CV

THIS IS MY CVHI, MY NAME IS

MIRCO BIANCHINI

A SHORT PRESENTATIONI’m a passionate architect from Bologna, I just graduated from the university IUAV of Venice.

I'm interested in the investigation of form coming from the discovery and the research inside the force fields,

complexity and non-linear processes. I'm very fascinated by form research, its technology and materials. My

interests are music, art, philosophy, cooking, chemestry, biology and interweaving, all categories that are

apparently distant.

CONTACT

WORK EXPERIENCE

RIZOMA CO-WORKER / COLLABORATORjanuary 2009 - present I have collaborated on the projects: LIUSTIK, buildings / SUPER RURALE, buildings, research

TRIPOLI, buildings, research / POSTNATURAL, research, interior + design / URBANIA, design

[ASY]NCHRONOUS RHYTHM, event /

www.rizoma.me

DISGUINCIO&CO CO-DESIGNERjanuary 2012 - present I have collaborated in the project: DEGU LIBRARY, buildings /

www.disguincio800.com

ECOLOGICSTUDIO CO-WORKERnovembar 2011 - january 2012 I have collaborated in the project: H.O.R.T.U.S, installation / FRAC CENTER, pavilion /

www.ecologicstudio.com

CO-DE-IT COLLABORATORpresent I have collaborated in the project: CONVOLUTED INFERENCES, installation /

www.co-de-it.com

www.altersaa.it

ALTERSTUDIO CO-WORKERseptember 2006 - june 2007 I have collaborated in the projects: SOLAR CITY, buildings / BLURRED SPACE, buildings,

third prize /

EDUCATION

WORKSHOP

IUAV VENICE MASTER DEGREE, THESIS: INTERWOVEN LANDSCAPEarchitecture for the landscape 2008 - 2010

Supervisors prof. ALESSIO ERIOLI, co-supervisors MIRKO DANELUZZO, ENRICO FONTANARI,ALBERTO BERTAGNA / [110/110]

POLITECNICO DI MILAN BACHELOR DEGREE, THESIS: MICRO-FOLDINGsustainable architecture2004 - 2007

Supervisors prof. LUIGI BERTAZZONI / [110/110 cum laude]

ANOTHER VENICE MATHIAS KLOTStwo week 2010 IUAV, summer design workshop

ENERGY INFRASTRUCTURE FRANCOIS ROCHE - R&SIE(N)two week 2009 IUAV, summer design workshop / assistant prof. Mirko Daneluzzo, Giovanni Corbellini

FIELDWORK-FIELDWALK HENRI BAVA - LISA DIEDRICH6 - 10 may 2009 ACMA, Milan

GENERATIVE DESIGN AAST DESIGN WITH RHINOCEROS AND GRASSHOPPER1 week 2009 tutors: Giulio Piacentino (McNeel Europe) / Annarita Papeschi (Zaha Hadid Architects) /

Marco Vanucci (AKT, openSystems) / Andrea Graziano (Co-de-iT) / Alessio Erioli (Co-de-iT)

ADVANCED GRASSOHOPER GRASSHOPPER ADVANCED TRAINING25-27 march 2011 tutors: Giulio Piacentino (McNeel Europe) + Co-de-iT

ELEGANT ECOTONES GRASSHOPPER WORKSHOP LEVEL I15-19 march 2010 parametric & generative design / tutors: Giulio Piacentino (McNeel Europe) + Co-de-iT

ADOLFO VENTURI APPLIED ARTS DIPLOMAInstitute of applied arts1999 - 2004

[98/100 ]

linkedin.com/pub/mirco-bianchini/28/b21/352

[email protected]

sonomirco

+39 3925903682

COMPETITION / SHARP DESIGN CONTESTTripode is a pendant lamp defined by three lightning sources arrayed around a central node forming 120° between each piece. The three LED stripes are anchored to a skeleton that is connected to an articulated terminal equipped with a spherical hinge that allows a rotation of 70° as well as a torsion around its axe. These rotations permits to modulate the light from a closed conformation with a diameter of 20 cm to the extended position where the light cylinders cover a diameter of about 60 cm.The whole object is covered with a flexible rubber that functions like a skin layer, to protect the internal components and to create a continuous surface. The main body can be removed for a versatile use, transforming it into a table lamp if anchored to a specific stand or into a wireless lamp, thanks to a built-in rechargeable battery.

