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Darwin and Derrida:Cognitive Literary TheoryAs a Species of
Post-Structuralism
Ellen SpolskyEnglish, Bar-Ilan
Abstract Rather than denying the insights of post-structuralist
theory, literary in-
terpretation and theory with an evolutionary cognitive
perspective actually nestles
nicely within a central niche of deconstructionist thinking,
that is, the critique of
representation.What we learn from recent cognitive science is
that the meanings of
texts are indeed unstable and dependent upon contingent
contexts. While theories
of neuronal activity can be understood as analogous to the
critique of representation,
the cognitive evolutionary argument supports Stanley Cavells
counterproposal, that
is, that while our representational powers are not ideal they
are sucient. It is pos-
sible then to argue further that the very exibility that
destabilizes meaning is not
only good enough, it is responsible for our success, such as it
has been, in building
and revising human cultures.
Situated within and enriching the insights of post-structuralist
theory, cog-nitive literary theory conrms and claries issues
previously dealt with byphilosophical, psychoanalytical, and
cultural theorists and is beginning toproduce the kind of
sophisticated literary scholarship rightly valued withinour
profession.Were I to locate the source of my optimism in a single
mo-ment of epiphany, I would refer to my having been convinced that
Darwinstheory of evolution is signicantly homologous to the
post-structuralist cri-tique of representation. A helpful text here
is Daniel Dennetts () read-ing of Darwin as a natural theory of
permanently unstable ontological cate-
Poetics Today : (Spring ). Copyright by the Porter Institute for
Poetics andSemiotics.
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44 Poetics Today 23:1
gories. Based on Darwins observation that evolved mechanisms
might bereused for new purposes in new environments, Dennett (: )
ex-tends this natural argument against biological essentialism to a
performa-tive theory of natural (and perpetual) meaning. In this
theory languagemeaning is fundamentally contingent or, as Jacques
Derrida (: ) de-scribed it in his deconstruction of J. L. Austins
speech act theory, compro-mised by the unsaturability of
context.This conrms, forme,HillisMillers(: ) claim that there is no
escaping the performative or positionalpower of language as
inscription. The deconstructionist project has madeit impossible to
ignore how the rhetorical or tropological dimension oflanguage
undermines our condence in stable, iterable, meaning (ibid.).My
understanding of the usefulness of the cognitive way of talking
aboutthe cultural production of human minds and brains is, thus,
based on ananalogy between some elementary facts about the human
evolved brainand the post-structuralist view of the situatedness
ofmeaning and of its con-sequent vulnerability to the displacements
and reversals that deconstruc-tionist criticism reveals.My neurons,
it seems, are like me.They spend their time collecting mes-
sages from dierent (often dierently reliable and often
conicting) sourcesand weighing them.The complicated decisions they
make about whetheror not to continue the transmission (to re) seem
not unlike mine on a nor-mal day of watching, thinking,making
connections with other information,and nally acting, often on less
than the best evidence. My decisions, thatis, are often, like my
brains, preference judgments.1 Although an evolvedbrain cannot be
said to have been built for all that I use it for, it has
adapted,and for now at least its functioning is good enough to get
me through theday. (Mostly.)The philosophical parallel to the
brains not-after-all-so-oddly human
way of working is to be found in the critique of metaphysical
idealism as ex-pounded, for example, in the work of Stanley Cavell.
Cavells rereading ofLudwigWittgenstein in The Claim of Reason ()
moves philosophical dis-cussion toward a neurologically authentic
plane by struggling to nd a wayto display, express, and understand
how ordinary everyday truths indeedwork for us well enough most of
the time. Cavells work enlightens and alsolightens the problems
ofmiscommunication, arriving again and again at theclaim that it is
possible to live an intelligent, satisfying, and even amoral
lifewith the mental equipment that is the human inheritance. It is
possible to
. Preference models were rst described in Jackendo as a way to
display word mean-ing without fatal rigidity. Ellen Schauber and I
() demonstrated how the model describesliterary genres.
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Spolsky Darwin and Derrida 45
recover, in his words, from the tragically debilitating
skepticism that rejectsgood enough knowledge in a vain struggle for
an impossible ideal.But this is to jump too quickly to the happy
ending. We need neither
neurology nor philosophy to tell us that human beings are hardly
per-fect knowers. Sometimes we get it, but often we just get
confused. Peopleare often rather pathetic misunderstanders not to
mention megaforgetters,chronic confusers, malaproposers.We laugh at
the human comedy of tele-vision sitcoms and cry at the high
cultural texts that display the tragiclimits of our understanding.
