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Dance Theory An Introduction to the Fundamentals
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Page 1: Dance Theory An Introduction to the Fundamentals.

Dance Theory

An Introduction to the Fundamentals

Page 2: Dance Theory An Introduction to the Fundamentals.

A Little To Think About Dance

Dance, or movement, is a natural activity that becomes an artistic expression when structured and formed by the elements of dance design using compositional forms.

Page 3: Dance Theory An Introduction to the Fundamentals.

Dance as a Form of Communication

1. How movement/ mime can be used to portray various characters who tell a story, without speaking.

2. Dance is a language that you must understand. Once learned students will be able to speak a “dance sentence.”

Page 4: Dance Theory An Introduction to the Fundamentals.

The Elements of Dance

Page 5: Dance Theory An Introduction to the Fundamentals.

1. Space

A) Dance must move, the dancer cannot stay in one spot (direction)

B) Big verses small, how the dancer can contort the body to make lines (shape)

C)Movement levels – low (on the ground), medium (standing), high (up on toes or jumping)

Page 6: Dance Theory An Introduction to the Fundamentals.

Space, Cont’d.

Direction – forward, backward, sideways, up, down, diagonal, in a circle

Size – large and small movements Pathways – patterns we make as we

move through the air and on the floor.

Page 7: Dance Theory An Introduction to the Fundamentals.

Even More About Space

Level – the vertical distance from the floor; low(on the ground), medium (standing up), high (up on tiptoes or jumping)

Shape – the design of the body as it exists in space

Page 8: Dance Theory An Introduction to the Fundamentals.

General VS. Kinesphere

General Space – The space shared by all; reaches beyond personal space.

Kinesphere – Personal space; The space reached while stationary.

Page 9: Dance Theory An Introduction to the Fundamentals.

More About Kinesphere

Personal space is important when dealing with WHAT type of movements an individual can do in their own personal space (your movement reached while stationary).

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2. Time

The dancer cannot dance everything at once, the movement must be sequenced.

Time is the relationship of one movement or part of a movement to another.

Page 11: Dance Theory An Introduction to the Fundamentals.

Time, Cont’d.

Dancers can move at different speeds fast and slow (tempo)

Dancers count to keep in time with the music. It is important for the dancer to stay with the pulse of the music (beat).

Page 12: Dance Theory An Introduction to the Fundamentals.

More About Time - Terms

Pulse – The ongoing underlying beat. Speed – How fast or slow the

movement is. Duration – The length of time the

movement lasts; long, medium, or short.

Page 13: Dance Theory An Introduction to the Fundamentals.

Even More About Time???

Rhythm – Patterns made by arranging long and short sounds or strong and light sounds.

Phrases – Longer sequences of movement.

Beat - Steady

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3. Force

A. Heavy or light B. Sharp or smooth *** Different moves require

different amounts of energy!!!

Page 15: Dance Theory An Introduction to the Fundamentals.

Force, Cont’d. Tension/relaxation – Tension feels hard

and tight; relaxation feels soft, loose and floppy.

Flow – bound or free; flow has to do with the ongoing movement; when energy is released freely, we describe the movement as free flow; when the energy is release in a controlled, restrained manner, we describe the movement as bound.

Page 16: Dance Theory An Introduction to the Fundamentals.

Even More About Force

Weight – Strength(force) or lightness.

Page 17: Dance Theory An Introduction to the Fundamentals.

Locomotor VS. Non-locomotor

Locomotor movements are movements that usually travel through space.

Non-locomotor movements are movements that stay in one place.

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Locomotor Movements

Walk Run Hop Jump Leap Skip Gallop Slide

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Non – Locomotor Movements

Bend Stretch Push/Pull Rise/Sink Shake Swing/Sway Twist/Turn

Page 20: Dance Theory An Introduction to the Fundamentals.

Dance Vocabulary

Page 21: Dance Theory An Introduction to the Fundamentals.

Dance Vocabulary

In order for one to make a good, detailed analysis of a performance, one must understand a dance vocabulary – basic terminology that describes the make up of dance and performances. This is also known as a movement vocabulary.

Page 22: Dance Theory An Introduction to the Fundamentals.

Dance Terminology

Alignment – Body placement or posture; proper alignment lessons body strain and promotes dance skills.

Actions – What the body is doing; this includes locomotor and non-locomotor skills.

Page 23: Dance Theory An Introduction to the Fundamentals.

Terminology, Cont’d.

Dance phrase – A logical sequence of movements with an observable beginning, middle, and end.

Dynamics – The dance element which relates to how a movement is made.

For example, time and space are two elements related to a performance.

Page 24: Dance Theory An Introduction to the Fundamentals.

Even More Terminology

Qualities – Characteristics of a movement.

For example, are the movements small or large? Are they bound or free? Does the dancer perform at low, medium, or high levels?

