exhibited at the Panhandle-Plains HistoricalMuseum show: Lone Star Still Lifes.

Provenance: Collection of Mr. and Mrs. Bill Cheek, Dallas, TX;Collection of Mr. and Mrs. GeorgePalmer, Dallas, TX, current.

Lot 231POLLY HOFFMAN(Am. 1890-1949)

Bluebonnet

oil on canvasboard 12 x 14signed lower left: Polly Hoffman

$2,000 - $4,000

232

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231


81

Lot 233TOM LEA(Am. 1907-2001)

Sierra Madre Morning, 1968

oil on canvas 24 x 30signed lower right: Tom Lea

$100,000 - $150,000

233


This painting is included as a full page illustration on page 185 in the book: The Art of TomLea, complied by Kathleen G. Hjerter, introduction by William Weber Johnson, © 1989 TexasA&M University Press.

This painting depicts the landscape Lea most notably painted: “In westernmost Texas the RioGrand cuts its way between Mount Franklin and the Juarez mountains, becomes an internationalboundary, and starts its way to the sea. This is a land of harsh, wild beauty, of arching skies,abrasive winds, sand and searing sun, of cottonweeds, cactus and mesquite. Here the grittyplains and stony peaks of Texas and New Mexico meet the wide deserts and high sierras ofChihuahua.” – William Weber Johnson

Provenance: Tom Lea sold directly to Mr. and Mrs. Lewis J. Moorman Collection, San Antonio,TX; Estate of Lewis J. Moorman, current.

Lot 234FRANK E. KLEPPER(Am. 1890 -1952)

Catfish, c.1928

oil on canvas 24 x 30signed lower left: Klepper

$10,000 - $15,000

This painting is mentioned in a Dallas MorningNews article: “Klepper’s ‘Scapes and some Regretson a Newer Manner,” written by Jerry Bywaters on Nov. 17, 1933. Bywaters recalls: “We rememberone of Klepper’s paintings a few years back – negroes returning from along a levee. A story picture, but one with splendid possibilities.”

82

234


Catfish, c.1928

etching on paper 8 x 10

$800 - $1,200

235


83


Galveston – Fisherman Pulling in Net

watercolor on paper 17 x 21 1/2signed lower left: Klepper, Galveston

$2,500 - $5,000

236



Galveston

etching on paper 8 x 10

$800 - $1,200

237


The Last Glow

oil on canvasboard 10 x 14signed lower right: E.G. Eisenlohr

$4,000 - $6,000

84

238


Landscape

pastel on paper 6 x 11signed lower right: EG Eisenlohr

$1,000 - $2,000

239


85


Boats at Harbor

oil on canvasboard 12 x 16signed lower right: Paul R Schumann

$6,000 - $8,000

240


Schumann was born near Leipzig, Saxony, in the German Empire and immigrated with his family to theUnited States about 1879. After a brief stay in Indianola, which had been rebuilt on a smaller scale afterits destruction in an 1875 hurricane, the family settled in Galveston in 1881. There he received instruc-tion from Julius Stockfleth. According to a contemporary newspaper article, Schumann spent time inNew York and the East studying and painting, a report corroborated by numerous surviving sketches ofNew York scenes. His Galveston studio was destroyed in the 1900 hurricane. On the same site, Schumannrebuilt a studio in which he afterward taught privately and became a very productive painter, sometimesexecuting three paintings in one day amid his collection of ship models and statuary. He also worked inthe open air, once sketching a storm-driven sea until forced to retire by flying spray. Schumann is bestknown for marine and harbor scenes done in Galveston. He also produced a number of plein-air worksin Louisiana, the Texas Hill Country, New Mexico, Arizona, California, and the East Coast on occasionalexcursions. He worked in crayon, pencil, and pen and ink as well as oils. In his oils he made extensiveuse of the palette knife with singular effect. Schumann died in Galveston.

Had [Schumann] been an artist along the East Coast instead of the Gulf of Mexico, he would have beenknown all over the world. He is doing for the Gulf Coast what Winslow Homer did for Maine. [Young]

Source: Texas Painters, Sculptors & Graphic Artists by John and Deborah Powers.