Homer Simpson stumbles through, but Oedi-pus,Hamlet,
andKingDavidleaders ofmen, philosophers, poetsusingtheir senses and
all the intuition they can muster, fail to know enough whenit
matters most.From an evolutionary perspective, then, Aristotles
opening assertion in
hisMetaphysics is incomplete. Allmen, by nature, he said, desire
to know.Forfeiting his gnomic elegance, the sentence might be
expanded thus: Itis a good guess that the survival of the human
species depended and prob-ably still depends on an ability to
collect, collate, and apply reasonably re-liable information about
the environment to the projection of possibilities(including
counterfactual possibilities), and to decision-making processes.If
this assumption is true, then it is probably true that all people
by naturedesire to know and that those who did not innately desire
to know andwho did not develop reasonably accurate (but not
necessarily perfect) waysof assessing their relationships to the
world around them have long sincedied o.One general answer to the
question of how the capacity to know has de-
veloped with the requisite exibility is suggested by a modular
theory ofcognition. Briey, modularity hypotheses explore the
implications of ourhaving developed parallel systems of knowledge
acquisition. Like other ani-mals, and even some plants, humans
learn about an object inmore than oneway at once, by seeing and
hearing and touching it, for example.While thishas on the whole
been good for survival, modularity also produces inter-modular
conicts.Consider the advantages rst. One advantage of modularity is
that by
having a set of dierent receptors/processors (ears and eyes,
etc.) instead ofhaving a single all-purpose one, we are equipped to
respond variously tothe various kinds of energy in the world (to
sound waves and to light waves,to words and to smiles). Another
positive consequence of modularity is thatif one system fails all
is not lost. The various modules are suciently inde-pendent to
defer and perhaps avoid general shutdown, often allowing
theindividual to survive even if compromised.There is, however, a
price to be paid for the relative insularity ofmodules,
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46 Poetics Today 23:1
and that is that translation systems are needed to integrate the
knowledgereceived and produced in the separatemodules (Jackendo ).
And herewe can make use of another evolutionary postulate: If the
translation sys-tems between modules were perfectif knowledge from
one module wereso well translated into knowledge from another that
the two were entirelythe same (that is, seemed the same to
consciousness and functioned in thesame way)then we would lose the
advantage of being made aware ofthe dierences. If you know that
there is a stream nearby both by noticingthe relative richness of
vegetation in a linear pattern and by hearing it, youcan nd it, day
or night. The modular system of knowing makes good useof a set of
less than ideal receptors by combining them to produce redun-dancy,
that is, conrmation, even at the cost of producing conict now
andthen.The gaps or miscalibrations between the information from
the dier-ent modules may be lled by analogy with memories of past
experience orby inference and deduction.This story of modularity
was originally told byJerry Fodor (), but the version oered here
includes revisions by RayJackendo (), who rst noticed the gaps
between structures of infor-mation. In Gaps in Nature: Literary
Interpretation and the Modular Mind (),I adduced a further
advantage of modularity: the creative potential of thegaps. Since a
gap must be lled by an inference based on individual ex-perience
and memory, even in similar situations dierent people will
makedierent inferences.The evidence of cultural diversity (indeed
the dicultyof locating and describing cultural universals) strongly
suggests that the ge-netic inheritance does not predict how it will
be used, nor does it control theoutcome of its processes. Assuming
then that at least a gap if not a conictalways exists between what
can be learned from vision and from, say, wordsor between words and
touch, a cultural historian will have to understandthe
historical/ideological/cultural context in order to gain insight
into thequestion of why any particular intermodular conict (itself
presumably anage-old physiological miscalibration; somethingHomo
sapiens had long agolearned to compensate for, ignore, and even
prot from), suddenly becomesa cultural crisis.2
Let me pause for a minute to punctuate. I have begun to suggest
thatcognitive and evolutionary hypotheses produce new questions
about his-tory and culture, questions that require further
historical study. Because thehuman genetic inheritance is so
complex, providing so many possibilitiesdierently actualized in
dierent circumstances and by dierent people, it
. I have explored some examples of these miscalibrations in
Spolsky . See also Spol-sky a, where I explore in depth a variety
of creative productions that display and orderthe anxiety that
results from these gaps within the specic historical context of
early modernEurope.
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Spolsky Darwin and Derrida 47
will not be possible to answer the new and interesting questions
about lit-erature and culture without consulting the historical
context of the ques-tions. The evolutionary perspective will not
relieve us of our responsibilityto understand how conicts produced
by our inherited human brains aremodulated andmanaged within their
cultural contexts.Taking this respon-sibility seriously then, it
must be argued that the two kinds of studycogni-tive and
culturalare noncontradictory before their complementarity canbe
considered.I will argue, then, that the assumptions that emerge
from the study of
evolved human brains in their successive contexts, far from
being incon-sistent with post-structuralist thought, actually
extend and enrich it. Myquestions and my mode of response arise of
course from my own intellec-tual econiche, specically from the
barrage of skeptical challenges to thehuman ability to know raised
in the last forty years.The historical situationitself, in a
cognitive evolutionary literary theory, provides a way to see
intothe larger question of how people make or produce knowledge
from thecombined resources of body (including the mind/brain) and
culture. Howdoes the cognitive equipment allow people to learn from
the world aroundthem? What role does culture (or do various
cultures) play in that process,and how does any specic historically
situated culture negotiate its claimswith the innate and grown
claims of the human body and brain?What kindof knowledge can be
had, and how is it acquired? How do I presume to geta piece of it
and share it with you?The claim that the ultimate goal of literary
theory is to tell a story about
the human mind can be traced back to Aristotle and, in modern