Page 25: Dance Theory An Introduction to the Fundamentals.

More Terminology???

In dealing with dance performances, one must understand the relationships of dance – the body’s position relative to something or someone.

Page 26: Dance Theory An Introduction to the Fundamentals.

Form

Form is the structure of dance compositions.

For example, how is the dance composed (locomotor vs. non-locomotor movements? General vs. Kinespheric space)?

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Dance Composition

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Principles of Composition

Dance consists of sequences with a beginning, middle, and an end.

Dance uses different movement phrases (brief sequences of related movements) to show variations. The following will be addressed:

Page 29: Dance Theory An Introduction to the Fundamentals.

Principles, Cont’d.

A – is a one part movement phrase in a specific tempo.

AB(Binary Form) – is a two-part movement phrase with B having a different tempo.

ABA(Ternary Form) – is a 3 part movement phrase with A being repeated.

Page 30: Dance Theory An Introduction to the Fundamentals.

Principles, Cont’d.

Call & Response – A dance in which one person or group moves first, then another person or group moves in response to what the first group has done.

When doing call and response, it is important to pay attention to the leader.

Page 31: Dance Theory An Introduction to the Fundamentals.

Direction and Choreography

Direction is the coaching/instructing from an expert in the field. Most ballet and other modern dance corps’ direction comes from choreographers (veteran dancers), as well as dancers.

Page 32: Dance Theory An Introduction to the Fundamentals.

Choreographer

A choreographer is a person who makes up the moves, positions, arrangements for a dance performance.

Page 33: Dance Theory An Introduction to the Fundamentals.

Learning to Choreograph

To be a choreographer you need to know the various dance steps, why these were invented and what effects they can achieve on the stage.

Page 34: Dance Theory An Introduction to the Fundamentals.

Learning, Cont’d.

Choreographers must also know how to use the stage space and must understand the basic principles of lighting and design.

Page 35: Dance Theory An Introduction to the Fundamentals.

Even More Learning

Other important qualities are a good understanding of music, and plenty of imagination and original ideas. Choreographers also need to be able to work well with lots of different people and to be patient. It may take weeks to create a dance.

Page 36: Dance Theory An Introduction to the Fundamentals.

Origin of Choreography

The term comes from two Greek words, “khoreia” meaning choral dancing to music, and “graphia” meaning writing.

Choreography is one of the most important aspects of dance.

Page 37: Dance Theory An Introduction to the Fundamentals.

How Choreography Developed

Although people have been creating dances for thousands of years, choreography was only developed as a separate skill in the early 1900s.

Page 38: Dance Theory An Introduction to the Fundamentals.

Development, Cont’d.

As modern dance developed, traditions were overturned and the process involved in creating a dance was analyzed much more.

People realized that choreography required special skills and was recognized as an art form.

Page 39: Dance Theory An Introduction to the Fundamentals.

Steps To Choreography

Although choreographers have an individual way of working, there is an exact method to creating a performance:

Page 40: Dance Theory An Introduction to the Fundamentals.

Steps to Choreographing a Performance: Step 1

1. The choreographer decides on a subject for a dance. This may be inspired by anything, from a piece of music to a painting or book, or even a beautiful building.

Cats was inspired by one of T.S. Eliot’s poems.

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Step 2

2. The choreographer then chooses dancers to perform the work by holding auditions. Sometimes dance is specially made for a particular dancer.

Page 42: Dance Theory An Introduction to the Fundamentals.

Step 3

3. The choreographer and dancers explore the subject for the dance by having discussions and sometimes an improvisation session where they try out ideas.

Sometimes, they have to go through training to portray a certain person or animal.

Page 43: Dance Theory An Introduction to the Fundamentals.

Step 4

4. The choreographer rehearses the dancers, all the time working out how the dance should develop and if it works as a whole (with the whole dance company).

Page 44: Dance Theory An Introduction to the Fundamentals.

Step 4, Cont’d.

As each sequence in the dance is decided, it is written down in dance notation, or motif symbols, by a professional notator, or choreologist.

Understudies, or 2nd strings, are decided in case someone cannot perform or an emergency arises.

Page 45: Dance Theory An Introduction to the Fundamentals.

Even More on Step 4

The choreographer works with the lighting, set and costume designers, to produce the stage effects for the dance.

For example, the set of Cats was designed to resemble a junkyard, where cars and other items are enlarged to make the dancers (or cats) appear small and lifelike.

Page 46: Dance Theory An Introduction to the Fundamentals.

Finally…The Performance

Eventually all the different elements are put together on stage, and last-minute changes are made (dress rehearsals).

The dance is now ready to be performed to an audience.

Page 47: Dance Theory An Introduction to the Fundamentals.

Performance, Cont’d.

This is the big moment: if anything goes wrong in the dance, the choreographer will probably get the blame!!!!