Lot 244SEYMOUR THOMAS(Am. 1868-1956)

The Theft of the Rose, Portrait of Helen M. Haskell in her Wedding Dress

oil on canvas 29 x 15signed lower right: S Seymour Thomas: To Brother Ned. Sketch for Une Rose Paris Salon

$10,000 - $15,000

Lot 241LEROY IRELAND(Am. 1889-1970)

Still Life, 1920-1922

oil on canvas 17 x 15 1/2signed lower right: Leroy Ireland ‘20

$4,000 - $6,000

244

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241

Lot 243HERMAN LUNGKWITZ(Am. 1913-1891)

Untitled - House

oil on board 7 x 8

$6,000 - $10,000

243


Untitled, 1899

oil on canvas 12 1/4 x 9 1/2signed upper right: Eisenlohr

$12,000 - $16,000

242


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Lot 245HAROLD RONEY(Am. 1899-1986)

Where the Bluebonnets Grow

oil on canvas 30 x 36signed lower right: Harold Roney 1948

$10,000 - $20,000

245


Lot 246EUGENE THURSTON(Am. 1896-1993)

Desert Shower, 1978

oil on canvas 24 x 30signed on reverse: Eugene Thurston, Desert Shower, 1978

$5,000 - $8,000

246

Lot 249EMIL HERMAN(Am. 1870-1966)

Texas Bluebonnets, The Texas State Flower, 1945

oil on canvas 19 x 23signed lower left: Emil Herman

$1,000 - $2,000249

Lot 247LOUIS OSCAR GRIFFITH(Am. 1875-1956)

Aspens in Autumn

oil on canvas 24 x 30signed lower left: L.O. Griffith

$6,000 - $12,000

88

247


The Village

oil on board 10 x 14signed lower right: Kathryn Hail Travis

$800 - $1,200

248




Autumn Landscape

oil on canvas 16 x 22signed lower left: EG Eisenlohr

$50,000 - $70,000

250

Lot 251PETER L. HOHNSTEDT(Am. 1871-1957)

Landscape

oil on canvas 16 x 20signed lower right: PL Hohnstedt

$800 - $1,200251


Creek Scene

oil on canvas 16 x 20signed lower left: P Salinas

$10,000 - $15,000

254

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Lot 253DWIGHT CLAY HOLMES(Am. 1900-1986)

Bluebonnet Landscape

oil on canvas 23 1/2 x 36signed lower left: Dwight C. Holmes

$5,000 - $10,000

253


Lot 252PETER HOHNSTEDT(Am. 1871-1957)

Afternoon Visit

oil on panel 20 x 24signed lower right: PL Hohnstedt

$5,000 - $10,000

252

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Lot 255WESLEY FREDERICK JARVIS(Am. 1868-1966)

Landscape

oil on canvas 20 x 26signed lower right: W. Frederick Jarvis

$2,500 - $5,000

255


Lot 256RALPH MCLELLAN(Am. 1884-1977)

San Marcos River

oil on canvas 17 x 21signed lower right: R. McClellan

$3,000 - $5,000

256

Lot 257EDMUND D. KINZINGER(Am. 1888-1963)

Spanish Beauty

oil on paper 24 x 19estate stamped lower right

$3,000 - $6,000

257

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Lot 258EDMUND D. KINZINGER(Am. 1888-1963)

Women in Taxco, 1936

oil on paper 20 x 15signed

$4,000 - $8,000

258


93

Lot 259HARVEY JOHNSON(Am. 1947-)

Untitled

oil on canvas 40 x 30signed lower right: Harvey Johnson

$18,000 - $25,000

259


“Harvey Johnson came to Houston from Port Arthur to study art at Texas Southern University under world-renownedartist, sculptor and teacher John Biggers who founded the schools’ program in 1949… Johnson recalled, “As soon asJohn and I met each other – our eyes met – immediately we started reading each other’s mind.” – Debbie A. Harwell.This is an excerpt from the article written by Debbie A. Harwell in her article titled: Beauty in the Eye of the Beholder:Third World Art Treasure but a Memory, published April 18, 2011 in the Houston History Magazine.

Johnson is known for his narrative paintings, depicting the human condition. He is a poet and his paintings revealemotions and the strength of the human spirit. This painting depicts African American women which “function assolid and graceful allegories of creativity, life, hope and the survival of a community and culture.”

Source: from the article written by the Houston Public Library on Johnson’s exhibition Negro Spirituals: A Triple Middle Passage.

Lot 261DOUG CLARK(Am. 20th Cent.)