SOFTWARE

TEAM WORKDisguincio&CoMirko Daneluzzo, Mirco Bianchini

RESULTSSelected project / First phase

cinema 4Drhinoceros photoshopillustrator

lampada portatilewireless lamp

lampada da tavolotable lamp

lampada appesahanging lamp

corpo di aggancioanchor body

alloggiamento batteriabattery stock

tappo batteriabattery cap

cintura giunto sfericospherical joint belt

tappo giunto sfericospherical joint cap

gabbia per sorgente luminosalight source cage


corpo principalemain body

giunto sfericoshoerical joint





180° rotationrotazione 180°

STEP 1

STEP 2

STEP 3

STEP 4

vertical moviment axismovimento asse verticale

400

240

gabbia sorgente luminosalight source cage

210 mm

190 mm

stripe LED slots / cut for cilindrical LED

spazi porta LED / tagliodiffusore lampada a tubo


giunto sfericospherical joint


30 mm

30 mm 27 mm 8 mm

35 mm

29 mm

40 mm

16 mm




48 mm

16 mm

100 mm

43 mm 20 mm

26 mm6 mm

30 mm

20 mm

COMPETITION / THINK SPACEThe project Recurs(h)ive II takes advantage of the extraordinary natural surrounding to saturate the site with a highly dynamic structure. The building stretches over the site boundaries adapting its geometry to the topography of the Peak to expose the dwellings to the breathtaking views. The articulation of the proposal is based on an adaptive hexagonal structure that forms a dense settlement within the site boundaries. The hexagons profilefate on three levels following the topographic contour of the peak. Each unit is formed by a supporting column providing vertical support to the articulation of the floor slabs and the roof. These tree-like columns are also providing the development with all the necessary mechanical and electric services. These vertical supports allow for the freeing of the ground level of the building where a communal landscape area, parking and outdoor leisure facilities are located. The spatial organizational strategy allow for an array of spatial conditions that start from the intimate private unit, to outdoor private balconies; from communal plateau to the semi-public ground floor, all the way to the use of outdoor landscaping facilities.

SOFTWARE

TEAM WORKOPENSYSTEMSMarco Vannucci, Mirco Bianchini

LOCATIONTHE PEAK LEISURE CLUBHong Kong, 1982

RESULTS3rd Prize

cinema 4Drhinoceros grasshopper photoshopillustrator

FIRST FLOOR

SECOND FLOOR

THIRD FLOOR

PLANTS

DIAGRAM

MOVIMENT

SECTION

DIAGRAM 1.3

MOVIMENT FLOOR 2DIAGRAM 1.4

MOVIMENT FLOOR 3

DIAGRAM 1.1

MOVIMENT FLOOR 0DIAGRAM 1.2

MOVIMENT FLOOR 1

vegetation

elevatorspanoramic view

12 m

9 m

6 m

3 m

Dalg

ubeo

l-Dae

ro

Sinmae-Ro

Sinmae-Ro

Dalgubeol Main Road

Sawol Station

1

2

1/500

FOURMASS

SITE PLAN

N

The site is characterised, on the south and west side, by a homogeneous low-rise urban texture. On the north side of the main road, high-rise housing block are distributed along the

circulatory axis.On a urban level, one of the challenges of the project was to reconnect the diverse building scales existing in the surroundings area while providing the local community with an eye-catching,

COMPETITION / DAEGU LIBRARY The articulation of its volumes, the proportions and its height establish a critical and yet interesting

dialogue with the surrounding buildings in the attempt to reconnect the chaotic nature of the site within

one coherent synthetic gesture. The entire mass of the new library is split into four distinctive volumes of

approximately the same footprint of the adjacent low-rise urban plots. This organisation offers a clear

visual and volumetric connection with the scale of the adjacent building and provides a welcoming and

inclusive new structure for the local community. These four bodies are distinct and separate at ground

floor where an inclusive public space is articulated as an extension of the local public garden. The internal

spiral organisation facilitates the navigation throughout the building and provides spectacular views

between levels. The different functions of the building, while connected with the spiralling circulatory

ramp, are placed at the four corner of the building in correspondence with the free standing volumes: there

a more intimate and quite space provides the ideal set for reading and studying.