Page 48: Dance Theory An Introduction to the Fundamentals.

Other Dance Company Jobs

Artistic Director Lighting Tech Musician Wardrobe Manager & Assistant Dancer Stage Manager

Page 49: Dance Theory An Introduction to the Fundamentals.

MORE ABOUT DANCE

Page 50: Dance Theory An Introduction to the Fundamentals.

Purposes For Dance

Recreational/SocialCeremonial/RitualArtistic PerformanceDance Therapy

Page 51: Dance Theory An Introduction to the Fundamentals.

Historical and Cultural Awareness

There are similarities and differences in elements and principles of composition among forms of dance such as folk, square and line dancing.

Dances of various cultures and historical periods differ in steps and movement styles, as well as costumes.

Page 52: Dance Theory An Introduction to the Fundamentals.

Different Types of Dance

Page 53: Dance Theory An Introduction to the Fundamentals.

Alvin Ailey

African American Choreographer whose work is noted for its intense emotional power. Uses big gestures like wide-open arm movements. Founded American Dance Theater. Dances: female solo called “Cry” and “Revelations” danced to black spiritual songs.

Page 54: Dance Theory An Introduction to the Fundamentals.

Some Different Dance Styles

Jazz Tap Ballet Contemporary Rock ‘n Roll Ballroom Salsa

Page 55: Dance Theory An Introduction to the Fundamentals.

Contemporary Dance

Contemporary dance began at the start of this century when Isadora Duncan broke away from ballet and invented a very individual style of dancing.

She developed a very free dance style, making sweeping movements with her body.

Page 56: Dance Theory An Introduction to the Fundamentals.

Contemporary and Loie Fuller

Loie Fuller used dramatic lighting and costumes to create fantasy effects.

A number of people felt that classical ballet put too many restrictions on how the body could move and limited the way dancers could express their feelings.

Page 57: Dance Theory An Introduction to the Fundamentals.

More About Contemporary Dance

Another American dancer, Martha Graham, developed a contemporary dance technique which is now taught in many classes.

Page 58: Dance Theory An Introduction to the Fundamentals.

Differences Between Ballet and Contemporary Dance

Page 59: Dance Theory An Introduction to the Fundamentals.

Ballet:

1. The shapes and patterns the dancers make nearly always look graceful and beautiful.

2. The body must be a particular size and shape, and is trained from a young age to achieve this.

Page 60: Dance Theory An Introduction to the Fundamentals.

Ballet, Cont’d.

3. Dancers look light and leap through the air as if they are defying gravity.

4. The basic steps are strictly defined. Every dancer learns these movements.

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Ballet, Cont’d.

5. Dances usually follow a story line and include different characters.

6. Dancers wear special clothes, such as tutus, which show their movements clearly. Women wear special shoes for dancing on pointes (tiptoe).

Page 62: Dance Theory An Introduction to the Fundamentals.

Contemporary

1.Dance can show the ugly as well as the beautiful things that exist in life.

2. The body can be any weight and height provided it is strong and supple.

Page 63: Dance Theory An Introduction to the Fundamentals.

Contemporary, Cont’d.

3. Many movements are based on the floor. Dancers use the pull of gravity to tilt and fall.

4. There are many different styles of dancing which require various sorts of training.

Page 64: Dance Theory An Introduction to the Fundamentals.

Contemporary, Cont’d.

5. Dances are often about ideas or moods, instead of telling a definite story.

6. Dancers wear all sorts of different clothes. They may wear very casual or very elaborate costumes. They often dance barefoot, or with a specialized sandal.

Page 65: Dance Theory An Introduction to the Fundamentals.

Jazz Dance

Jazz dance first developed with jazz music in the 1920s. In the 1950s, as popular music changed, so did jazz dance.

Page 66: Dance Theory An Introduction to the Fundamentals.

More About Jazz Dance

Today, there are many different styles of jazz, danced to various kinds of music.

They all feature energetic and rhythmical movement. To do jazz you need to be fit and supple.

Page 67: Dance Theory An Introduction to the Fundamentals.

Tap Dancing

The movements of tap are concentrated in your feet.

Wearing shoes with metal toecaps, you tap out the rhythm of the music you are dancing to.

Page 68: Dance Theory An Introduction to the Fundamentals.

Tap Dancing, Cont’d.

To tap dance, you do not have to be as fit as you do for some other kinds of dance, but you need to move in a flowing, graceful way.

You also need to have a good sense of rhythm, since you will be dancing & tapping the beats of the music.

Page 69: Dance Theory An Introduction to the Fundamentals.

Recorded VS. Live Performance

1. Do not get caught up in the emotion and moment of the performance.

2. You get a more total (overall) view of the performance rather than close-captioned shots.

3. More special effects can be utilized with live performance.