Don’t Mess with Texas

edition 4/50bronze 4 1/2 x 8 3/4 x 4 1/2signed: DB Clark, Ed. 4/50

$800 - $1,600

260

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261

262


Lot 260DOUG CLARK(Am. 20th Cent.)

Mustang Spirit

edition 2/25bronze 6 1/2 x 11 1/2 x 4 1/2signed: DB Clark, Ed. 2/25

$1,000 - $2,000

Lot 262CHARLES UMLAUF(Am. 1911-1994)

Head of Model

terra cotta on wood base 15 1/2 x 14 x 9signed: Umlauf

$2,500 - $5,000

95


Seated Madonna and Child

bronze 25 x 12 1/2 x 7signed on sculptural base: C Umlauf

$8,000 - $12,000

264


Male Nude

stoneware 30 1/2 x 10 x 12signed: C Umlauf

$2,500 - $5,000

263



Untitled – Adobes

oil on canvasboard 8 x 10signed lower right: MT Mauzey

$600 - $800

Lot 265EUGENE THURSTON(Am. 1896-1993)

Adobes

oil on canvasboard 12 x 16signed lower left: Eugene Thurston

$1,500 - $3,000

266

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265

Lot 267BERLA EMEREE(Am. 1899-1948)

El Paso, Texas

oil on canvas 15 x 26signed lower left: Berla Emeree

$1,000 - $2,000267


97


Organ Mountains, Las Cruces, New Mexico & El Paso, Texas

oil on panel 10 x 12signed lower left: Berla Emeree

$1,000 - $2,000

Lot 270THOMAS L. LEWIS(Am. 1907-1978)

Saguaro Desert

oil on board 22 x 28signed lower left: Thos. L. Lewis

$600 - $1,200270

268



Adobe in Socurro, Mexico

oil on panel 7 1/2 x 10signed lower left: Berla Emeree

$1,000 - $2,000

269

Emeree was born in Wichita, Kansas, and moved with herfamily to El Paso in 1907. At age seventeen she studied inPhiladelphia with Frank Benton Ashley Linton and after-ward with Michael Jacobs. In Texas she was a student ofJose Arpa, Xavier Gonzalez, and Rolla Taylor. She paintedand studied at various times in Paris, London, Belgium,Germany and the Netherlands. She specialized in land-scapes and reportedly exhibited in France. In 1924 Emereeestablished the Emeree Scenic Drive Art School in El Paso,afterward named the Berla Ione Emeree School of Painting.She died in an El Paso hospital and was buried in the city.

Source: Texas Painters, Sculptors & Graphic Artists by Johnand Deborah Powers


Landscape

oil on board 9 x 12signed lower left: Lewis Teel

$2,500 - $5,000

98

271

Lot 272LUCRETIA COKE(Am. 1917-)

Double Mountain

pastel on paper 11 x 14singed lower right: LD Coke

$800 - $1,200272


99


Giants of the Desert, c. 1925

oil on canvas 20 x 30signed lower left: Lewis Teel

$6,000 - $12,000

273


Teel was born in Clarksville and reared in El Paso, where his family moved in 1899. He started his businesscareer as an engineer in Mexico and was afterward superintendent of the mechanical department for a De-troit manufacturer. During this time, he received training in commercial art. After his return to El Paso, heentered the automobile business and in 1927 began to paint full time. He painted in and around El Paso,Santa Fe, Arizona and the Trans-Pecos region of Texas including the Big Bend area. He was a resident ofSan Antonio in 1934 and returned to El Paso in 1937. William Hogg, a wealthy Houston oilman, once pur-chased Teel’s entire collection of seventeen paintings, Teel specialized in desert landscapes and pastel por-traits. A columnist for the El Paso Times called him a “master in his presentation of far distances, especiallynoticeable in the scene of lovely quietude, far away blue shadows on the mountain, and a soft light in theforeground.” Teel died in a Long Beach, California, hospital following a short illness. Survivors include hisson Lewis Woods Teel, Jr.