SOFTWARE

TEAM WORKDisguincio&co www.disguincio800.com

OPENSYSTEMS

Mirko Daneluzzo, Mirco Bianchini, Marco Vannucci

Giacomo Dodich, Sergio Bortolussi

visuals: Telegram 71

LOCATIONDaegu public library competition, South Korea, 2012

cinema 4Drhinoceros grasshopper photoshopillustrator

General Collection Room+3

180mq

Main hall+3

General Collection Room+2

170mq

Preservation room+4240mq

Children+3110mq

Infant Corner,Storytelling room,

Nursing room,Children toilet

Periodicals,Local Data,Elderly Data

Reading Room,Digital Data Corner,Laptop room

Children-1290mq

Children Corner,Multi culture Data Corner,

Digital Data Corner,Children toilet

Info reception-1130mq

Machine / Electric room0 to -1

100mq

Enter caparking0

Office+4150mq

Director Room, Office, Preparation Room,Dressing Room,Order Department,Meeting Room,Volunteer Room

Carparking-4360mq

Lifelong study+6170mq

Multipurpose+8210mq

General Collection Room+6290mq

General Book+7130mq

Seminar Room, Culture Classroom,Multipurpose Room, Language Lab

Exhibition, Lecture

Art & Science

Art & Science

General Book+7130mq



Preservation room+4240mq

Humanities and Literature

Art&Science

Society

DIAGRAMS

PROSPETIC VIEW

DIAGRAMS

FUNCTIONS

LEVEL 0 LEVEL 1

LEVEL 2 LEVEL 3

1/200

S1

S2

SECTIONS

1/200

LEVEL 51/200

LEVEL 7

Preservation room240mq

+ 4

+ 3

+2

+ 3

-1

to the administration

Main Hall240mq

info&check out desk

Arrange room12mq

Lounge120mq

Periodicals-local data100mq

Society100mq

Digital data corner/Audio-video170mq

Children room110mq

Audio/video

slide

Humanities-literature180mq

Art&Science240mq

+ 5

+ 6

+ 7

INSTALLATION / H.O.R.T.U.SHORTUS (Hydro Organisms Responsive To Urban Stimuli) is a new exhibition from ecoLogicStudio that

engages with the notions of urban renewable energy and agriculture through a new gardening prototype.

Over a four-week growing period, flows of energy (light radiation), matter (biomass, carbon dioxide) and

information (images, tweets, stats) will be triggered to induce multiple mechanisms of self-regulation and

evolve novel forms of self-organisation. HORTUS proposes an experimental hands-on engagement with

these notions, illustrating their potential applicability to the masterplanning of large regional landscapes

and the retrofitting of industrial and rural architectural types, as exemplified in the project ‘Regional Algae

Farm’ developed by ecoLogicStudio for the Swedish region of Osterlen.

AA students, staff and visitors are invited to engage daily with HORTUS to invent new protocols of urban

biogardening. A virtual organism such as this offers the opportunity to capture and build up information

and cultivation practices, enriching the material experience of the visitor turned urban ‘cyber-gardener’.

SOFTWARE PHOTO

TEAM WORKecoLogicStudio ecologicstudio.com

Philippos Philippidis

LOCATIONArchitectural Association www.aaschool.ac.uk

14/1/2012 - 11/2/2012

PUBLICATIONDomus 955 / February 2012Domus web / Architizer / Inhabitat

cinema 4Drhinoceros grasshopper Mirco Bianchini, with Iphone 4 and (app Camera+)processingphotoshopillustrator indesign

FullReader / Scan / QR reader for iPhone QR droid / QR code reader / QR Maker

http://hortus.aaschool.ac.uk/

App StoreAvailable on the

AndroidAvailable on the

QR code app

download ApplicationdA

Digital connectionDc

User number

Information about algae

Connection twitter

Comment and send a image

Techno flower

Tfl

CO2

O2

Light

Sugar

Oil

Cellulose

Biofuel

Fertilizer

Vitamins

Pigments

QR code

coltivating this virtual plotvisit this virtual plot

Cells joined by long marginal processes to form filaments, which appear in the light microscope like short beads joined by numerous fine threads. Plastids disc-like or cup-shaped. Living in the coastal marine plankton. Valves circular; valve face convex to flat; mantles deep.