criticism,to Northrop Frye. In his Anatomy of Criticism (), Frye
claimed that the ge-neric forms of literary works have a
psychological reality that is separablefrom what he dismissed as
the history of taste. Literature, he assumed,displays the structure
of the mind, the same claim Claude Lvi-Strauss hadmade for the
material culture of Brazilian peoples in Tristes Tropiques ()and
that NoamChomsky was making for syntax in Syntactic Structures
().Whatever empirical data are studied, syntax or poems, face
painting or pot-tery, the goal is ideologically humanist: the
proper study of humankind isthe human mind.Although the details of
Fryes proposals linking the seasons to the genres
of literature have not weathered well, many cultural historians
and literaryscholars still pursue the same goal and still seek to
nd the theory that willdescribe the interconnections between being
human and living in a culture.To what extent is artistic work
predicted or projected from a culture, andhow does artistic
production work to produce that culture? The paradigm Ibelieve this
kind of study ts into ismost accurately called
post-structuralist,
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48 Poetics Today 23:1
with the hyphen preserved deliberately because both parts of the
word re-main important, as will become clear. The oversimplication
of the phe-nomenon of post-structuralism I am about to produce here
is motivated bymy intention to display as sharply as possible the
multiphase emergence ofthe paradigm in the course of the twentieth
century. Any more complex ex-positionwould quickly lose sight of
the forest for the trees, the undergrowth,the mossy rocks, the
rolling stones, the nonbiodegradable postpicnic rub-bish.As the
references above suggest, the rst breakthrough was the
discovery
of structure. Although there are good reasons to trace this to
Ferdinand deSaussures linguistics, it was actually a discovery made
simultaneously inseveral branches of the human and the physical and
biological sciences aswell.3The structuralists directed our
attention to connections between phe-nomena that previously had
seemed unconnected, denigrating in the pro-cess the merely
empirical.Methodologically itmoved social science awayfrom an
interest in description and taxonomy of particulars and towardthe
description of the underlying dynamic or structure, the
self-sustainingand self-modifying system that describes the
function of the empirical data.Scholarly work in many elds was now
fundamentally revised; the task wasnot just to collect and record
but to posit or discover relational hierarchiesand syntax, that is,
grammars. The meaning of the structures, as Saussureargued for
language, lay in the relationships, not in the words (or data
orartifacts) themselves.As the structuralist perspective in
language study became familiar, even
routine, and was generalized throughout the humanities and
social sciences(onemight credit Umberto Ecos interpretive work on
semiotics here), it be-came possible to understand several great
pre-Saussurean thinkers as proto-structuralists. Among
thesewereDarwin,Marx, and Freud.All of themhaddescribed
substructures and superstructures, the former governing thelatter
such that hitherto unexplainable or unintegrated phenomena couldbe
seen as systematic.The substructures were understood by both the
struc-turalists and the proto-structuralists as the equivalent of
the forces of gravitythat keep the planets in their orbits.
Borrowing the language of science,they also borrowed the assumption
that these forces were stable and eter-nal.4 Human nature was
understood to be the equivalent in the humanworld of the laws of
physics.A later phase in the articulation of the paradigm was a
critique of
. See Piaget for a survey of early structuralism.. This may be
an instance of what Paul de Man () called the blindness that comes
withinsight.While such blindness is probably inevitable, as he
thought, it is not necessarily para-doxical, as he asserted, but
maybe just wrong and misleading.
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Spolsky Darwin and Derrida 49
structuralism, now widely called deconstruction. Its roots were
in philoso-phy rather than in the social sciences. It also has
founders and proto-deconstructors. Aspects of human life and
culture (motherhood, poverty)that had been understood to be as
permanent as Platonic ideals and had,after the Romantics, been
demoted to human but still stable aspectsof nature were now
redescribed as indeed changeable because historicallydetermined.
Nietzsche was noticed as having called attention to this inhis
critique of the historical scholarship of his day.5 The
historicizingof philosophical and historical categories of
knowledge had already beenadumbrated in theoretical physics as the
recognition of the dependence ofknowledge on the spatial location
of the observer.6
The deconstruction of language, indeed of representation in
general,which Derrida popularized in the late sixties and the
seventies was wellunderway in the work of Husserl, Heidegger, and
the later Wittgenstein.Husserl, for example, challenged both
concepts (the concept of man) anddistinctions that had been assumed
to be axiomatic in metaphysical phi-losophy. It was now possible to
appreciate the power of the conventionalto make itself felt as
natural and thence to surmise that the hierarchies ofthe binary
oppositions and their weightings, which had been thought to beas
natural as the orbit of the Earth, are in fact sustained in their
currentconguration by dynamic tensionnot to say warby and within
speciccultural settings.7Most important to literary studies, both
theory and prac-tice, was the deconstruction of language or of
logocentricity, as it was calledin the new vocabulary, itself begun
by Saussure. The relationship betweena word and its referent had
been assumed to have a transparent bond andnatural directionality:
there is a solid real world of objects and a second-ary
representational system that is assumed to mirror, dene, or
describeit. In this view, a word (every word) has a primary, a
real, a literal mean-ing, though it may also serve other uses.
Although Saussures revolutionaryinsight into the arbitrary nature
of the sign and the conventional natureof its functioning provided
the crucial wedge by which objects and wordscould be pried apart
and reinvented as signied and signier, he seems notto have fully
recognized the price that would have to be paid for the
discon-nection when the stabilizing power of convention itself
could be (and was)deconstructed.However, in spite of that logical
possibility, human discourse has not re-
. A key text was Nietzsche [].These links are summarized
byGayatri ChakravortySpivak in Derrida : xxi.. Einsteins general
theory of relativity in and Heisenbergs uncertainty principle in
recognized this.. Culler contains a clear explanation of how these
reversals are argued.