Source: Texas Painters, Sculptors & Graphic Artists by John and Deborah Powers

Lot 274CLARA C. PANCOAST(Am. 1873-1959)

Texas Bluebonnets

oil on canvas 14 x 18signed lower right: CC Pancoast

$3,000 - $6,000

100

Lot 275WALTON LEADER(Am. 1876-1966)

Verbenas

oil on canvas 20 x 24signed lower left: Walton Leader

$3,000 - $6,000

275


274

101


Ice Skaters

watercolor on paper 18 x 23signed lower right: Ethel Spears

$2,000 - $4,000


Lot 276GEORGE H. MACRUM(Am. 1870-1955)

Untitled, 1908

oil on board 8 x 10signed lower right: G.H. Macrum

$1,000 - $2,000

278

276



Chicago Industrial


$2,500 - $5,000

277

Lot 280DOUGLAS LEON CARTMEL(Am. 20th Cent.)

Portrait, 2001

oil on linen 32 x 58signed on reverse: Douglas Cartmel

$5,000 - $10,000

This hand painted oil on linen painting wasexecuted in 2001. Cartmel uses a techniqueof painting in squares of color mimicking apixelated look. The subject appears to dema-terialize as you approach the painting, but ata distance or through a camera lens, her facebecomes almost photorealistic (see reduction).Graduate of University of Texas, Arlington,Cartmel is currently exhibiting his work inNew York, California and across Texas. Hecurrently lives in Dallas, TX.

Lot 279GUSTAV LIKAN(Am. 1912-1998)

Still Life

oil on canvas 24 x 30signed lower right: Likan

$1,500 - $2,000

102

279

Lot 281DOROTHY POULOS(Am. 20th Cent.)

The Bicycle

oil on Masonite 36 x 48signed lower left: D Poulos

$750 - $1,500281


280

reduction

103

Lot 283THOMAS L. LEWIS(Am. 1907-1978)

Bluebonnets

oil on board 12 x 16signed lower left: Thos. L. Lewis

$1,200 - $1,800

Lot 282CONNY MARTIN(Am. 1925-2010)

Arkansas Boat Works, 1965

oil on canvas 30 x 40signed lower right: Conny Martin

$1,000 - $2,000

283

282


Lot 284JERRY MALZAHN(Am. 1946-)

Texas Landscape

oil on canvas 16 x 20signed lower right: J Malzahn

$1,500 - $3,000

Jerry Malzahn, born 1946, is a Texas Artistwho began painting at the age of 48. He is amember of the Salmagundi Club of New Yorkand has a painting in the US Naval AcademyMuseum. He recently collaborated with theColorado Symphony Orchestra, in the exhibi-tion of Jerry’s paintings and the performanceof Two time Emmy winner Charles Denler’s“Portraits of Colorado.” Jerry exhibits regu-larly in Texas, Colorado and New York.

Lot 286ULRICH W. FISHER(Am. 1887-1970)

The Old Bridge

oil on canvasboard 8 x 10signed lower middle: U.W. Fisher

$300 - $600

284

104

286

Lot 285HARRY ANTHONY DEYOUNG(Am. 1893-1956)

Autumn

oil on canvas 20 x 24signed lower right: Harry Anthony DeYoung

$6,000 - $9,000

285


105

289

Lot 290JOHN ELLIOT JENKINS(Am. 1868-1937)

Landscape

oil on masonite 18 x 24signed lower right: John Elliot Jenkins

$3,000 - $6,000

290

287


Lot 288HAROLD RONEY (Am. 1899-1986)

West Texas Summer

oil on canvas 25 x 30signed lower right: Harold Roney

$10,000 - $15,000

288

Lot 289DOLLIE S. NABINGER(Am. 1905-1988)

East Texas Landscape

oil on canvasboard 14 x 18signed lower right: DS Nabinger

$500 - $1,000


Autumn Landscape

oil on canvas 25 x 30signed lower right: Robt Wood

$6,000 - $8,000

Lot 293ULRICH W. FISHER(Am. 1887-1970)

Santa Elena Canyon, Big Bend Mountain Park

oil on canvasboard 18 x 24signed lower right: U.W. Fisher

$600 - $1,200

Lot 291FRANK GERVASI(Am. 1895-1986)

Elephant Mountain, South of Alpine, Texas

oil on canvasboard 12 x 16signed lower right: F. Gervasi

$600 - $1,200

293

106

291

Lot 292DOLLIE S. NABINGER(Am. 1905-1988)

Bluebonnets

oil on canvas 12 x 16signed lower left: DS Nabinger

$800 - $1,500

292

Lot 294CLARA MCDONALD WILLIAMSON(Am. 1875-1976)