Polysiphonia

Py993

possible uses

http://www.algaebase.org

SuperFood / supermatBiomimetic algaeBuilding productsIndustrial products

Macro algaeRed colourNeeds lightDoesn’t need artificial areation

cybergardener250you

aree c o L o g i c S t u d i o

algae informationvisit this virtual plot

cybergardener250you

aree c o L o g i c S t u d i o

Frank @ Bag C.8Super6 mins ago

32

Julia @ Bag D.3Amazing algae is red!30 mins ago

32

Dana @ Bag B.1Check this out1 hours ago

Jack @ Bag E.9I’m blowing2 hours ago

Phil @ Bag A.4Algae blooming2 hours ago

http://www.aaschool.ac.uk/PUBLIC/WHATSON/exhibitions.php?item=225

http://www.domusweb.it/en/architecture/hortus-a-cyber-garden/

http://www.architizer.com/en_us/blog/dyn/37707/hortus/

http://inhabitat.com/hortus-is-a-crazy-greenhouse-contraption-of-300-algae-filled-bags/

16 pipe / 3 levels / bacteria

bacteria*

interaction: dropping feedto bacteria

interaction: dropping feedto bacteria

interaction: visual

variation pipes length

bacteria*

Interaction

Hight


Interaction

Hight


Interaction

Hight

16 pipe / 1 levels / fluoresceina

Interaction

Hight

1

1

8p

4p4p

2

3

1

6p

2p2p

2

1

16p

8p8p

fluoresceina*

fluoresceina*

16p

Domus 955 / February 2012

TITLE / INTERWOVEN LANDSCAPEHuman specie has always engineered the environment to set the conditions for its own settlement,

producing in its evolutionary development superorganisms (cities) and the necessary networks of

connections amongthem. Instead of rejecting cars as an extraneous object to a picturesque nature, this

project starts from a perspective in which cities and technology are the metabolic extension of human specie

and therefore a necessary part of its own nature; the vessels (vehicles) for human transportation, or better, the

vehicle-host symbiotic system thus becomes a necessary part of human ecology, and so the network of

connections upon which they live, operate and interact with: infrastructures.

The project of an environmental enhancer for the Nogara mare highway in Veneto (Italy) provides the unique

chance to bring together ecological thinking, host interaction and active materials. Its location (an open

country planar area among cultivated fields) enucleates as critical variables the impact of pollutants and the

phenomenon of dazzling.

With respect to such criticalities, the project uses digital generative and parametric strategies to generate a

performative structure in which densification and rarefaction of elements is a local morphological response

to dazzle.

The structure itself acts as a scaffold for a photo catalytic PET based material that, mimicking the behavior of

coccoluti (marine microorganisms) is able to reduce CO2 (and potentially other pollutants) to salts and

nitrates that are then naturally deployed to the neighboring cultivated fields as fertilizers. The material has

been tested for photo catalytic integration and is currently under development. Present building and

production techniques privilege the industrial assembly of inert materials, with a one-way flow of energy and

process from raw material to finished product. Instead of this mono-directional energy consumption the

project promotes the continuous exchange of information (as code and matter-energy) at all levels and from

the digital to the material domains: use of dazzle information, morphogenetic rules and structural behavior to

generate the scaffold, a photo catalytic material that responds to pollutants and produces fertilizers, making

the structure symbiotic with their hosts and the environment.