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50 Poetics Today 23:1
turned entropically to chaos, and as Malcolm Bradbury (: )
reassuredus, Just for the moment the instructions on a jar of
instant coee remainmore or less usable. While human communication
surely depends on therelative stability of word meaning and its
iterability across contexts, themaintenance of the rich cultural
life of human societies probably dependsas fully on our ability to
trope or to distort the probable or conventionalmeaning of a word
and to be understoodwhenwe do so.This catechresis, ormisuse of
language, has long been recognized; its varieties were catalogedby
the early rhetoricians as a set of devices. But the eect of the
workof the deconstructionists in describing phenomena such as
metaphor andirony has been to make clear the implications of these
gures, exposing theweakness of the traditional distinctions between
literary and ordinary lan-guage or literal and gural meaning.The
result of several decades of post-structuralist argument has been
to allow the emergence of an importantinsight: the functioning of
human language depends on both its iterabilityand its instability.
The combination is more than just a paradox of simulta-neous
transcendence and limitation. It also allows a glimpse at how
wordsthat are vulnerable in their instability are also usable for
the propagationof new meanings.Saussures original observation,
namely that meaning was in the rela-
tionship between words and not in the words themselves, was
slowly under-stood to have destabilizing implications for the study
of just about every-thing. Since the study of just about everything
is conducted in words, theseinherent instabilities or ambiguities,
previously described as literary phe-nomena parasitic on normal
language (Austin ), were now under-stood as a general condition of
language use, including language used toconduct scholarly debate.
And if words are only unreliably anchored toreferents, their
meanings determined by the context of other words andcultural
artifacts, how can scholarship proceed?The eect of this
simultaneous skepticism and liberation on the activity
of literary criticism, both Anglo-Saxon and French, is well
known. If wepreviously had to be right, declared Stanley Fish (),
we now only haveto be interesting. We have a new freedomfreedom to
play, as Derridaspunning language exemplied, and to eschew
concluding. As long as thecontext can change as easily as the
weather, the life span of a scholarly con-clusion is not much
longer than that of a cloud. The observation that thecenter cannot
hold briey produced a comic vision for those who
were,sociologically speaking, in the right places during the right
years.The arguments continued, however, and the skepticism became
too deep
to be borne lightly by many scholars. It is important to see how
it was thatthe deconstructionist critics and their exciting and
agrantly boundary-
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Spolsky Darwin and Derrida 51
breaking essays had backed themselves into a corner over the
issue of rep-resentation.The entirely defensible assertion that
language representationis not stable was transformed by a kind of
rhetorical hyperbole into the in-defensible assertion that language
cannot ever provide access to truth (evenif there were any). Surely
because that assertion is so counterintuitive, itprovoked an
eruption of professional hysteria eventually somewhat calmedby the
concession that self-referentiality (meaning within a closed
system),since that is all we have, works almost as well as what we
thought we had:referentiality or representation.Fish, for example,
soon regretted his dismissal of being right and re-
cast the situation in a way that returned some of his (and our)
lost scholarlydignity. Being right has not disappeared as a
standard, he argued; there stillare standards, but their
ontological position has moved over a notch. Sincewe are always
somewhere, always within a context, there is always a lit-eral
meaning and a right interpretation (well, maybe a few). And there
arealways some wrong onesfor now (Fish : ). Fishs clear responsesto
the light-headedness induced by French rhetorical interpretation of
Ger-man antimetaphysics produced a certain degree of containment,
althoughit took the Paul de Man scandal nally to subdue the
American literaryacademys enthusiasm for the unbounded
transformational activity of de-constructive criticism.8
What has taken some time to establish, then, is not the error of
the claimthat representational systems such as language provide no
access to a realworld, only the absoluteness of that claim and,
further, the interpretationsof that claim as comic or tragic. If
human representational systems indeedprovided no access to
unmediated reality, it would entail our rejection ofthe entire
Darwinian program of evolution and adaptation. Heres why: ifit were
the case that human beings (or any species for that matter) could
notget some relatively reliable information about the world
external to theirbodies, they could not survive for long, could not
reproduce, etc. Note thatthis does not mean that the
representational systems on which we dependare entirely or ideally
reliable; it just means that they are reliable enoughto have
ensured the survival of the species thus far.The evolutionary
argument thus compromises the absoluteness of the
deconstructive claim but also, crucially, arms the gradience of
the claim.
. Probably the most poignant evidence that the hyperbolic
promotion of the recognitionthat words are unstable was indeed an
unsustainable claimwas the inability of deMans goodfriends and
colleagues to entirely erase, reread, or reinscribe the dram of
anti-Semitic fascismin his early essays. When these
boa-deconstructers, as Georey Hartman (see Bloom )called them,
could not entirely or satisfactorily deconstruct some texts that
they wanted todeconstruct, the power of trope found its limit. More
analysis is still needed, not of de Mansjuvenilia but of the
apologetics produced in their wake.
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52 Poetics Today 23:1
Precisely because the human species and its ways of knowing are
evolved bythe accumulation of random mutations in interactions with
changing envi-ronments rather than genetically engineered for the
task of knowing, it isnot at all surprising that they are unstable.