Country Club, 1957

oil on masonite 9 x 12signed lower right: Clara Williamson

$1,500 - $2,500

294


107

Lot 298ODON HULLENKREMER(Am. 1888-1978)

Nude

oil on canvas 13 x 10signed lower left: Odon Hullenkremer

$1,500 - $3,000

Lot 295CONSTANCE FORSYTHE(Am. 1903-1987)

Late Afternoon, West Texas Mesa, c. 1950

watercolor on paper 15 1/2 x 21 1/2 signed lower left: C Forsythe

$1,000 - $2,000

This painting was exhibited in the 1955 University of Texas Faculty Show.

Lot 297JUANITA TITTLE POLLARD(Am. 1909-1994)

Pueblo Angels, 1962

oil on canvas 15 x 15signed lower right: J. Tittle Pollard

$500 - $1,000

Pollard was born in Merkel, Texas and reared in Abilene.She graduated from Abilene Christian College and gother masters degree from Texas Womans University,Denton. Pollard studied at the Art Institute of Chicago,the University of Southern California, Los Angelesand in Colorado. Her instructors included Harry Anthony De Young, Frank Reaugh, Olin Travis, E.G.Eisenlohr, Everett Spruce, William Lester, FredericTauges, Abraham Rattner and Wilfred Higgins.

297

298

295


Lot 296HARRY WORTHMAN(Am. 1909-1989)

Sunset Over El Capitan

oil on canvas 24 x 36signed lower right: Harry Worthman

$2,000 - $4,000

296

Lot 301PATTIE EAST(Am. 1894-1994)

Village in Mexico

oil on canvasboard 16 x 20signed lower right: East

$1,000 - $2,000

Lot 299JULYA KIRKPATRICK(Am. 1917-)

Mail Boxes

watercolor on paper 14 x 20 1/2signed lower left: Julya Kirkpatrick

$1,000 - $2,000

301

108

299

Lot 302SANTA DURAN(Am. 1909-2002)

Autumn Day, Texas, 1927

oil on canvas 12 x 16signed lower left: Santa Duran

$500 - $1,000302

Lot 300JANET DOWNIE(Am. 1854-1944)

Bluebonnets

oil on board 9 1/2 x 14signed lower left: J Downie

$1,000 - $2,000

300


109

Lot 303WARNER HOOPLE(Am. 1904-1989)

Boaz Pulling Unit, 1958

watercolor on paper 13 x 17signed lower right: Warner Hoople 1958

$1,500 - $3,000

Lot 306HERI BERT BARTSCHT(Am. 1919-1996)

Construction, Dallas Skyline, 1954

oil on canvas 30 x 40signed lower right: Bartscht 1954

$1,500 - $2,500306

305

303



Oil Refinery, 1953

watercolor on paper 15 x 21signed lower right: Warner Hoople 1953

$1,500 - $3,000

304


Texas Oil Field, 1959

watercolor on paper 13 x 17signed lower left: W Hoople ‘59

$1,500 - $3,000

Lot 310JEN PANNELL(Am. 20th Cent.)

Peak-a-boo

oil on canvas 36 x 24signed lower right: Jen Pannell

$1,500 - $3,000

Lot 307ARTHUR EARL HADDOCK(Am. 1895-1980)

Cowboy on Horseback

watercolor on paper 12 x 15 1/2signed lower right: Haddock

$1,000 - $2,000

310

110

307

Lot 308R. FRED MASON(Am. 20th Cent.)

Fort Worth Longhorns

oil on canvas 24 x 36signed lower left: Fred Mason

$1,200 - $2,500

308

Lot 309PETER GRAB(Am. 20th Cent.)