SOFTWARE

SUPERVISORSAlessio Erioli co-de-it.com

Mirko Daneluzzo disguincio800.com

Enrico Fontanari professor IUAV

Alberto Bertagna professor IUAV

PRIZEwon the first prize at the contest Bellacoopia

Modena bellacoopiamodena.it

PUBLICATIONProcedia Engineering by Elsevier

Presented during the GBSC 2011 gbsc2011.org

COLLABORATORSRachel Armstrong grayanat.posterous.com

Davide de Lucrezia biologist

Piero Bruschi chemist

Andrea Baschieri chemist

Brunella Balestrazzi chemist

Domenica Maurizi chemist

cinema 4Drhinoceros grasshopper processingphotoshopillustrator indesign oasys analysis

STRATEGIES

VELOCITY AND PERCEPTION

SUN GLARE

POLLUTIONCactus skeleton

Roots system

Coccolithusproblems analyzed Salt crystallization Structure

Skin

DENSITY

PROXIMITY

REDUNDANCY

CRISTALLIZATION

SEDIMENTATION

PERCEPTION

V A R I A T I O N O F T H E E Y E P O I N T A N D O F T H E V I S U A L C O N E

0

10

0

20

0

30

0

40

0

50

0

60

0

m 7

00

38°

60 Km/h80 Km/h

100 Km/h

29°20°

Space perception Space contractSpace dilated

VELOCITY

SPACE

Genesis of the surface

The guide is a series of perceptions and reactions. At any time the driver is called to exercise a control over their speed, the trajectories set, the signals that come from outside. The driver, closed in his cabin,relies for conduction of the vehicle on stimulus coming from the senses of sight, the sense of hearing and tactile perception.

THE HUMAN SYSTEM

SURFACE GENESIS BY VISUAL FIELD

FIRST STEP / FIRST MORPHOLOGY

STIFFENING

Cohesions

Connections

Surface by visual field

Supports

GSA / STRESS AND TRASLATION ANALYSIS

STEPS EXPLAINED HERE

2D Stress, Von MisesStress on the middle of the elements

Output axis: global

Case: addition of the cases 1.3*weight + 1.5*wind + 0.6*snow capitolo 2.5.3 DM 2008 (Norme tecniche sulle costruzioni)

400 N/mm2

00 N/mm2

Traslation |U|

Output axis: global

Case: addition of the cases 1.3*weight + 1.5*wind + 0.6*snow capitolo 2.5.3 DM 2008 (Norme tecniche sulle costruzioni)

80 mm

00 mm

337 2119

1763

1501

1

1495

2138

1761

1752

645 2425

2177

1759

http://www.openprocessing.org/visuals/?visualID=32957

SECOND STEP / SECOND MORPHOLOGY

GLARE

STEPS EXPLAINED HERE

Redundancy

Density

Thickness

MORPHOGENESIS

FILTER

SUN GLARE

Normal eyes

Analysis settings

Dazzled eyes

15° 30°0

0100

1.14m

height of the sun visual field glare intensity

30°

40°

20°

45°

170°

LIGHTGLARE a strong, dazzling light that may cause

discomfort to the eye. Visual problems that

result from glare often involve inadequate

lighting conditions; they particularly affect

individuals with cataracts or other disease

conditions.

A visual condition in which the observer feels

either discomfort and/or exhibits a lower

performance in visual test. This is produced by

a relatively bright source of light within the

visual field. A given bright light may or may not

produce glare depending upon the location

and intensity of the light source, the

background luminance, the state of

adaptation of the eye or the clarity of the

http://www.openprocessing.org/visuals/?visualID=32956

TEST

CHEMESTRY RESEARCH

REMOVAL

PM10 TOXICITY the main effects the PM10

toxicity are paid by the breathing

apparatus and the outstanding factor for

the analysis of the effects is the particles'

dimension, that is responsable for the

penentration into the apparatus.

the harmful effects of PM10 are due to its

physical and chemical properties; indeed,

the particulate is made up of a series of

substances with toxological effects (acid

substances, metals, PAHs, endotoxin and

other organic compounds), which are

verified by several studies.