They are not purpose designedand are always vulnerable to further
environmental change. It is just this in-stability, however, that
provides the possibility for advantageous exibility.People, their
ways of knowing, and their languages are responsive (a wordwithout
the negative connotation of unreliable or unstable), that is,
adapt-able within a changing environment.The only goal we can speak
of withreference to adaptation is species survival, and the only
thing required forthat is the survival of a certain number of
individuals long enough to breedand rear ospring to the age when
those ospring can breed.This does notmean that everyone has to
understand everything or that understanding isa logically
watertight, foolproof system. All it has to be is good enough.This
argument produces two inferences: rst, that there has been,
over
the course of human evolution, a curve of adaptational
improvementtoward a good enough representational system and,
second, that the curveeventually will atten out, that is, stop
producing an ever more reliablesystem since, once it is good enough
for the survival of the species, improve-ments due to random
mutations will cease to be selected for. (To put it theother way,
once a good enough level is attained, both the good enough andthe
more successful representers can survive.) This hypothesis in
itself sup-ports the claim that the representational system is
indeed unstable but notthe claim that it is always paradoxical or
always misleading. Furthermore,the counterpressure would be against
the tendency for the representationalsystem to become increasingly
more rigid: the exibility of the system hasits own advantages.The
evolutionary success of the species would actuallybe compromised by
an entirely rigid, that is, dependable, representationalsystem. As
I argued in Gaps in Nature, the gap between the signier and
thesignied is no tragedy; it builds in the exibility to allow the
system to meetthe challenge of new contexts and to use oldwords in
new combinations andwith newmeanings. It is true that deviations
from conventional or expecteduses are risky. Attempts to
communicate might fail or might not succeedunless buttressed with
other communicationsfacial or hand gestures, pic-tures,
paraphrases, and wordy explanations. And even then they might
fail.But the prospect of never being able to adapt the
representational system tonew contexts is worse from the point of
view of species survival. Thus onecould hypothesize that the human
representational system evolved in re-sponse to a tension between
two needs, the need for good enough (reliableenough) representation
and the need for a exible representational system.Evolution in that
area would slow down when the lines of the two curves
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Spolsky Darwin and Derrida 53
intersected, and thus we live with a system that is a gradient
version of thedeconstructive hypotheses: the system is not entirely
stable; it is always opento catechresis, that is, to deliberate
rhetorical hijacking or troping. And thatvulnerability is just what
allows creative innovation, keeping the speciesgoing at the two
jobs that never get done, survival and adaptation.In sum, both the
deconstructionist debates of the last thirty years and the
evolutionary argument collude in stripping us of our
innocence.We are nolonger able to continue as if words simply mean
what they say, as if we didnot know that words cannot be entirely
reliably identied with the thingsthey normally, habitually
represent (even though they often do just that)or that language
cannot be misread, since we now understand that itsnature, its
cultural function is to be available for misreading. A misreadingin
this sense is a judgment about the suitability of a reading in a
context,not about any absolute or objective meaning.9 Since words
cannot alwaysbe identied with what they normally represent (a
matter of numericalprobability in a context), in principle the
system is entirely destabilized.However, it works ne a lot of the
time, although it is always at risk. Forbetter or for worse,
familiar language structures may be spoken in new con-texts, may be
slanted, troped, or otherwise betrayedforced, as HumptyDumpty
insistedtomean what their masters want them to. Literary texts,not
tomention diplomatic documents, historical records, diaries,
andmanyother genres, in fact depend on this margin for their
creativity.The systemis good enough for most of us to get through
the day with no more thanthe accustomed undertow of
misunderstanding. And often it is just what isneeded.We might have
been back where we started, as indeed those who de-
clared that theory changed nothing argued.10 But we are not,
because thereis another stage of post-structuralism to be reckoned
withdierent anddicult to resist. This disturbance arises from the
recognition of the pos-sibility, exposed in the powerful rhetoric
of Michel Foucault, that if therepresentational center is indeed
movable, as it is now understood to be,then it is probably
manipulable. It does not just change, it is changed bysomeone or
some group (Rabinow : .) In this phase of the post-structuralist
debate it was repeatedly argued that theoretical hypotheses
ofstructures are not only out there somewhere in the contexts of
the schol-
. There is an instructive parallel here with Austins () felicity
conditions. Appropriate-ness, rather than truth, is the standard by
which the success of the utterance is judged. Notealso the parallel
with the Darwinian idea of tness. See Spolsky b for a more
detailedversion of this argument.. For the argument that theory
changes nothing, see Fish : , : ; andKnapp and Michaels , .
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54 Poetics Today 23:1
arly world (though they are that) but are also, and in chartable
ways, de-termined by the interests and contexts of their proposers
and supporters.The subject of subjectivity becomes central.
Lvi-Strauss () never askedwhy the unnaturalness of infanticide
should be manifest by asymmetricalface painting among the Caduveo
women of eastern Brazil. It seemed tohim self-explanatory on the
grounds of analogy (or reduction): both wereunnatural behaviors
(killing ones children and painting ones face with-out regard for
its natural features). He still relied, as Derrida pointed out,on
an untenable opposition between nature and culture.11 However,
oncethe question of agency and subjectivity was raised, it was
immediately seento have two aspects. Who decided that infanticide
is unnatural? Wouldthe Caduveo women agree with the French
anthropologist? Who producesand/or polices the cultural structures
that determine human self-denitionand freedom of movement within
the inherited structures? And inevitably,can I, or how can I, seize
that power of structuration formyself ormy group?This challenge to
the assumption of structural essentialism nowmeant thatsuspicious
reading was inescapable, as the reader is challenged to locate
theprime mover, so recently banished by the dynamic of
structuration itself.Furthermore if one agrees that someone is
pushing the buttons within onesown society, it begins to seem that
it may be within ones power to directchange.Suspicious reading
itself is not a Derridean or Foucauldian invention.