Roping

watercolor on paper 20 x 24signed lower right: Grab

$1,000 - $2,000

309


111

Lot 312CHARLES BERKELEY NORMANN(Am. 1903-1985)

Texas Capital

oil on canvas 13 x 18signed lower left: CB Normann

$1,000 - $2,000

Lot 311HENRY EINFELDT(Am. 1873-1952)

Bluebonnet Landscapes (two paintings)

oil on board 7 1/2 x 11 1/2 (each)

$500 - $1,000

Lot 313HERB FICKLEN(Am. 1911-1980)

Grandma’s Wagon

oil on canvas 20 x 30signed lower right: Herb Ficklen

$800 - $1,500313

312

311


Lot 314JERRY RUTHVEN(Am. 1947-)

Landscape with Creek

oil on canvas 18 x 24signed lower right: Ruthven

$800 - $1,500

112

314

Lot 316PETER L. HOHNSTEDT(Am. 1871-1957)

Fall Landscape

oil on canvas 16 x 20signed lower right: PL Hohnstedt

$1,000 - $2,000316

Lot 315LYNDEN EISENLOHR(Am. 1893-1944)

Texas Wildflowers

oil on canvasboard 17 x 12signed lower left: LL Eisenlohr

$1,000 - $2,000

315


113

Lot 319LOLA VIVIAN PACE MUELLER(Am. 1889-1949)

Plantation

watercolor on paper 18 1/2 x 24 1/2signed lower left: Lola Mueller

$3,000 - $4,000

Lot 317JESSIE ALINE WHITE(Am. 1889-1988)

Untitled

oil on masonite 10 x 14signed lower right: Jessie Aline White

$600 - $800

Lot 320HARDY MARTIN(Am. 20th Cent.)

Texas Stock Tank

oil on canvasboard 16 x 20signed lower left: Hardy Martin

$600 - $1,200320

319

317


Lot 318LOLA VIVIAN PACE MUELLER(Am. 1889-1949)

Cotton Gin

watercolor on paper 18 1/2 x 24 1/2signed lower right: Lola Mueller

$3,000 - $3,000

318

Lot 322CARL HOPPE(Am. 1897-1981)

Early Fall Day, 1948

oil on canvas 20 x 24signed lower right: C. Hoppe ‘48

$2,000 - $4,000

Exhibited at the Witte Memorial Museum, San Antonio, TX for purchased prize exhibition.

114

322


Nogales Canyon

watercolor on paper 10 x 13 1/2signed lower right: K.H. Travis

$1,000 - $2,000

323


Lot 321DWIGHT CLAY HOLMES(Am. 1900-1986)

Lanford Ranch, N.W.

oil on board 16 x 20signed lower left: Dwight C. Holmes

$1,000 - $2,000

321

115

Lot 326LISA ALDERSON(Am. 20th Cent.)

Sunset

pastel on paper 18 x 24signed lower left: L Alderson

$600 - $800


Texas Hill Country

oil on board 7 x 4signed lower right: M Haltom

$500 - $1,200

326

324


Lot 327LISA ALDERSON(Am. 20th Cent.)

Cactus, Egin, TX

oil on canvas 16 x 20signed lower right: Lisa Alderson

$600 - $800

327


Bluebonnets

oil on board 4 x 6signed lower right:M Haltom

$500 - $1,200325

Lot 328MARCIA HUTCHISON(Am. 20th Cent.)

Green McCaw

oil on canvas 30 x 24signed lower right: Marcia H.

$800 - $1,200

331

116

328

Lot 330BURTON WILLIAMS(Am. 20th Cent.)

Canadian Geese in Flight

watercolor no paper 10 x 14signed lower left: Burton Williams

$200 - $400

330

Lot 329BURTON WILLIAMS(Am. 20th Cent.)

Donkey

watercolor on paper 14 x 21signed lower left: Burton Williams

$200 - $400

Williams studied with Bud Biggs and NaomiBrotherton among other Dallas watercolorists.His work was exhibited at the Dallas Museumof Natural History.

329


Lot 331MARGARET FLY(Am. 20th Cent.)

Landscape

oil on masonite 14 x 18signed lower right: Margaret Fly

$1,000 - $2,000

117

Lot 332DON L. PARKS(Am. 20th Cent.)

Davis Mountains

oil on canvas 16 x 20signed lower right: Don Parks

$800 - $1,200

332



String Quartette

hand colored lithograph 8 1/2 x 15 3/4signed lower right: Olin Travis

$750 - $1,500

333


Gathering Wheat

oil on canvas 35 x 35signed lower left: Hardy Martin

$1,500 - $3,000


Cattle Drive

oil on canvas 40 x 60signed lower right: Hardy Martin

$1,500 - $3,000

Lot 334RUTH MAE MCCRANE(Am. 1929-2002)