PM10 pollution causes short and

long-run harmulf effects; the first are

more acute, while the second one are

Sedimentation

Transformation

Elimination

5.8 -10.0

4.7 - 5.8

3.3 - 4.7

2.1 - 3.3

POLLUTION

BIOLOGICAL-PET

biological-PET spray

fertilizer

CO2

Sun

rain

CO

SOx

PM10

NOx

pollutants

second layer

protocells

titanium dioxide

representation of the biologicalPET deposit, layer by

H2O NO3

Rachel Armstrong / http://grayanat.posterous.com/

Manel Torres / http://fabricanltd.com/

first layer

Sedimentation

Fibrosity

Growth

Photocatalysis

Biological

Transformation

Robot design

Occlusione completa di macro zone

CRESCITA PER TRASFORMAZIONE DEGLI INQUINANTI #2

Rete

Fibrosità del materiale

PET BIOLOGICO AL MICROSCOPIO (ingrandimento x200)

le Zone con maggior deposito

CRESCITA PER TRASFORMAZIONE DEGLI INQUINANTI #1

FINAL PROJECT

MODELS

TITLE / CONVOLUTED INFERENCESThe eye is, in itself, a poor organ for vision: while our peripheral vision feeds our brain with a general but blurred image, our ability to perceive the details is limited to the narrow fovea (the only part of the retina that permits 100% visual acuity) in the eye's retina. Vision is then a matter of unconscious inferences: making assumptions and conclusions from incomplete data, based on previous experiences. Thriving on these defaults, the installation works on a varying range of perceptive and affective scales: the convolutions of the overall shape, generated from the simulated material behavior, cause an inferential reaction on the observer by showing an incomplete set of information about the general shape itself, which contours furthermore vibrate for the complexity of the component. This inference and the inability to perceive the details trigger an attractive process, but the complexity of the component detail can be appreciated only at a scale where the perception of the whole is lost; rolling backwards, it becomes clear that the effect of the whole is more than just the sum of the constituent parts. The installation doesn't embed a specific meaning or direct/indirect intentional metaphor about what has to be discovered or the discovery as a process, rather it is an experiment (or proof of concept) on how morphology, organization, material systems and patterns have the ability to trigger dynamic behavioral effects and interaction in space and time. Complexity is engaged on the level of articulating excess and exuberance as systems where form, space, material and ornament create an intricate elegance on a perceptual scale gradient.

TEAM WORKAlessio Erioli co-de-it.com

Andrea Graziano co-de-it.com

Davide del Giudice co-de-it.com

Alessandro Zomparelli sketchesofcode.wordpress.com

Mirco Bianchini interwovenlandscape.blogspot.com

LOCATIONMigz 2011 / International Festival of Contemporary Music and Media Arts Moscow /red october space www.migz.ru

SOFTWARE

cinema 4D

rhinoceros rhino nestgrasshopper

photoshopillustrator

FOVEA’SSECRETGARDEN

TITLE / CONVOLUTED INFERENCESThe eye is, in itself, a poor organ for vision: while our peripheral vision feeds our brain with a general but blurred image, our ability to perceive the details is limited to the narrow fovea (the only part of the retina that permits 100% visual acuity) in the eye's retina. Vision is then a matter of unconscious inferences: making assumptions and conclusions from incomplete data, based on previous experiences. Thriving on these defaults, the installation works on a varying range of perceptive and affective scales: the convolutions of the overall shape, generated from the simulated material behavior, cause an inferential reaction on the observer by showing an incomplete set of information about the general shape itself, which contours furthermore vibrate for the complexity of the component. This inference and the inability to perceive the details trigger an attractive process, but the complexity of the component detail can be appreciated only at a scale where the perception of the whole is lost; rolling backwards, it becomes clear that the effect of the whole is more than just the sum of the constituent parts. The installation doesn't embed a specific meaning or direct/indirect intentional metaphor about what has to be discovered or the discovery as a process, rather it is an experiment (or proof of concept) on how morphology, organization, material systems and patterns have the ability to trigger dynamic behavioral effects and interaction in space and time. Complexity is engaged on the level of articulating excess and exuberance as systems where form, space, material and ornament create an intricate elegance on a perceptual scale gradient.