Few could have been more suspicious than Freud about the
discrepanciesbetween what was said and what was meant, where the
said came fromand how and why it was distorted. But for Freud, the
god-in-the-machinewas a set of dark instincts thatmight be
unmaskable and understandable butprobably unappeasable. Heidegger
also, it would seem, considered indi-viduals to be helpless: caught
in a hermeneutic circle with nowhere to standfrom which to survey
all the possibilities and no way to control the leversthat move
them. For some prominent post-structuralists, Paul de Man,
forexample, the source of this dark, even classically tragic
situation in whichthe possibility of honest representation is
warped by forces greater thanany individual is itself a mystery. It
might well be objected, however, thatthe history of Europe in the
twentieth century, in which the promise of sci-entic progress was
mocked by the violent uses to which science was put,backlights
painfully, and not so mysteriously, Foucaults recognition
thatsomeones interests are served by the denition and manipulation
of the
. A sustained critique of a Lvi-Strauss text is Derridas talk,
entitled Structure, Sign, andPlay in the Discourse of the Human
Sciences, in to the symposium at Johns HopkinsUniversity. It was
translated and reprinted in Derrida .
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Spolsky Darwin and Derrida 55
material and cultural substructure. One of Foucaults early
arguments wasthat the use of language and grammar as a metaphor for
human struc-turation, a metaphor that the early structural
linguists had claimed was nometaphor but truth, had concealed as
much as it had revealed.War, heproposed, was the more instructive
metaphor. It would not conceal thatsomeone or some class of people
always benets from an established struc-ture and furthermore does
so specically by insisting on its naturalness andpermanence. If
mystication or mythication is insucient to maintain thestatus quo,
then force can be used to do so, revealing to a suspicious
readerthat the structure is not entirely natural after all.In
todays usage post-structuralism (or more generally
post-modernism)
is the cover-all term for the generalized suspiciousness of
interpretation. Inspite of its rhetoric, however,
post-structuralismdoes not replace structural-ism;
post-structuralists still understand the phenomena of human
bodies,minds, cultures, and theories to be structured.They may not
be structuredentirely naturally and are certainly not structured
entirely permanently,as was assumed at one time.They are, it is now
said, constructed (and vari-ously so) by the interface of our
genetic inheritance with the environmentinto which we are born,
that is, by the constantly changing interaction ofindividual needs,
hegemonic cultures, and an unstable class of culturallyempowered
arbiters (Oyama ).The exibility of the cultural system asa whole
does not mean that it does not exhibit fairly reliably repeated
se-quences of events. It is not necessary to adopt the view that
the world is aBorgesian encyclopedia, even though postmodernist art
and literature pro-duce both tragic and comic views of a world
freed frommany of the specicstructures so long assumed to be
inevitable. But if I remain a structural-ist, I am also a
post-structuralist because I believe both that structures
aredescribable simultaneously in more than one way and that they
are per-manently open to revision. I am thus a skeptic in the sense
that I do notbelieve in the singleness of truth,12 and I am a
suspicious reader. I feel un-settled until I can determine the
assumptions of the current context andwho institutes and enforces
its prevailing rules. This suspiciousness of thecontexts others
have establishedagendas that they have declared or
notdeclaredcombined with the distrust of rational argument as just
one ofmany possibilities hasmade it attractive to simply declare
ones own agendamore loudly or, in our discipline, more widely and
interestingly (StanleyFish again). But the sword cuts two ways; it
must be acknowledged thatothers may nd their own concerns more
compelling.
. The argument for themultiplicity of truths from the scientic
point of view ismade nicelyin Arbib and Hesse .
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56 Poetics Today 23:1
Yet if the ground for truth is no longer what it was, and if
there is noother, then an oddly Buddhist resignation is produced
from a supposedlyradical critique. Foucault, it seems to many,
saves the day, producing a neo-Marxism usable for literary
studies.Whatever is, he urges, might be other-wise. And so Foucault
provides the rationale for readers and interpreterswho want to see
their scholarship as praxis, as eecting their world. AfterFoucault
it has become dicult to pretend that one does not know thatsocial
structures produce gains and losses and not randomly. It seems to
methat it would be dicult to justify not asking how the structures
we investi-gate as literary or cultural historians are constructed
and valued.Many feelthat traditional scholarship is newly energized
by the possibility that themechanics of social structures, that is,
their politics, might be understoodand that individuals or groups
might be in a position to discover tools withwhich to challenge
them.The possibility that discourse, for example, lit-erature,
might be one of those tools understandably has been exhilaratingto
scholars in a eld long patronized as decorative.My defense of the
cognitive study of literature, then, having located it
within the post-structuralist paradigm, needs now to make
clearer whathas already been broadly suggested, and that is how
Darwin also ts there.Just as Freud and Marx provided literary
scholars with productive ques-tions about their texts and their
interpretive procedures, so Darwins texts,through the readings of
them by recent scholars in anthropology, biology,neurology,
philosophy, psychology, and literary study, have opened newways of
talking about our subject.This perspective is an important new
toolfor the literary scholar because it asks new questions about
the relationshipbetween the biological and the cultural, between
the living human bodyand its environment.The general shape of my
claim is that nothing could be more adapta-
tionist, more Darwinian than deconstruction and
post-structuralism, sinceboth understand structurationthe
production of structures (and this is thesame thing as the
production of theories of structures ad innitum)as anactivity that
happens within and in response to a specic environment. It isan
activity that is always already designed for cultural use but also
alwaysready to be reused or redesigned as needed. It is important,
however, toemphasize here that this is not a Panglossian vision in
which satisfactionis always available. In fact the opposite is more
likely true. Since the cul-tural/biological nexus is always in
motion, it never exactly ts. It is alwayson a journey between
novelty and obsolescence. The motto of this worldis certainly not
whatever is, is right but more accurately, whatever tswell enough
will do for now. The categories of the world, and the struc-tures
of categories, remain the same or revise themselves depending on
their
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Spolsky Darwin and Derrida 57
interrelation with other categories in their environments, but
only slowly.There are no absolute unchanging categories or
structures. Like the recip-rocal mutations between parasites and
hosts, recategorization is constantlyin process (Dawkins ; Dennett
). The variations and revisions forboth Darwin and
post-structuralists are neither divinely nor benignly di-rected.