Country Fair, 4/20/96

oil on board 24 x 48signed lower middle: Ruth Mae McCrane 4/20/96

$1,500 - $3,000

335

118

334


Man Plowing Field

oil on canvas 35 x 35signed lower left: Hardy Martin

$1,500 - $3,000

336


337


ADICKES, DAVID 120, 122, 124

ALBRITTON, H.J. 81

ALDERSON, LISA 326, 327

ALTHEIDE, CHARLES HARVI 71

ARPA, JOSE 41

BACHOFEN, MAX 73

BACKSTROM, KATHRYN K. 84

BARTSCHT, HERI BERT 306

BASSETT, REVEAU 17, 82, 83

BEARDEN, ED 209

BECKER, MAYZE 88

BESS, FORREST C. 133

BLACKSHEAR, KATHLEEN 54

BOMAR, BILL 180, 184, 186

BONNER, MARY A. 36, 37, 38

BOONE, ELMER L. 104

BOWLING, CHARLES TAYLOR 20, 22, 90

BRANTS, CYNTHIA 86

BREWER, ADRIAN 107

BROWN, TOM 106

BROWNLOW, DAVID 188, 189

BRUNET, ADELE 232

BURT, MARIE HAINES 102

BYWATERS, JERRY 27

CAHERO, EMILIO GARCIA 56

CALDER, FRANK HILL 66, 67

CANTEY, MAURINE 72

CARTER, FREDERICK 115

CARTMEL, DOUGLAS 280

CASEBIER, CECIL LANG 218, 219, 220

CHERRY, EMMA RICHARDSON 132

CHILTON, ALICE 109

CISNEROS, JOSE 5

CLARK, DOUG 260, 261

COKE, LUCRETIA 272

COLLIER, BETSY 175

COLLINS, EDNA GERTRUDE 68, 69

COMPTON, CARL BENTON 114

COOK, PAUL RODDA 140, 141, 143

COPPINO, POMPEO LUIGI 70

CULWELL, BEN L. 226

CURRY, ED 87

CURTIS, MARY CRANFILL 119

DARGE, FRED 77, 78, 79

DAVIS, JESSIE 57

DAWLEY, JOSEPH WILLIAM 111, 112, 113

DAWSON-WATSON, DAWSON 91, 145

DELABANO, BARNEY 211

DEYOUNG, HARRY ANTHONY 285

DOWNIE, JANET 300

DOZIER, OTIS 4, 23, 60, 61, 62,63, 64, 65, 95, 203,204, 205, 206

DOZIER, VELMA 94

DUNCAN, RUTH 99

DURAN, SANTA 302

EAST, PATTIE 301

EINFELDT, HENRY 311

EISENLOHR, EDWARD GUSTAV 29, 30, 31, 32, 33,34, 35, 238, 239,242, 250

EISENLOHR, LYNDEN 315

ELDER, INEZ STAUB 92

ELLIOTT, WILLIAM 75

EMEREE, BERLA 267, 268, 269

FEARING, KELLY 42, 171, 190, 191

FICKLEN, HERB 313

FISHER, ULRICH W. 286, 293

FLAMING, JON 74, 76

FLY, MARGARET 331

FORSYTH, CONSTANCE 295

FRARY, MICHAEL 44, 168

GERVASI, FRANK 291

GONZALES, XAVIER 193

GORDY, ROBERT P. 192

GRAB, PETER 309

GRIFFITH, LOUIS OSCAR 247

HADDOCK, ARTHUR EARL 307

HALTOM, MINNIE 110, 324, 325

HENRI, ROBERT 8

HERBECK, HUGO ALBERTO 89

HERMAN, EMIL 249

HOCHBERG, ZANNE 198, 201, 201-A,202

HOFFMAN, POLLY 231

HOGUE, ALEXANDRE 47, 48, 49, 50, 51,52, 53

HOHNSTEDT, PETER L. 251, 252, 316

HOLMES, DWIGHT CLAY 253, 321

HOOPLE, WARNER 303, 304, 305

HOPPE, CARL 129, 322

HULLENKREMER, ODON 298

HURD, PETER 10, 16

HUTCHISON, MARCIA 328

IRELAND, LEROY 241

IWONSKI, CARL G. 165

JARVIS, WESLEY FREDERICK 255

JENKINS, JOHN ELLIOT 290

JOHNSON, HARVEY 259

JOLLY, WADE LYTTON 169

JUDD, DEFORREST 210, 212

KEENER, ANNA 162

KING, CLINTON B. 43, 123