TEAM WORKAlessio Erioli co-de-it.com

Andrea Graziano co-de-it.com

Davide del Giudice co-de-it.com

Alessandro Zomparelli sketchesofcode.wordpress.com


LOCATIONMigz 2011 / International Festival of Contemporary Music and Media Arts Moscow /red october space www.migz.ru

SOFTWARE

cinema 4D

rhinoceros rhino nestgrasshopper

photoshopillustrator

INSTALLATION IN NUMBERS

GENERATION SURFACE

Fourth step /relax mesh and sorted mesh face

Thirth step /Catmull-Clarck subdivision 2 iterations /528 mesh faces

Sixth step /selection triangular faces

Fifth step /evaluation triangle faces

xz

x = 289 cm / y / 259 cm / z / 43 cm

y

First step /3 mesh faces

Second step /quads subdivision 2 iterations /32 mesh faces

Remove fases

270 cm

64,5 cm180 cm

FOVEA’SSECRETGARDEN

TOTAL PIECES528

PIECES WEIGHT8.1

NODES JOINTS578

PIECES JOINTS528

PLASTIC SHEETS53

SHEETS USED AREA47.59%

SHEETS LEFTOVER52.41%

CUT LENGTH1.390 m

LASER CUT COST483.87

PIECES AREA (m2)

17.5

RULES OF THE COMPONENT

if ( angle = 0° = v ) h = 5 cm

if ( angle = 90° = z ) h = 18 cm

5 18

5 cm

9 cm

18 cm

z

angle v

HEIGHTcm

63 / pieces

44 / pieces

37 / pieces

21 / pieces

24 / pieces

22 / pieces

12 / pieces19 / pieces

29 / pieces 41 / pieces

46 / pieces

23 / pieces

64 / pieces

84 / pieces

18

17

16

1514

13 12

1110 9

8

7

6

5

The height of every component depends on its position. The angle between the norml vector of the component and the Z vector is the parameter that influences the height.

ASSEMBLY COMPONENT

COMPONENT VARIATION

Plastic tie

Folded component

Cut component

Natural polypropylene /thickness 0.5 mm

phenotype number 354phenotype number 285 phenotype number 282phenotype number 196phenotype number 223



ASSEMBLY COMPONENT

21 JUNE

SOUTH

10.00 am

11.00 am

12.00 am13.00 am

14.00 am

18.00 am

17.00 am

15.00 am

16.00 am

SOFTWAREcinema 4Drhinoceros grasshopper photoshopillustrator

SUN LIGHT STUDY / Incidence of the sun ligh on the South facade

COMPETITION / ARQUITECTUM - BARCELLONA 2011The compotetion consisted of designing a 100 meter tall tower that includes relaxation areas and stores offering young people’s fashion wear, and at the same time creates a new landmark in the city of Barcelona.

The facade system is generated of the map of the sun irradiation.The structure is based on the concept density, more density in the zone where the irradiation is very strong.

TEAM WORKMarco Vanucci opensysdesign.com


ecotect

SUN LIGHT IRRIDESCENCE ON FLOOR PLATES / Incidence of the sun ligh on the South facade

Livel 22Livel 21Livel 20

FIRST STRATEGY / stretching grid, variation of the grid spaces

TEST / DENSITY SYSTEM

SECOND STRATEGY / variation of the rotation, torsion and cohesion

SOFTWAREcinema 4Drhinoceros photoshopillustrator

PROJECT / LAB 3The project consisted of designing a chemistry center

TEAM WORK

Filippo Catapan

Filippo Piovene



PROJECT / LAB 2The project consisted of designing a archaeological park in Aquileia

TEAM WORK

Filippo de Francesco


Francesco Ardini ardidesign.com

? !?!?

1 2 4 m

Essenze esistenti

Altezza: 5 mFoglie: Caduche

Acero Campestre

Altezza: 15-20 mChioma: GlobosaFoglie: Caduche

Hall

Zona lettura

Spazi di servizio

Bagni

Piazza

Spazio multifunzione

Entrata secondaria

Legenda


PROJECT / LAB 1The project consisted of designing a visitor center in Canossa

TEAM WORK

Filippo de Francesco


Francesco Ardini ardidesign.com


ANOTHER VENICE / MATHIAS KLOTSIUAV, summer design workshop.

TEAM WORK

Filippo de FrancescoMirco Bianchini interwovenlandscape.blogspot.com

Silvia BortolatoFederica Crestani

The biomachine shifts

like an invertebrate

animal on the water

surface.

The tentacles allowes

the movement exploting

the waves’ energy.

Inside the bioma

chine there are air

bags that allowed the

floating and at the

same time follow the

waves’ movement making

the tentacle move.