Here Darwin and Foucault must part company. Darwin would nomore
have attributed change to a malignant intention, as Foucault
alwaysseemed to, than to an angelic intention.Darwinism is
appealing as a theory of mind and of meaning because it
is a theory of survival that depends upon adaptation (troping,
reinterpre-tation, rerepresentation) by recategorization. To put it
another way, it is atheory that justies the centrality of potential
recategorization by describ-ing it as a mechanism for survival. It
is a theory of how living organismssurvive in an unreliable
environment by dynamic metamorphosis. In its ex-tensions into the
realms of culture it suggests how metamorphoses spreadthroughout
populations and become entrenched (Dawkins ; Sperber).
Water-dwelling creatures became amphibious as the swamps driedup;
Syrinx was changed into a reed to escape Pan.The comparison with
Ovid is not as far-fetched as it may at rst seem
because, although the word adaptation sounds good-naturedly
cooperative,Darwinism is in fact also a theory of unpredictable
death and catastrophicvariation and recategorization, or as
Tennyson put it, it is a theory thatunderstands nature to be red in
tooth and claw. The grotesqueries withwhich Ovids stories often end
bear comparison with the random variationand sudden loss that are
necessary conditions of evolution under conditionsof natural
selection. Ovid was often circumspect about the causes of
themetamorphoses he described, which were mostly overdetermined. If
theywere punishments, it may not be clear whowas the punisher. Did
Syrinx de-cide she would rather be a reed than a victim of Pans
lust? Or was someonepunishing her by her recategorization? Darwin
similarly never credited theindividual mutant animal or plant with
solving a problem of environmentalchange by deciding to develop
lungs or chlorophyll.Indeed, I see the value of Darwins theory as a
description and not as an
explanation of change, adaptation, and recategorization. On
these groundsit is attractive to literary theory because the
processes it hypothesizes for thenatural world of plants and
animals, that is, spontaneous change/variation,followed by survival
and loss and temporarily stable subspeciation, are con-sistent with
many of the most interesting recent theories of mind, knowl-edge,
meaning, and interpretation. Insofar as it can be argued that an
evo-lutionary theory of how living creatures in the natural world
adapt andsurvive is also a theory of mind, that is, a theory of the
way the human
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58 Poetics Today 23:1
mind/brain adapts and learns (I am assuming these are not two
dierentthings), then both theories are strengthened.Theorists
working in several elds of human sciences indeed have de-
scribed the activities of minds in ways that seem parallel to
Darwins de-scription of natural evolutionary processes. The case
has been explicitlyargued of course for connectionist or parallel
processing models of mind,but Darwinism is implicit as well in the
Chomskian hypothesis of an in-nate language module that is modied
in interaction with the environmentto produce knowledge of a specic
language.13Wittgensteins () modelof language games as conventions
similarly suggests the simultaneous sys-tematicity and plasticity
that allow both meaning and meaning change.Stephen Greenblatts ()
view of the circulation of social energy in adynamic of challenge
and containment, my discussion of genre change inGaps in Nature,
and Lorraine Codes () feminist, relational epistemologyare also
models of dynamic and interactive adaptation and
self-regulation.Susan Oyama () makes clear the importance of what
she calls con-structivist interactionism as a replacement for the
misleading distinctionbetween a presumably unchangeable nature and
the exibility of culture.All of these theories are Darwinian, I
would claim, for at least this rea-
son: they all manage to account for systematicity, that is, for
stability andpredictability, while allowing the possibility of
adaptive change. Cruciallythey do so without the notion of an
unchanging anchoring center, a set ofplatonic universals or literal
meanings.The givens of these systems are onlyas mysterious as the
architecture of the mind/brain itself (although that isstill pretty
mysterious). The well-dened species of Darwinian theory islike the
literal meaning of a word. Both are, at least for now, the most
prob-ablemeanings of theword in a given community. Both are liable,
even likelyto change eventually because they are embedded within
unstable seman-tic and ecological systems. As Dennett describes
Darwins description ofthe origin of species, the process begins and
ends with well-dened species,but for the stages in between the
dierences are innitesimally small. Thissounds a lot like the kind
of dierences that poets can risk in making use ofwords for new
purposes on the assumption that they want to be both origi-nal and
understood. Experienced readers of poetry (or any
unconventionaltext) have learned a set of cognitive procedures
whereby they can makesense of novelty (Culler ; Schauber and
Spolsky ). Eventually whatwas novel (metaphorical, say, using the
word broadcast for radio transmis-sion instead of for sowing seed)
may become probable or literal meaning,
. Dennett (: ) discusses Chomskys denial of this. Deacon ()
describes how thelanguage module might have evolved not before but
within a context in which human lan-guage developed.
