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Dante Alighieri: 1265-1321 An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state Pope/Catholic.

Dec 31, 2015

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Mervin West
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Page 1: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.
Page 2: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

Dante Alighieri: 1265-1321

An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state

Pope/Catholic church had great power and influence

Dante was a member of the nobility and an elected official who helped run Florence’s gov’t

His political party was overthrown in 1302

Officially exiled from Florence/ never returned

Page 3: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

The Divine Comedy: A Medieval Masterpiece

Considered to be one of the greatest works of Western world literature

An epic poem of roughly 14,000 lines

Documents the physical and spiritual journey (quest) of a Christian who is also named Dante

Presents Dante’s vision of God’s judgment on every significant aspect of human life

Page 4: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

The Divine Comedy: A Religious Quest

The entire journey is expected to turn Dante forever from error. It is a journey toward truth and grace in God’s favor.

The Comedy is divided into three parts:

Part 1: Recognizing sin (The Inferno)

Part 2: Rejecting sin and awaiting redemption (The Purgatorio)

Part 3: Achieving salvation through faith in divine revelation – God’s light in paradise (The Paradiso)

Page 5: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

Literary Elements AllegoryA literary work with two levels of meaning: the literal and the

symbolic

SymbolismThe underlying meanings associated with concrete objects or

actual events

The Number 3Representative of the Christian concept of the trinity:

(The Father / The Son / The Holy Spirit) Allusion Reference to a famous person, place, historical figure or

event, work of art, or piece of literature

Page 6: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

Dante’s contribution to literature…. **At this time, most writers wrote in Latin (language of scholars)

**Dante—poets should write in vernacular (language of the people—in this case, Italian)

Page 7: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

Literary Elements:The Use of the Number 3

The Structure: begins w/an introductory chapter then:

Three sections of 33 CANTOS (chapters)

Written in TERCETS (three-lined stanzas)

Uses a rhyme scheme called TERZA RIMA: The middle line of one tercet rhymes with

the first and third lines of the next tercet

Example: Rhyme scheme-- aba bcb cdc ded

Page 8: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

Literary Elements:The Use of the Number 3

The average Medieval life expectancy:

THREE SCORE AND TEN

Midway through this time frame (35 years), Dante realizes he has strayed from the True Way into the Dark Wood of Error (worldliness).

Page 9: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

Literary Elements:The Use of the Number 3

The Time Frame: Dante’s quest takes place

over a three day period:

Begins in Hell on Good Friday (the day of Jesus’ crucifixion)

Continues in Purgatory for the length of a day

Ends symbolically in Paradise on Easter Sunday

Page 10: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

Literary Elements:The Use of the Number 3

The Plot: The entire action takes place under the guidance of three ladies:

The Virgin Mary: The mother of Jesus who mediates between God and man

Saint Lucia: The patron saint of anyone without spiritual sight

Beatrice: Dante’s love, a symbol of spiritual purity and faith who appears toward the end of the journey and who leads him to Paradise

Page 11: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

Part 1: The Inferno The first section of The Divine Comedy

The best known the most relevant to today’s culture the most dramatic

In this section, Dante is accompanied by the Roman poet Virgil who is sent by Beatrice to act as teacher and to clarify ideas that confuse Dante

Virgil’s clear-headedness is the voice of reason and is

sharply contrasted with Dante’s confusion - FOIL

The Inferno presents the structure of Hell

Page 12: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

Dante’s Hell (The Inferno) Hell is located deep inside the Earth

There are nine levels or concentric circles

At each level, Dante meets suffering souls tormented for eternity in ways that befit their sins

The condemned include people from the ancient world as well as people from Dante’s own time

The worst sinners are placed at the lowest levels (6-9), farthest from God

Page 13: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

The Circles of Hell People who sinned but prayed for forgiveness before

their deaths are found not in Hell but in Purgatory, where they labor to be free of their sins.

Those in Hell are people who tried to justify their sins and are unrepentant.

Those in Hell have knowledge of the past and future, but not of the present.

This is a joke on them in Dante's mind because after the Last Judgment, time ends; those in Hell would then know nothing.

Page 14: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

The Breakdown: Circles 1,2,3,4 & 5* = sins of human

weakness

Circles 5* 6 & 7 = involve harmful acts towards others

Circles 8 and 9 = sins of betrayal and pride (considered the worst sins of all)

*5 – The sin of wrath can go either way; it is a human weakness when turned inward; it can be harmful to others if acted out. That is why it is closest to the river Styx—closer to the next, more heinous circle.

Page 15: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

The Circles of Dante’s HellAnte-HellNeutrals

ACHERON (upper Hell) 1. Limbo - unbaptised 2. The Lustful 3. The Gluttonous 4. The Avaricious 5. The Wrathful

STYX 6. The Heretics

PHLEGETHON 7. The Violent

○ Against Their Neighbors○ Against Themselves &

Their Possessions○ Against God

8. The Fraudulent (ordinary)

○ Flatterers○ Astrologers & Magicians○ Hypocrites○ Thieves○ Sowers of Scandal & Schism○ Falsifiers / Con Artists

9. Treachery (treacherous fraud) CAINA

○ Traitors to Kin (family) ANTENORA

○ Traitors to Homeland/Party PTOLOMEA

○ Traitors to Guests JUDECCA

○ Traitors to Benefactors COCYTUS

LUCIFER

Page 16: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

Interpretations of Dante’s Circles of Hell

Page 17: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

Interpretations of Dante’s Circles of Hell

Page 18: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

The Circles of Dante’s Hell

For more information on Dante’s Circles of Hell and who goes where, CONTROL CLICK to follow the links, which only work when the presentation is in Slideshow Mode

http://www.wolfram.demon.co.uk/rp_dante_hell.html#generally

Page 19: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

Artistic Interpretations

Page 20: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

And for all you gamers…

Page 21: Dante Alighieri: 1265-1321  An Italian from Florence—Dante advocated for less papal control/ more of a separation of church and state  Pope/Catholic.

Depiction of Lucifer tormenting the greatest betrayers of all time.

Can you guess who they are?