ENERGY INFRASTRUCTURE / FRANCOIS ROCHE - R&SIE(N)IUAV, summer design workshop.

TEAM WORK BIOMACHINE

Filippo Piovene Marta FinotelloMirco Bianchini Cecilia Bonavia

Filippo CattapanEnrico Zago

Step 1 _ Accelerate growing: polluted water + sunlight = sea weeds proliferation in a semi-permeable membraneStep 2 _ Phytodepuration: inverse osmosis through the membrane

polluted water depurated water

Attracting seagulls with moist rubbish on the mechanical device, it is possible to overworkthe chemical elements, derived from the release of the guano (nitrogen, phosporus andpotassium), and from the loss of feathers (sodium). These components aid the growth ofnitrophilus and alophilus seeweeds, which can be used in the production of cosmetics.


COMPETITION / ESTONIAN ACADEMY OF ARTS - TALLINNThe concept of EKA Liustik (“glacier” in estonian) starts from the idea of generation and stratification: students and people that will live EKA building will also leave their ideas, creativity and sensibility. Like the glacial era generated landscape and present identity of Estonia, the new artificial Liustik will be an icon of the future of this country.

TEAM WORK


City-lab* city-lab.net

Ugo CerriAnna Goldoni

shop| 100m2

COMMON ROOMS

wardrobe80m2

cafeteria| 100m2

COMMON ROOMS

conference room| 200m2

COMMON ROOMS

auditoriums| 125m2

COMMON ROOMS

gallery 1| 456m2

COMMON ROOMS

gallery 2| 350m2

COMMON ROOMS

auditoriums| 125m2

COMMON ROOMS

auditoriums| 60m2

auditoriums| 60m2

auditoriums| 60m2

auditorium200m2

lobbymain entrance to the library

temporary expositionshow room wi-fi zone

.



.



.



.


BACHELOR THESIS / MICRO-FOLDINGShelter of the population in Darfur

TEAM WORKMirco Bianchini interwovenlandscape.blogspot.com

ARCHITECT PEOPLEOGN LOCAL AIDDESIGN PLANNING DEVELOPING MONITORING

PHASE 1 PHASE 2 PHASE 3

Phase 1Architect+ Locals + workshop

for the families

HOW TO BUILD YOUR OWN SHELTERconstruction manual

Phase 3Local aid for the creation of the

shelters + workshop for the

Phase 2Architect+ Locals + workshop for the

families

Birmaza

El Fasher

Nyala

El Geneina

ATTACKS

Number of attacks plotted on this map: 578

(Attacks consist of massacres, ambushes, armed clashes,

abductions, robberies, looting and attacks on entire villages)

Incident data (January - August 2006)

Number of attacksNATIONAL CAPITAL

4 - 9

10 - 18

1 - 3

19 - 31

Birmaza

El Fasher

Nyala

Nymeri

Hajar Banda

Garsila

Foro Burunga

Ferdous

Buram

Tulus

Rehed el Birdi

Al Lait

Al Tawisha

Muhajeria

Ed Daein

Menawashi

Dar al Salam

Ed al Nagab

Kabkabiya

Habila

Ade

Mukjar

Kass

Sullu

MorneiWada Ah

Am Dafok

Zalingei

Meiram

Saraf Omra

Birkat Saira

Silea

Kulbus

TineUm Baro

El Geneina

Sayel

Malha

MellitKhureit

Tawila

Shangil Tobayi

Korma

KutumFata BornoKulkul

BurushUm-Kedada

Logistics & Transport.

Emergency Relief Supplies

Food Security / Agriculture

Health

Income Generation

Shelter

Wash

Nutrition

Coordination

Protection

Road Rehabilitation

HUMANITARIAN

ASSISTANCE

Local work OGN work new family space

fold

fold down

Piece 2

0

3

1

2

10

3

2

Piece 1

3

21

0

3

2

10

SHELTER | FOLDING

MY BLOG IS

E-MAIL

SKYPE

interwovenlandscape.blogspot.com

[email protected]

sonomirco

http://interwovenlandscape.blogspot.com/

CV

Documents

summer design workshop

form research

design asynchronous

interior design urbania

milan aast design

research postnatural

research tripoli

grasshopper workshop