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Spolsky Darwin and Derrida 59
and a mutant may come to be recognized as a well-formed species.
Dar-win, according to Dennett (: ), declines to play the
traditional gameof declaring what the essential dierence is. 14
Remember here Wittgen-steins example of games: no single condition
is required of all members ofthe category.
Well-dened species certainly do existit is the purpose of
Darwins book to
explain their originbut he discourages us from trying to nd a
principled
denition of the concept of a species. Varieties, Darwin keeps
insisting, are just
incipient species, and what normally turns two varieties into
two species is
not the presence of something (a new essence for each group, for
instance) butthe absence of something: the intermediate cases,
which used to be therewhichwere necessary stepping-stones, you
might saybut have eventually gone ex-
tinct, leaving two groups that are in fact reproductively
isolated aswell as dierentin their characteristics. (Dennett :
)
So if the well-dened species is the literal meaning, it is as
fuzzy a cate-gory as literal meaning ever was and as unstable,
measurable by its dier-ence from other species. A permanently
literal meaning can no more existthan can a natural category that
will never change.The potential for changeis all that is permanent,
and the direction of the change is not predeter-mined. Just as the
algorithmic process of evolutionary change contributesto the
survival of life on earth in changing circumstances, the
systematicexibility of language keeps it able to serve changing
communicative needs.Neither system changes without lurches and
loss; both are self-stabilizingover time, but neither is rigid. If
the systems were rigid, neither could serveits purpose.The analogy
betweenDarwins stable categories and literal meaning can
be extended further. In both there is a dierence between
thematerial situa-tion of continuous change, disappearance, and
survival, clearly a gradientprocess, and the description of the
resulting state of aairs. Naming andcategorizing, like the rest of
language, have an inevitable ad hoc quality, yetonce they become
entrenched, changes are not made easily. At any givenmoment, the
set of names and categories available for use by any individualis
only a near approximation of the set of material phenomena that
mightneed describing. Speakers are bound to use words and language
in a roughway to remain within a communicative community. For a
small child, doggiewill do ne for all varieties of dogs, while at
the same age cat will certainlynot encompass lion and tiger but may
include a toy cat. Biologists of course
. Dennett (: ) notes a standard way of marking species
dierentiation, the exis-tence of interbreeding, but then shows
examples of exceptions to this rule. It is thus not anecessary
rule.
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60 Poetics Today 23:1
will try to come closer to cutting the world at its joints with
their termi-nology, but they also recognize that new empirical
evidence (the so-calledmissing links) may some day prompt
recategorization. Poets similarly try toget it right, to use the
full range of language resources to make the descrip-tion t the
speakers singular perception as closely as possible, although bythe
communitys conventional standards the utterance may sound odd
orunusualdeviant, as structuralists called it, since, and to the
extent that theresult is less than conventional, it will be less
easily understood.This exi-bility in categorization, even with its
limitations, is extremely fortunate: itallows innovation.We can
invent words when the need arises (gridlock) andcan make sense of
someone elses neologisms (pied beauty).We can also in-uence our
niche, that is, eect a change. A speaker can comfort his or
herbeloved before a separation by a comparison to a pair of
compasses, andan essayist can stimulate the political will of his
or her peers by inventingthe word phallocracy.The project of
cognitive literary studies is only just beginning. It will, I
hope, continue to explore the new questions that emerge from a
consider-ation of literary issues in the light of various kinds of
cognitive evidenceand to reconsider old issues with new evidence.
Elaine Scarry (), forexample, proposes several ways literary texts
take advantage of the brainsability to reproduce and understand
what writers want us to envision. Myrecent study of early modern
texts and pictures charts some of the ways inwhich creative
worksmay provide satisfaction in a violently changing socialworld
(Spolsky a). Mary Crane (), in her recent study of Shake-speare,
argues for the importance of a consideration of embodied
brainprocessing to an understanding of the author function in a
literary text.Alan Richardsons () exploration of the growth of
Romantic-era brainscience extends and deepens the ways in which
post-structuralist culturalstudies can be enriched froma cognitive
perspective.My assumption is that,with due precaution 15 and always
taking care not to confuse the analogicalor metaphoric use of data
from cognitive science with its analytic use, cog-nitive literary
study is uniquely positioned to carry forward the advancesin
understanding made by the post-structuralist critique of
representation,to understand, that is, the simultaneous
good-enoughness and the insta-bility of meaning. It will do this, I
believe, without the high unseriousnessof post-structuralism.
. Literary scholars can inoculate themselves against the nave
overestimation of what socialscience or evolutionary biology can
oer by remembering to ask themselves: What is theprobability that
their eld (as compared with mine) is not riven by competitive
hypotheses?What is the probability that, while I struggle to deal
with apparently irreconcilable complexi-ties, they know exactly
what theyre doing, so that I may borrow their theories and
empirical
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Spolsky Darwin and Derrida 61
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Cavell, Stanley The Claim of Reason: Wittgenstein, Skepticism,
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62 Poetics Today 23:1
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