KINZINGER, EDMUND 257, 258

KIRKPATRICK, JULYA 299

KLEPPER, FRANK E. 163, 234, 235, 236,237

KLOSS, GENE 19

LEA, TOM 3, 7, 9, 11, 227,228, 233

LEADER, WALTON 275

LESTER, WILLIAM 197, 213, 214

LEWIS, THOMAS L. 270, 283

LIKAN, GUSTAV 279

LOCKE, LUCIE HARRIS 125

LOCKWOOD, WARD 215

LOGUE, ROSALIND B. 216

LUNGKWITZ, HERMAN 243

MACRUM, GEORGE H. 276

MAHAFFEY, JOSEPHINE 172, 173, 174, 176,177, 178, 179

MALZAHN, JERRY 284

MAPLES, HAROLD 58

MARTIN, CONNY 282

MARTIN, HARDY 320, 335, 336, 337

MASON, R. FRED 308

MAUZEY, MERRITT 12, 13, 14, 15, 266

MCCLUNG, FLORENCE 24, 25, 26, 55, 139

MCCRANE, RUTH MAE 334

MCGILL, ELOISE POLK 128, 130, 131

MCLELLAN, RALPH 256

MCMANAWAY, DAVID 217

MCVEIGH, BLANCHE 46

MEWHINNEY, ELLA K. 126

MOON, MAURIN 138

MORRIS, JAMES STOVALL 207, 208

MUELLER, LOLA VIVIAN PACE 318, 319

NABINGER, DOLLIE S. 289, 292

NAIL, FRANCES 200

NICHOLS, PERRY 229, 230

NICOLS, AUDLEY DEAN 157

NORMANN, CHARLES BERKELEY 312

NUNN, ANCEL E. 221, 222, 223, 224

ONDERDONK, JULIAN 158, 159, 160, 164,165-A

ONDERDONK, ROBERT JENKINS 166, 167

ORTH, JOHN WILLIAM 101

PANCOAST, CLARA C. 274

PANNELL, JEN 310

PARKS, DON L. 332

PETERS, PEGGY COOLON 100

PICKNEY, PAULINE A. 1

POLLARD, JUANITA TITTLE 297

POULOS, DOROTHY 281

RASCOE, STEPHEN THOMAS 194

REED, DOEL 6, 18

REEDER, DICKSON 196

REILY, BILL 195

RONEY, HAROLD 245, 288

RUTHVEN, JERRY 314

SALINAS, PORFIRIO 146, 149, 161, 254

SCHIWETZ, E.M. BUCK 117

SCHUMANN, PAUL R. 144, 150, 240

SLIMP, ALTIE 97

SMITH, EMILY GUTHRIE 98, 187

SPEARS, ETHEL 96, 135, 136, 278

SPELLMAN, COREEN 28

SPRUCE, EVERETT 2, 39, 116

STEEL, PAT 182, 183

STEEL, SARAH SHANNON 170

STRAHALM, FRANZ 127

SULLIVAN, STELLA 121

TAYLOR, ROLLA S. 154, 155, 156

TEEL, LEWIS 105, 271, 273

THOMAS, SEYMOUR 244

THURSTON, EUGENE 246, 265

TOMASH, ELEMBER 118

TRAVIS, KATHRYN HAIL 137, 248, 323

TRAVIS, OLIN 21, 80, 93, 103,277, 333

TURNER, JANET 45

UMLAUF, CHARLES 262, 263, 264

UTTER, BROR 181, 185

VOGEL, DONALD 134

WALL, BERNHARDT 40

WARDEN, BILL 108

WARREN, MELVIN CHARLES 59

WHITE, JESSIE ALINE 317

WHITE, RALPH 85, 199

WILLIAMS, BURTON 329, 330

WILLIAMS, HIRAM DRAPER 225

WILLIAMSON, CLARA MCDONALD 294

WOOD, ROBERT 142, 147, 148, 151,152, 153, 287

WORTHMAN, HARRY 296

INDEX of ARTISTS


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Front cover (detail): Page 67, Lot 205 – Otis Dozier • Inside front cover (detail): Page 69, Lot 210 – DeForrest Judd Inside back cover (detail): Page 51, Lot 164 – Julian Onderdonk • Back cover (detail): Page 81, Lot 233 – Tom Lea

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